Beautiful both before and after!! What an amazing history that kit has! Incredible restoration and incredible playing at the end Franco! Wow! Thank you for your videos
Amazing restoration, what a transformation - brilliant craftsmanship. I have an identical Gretsch set (20,12,14), in red rosewood, also dating from 1975 and also originating from Italy, according to the shop stickers still on the shells. I’ve noticed that Gretsch drums from this period have slightly thinner shells than later Gretsch drums or earlier round badge shells. I believe they have a more open, resonant sound because of this and are superb for recording, as you can hear at the end of the film. Great Gretsch set - excellent film - brilliant drumming too !
Beautiful video! I don’t know if I like the before or after better. I would have been scared to touch it. So much history. But it turned out fantastic.
Beautiful work. But I do think the restauration took away all the history and life out of those drums. I myself love patina, but that’s just me. You would never do this to an old battered fender strat would you...
Thanks for your your comment! It's a interesting topic on how to restore drums. Thanks! I copy here my response to two other comments similar to yours: *** I understand and respect your opinion. In 99% of cases I think it is right to save the state of the drums. But when the condition is very bad, I think it is a good choice to restore the original condition. Same choice for a 16th century Leonardo or Raffaello painting completely obscured by smoke and dirt. We cannot leave it in this terrible "original" condition. Case by case, we have to think about what is the best way to restore a work of art. However, for any choice, it is impossible to meet 100% appreciation. Thanks for your comment! *** Ok, I respect your opinion. I'm italian and Italy has the largest numbers of art works in the world, just saying that for our people is normal to restore a Leonardo's painting, an old Ferrari, an old Venice's bridge, Rome's Coloseum or a Gretsch vintage drums kit. We appreciate beauty and the sign of time is part of history and part of beauty too of course, but up to a certain point. When the object is too neglected, we have the responsibility to care for it. To preserve its beauty without compromising its sound. If a University's degree of "Art of Restore" exist, probably this work is not so insane. Thank you!
Buongiorno Franco, un lavoro a dir poco incredibile!!! Fantastico suono, penso la Gretsch dal suono migliore che abbia mai sentito. Grazie per postare e spiegare i processi eseguiti, seguo volentieri tutti i tuoi video. Qual è il rullante utilizzato nel primo brano che segue la narrazione?
I understand and respect your opinion. In 99% of cases I think it is right to save the state of the drums. But when the condition is very bad, I think it is a good choice to restore the original condition. Same choice for a 16th century Leonardo or Raffaello painting completely obscured by smoke and dirt. We cannot leave it in this terrible "original" condition. Case by case, we have to think about what is the best way to restore a work of art. However, for any choice, it is impossible to meet 100% appreciation. Thanks for your comment!
Eh sì Giuseppe. Il desiderio di restaurare la Gretsch di Enzo è nato proprio negli anni in cui io suonavo con la Gretsch che ti ho venduto qualche anno fa, che è uguale e dello stesso anno di quella di Enzo, e vedendo la sua così malridotta rispetto alla mia ( che ora è divenuta tua...) pensavo che un giorno mi sarebbe piaciuto vedere quello strumento tornare al suo bell'aspetto iniziale. Il lockdown dovuto al Covid, unito alla passione per lo strumento e al sentimento di amicizia che mi lega a Enzo, ha aperto uno spazio temporale perchè questo accaddesse. La tua Gretsch, è in qualche modo legata a quella di Enzo. Una bella storia direi.
@@FRANCODALMONEGODRUMS Bellissimo, poi è una batteria che si è meritata anche di essere restaurata per il lavoro svolto. Bella anche la musica, ad un certo punto appare Eric Dolphy!
Ok, I respect your opinion. I'm italian and Italy has the largest numbers of art works in the world, just saying that for our people is normal to restore a Leonardo's painting, an old Ferrari, an old Venice's bridge, Rome's Coloseum or a Gretsch vintage drums kit. We appreciate beauty and the sign of time is part of history and part of beauty too of course, but up to a certain point. When the object is too neglected, we have the responsibility to care for it. To preserve its beauty without compromising its sound. If a University's degree of "Art of Restore" exist, probably this work is not so insane.
@@FRANCODALMONEGODRUMS yes I understand the reason why you did what you did. But the reason I would of not touched the finish is because I would not change the finish of a Stradivarius onless it's broken. If it doesn't affect it's use, I wouldn't touch it. But if you do you have to be really careful. Did you use a nitrocellulose lacker like the original? Plus you can always buy a new drum but you will never get back the history of an old one. To me those scratches weren't ugly but beautiful. Some things are better left untouched. It's a different perspective, but at the end of the day they're yours and as long as you are happy, that's what counts. Enjoy 🙂
Too sad the nice old looking Drumkit is gone! Looked unrestored 1000x better! I think if someone wants a Drumkit that looks like new,he should buy a new one! In my my opinion this one is now ruined! Sorry
I understand and respect your opinion. In 99% of cases I think it is right to save the state of the drums. But when the condition is very bad, I think it is a good choice to restore the original condition. Same choice for a 16th century Leonardo or Raffaello painting completely obscured by smoke and dirt. We cannot leave it in this terrible "original" condition. Case by case, we have to think about what is the best way to restore a work of art. However, for any choice, it is impossible to meet 100% appreciation. Thanks for your comment!
La base de l'attache-toms est montée très prés du côté frappe de la grosse caisse. C'était un peu “au petit bonheur la chance“ à cette époque dans la production. Là, ça n'est pas de chance, parce que l'on se retrouve avec les toms médiums dans les genoux. Et ça donne l'impression que cette GC est montée à l'envers.
I've known a good handful of string instrument luthiers , but I heard of a drum luthier. 🤔 Good job! Thanks for sharing.
I do think even Enzo would agree. These are fantastic looking
Very Nice ! Mine is a stop badge 1974 ! So long ! Thanks
Best Gretsch drums I’ve ever heard, and they’re so beautiful
Beautiful both before and after!! What an amazing history that kit has! Incredible restoration and incredible playing at the end Franco! Wow! Thank you for your videos
THANK YOU!!
Just Fabulous.
Superb music..
3:14. I have to say, I winced when I saw the wear on that tom. So glad you gave this kit the attention it was due.
Thanks!
Snare rash!
I would've left it, what a story it tells.
And I do think the restoration looks excellent too, but man, 45 years of gigging! That kit is cool.
Amazing restoration, what a transformation - brilliant craftsmanship.
I have an identical Gretsch set (20,12,14), in red rosewood, also dating from 1975 and also originating from Italy, according to the shop stickers still on the shells.
I’ve noticed that Gretsch drums from this period have slightly thinner shells than later Gretsch drums or earlier round badge shells.
I believe they have a more open, resonant sound because of this and are superb for recording, as you can hear at the end of the film.
Great Gretsch set - excellent film - brilliant drumming too !
Yes, this Gretsch kit has Jasper's amazing thinnest shells and rounded edges with a very open and resonant sound! Thanks!
wonderful documantation - wonderful drumset
Ciao Enzo, resta in pace. Grazie per le tue lezioni su questa magica gretsch fishball....
Beautiful video! I don’t know if I like the before or after better. I would have been scared to touch it. So much history. But it turned out fantastic.
they look great, my weird taste prefers it before restoration.
In 90% of cases I prefer instruments in original condition, but when these are too damaged I prefer restoration.
Beautiful work. But I do think the restauration took away all the history and life out of those drums. I myself love patina, but that’s just me. You would never do this to an old battered fender strat would you...
Wonderful!!
Irreversible... So sad. The most stunning road worn Gretsch I've ever seen on screen turned into a showroom model. Damn! Great playing though!
Thanks for your your comment! It's a interesting topic on how to restore drums. Thanks!
I copy here my response to two other comments similar to yours:
***
I understand and respect your opinion. In 99% of cases I think it is right to save the state of the drums. But when the condition is very bad, I think it is a good choice to restore the original condition. Same choice for a 16th century Leonardo or Raffaello painting completely obscured by smoke and dirt. We cannot leave it in this terrible "original" condition. Case by case, we have to think about what is the best way to restore a work of art. However, for any choice, it is impossible to meet 100% appreciation.
Thanks for your comment!
***
Ok, I respect your opinion.
I'm italian and Italy has the largest numbers of art works in the world, just saying that for our people is normal to restore a Leonardo's painting, an old Ferrari, an old Venice's bridge, Rome's Coloseum or a Gretsch vintage drums kit. We appreciate beauty and the sign of time is part of history and part of beauty too of course, but up to a certain point. When the object is too neglected, we have the responsibility to care for it. To preserve its beauty without compromising its sound.
If a University's degree of "Art of Restore" exist, probably this work is not so insane.
Thank you!
Wonderful video and playing as usual! Just curious if the AKG D12E microphone on the bass drum is facing backwards for a reason?
Thank you! No, the mic is reversed just because of a stupid mistake by me! Ahahah
@FRANCODALMONEGODRUMS well, it is not an uncommon mistake, and it doesn't matter anyway since the drums sound great and so do you! 😊
Thank you!!
Looks great! Uhh ,75?? I wonder if they are Jasper shells.
Yes, Jasper shells! Thanks!
Im surprised youd wanna change it, nice kit for sure though
Fantastico !!! Enzo sarà contento !!!
...sembra lo sia!
Amazing restoration . How did you match the stain that is close if not dead on and that era of Gretsch sounds so good. Great work.
Thank you!
Buongiorno Franco, un lavoro a dir poco incredibile!!! Fantastico suono, penso la Gretsch dal suono migliore che abbia mai sentito. Grazie per postare e spiegare i processi eseguiti, seguo volentieri tutti i tuoi video. Qual è il rullante utilizzato nel primo brano che segue la narrazione?
Grazie!! Il rullante è un Gretsch 5"x14" anni '50, fusto a 3 strati, 8 tiranti, finitura in mogano, tendicordiera Renown e cerchi a clips.
@@FRANCODALMONEGODRUMS ci avrei giurato fosse stato un 3 strati di quel periodo. Wow che bellezza!! Ma per curiosità, dai lezioni? Grazie!
Possiamo perlarne. Per favore scrivimi a: round.it@gmail.com Grazie!
This is the saddest and most devastating drum video I ever saw. What a terrible idea to destroy that beauty and that history.
I understand and respect your opinion. In 99% of cases I think it is right to save the state of the drums. But when the condition is very bad, I think it is a good choice to restore the original condition. Same choice for a 16th century Leonardo or Raffaello painting completely obscured by smoke and dirt. We cannot leave it in this terrible "original" condition. Case by case, we have to think about what is the best way to restore a work of art. However, for any choice, it is impossible to meet 100% appreciation.
Thanks for your comment!
she is gorgeous
I wish you weren't so far away because mine needs some Craftsman love
🥁
Is this the Gretsch antique maple finish? Looks great!
Ex- Ebony finish very lightned by the sunlight after many years of work! Thanks!
How long did it take to do the restoration? Who actually did it Gretsch?
Around 2 weeks, restored by me and my great friends Carlo Goberti and Roberto Villani. Thanks!
How'd you remove the old lacquer at 4:54? I always sand it off which takes forever and is a mess. This method looks way easier
It's a chemical gel paint remover. Thanks!
Interesting how the drums were sprayed against the grain.
Cristo Franco! È identica alla mia! Suono estetica e tutto! La mia però è antique maple
Eh sì Giuseppe. Il desiderio di restaurare la Gretsch di Enzo è nato proprio negli anni in cui io suonavo con la Gretsch che ti ho venduto qualche anno fa, che è uguale e dello stesso anno di quella di Enzo, e vedendo la sua così malridotta rispetto alla mia ( che ora è divenuta tua...) pensavo che un giorno mi sarebbe piaciuto vedere quello strumento tornare al suo bell'aspetto iniziale. Il lockdown dovuto al Covid, unito alla passione per lo strumento e al sentimento di amicizia che mi lega a Enzo, ha aperto uno spazio temporale perchè questo accaddesse. La tua Gretsch, è in qualche modo legata a quella di Enzo. Una bella storia direi.
@@FRANCODALMONEGODRUMS Bellissimo, poi è una batteria che si è meritata anche di essere restaurata per il lavoro svolto. Bella anche la musica, ad un certo punto appare Eric Dolphy!
@@giuseppemondini8370 ...hai un buon orecchio!
@@FRANCODALMONEGODRUMS out to lunch l’ho disintegrato a forza di ascolti! È stato il mio ponte per passare dall’ascolto di musica rock al jazz
The badges should have been left unpolished.
Whas so much nicer before
Ok, I respect your opinion.
I'm italian and Italy has the largest numbers of art works in the world, just saying that for our people is normal to restore a Leonardo's painting, an old Ferrari, an old Venice's bridge, Rome's Coloseum or a Gretsch vintage drums kit. We appreciate beauty and the sign of time is part of history and part of beauty too of course, but up to a certain point. When the object is too neglected, we have the responsibility to care for it. To preserve its beauty without compromising its sound.
If a University's degree of "Art of Restore" exist, probably this work is not so insane.
@@FRANCODALMONEGODRUMS yes I understand the reason why you did what you did. But the reason I would of not touched the finish is because I would not change the finish of a Stradivarius onless it's broken. If it doesn't affect it's use, I wouldn't touch it. But if you do you have to be really careful. Did you use a nitrocellulose lacker like the original? Plus you can always buy a new drum but you will never get back the history of an old one. To me those scratches weren't ugly but beautiful. Some things are better left untouched. It's a different perspective, but at the end of the day they're yours and as long as you are happy, that's what counts. Enjoy 🙂
Some Eric Dolphy remake for backround music
Too sad the nice old looking Drumkit is gone! Looked unrestored 1000x better! I think if someone wants a Drumkit that looks like new,he should buy a new one! In my my opinion this one is now ruined! Sorry
I understand and respect your opinion. In 99% of cases I think it is right to save the state of the drums. But when the condition is very bad, I think it is a good choice to restore the original condition. Same choice for a 16th century Leonardo or Raffaello painting completely obscured by smoke and dirt. We cannot leave it in this terrible "original" condition. Case by case, we have to think about what is the best way to restore a work of art. However, for any choice, it is impossible to meet 100% appreciation.
Thanks for your comment!
What are you talking about?!…. Like it’s better in every way now that he fixed it. You’re out of your mind…. Lol
la grosse caisse est montée a l'envers!
Non pas du tout.
La base de l'attache-toms est montée très prés du côté frappe de la grosse caisse. C'était un peu “au petit bonheur la chance“ à cette époque dans la production. Là, ça n'est pas de chance, parce que l'on se retrouve avec les toms médiums dans les genoux. Et ça donne l'impression que cette GC est montée à l'envers.