It's really good to listen to someone talking about cameras without the religious tone that became the standard here in youtube. Realistic reviews adds a lot of value to the community and that's why I keep coming back here every week. Thanks for sharing.
@@RonaldoMoura honestly you can’t please anyone these days anyway. Either you’re a religious fan boy or you’re way too nit picky, negative or being accused of changing brands unnecessarily 😂 I still prefer my way. So thanks for the confirmation 🫶🏻
Love my KX. Love it. It's not the go to for every project, it's just not the right tool for some things obviously. Two things that made it faster and more functional that you might want to consider. I actually got rid of my RF glass and replaced them all with Sigma 1.4 Art EF lenses. The AF works much better than the native Canon RF. I have no idea why, but it's a huge difference. To go along with this I use the Meike EF-RF VND Pro adapter. It's a locking version and it's money. I've used the canon one but the color shift and the scratching of the flocking was no bueno. The Meike doesn't do either.
Just to clarify with the Sigma EF's to get them to work you update them through the dock. Once I did (it takes almost no time at all) they work amazingly well.
I got a Komodo X a couple of weeks ago and used on a big project that had the budget and need for it. Our B-camera for the shoot was our Canon C70. I have to say after a week of intense usage, I do love the image it can produce however it does have its frustrations. Lack of built in ND really does slow you down, that boot up time is annoying if you move between locations a lot and the file sizes do make it challenging for a small crew with back ups. Most of our scenes were in controlled environments which we had lit which to be honest made the Red raw a little redundant and the much smaller, straight out of camera, C70 footage looked just as good. I will keep the Red because of the name value to some clients however I dont think it will be our first choice for most shoots unless the budget justifies it.
I'm getting the same image quality from my Canon R3 at 6K RAW compared to the Komodo. The RAW files from both are gigantic and not productive. How did the C70 footage compare to the Komodo X?
I got rid of my Komodo OG for the some of the same reasons. I am very happy with C70. My upgrade path will be C400 and R5C as a B camera. At the end of the day the viewer has no idea on what anything is filmed on. Canon Raw Lite seems pretty good to me. You always keep things honest which is why I continue to watch your channel.
As you mention, the dynamic range of the Komdo really impressed you. Be aware of that, that the C400 has not even the dynamic range of a C70 and certainly not from a KX! In case of the KX you pay for the codec, the color since, the sensor and the dynamic range !
Surprisingly the R3 matches perfectly with the R3 in 6K RAW. The files are gigantic but I think the sensor on the R3 is better than the C70 and you get 6K RAW with working AF tracking. I hope the C400 has as much dynamic range compared to the C70.
Mate... just get the C400 already :D hehe and a R1 and show how good they match together 🤩 Then get the RF 24-105 F2.8 + RF 15-35 F.2.8 It doesent have R3D RAW.. but you still get 6K RAW and Full frame
You may not know it yet but I do. The Canon C400 is in your future. No doubt. Every KX negative was addressed by the C400. And it will cut with the R5c pretty well with some work. You wanna be able to just turn the camera on and shoot sometimes. If you start to think about all the stuff you'd need to do before getting started you may not do it at all. C400 is a true outta the box ready to rock. Got mine coming.
What about the C400 dynamic range? My R3 matches the OG Komodo in 6K RAW on the canon. From what I see the R5C footage isn't as good as the R3. I think it's the stacked backlit filter on the R3.
for kx I really recommend using the mofage poco adapter or kippertie adapter，both include really good variable nds，kippertie is expensive but it really worth😂
Now that the price dropped for the KX, what are your thoughts now? I’m stuck between the C400 & the KX. C400 suitable for all projects, and KX rented for big projects only
🤞🏼 my fingers for your return to the Canon family... 😅 Came to this channel because of the EOS R6 videos and then the C70 videos and would love to see more Canon content!
Hey, do you have any R3D footage to play with? I'm thinking about upgrading my current komodo, but am not sure so wanted to play with some footage in dainvci! Also, did you compare it to DSMC2 line up? I was curious about dynamic range between gemini and this one
@@8020Alive you're wrong. Send me the link to more footage then ;) This guys has a camera but he is not willing to share his footage for some reason, that's kinda dumb and silly
The first 500 people to use my link will get a 1 month free trial of Skillshare skl.sh/damiencooper07241
It's really good to listen to someone talking about cameras without the religious tone that became the standard here in youtube. Realistic reviews adds a lot of value to the community and that's why I keep coming back here every week. Thanks for sharing.
@@RonaldoMoura honestly you can’t please anyone these days anyway. Either you’re a religious fan boy or you’re way too nit picky, negative or being accused of changing brands unnecessarily 😂
I still prefer my way. So thanks for the confirmation 🫶🏻
Love my KX. Love it. It's not the go to for every project, it's just not the right tool for some things obviously. Two things that made it faster and more functional that you might want to consider. I actually got rid of my RF glass and replaced them all with Sigma 1.4 Art EF lenses. The AF works much better than the native Canon RF. I have no idea why, but it's a huge difference. To go along with this I use the Meike EF-RF VND Pro adapter. It's a locking version and it's money. I've used the canon one but the color shift and the scratching of the flocking was no bueno. The Meike doesn't do either.
Just to clarify with the Sigma EF's to get them to work you update them through the dock. Once I did (it takes almost no time at all) they work amazingly well.
It will be interesting to see if Nikon AF is added to future Red cameras.
I got a Komodo X a couple of weeks ago and used on a big project that had the budget and need for it. Our B-camera for the shoot was our Canon C70.
I have to say after a week of intense usage, I do love the image it can produce however it does have its frustrations. Lack of built in ND really does slow you down, that boot up time is annoying if you move between locations a lot and the file sizes do make it challenging for a small crew with back ups.
Most of our scenes were in controlled environments which we had lit which to be honest made the Red raw a little redundant and the much smaller, straight out of camera, C70 footage looked just as good.
I will keep the Red because of the name value to some clients however I dont think it will be our first choice for most shoots unless the budget justifies it.
I'm getting the same image quality from my Canon R3 at 6K RAW compared to the Komodo. The RAW files from both are gigantic and not productive. How did the C70 footage compare to the Komodo X?
Such a great overview of this camera. As a Canon and Red komodo x owner I think you completely nailed it.
I got rid of my Komodo OG for the some of the same reasons. I am very happy with C70. My upgrade path will be C400 and R5C as a B camera. At the end of the day the viewer has no idea on what anything is filmed on. Canon Raw Lite seems pretty good to me. You always keep things honest which is why I continue to watch your channel.
That's such a great point about the upgrade path. If you upgrade to the C400, the secondary camera can utilize the same lenses as the main body.
Check out the R3 if you are looking at the R5C. I owned the R5C and I think the image is better on the R3.
We love our KX as well but the work we do also sees the C70/R5C used a lot more! In the same boat!
As you mention, the dynamic range of the Komdo really impressed you. Be aware of that, that the C400 has not even the dynamic range of a C70 and certainly not from a KX! In case of the KX you pay for the codec, the color since, the sensor and the dynamic range !
Surprisingly the R3 matches perfectly with the R3 in 6K RAW. The files are gigantic but I think the sensor on the R3 is better than the C70 and you get 6K RAW with working AF tracking. I hope the C400 has as much dynamic range compared to the C70.
@@johnny_blz The Komodo has been measured at 16.5 stops.
Damn these atlas primes😮
Wow after a long time I love to watch your videos and tutorials
always love your content. I'm thinking of the C400 too...
Mate... just get the C400 already :D hehe and a R1 and show how good they match together 🤩 Then get the RF 24-105 F2.8 + RF 15-35 F.2.8
It doesent have R3D RAW.. but you still get 6K RAW and Full frame
Great review that I just need!
You may not know it yet but I do. The Canon C400 is in your future. No doubt. Every KX negative was addressed by the C400. And it will cut with the R5c pretty well with some work. You wanna be able to just turn the camera on and shoot sometimes. If you start to think about all the stuff you'd need to do before getting started you may not do it at all. C400 is a true outta the box ready to rock. Got mine coming.
What about the C400 dynamic range? My R3 matches the OG Komodo in 6K RAW on the canon. From what I see the R5C footage isn't as good as the R3. I think it's the stacked backlit filter on the R3.
@@contentm3893 I’m sure the R3 will do just fine.
I gotta get my red kx retrospective video out too because my response is YES omg YES YES YES it's been SOOOOOO GOOOOD
Great video. Have you compared your editing workflow with Davinci Resolve vs Final Cut in regards to performance?
for kx I really recommend using the mofage poco adapter or kippertie adapter，both include really good variable nds，kippertie is expensive but it really worth😂
@@EnzeXiang I have the kippertie and mentioned in the video why it’s unfortunately also not ideal
Now that the price dropped for the KX, what are your thoughts now? I’m stuck between the C400 & the KX. C400 suitable for all projects, and KX rented for big projects only
@@nidoge5032 I have NO idea 😂
🤞🏼 my fingers for your return to the Canon family... 😅
Came to this channel because of the EOS R6 videos and then the C70 videos and would love to see more Canon content!
@damiencooper How do you rig your camera to a boom arm like you did here?
I have a C70 and would love too hear what gear you use😊
@@Rasmusleophoenix easiest way is to use a grip head with a spigot and spigot to the cage of the C70
@@damiencooper Great! Thank you for replying Damien🙌
Hey, do you have any R3D footage to play with? I'm thinking about upgrading my current komodo, but am not sure so wanted to play with some footage in dainvci! Also, did you compare it to DSMC2 line up? I was curious about dynamic range between gemini and this one
@@birthright94 there’s plenty on reds website to download from.
I’ve used both but never side by side. But I would always go for the newer cams
@@damiencooper not really :( there is only two footages
@@birthright94 wrong. He is correct 💯 keep looking
@@8020Alive you're wrong. Send me the link to more footage then ;) This guys has a camera but he is not willing to share his footage for some reason, that's kinda dumb and silly