In any repertoire? Really? More like in the lighter repertoire requiring agility for coloratura passages, but I can't picture Sabine singing any Italian belcanto repertoire or Italian repertoire after 1800 for that matter, she'd be on edge unless she magically develops strong enough low notes and a stronger middle voice as she gets older and can start singing Puritani, Lucia or Traviata. For one thing, even when she is compared to Natalie Dessay, she is less hystrionic and would probably be a better actress in a tragic role. For the time being, she is a top performer for Ophélie (Hamlet), Zerbinetta (Ariadne auf Naxos), Lakmé or the Queen of the Night (Magic Flute) and a very respectable Cleopatra (Giulio Cesare).
I love this piece. Interesting rehearsal. The piano seems written to compliment (not necessarily 'support' with a high calibre vocalist like this) the through line of the vibratto of the voice in the piece (the finer aspects of horology).⌚ The dance of the piano is written to draw the shutter effortlessly on the facets of the vocalese in the moment, without distracting from it. 🕊️🕯️ In this, a complimentary lyricism is brought to life. #trust
And because we need precisely this perfect lyric coloratura voice for Olympia, we should stop casting all female roles with one soprano, because she is either too dramatic here or too light as Antonia.
@@johnsomerset1510 I used to feel the same! I don't like pointless singing where there's loads of vibrato so I can't hear the pitch and there's no obvious meaning beyond being "I'll impressive" but I've slowly discovered opera performers that are really creative and entertaining, like Michael spyres as Figaro
![KSI - Dirty [Official Visualiser]](http://i.ytimg.com/vi/VoDh1h1dPUE/mqdefault.jpg)
I’ve said it before: the best soprano singing today in any repertoire. Perfect vocally and musically. ❤❤❤
Indeed
In any repertoire? Really?
More like in the lighter repertoire requiring agility for coloratura passages, but I can't picture Sabine singing any Italian belcanto repertoire or Italian repertoire after 1800 for that matter, she'd be on edge unless she magically develops strong enough low notes and a stronger middle voice as she gets older and can start singing Puritani, Lucia or Traviata. For one thing, even when she is compared to Natalie Dessay, she is less hystrionic and would probably be a better actress in a tragic role. For the time being, she is a top performer for Ophélie (Hamlet), Zerbinetta (Ariadne auf Naxos), Lakmé or the Queen of the Night (Magic Flute) and a very respectable Cleopatra (Giulio Cesare).
And so so pretty!!!
Wow... just WOW! Sabine's version of this aria is the best for me. This definitely goes in my phone's Opera playlist!
Aaah, no words can describe this musical precision!! Deeply satisfying listening!
Extraordinaria cantante , con un talento vocal maravilloso. ❤❤❤❤❤❤
prodigieuse chanteuse lyrique !!!! une vraie merveille !
It couldn't be better.
I love this piece. Interesting rehearsal.
The piano seems written to compliment (not necessarily 'support' with a high calibre vocalist like this) the through line of the vibratto of the voice in the piece (the finer aspects of horology).⌚ The dance of the piano is written to draw the shutter effortlessly on the facets of the vocalese in the moment, without distracting from it.
🕊️🕯️
In this, a complimentary lyricism is brought to life.
#trust
in my mind, that was followed by thunderous applause and 100 roses.
The best! Bravissima!!
Bellísimo❤❤❤❤!!!!!
Amazing!!! Truly amazing!
Wow, this is just phenomenal. Is there anybody who does it better than this?
I believe Sumi Jo
Bravo!👏
Et voilà 😊❤❤❤
One the best!
perfect
0:03
❤❤❤❤❤
Very very good
i couldnt do it any better.
Let's try😂
And because we need precisely this perfect lyric coloratura voice for Olympia, we should stop casting all female roles with one soprano, because she is either too dramatic here or too light as Antonia.
Sorry but I hate that pretentious caterwauling.
What makes you call this style of singing caterwauling? There’s a clear sense of stylistic control here I think
@@quesopicante5743 Lol. Yes I know, but it must be an aquired taste, that I don't have, -yet.
@@johnsomerset1510 I used to feel the same! I don't like pointless singing where there's loads of vibrato so I can't hear the pitch and there's no obvious meaning beyond being "I'll impressive" but I've slowly discovered opera performers that are really creative and entertaining, like Michael spyres as Figaro