I have a taught a Mahler seminar at the graduate level on the first four symphonies for the last 14 years - this is by far the finest interpretation I have ever heard. It's a very very difficult song to pull off
Transparence totale et finesse absolue. Une version du 4ème mvt de la 4 comme jamais entendue. Délicatesse de la voix et des instruments conduite par l’intelligence du chef.
La voix merveilleuse et cristalline de Sabine Devielhe convient parfaitement à ce sommet de la musique qui est le mouvement final de la quatrième symphonie de Malher. C est au-delà de la musique, de la beauté à l état pur.
FXR is now one of my top favorite conductors! Such lively and joyful interpretations, he yields a full and rich sound for the orchestras he works with, and the pieces he chooses are excellent as well, and always very well presented!
Este movimento, aqui tão bem cantado e executado, ouvi-o em 1972 em Bournemouth, Grâ Bretanha. Estava com Marguerit Cross e uma sua colega, duas alemãs, ali a aprender inglês numa escola, como eu. Nunca mais as vi! (Martz Inura)
That was stupendous. Most sopranos just seem like they're reading notes off the page . . . but this is from deep reserves of heart & sagesse. Chapeau à tous and you can bet I'll be listening to this 200 times.
Maravilhosos. A interpretação lembra a dos geniais Abbado, Lucerne Festival Orchestra e Magdalena Kožená naquela gravação de 2009. Ou seja, acompanharam o que há de mais sublime - o que não é nada óbvio, muito menos fácil. Parabéns!
Everytime I hear Sabine she just sounds better & better ! To the point were I would suggest she's probably the best soprano around, extant! Oh Man ...Absolutely superb!
Mahler extreme, not the only one. But the song is one of a lot of ways to Mahler. Wonderfull sung with this sentiment for Mahler's zynic-ironic-anger ( may be about himself)....?
Coupure pub avant le dernier mouvement . Voix parfaite . Mais je préfère la version avec Edith Mathis avec plus d’expression dramatique. Tout est chanté sur l même ton .
![Mahler: Das himmlische Leben, Liv Redpath soprano [HD]](http://i.ytimg.com/vi/7WFa0ewDSP4/mqdefault.jpg)
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Sabine's perfect control of her voice and her beautiful timbre is unbelievable. She is the best soprano alive.
I have a taught a Mahler seminar at the graduate level on the first four symphonies for the last 14 years - this is by far the finest interpretation I have ever heard. It's a very very difficult song to pull off
Transparence totale et finesse absolue. Une version du 4ème mvt de la 4 comme jamais entendue. Délicatesse de la voix et des instruments conduite par l’intelligence du chef.
She was born to sing this piece. Perfect.
Her choices are always the most tasteful, the most understated, the most elegant.
Exquisitely sung: perfect diction, complete ease, pure notes, totally mindful of the simple but lovely folk text
Beautifully sung by the gifted soprano, Sabine Devieilhe.
La voix merveilleuse et cristalline de Sabine Devielhe convient parfaitement à ce sommet de la musique qui est le mouvement final de la quatrième symphonie de Malher. C est au-delà de la musique, de la beauté à l état pur.
what a voice! Devieilhe really makes this Mahler 4 stand out!
Sie hat eine sehr schoene Stimme und brilliert hier in der 4.
A Breath of fresh air ✨💞✨💖✨
Y really love this version. And Devieilhe… luminescense pure.
Beautiful singing of this iconic movement.
Sabine really sang like someone recalling her childhood happiness
Sabine Devieilhe is radiant
FXR is now one of my top favorite conductors! Such lively and joyful interpretations, he yields a full and rich sound for the orchestras he works with, and the pieces he chooses are excellent as well, and always very well presented!
beautiful performance Sabine Devieilhe
What a beautiful performance!
Este movimento, aqui tão bem cantado e executado, ouvi-o em 1972 em Bournemouth, Grâ Bretanha. Estava com Marguerit Cross e uma sua colega, duas alemãs, ali a aprender inglês numa escola, como eu. Nunca mais as vi! (Martz Inura)
Sabine Devieilheさんの声質、顔立ちが大好き！
Vraiment beau...pur et si musical...un bijou
That was stupendous. Most sopranos just seem like they're reading notes off the page . . . but this is from deep reserves of heart & sagesse. Chapeau à tous and you can bet I'll be listening to this 200 times.
The beauty Ís good and power
Her beautiful voice Ís out of this world
THIS was always my favorite. This is the first time hearing it from Sabine a 28 year old college acquaintance from the Early 90's. Supurb 💫✨💥
Grand dieu, quelle merveille !!!
What a perfection!!! 👏
I love Mahler 4.
Name of the flutist in 2:10 please... - extremely beatiful
Maravilhosos. A interpretação lembra a dos geniais Abbado, Lucerne Festival Orchestra e Magdalena Kožená naquela gravação de 2009. Ou seja, acompanharam o que há de mais sublime - o que não é nada óbvio, muito menos fácil. Parabéns!
Magnifica esibizione, eccellente soprano. Grande Gustav!
Everytime I hear Sabine she just sounds better & better ! To the point were I would suggest she's probably the best soprano around, extant! Oh Man ...Absolutely superb!
What a great voice
for this piece.
Sublime! Sabine + Les Siècles is always a perfect match ❤ Thank you so much!
Amazing! Thank you for putting this English lyrics since the song is in german and a bit long this helps me a lot to feel more the music ❤
私は、6:33が好きです。本当に天上の音楽だこと。
Sabine you're so
amazing 😍
Diva! 💖
Sabine makes me feel better about
My life and you.
This is almost as beautiful as Maazel's version if not equal. Congratulations.
Where to find the sheet for voice and orchestra in A dur?
Sent here by Dave Hurwitz.
❤
Mahler extreme, not the only one. But the song is one of a lot of ways to Mahler. Wonderfull sung with this sentiment for Mahler's zynic-ironic-anger ( may be about himself)....?
Il est étrange que le soprano soit derrière le chef et non face à lui... Quoi qu'il en soit, le résultat est remarquable.
That is very understandable, because this is a recording session, not for public performance. So only the sound is important.
Coupure pub avant le dernier mouvement .
Voix parfaite .
Mais je préfère la version avec Edith Mathis avec plus d’expression dramatique.
Tout est chanté sur l même ton .
😅