Been eyeballing one of these and after this I think it's time to lighten the wallet a bit. Awesome demo Mate. Subbed and Cheers from the Nations Capital 👍🇦🇺🍺
If I find one in a store I'll give it a try for sure but needs an attenuator desperately to work properly even with a booster. Maybe the fact that you're forced to involve the power amp by crancking it in order to have more gain and mix the two channels is the magic formula for Piece of Mind.
@@lovecraftmusic8717 There's something different about these amps that goes beyond what can be explained by the effect of driving the power stage. For one, they have less top end than JCM800-style amps (which is pretty main lines of amps after JCM800, including, and especially, the DSL, which has a lot of treble that can, however, be dialed out). Second, they have excellent single note definition. If you listen to Maiden's original version of "Sanctuary" with Paul DiAnno, you can hear the first two strings ring out clearly in the mix, which is a good example of that clarity. And lastly, these amps manage to sound overdriven without what I would describe as buzz between notes and chords. They just sound really clean and tame, but also overdriven. The bit that Anthony plays in the intro to his new video is a good example. You get the drive but without the noise part, which is another thing that stands out about the tone on Piece of Mind (e.g., the intros to "Still Life" and "To Tame a Land"). For some reason, these amps have all the good stuff associated with overdrive, but none of the disadvantages, which results in such a controlled heaviness. I also like how incisive the midrange is. Very compact, with a tight, percussive low end, which these amps don't seem to have much of, but that must also be why they sit so well in a mix
@@lovecraftmusic8717 One more thing. In the "Flight of Icarus" video, where you can see the four-hole JCM800s that Adrian is playing, it shows that he is plugged into the high treble channel, with no jumpering of the two channels. Perhaps that explains that bright nature of the tone on Piece of Mind (At least I always perceived it as very present and bright, in a good way. Others may disagree.)
@@lovecraftmusic8717 I agree. Powerslave is very compact, more ambient, whereas Piece of Mind is warmer and thicker. I associate Piece of Mind with "bright" because of the tight low-end. For example, if you listen to "Where Eagles Dare," the palm-muted pedal notes on the main riff should normally be very heavy, especially with two guitars, but they are not even audible on the album. Another good example is the low-E palm-muted pedal note in the chorus of "Die With Your Boots On." Those palm-mutes should be very heavy sounding, but they are not even audible. I am not sure how Maiden pulled that off, but somehow the power chords is all you can hear, whereas the palm-muted root notes are so inaudible that it is not clear whether they are there at all. This is one of those things that makes Piece of Mind a cut above the rest. Maiden's heaviness is so subtle and classy, that they avoid solutions that any other band would think is an obvious choice. If you read reviews of Piece of Mind, you'll often hear the complaint that it doesn't have enough low end. Which is not true, as the perception of missing low end is there because the guitars are so crisp and so well-seated in the mix, but all the complaining did have the result that the 2015 remaster of Piece of Mind got a serious boost to the low end, both on the guitars and the bass.
EXACTLY....USE DIFFERENT GUITARS AND PEDALS TO GET THE ENTIRE CATALOG OF MARSHALL TONES (even though you used same pickups and guitar) GREAT DEMO! GREAT INFO! PS....MARSHALL CAN NOT DO MESA BOOGIE, GET BOTH! RESPECT
Amazing, I had no idea a plexi could produce those tones. Any chance you'll do a video comparing and shooting out the SV, SC, and DSL? Would be so cool to hear them up against each other and hear how you think they differ.
Your playing skills seem to have escalated significantly in the past year. Super happy with the amp I bought as a result of watching your video. Thank you. But, bro, you're reaching elite level with your talent. Nice.
Hi. Congratulations on the channel! I would like to ask you a question if possible. in your opinion and have you been able to try it. Which speaker would go best with a 1x12" screen for the Marshall STUDIO VINTAGE SV20h head, what is the ideal combination and would it make the best match? With : 1° Celestion G12M 65 Creamback 1×12" 2° Celestion Vintage30 1x12" 3° Celestion V type 1x12" 4° Celestion Greenback 1x12" 5° Celestion Classic Lead 80 1x12" With what Ohms would be the ideal or best for the speaker with the Marshall SV20h head? With : 1st Speaker 8 Ohms 2nd Speaker 16 Ohms Thank you very much in advance for the information (if it is possible for you to give me your opinion) and sorry for being so bold with the query, I hope I don't bother you. Thank you very much!!Greetings!
Awesome!! Thanks using this Marshall!!! Sounds great. How is the room volume? Is the 20 watts enough for a live band and play live? Cheers from Kentucky!!
Are Floyd tones coming? You’re so much much more than just a metal channel! I love my metal but your old Gilmour solos are what made me subscribe years ago. Love your stuff keep up the good work!
Great riffage and demo. Sounds great from here. By the way, the reason that the tone stack does not change much the tone in vintage plexi is because most of the distortion comes after the tonenstack, from the power amp. So the tone stack is a pre-distortion tone shaping , like the eq on Mesa Mark amps..
I feel a loop in a non master volume amp like a Plexi is a waste of time. Dave Friedman is intentionally not putting a loop in his upcoming Plexi style amp. Mostly because it will just make things worse. Your experiments seem to match that notion. Similar amps like the EHX Mig50 don’t have loops either, but I think that’s a good thing. Only bummer about these style amps is home players gotta run into a load box or use a Fryette powerstation to get the gain at a volume level that does not piss everyone around you off.
Yes! I bought one a few months ago and had to run it with an Origin Effects revival drive in front as my Power Station was on a ship as I'd just moved countries! This amp needs an attenuator. With a Power Station, it sounds glorious!
Thanks for the review! Awesome tones...everything I love. Liked and subscribed. Could you share some information on the HH Telecaster in the background? Love the Les Paul Custom style neck. Thanks!
How long have you been playing? Your a great guitar player!!! Btw I grew up skateboarding everything from ACS trucks, Logan earth ski to sims Lester to kryptonics👍😃🎸🤘
Beautiful "plexi" type, good job Marshall. I'm leaning towards the ST-20 JTM studio series, because I prefer clean tones, but that one is awesome too. I've gotten the JTM-1 50 year anniversary one watter, and even it can get too loud if it's cranked, I use it with a less sensitive/efficient speaker(greenback) to keep the volume down in the sweet spot. If I want to play louder then I plug into the cab with an Avatar A25 (Celestion blue type). I'm amazed at how much of the JTM sound it gets, even with the little wonky power tube!
Marshalls, Rhoads V, and killer 80's cruiser skateboard decks on the wall. Kindred spirit. Mid 40's and Im still into Skateboarding, Heavy Metal and Comic books. Whatever.
I found the amp loud and untamable but you calmed the beast that the Plexi can be. It nearly approaches the JCM800 in gain which is amazing. Yet you have to do that with overdrive and EQ.
Hate to say it bro, can’t believe I am saying it, but metal militia was kinda sloppy even before the looped part. You’re usually nothing short of impeccable.
Always some new piece of gear to show off. What is the next thing you have your eye on? Oh I did get a parametric eq and I definitely dig it. I went with a Guptech pPTSD. Almost half the price as the EQFH. From what I can see, covers all the same frequencies. Bonus, it looks fantastic.
Bro has the Zero Converse. I wish I still had mine, but they got destroyed. Tone's sick and good to see the Birb's, as always. Bonus, I learned something about Plexi's today.
Great tones! The volumes for each channel are more like gain controls than master volumes. Both in where they are placed in the circuit, and how they act. Full volume is reached very low on the dial, usually like 2 or 3, and from that point, they just add distortion. If you don’t jumper the channels and push the brilliant channel to 9 or 10, it mellows out and becomes THE classic sound. And keep the bass low, like 0
They have that wild kerrang to the high end that later amps to not have. The low end can get a bit loose and unruly though. Never seemed to bother Angus though. His tone is hard to beat, especially live during the Bon Scott era.
I bought the SC 2 years ago and now I also have the SV. This amp is a true time machine that takes you to the tones of the 70s and early 80s. I never had the opportunity to use an SLP100, but I imagine it must be very complicated to use it in rehearsals and small gigs, as the SV20 at the 5w position it is already extremely loud. : ) Still comparing the SV with the SC, I noticed that they have some points of similarity, but the SV seems to be more versatile for other styles, such as hard rock or pop, for example. I haven't had the chance yet but I would like to try the mini Jubilee. In some videos I could see that his EQ is very active, allowing everything from classic to modern tones. If you have the DSL, SC and now the SV, which one do you like best? Once again, thank you for sharing your experiences! Congratulations on making rich content!
The problem of Marshalls is that they always lack smth, all the badass tones out there are from modded Marshalls, ppl buy a Marshall thinking they'll achieve Slash's sound then they realize his Marshall had a bunch of mods, so Friedmans are basically that, modded Marshalls, that's why they sound better.
So i bought this same amp new after watching many videos and everyone seemed to love this amp. Well this was a lesson for me and i went against my better judgment and bought without ever playing one personally. I did not like this amp. I didn't like for starters the cleans, yeah thats right the cleans sucked! The overdriven tones were brash and brittle sounding with no bass or ump that it needed no matter the settings i tried. I traded this amp after trying for a month to like it. I built from scratch a 30 watt plexi - my second from scratch at this time. I love this amp i built! Try a amp out before buying one, that was a lesson for me that everyone should follow. This of course is just my opinion and you will have yours.
Yeah, I own the Studio SC, SV amd DSL amps. All loud as hell, sound great and definitely long term keepers. The SV is great for Doom or Stoner rock when boosted and EQ'ed properly. But it will still sound like a Plexi! Lol.
@@cavacofonseca More modern I guess is the way I'd put it. It's a more versatile amp and tbh just killer value for money. The SC and SV nail their thing though and if you're after those tones they're the ones to go for. If I had to choose only one, I reckon the DSL would be it though.
Good to see Marshall getting behind you! You have no doubt sold many amps for them 🔥
They sell fridges and shirts now
@@notsure1135then you should buy their amps, not their fridges or shirts
@@notsure1135don’t forget headphones!
Plexi and sd1 match made in heaven. I own the sv20h and sd1 and using nearly the same settings for meallica old school tone. Keep it up 👍🏻
FINALLY someone makes a video about this era, happy to see it was just good ol' LambChopper!
I came for the Marshall but the Vallely boards were a nice bonus 👍👊
Been eyeballing one of these and after this I think it's time to lighten the wallet a bit. Awesome demo Mate. Subbed and Cheers from the Nations Capital 👍🇦🇺🍺
I got this a few years ago for AC DC stuff. I had it modded for a MV and just general improvement. Sounds great.
I only watched for the parrots.
Just kiidding! Thanks for the informative demo!
The swing section in Four Horsemen sounded perfect
This amp sounds so much like classic Maiden. Piece of Mind in a box.
If I find one in a store I'll give it a try for sure but needs an attenuator desperately to work properly even with a booster. Maybe the fact that you're forced to involve the power amp by crancking it in order to have more gain and mix the two channels is the magic formula for Piece of Mind.
@@lovecraftmusic8717 There's something different about these amps that goes beyond what can be explained by the effect of driving the power stage. For one, they have less top end than JCM800-style amps (which is pretty main lines of amps after JCM800, including, and especially, the DSL, which has a lot of treble that can, however, be dialed out). Second, they have excellent single note definition. If you listen to Maiden's original version of "Sanctuary" with Paul DiAnno, you can hear the first two strings ring out clearly in the mix, which is a good example of that clarity. And lastly, these amps manage to sound overdriven without what I would describe as buzz between notes and chords. They just sound really clean and tame, but also overdriven. The bit that Anthony plays in the intro to his new video is a good example. You get the drive but without the noise part, which is another thing that stands out about the tone on Piece of Mind (e.g., the intros to "Still Life" and "To Tame a Land"). For some reason, these amps have all the good stuff associated with overdrive, but none of the disadvantages, which results in such a controlled heaviness. I also like how incisive the midrange is. Very compact, with a tight, percussive low end, which these amps don't seem to have much of, but that must also be why they sit so well in a mix
@@lovecraftmusic8717 One more thing. In the "Flight of Icarus" video, where you can see the four-hole JCM800s that Adrian is playing, it shows that he is plugged into the high treble channel, with no jumpering of the two channels. Perhaps that explains that bright nature of the tone on Piece of Mind (At least I always perceived it as very present and bright, in a good way. Others may disagree.)
@@metalinsights9664 corious... For me Piece of Mind has always been a dark warm tone...Powerslave is bright/clear/neutral/balanced by comparison.
@@lovecraftmusic8717 I agree. Powerslave is very compact, more ambient, whereas Piece of Mind is warmer and thicker. I associate Piece of Mind with "bright" because of the tight low-end. For example, if you listen to "Where Eagles Dare," the palm-muted pedal notes on the main riff should normally be very heavy, especially with two guitars, but they are not even audible on the album. Another good example is the low-E palm-muted pedal note in the chorus of "Die With Your Boots On." Those palm-mutes should be very heavy sounding, but they are not even audible. I am not sure how Maiden pulled that off, but somehow the power chords is all you can hear, whereas the palm-muted root notes are so inaudible that it is not clear whether they are there at all. This is one of those things that makes Piece of Mind a cut above the rest. Maiden's heaviness is so subtle and classy, that they avoid solutions that any other band would think is an obvious choice. If you read reviews of Piece of Mind, you'll often hear the complaint that it doesn't have enough low end. Which is not true, as the perception of missing low end is there because the guitars are so crisp and so well-seated in the mix, but all the complaining did have the result that the 2015 remaster of Piece of Mind got a serious boost to the low end, both on the guitars and the bass.
How those old school Valley's with rails on the door. And now an extra bird. Excellent.
Air Force Joey says hi Lamby.
The eq in the loop may not work as well because the power amp section is being overdriven
Hey man you should talk to Jason at headfirst amplification and see if he can throw a ppimv in your plexi so you can crank it without an attenuator
Was going to get one then saw the cheap small pots they use and the power tube sockets soldered directly to the circuit boards and decided nope.
Get the 1959
@LambChopper678 what looper pedal are you using?
The basic boss Rc1, it’s been pretty good
Best amp in my collection….where did you get the amp storage ?
I make all my racks and storage stuff
EXACTLY....USE DIFFERENT GUITARS AND PEDALS TO GET THE ENTIRE CATALOG OF MARSHALL TONES (even though you used same pickups and guitar) GREAT DEMO! GREAT INFO! PS....MARSHALL CAN NOT DO MESA BOOGIE, GET BOTH! RESPECT
Marshall, get this man a 1959 head ASAP!
Congrats, Man! That's one of the finest amps available to us old school rock/metal fans!
Nailed it bro... Thrash heaven!
Your a monster! Love listening to you just jam! Thanks for keeping it fun as always
Love all those old riffs, great tone for them there. I also love the birds just hanging out in the vids 😎
Amazing, I had no idea a plexi could produce those tones. Any chance you'll do a video comparing and shooting out the SV, SC, and DSL? Would be so cool to hear them up against each other and hear how you think they differ.
I agree!
Your playing skills seem to have escalated significantly in the past year. Super happy with the amp I bought as a result of watching your video. Thank you. But, bro, you're reaching elite level with your talent. Nice.
WHAT!! Dudes been rocking technically riffs for years now
Hi.
Congratulations on the channel!
I would like to ask you a question if possible.
in your opinion and have you been able to try it.
Which speaker would go best with a 1x12" screen for the Marshall STUDIO VINTAGE SV20h head, what is the ideal combination and would it make the best match?
With :
1° Celestion G12M 65 Creamback 1×12"
2° Celestion Vintage30 1x12"
3° Celestion V type 1x12"
4° Celestion Greenback 1x12"
5° Celestion Classic Lead 80 1x12"
With what Ohms would be the ideal or best for the speaker with the Marshall SV20h head?
With :
1st Speaker 8 Ohms
2nd Speaker 16 Ohms
Thank you very much in advance for the information (if it is possible for you to give me your opinion) and sorry for being so bold with the query, I hope I don't bother you.
Thank you very much!!Greetings!
Never liked plexi. But jcm 800 is another story
Nailing tone re-creations every time! Great vid!
Doesn’t help that all these Marshalls just went on sale in the US. Im trying really hard to resist.
DSL,SV, SC, studio JTM.
So many choices! 😭
I’ve only had my silver jube for less than a year and I want more Marshalls already… these prices are not helping 😂
I have to wonder if Marshall is getting ready to discontinue these.
@@finishin.my.coffee8780no just trying to get people interested again. It’s the cheapest UK made Marshall today
Awesome!! Thanks using this Marshall!!! Sounds great. How is the room volume? Is the 20 watts enough for a live band and play live? Cheers from Kentucky!!
It needs a power soak for home use but it’d be fine for clubs and jamming
I just want to plug it in and not deal with attenuators and computers
Well... Then it's gonna be LOUD lol.
Looking forward for the Silver Jub!
Cheers from Portugal 🤘🍺🇵🇹
Are Floyd tones coming? You’re so much much more than just a metal channel! I love my metal but your old Gilmour solos are what made me subscribe years ago. Love your stuff keep up the good work!
Damn I’m early
Great riffage and demo. Sounds great from here. By the way, the reason that the tone stack does not change much the tone in vintage plexi is because most of the distortion comes after the tonenstack, from the power amp. So the tone stack is a pre-distortion tone shaping , like the eq on Mesa Mark amps..
Guys i think he likes marshall but am not sure
I feel a loop in a non master volume amp like a Plexi is a waste of time. Dave Friedman is intentionally not putting a loop in his upcoming Plexi style amp. Mostly because it will just make things worse. Your experiments seem to match that notion.
Similar amps like the EHX Mig50 don’t have loops either, but I think that’s a good thing.
Only bummer about these style amps is home players gotta run into a load box or use a Fryette powerstation to get the gain at a volume level that does not piss everyone around you off.
Yes! I bought one a few months ago and had to run it with an Origin Effects revival drive in front as my Power Station was on a ship as I'd just moved countries!
This amp needs an attenuator. With a Power Station, it sounds glorious!
@@aynakotalaga Agree. The Power Station is the best way to crank a NMV amp at home.
Any chance you will be reviewing the Friedman Jake E. Lee Signature?
Jel amp is great
Thanks for the review! Awesome tones...everything I love. Liked and subscribed. Could you share some information on the HH Telecaster in the background? Love the Les Paul Custom style neck. Thanks!
Thanks mate welcome 🙏🏻
It’s a Charvel Joe Duplantier Pro Mod 2
Thank you, Sir!
Hey Lamb, what headphones are you using?
Roland RH-300 👌🏻
thank you so much for the opening riff i have this amp and i love it for early megdeth tones
I have to get one, it’s the sound I grew up with and what I think of for guitar sound back in the day, thanks for the review
Poor bird lol
Fuckxxx awesome!!!
How long have you been playing? Your a great guitar player!!! Btw I grew up skateboarding everything from ACS trucks, Logan earth ski to sims Lester to kryptonics👍😃🎸🤘
I love how the room is getting more and more packed video by video
Beautiful "plexi" type, good job Marshall. I'm leaning towards the ST-20 JTM studio series, because I prefer clean tones, but that one is awesome too. I've gotten the JTM-1 50 year anniversary one watter, and even it can get too loud if it's cranked, I use it with a less sensitive/efficient speaker(greenback) to keep the volume down in the sweet spot. If I want to play louder then I plug into the cab with an Avatar A25 (Celestion blue type). I'm amazed at how much of the JTM sound it gets, even with the little wonky power tube!
MAN IVE NEVER SEEN ANYONE NAIL THE MECHANIX SOLO LIKE THAT. THAT WAS AMAZING YOU NEED TO MAKE A LESSON ON THAT YOU'D BE THE FIRST ON RUclips!
Thanks mate but it wasn’t accurate at all. I only played the intro to it and made it up sorry
@@LambChopper678Still amazing!! Love the vids keep em comin!!!❤️
Marshalls, Rhoads V, and killer 80's cruiser skateboard decks on the wall.
Kindred spirit.
Mid 40's and Im still into Skateboarding, Heavy Metal and Comic books. Whatever.
Regarding the EQ in the loop, I think only Tom Scholz would be able to get something useful. But, using that 6 band in front of the amp is magical.
I found the amp loud and untamable but you calmed the beast that the Plexi can be. It nearly approaches the JCM800 in gain which is amazing. Yet you have to do that with overdrive and EQ.
Hate to say it bro, can’t believe I am saying it, but metal militia was kinda sloppy even before the looped part.
You’re usually nothing short of impeccable.
Always some new piece of gear to show off. What is the next thing you have your eye on?
Oh I did get a parametric eq and I definitely dig it. I went with a Guptech pPTSD. Almost half the price as the EQFH. From what I can see, covers all the same frequencies. Bonus, it looks fantastic.
It's like a younger Steve Martin and Steve Irwin joined up and learned how to shred.
When u play the old kill em all songs, sounds like the way it should sound, it sounds like megadeth.
Bro has the Zero Converse. I wish I still had mine, but they got destroyed. Tone's sick and good to see the Birb's, as always. Bonus, I learned something about Plexi's today.
Great tones! The volumes for each channel are more like gain controls than master volumes. Both in where they are placed in the circuit, and how they act. Full volume is reached very low on the dial, usually like 2 or 3, and from that point, they just add distortion. If you don’t jumper the channels and push the brilliant channel to 9 or 10, it mellows out and becomes THE classic sound. And keep the bass low, like 0
Man...
Awesome demo.
I'm trying to not thinking in buying the all studio range.
Thanks for this- I just purchased one from Italy on Reverb, getting it in two days!!
You could do some George Lynch tones with that.
Thanks for the great explanation of the amp's capabilities and nuances! Excellent examples and playing too!
With all this gear now more than ever we need a slash multiple era tones demo PLEASE LAMB
They have that wild kerrang to the high end that later amps to not have. The low end can get a bit loose and unruly though. Never seemed to bother Angus though. His tone is hard to beat, especially live during the Bon Scott era.
Gratz on Marshall sending you the amp to demo! Now we just have to get Gibson to send you a mini dual rec!
Oh oh, you’re addicted, now you have to complete the collection with the Jubliee!
Great sound, mate. Amazing playing. I always learn one thing or two with your videos, that's great. Thanks for it
Probably the best demo of this amp, for my musical tastes, of any I’ve seen.
You've definitely captured the early 80's thrash sound with that little monster!
Great idea adding the loop pedal into your signal chain while filming your videos.
Cool video. Which of the SC20 or SV20 is more fitting for metal over all?
Sc20 is much more modern and sounds heavier. This is old school metal tone where you need to be a little looser and lighter on palm mutes
Certainly a more open vintage tone, but Rocks none the less !
Would love a dio holy diver video with the boss sd1 using this amp.
I bought the SC 2 years ago and now I also have the SV. This amp is a true time machine that takes you to the tones of the 70s and early 80s. I never had the opportunity to use an SLP100, but I imagine it must be very complicated to use it in rehearsals and small gigs, as the SV20 at the 5w position it is already extremely loud. : )
Still comparing the SV with the SC, I noticed that they have some points of similarity, but the SV seems to be more versatile for other styles, such as hard rock or pop, for example.
I haven't had the chance yet but I would like to try the mini Jubilee. In some videos I could see that his EQ is very active, allowing everything from classic to modern tones.
If you have the DSL, SC and now the SV, which one do you like best?
Once again, thank you for sharing your experiences! Congratulations on making rich content!
Hey thanks mate, I’m sure I’ll end up grabbing a jubilee but my favorite so far is the 800. I like the heavy punchy feel
dont they nibble on the knobs and tolex?
Massive sound!! Thanks for sharing!!
As usual, opening up with the good stuff🤘
Have one, great amp.
Owned all 3 at one point. Loved them all but eventually sold em off for a Friedman BE-50. Feel as if Friedman has beaten Marshall at their own game
I don’t feel that way at all. Especially since the lockdowns when Dave hinted at how the untaxed should be arrested.
@@benallmark9671 don't know the story there but if he was talking about rich people I'd agree
f friedman
The problem of Marshalls is that they always lack smth, all the badass tones out there are from modded Marshalls, ppl buy a Marshall thinking they'll achieve Slash's sound then they realize his Marshall had a bunch of mods, so Friedmans are basically that, modded Marshalls, that's why they sound better.
@@benallmark9671I’m not sure where he stands politically nor do I care. Point I’m making is Friedman makes a better Marshall than Marshall
Bonded by blood 👍
This has to be the classicist amp ever.
It needs some jose mods
80's tones...
Very nice!
🙂🙂😀
502!!!
Yessum 🤘
So i bought this same amp new after watching many videos and everyone seemed to love this amp. Well this was a lesson for me and i went against my better judgment and bought without ever playing one personally. I did not like this amp. I didn't like for starters the cleans, yeah thats right the cleans sucked! The overdriven tones were brash and brittle sounding with no bass or ump that it needed no matter the settings i tried. I traded this amp after trying for a month to like it. I built from scratch a 30 watt plexi - my second from scratch at this time. I love this amp i built! Try a amp out before buying one, that was a lesson for me that everyone should follow. This of course is just my opinion and you will have yours.
Would love to see you do annihilators Never, neverland tone. especially on boss katana.
Yeah, I own the Studio SC, SV amd DSL amps. All loud as hell, sound great and definitely long term keepers. The SV is great for Doom or Stoner rock when boosted and EQ'ed properly. But it will still sound like a Plexi! Lol.
How do you compare the DSL with the others?
@@cavacofonseca More modern I guess is the way I'd put it. It's a more versatile amp and tbh just killer value for money. The SC and SV nail their thing though and if you're after those tones they're the ones to go for. If I had to choose only one, I reckon the DSL would be it though.
Yeah that's what I'm thinking
You just need the silver jubilee to complete the awesome line up 😊
🤘😎🤙