@@thomas.kovacik nah its a very solid breakdown, thank you. its super nice to get a birds eye view of everything that goes into a decision like this. excited to see what canon has coming but as a c70 owner i share a lot of the same complaints and would love a more robust workhorse cinema cam
@@thomas.kovacik Yeah and after the mini you'll start looking into even more expensive stuff... Had a Komodo, got a mini and now i'm getting a little Arri Alura 18-80 until I can actually buy a great set of primes...
I've watched this video a few times now. Your footage is better than most on YT, and this really helped me pull the trigger. My current camera is a pocket 6k pro. I shoot product commercials, so i can't wait to see the IQ difference! New camera comes soon! Cheers!
How has the boot up time/black shading been in the more "run & gun" scenarios ? Thinking about making the switch from FX3 for more doc-style outdoor work
hasn't been an issue! I black shade at the start of every day, then again at lunch (just bc) but most scenarios the light doesn't come on saying you need to black shade. Bootup time is forsure slower- the c70 was like 1-2 seconds, fx3 is the same. I just turn it on and leave it going until I know we are moving locations or not shooting or whatever The fx3 is really solid and versatile, I would try to add something to go alongside it. There's been so many times where I reach for the fx3 for the speed, but man the KX IQ, workflow and ergonomics are reaaaally nice It's crazy minimal with that dsmc3 monitor and it feels great when running around solo haha
@@thomas.kovacik For the blackshading, make sure you let the camera get up to working temperature (just turn it on, let it be for 5 mins and then do the shading, even longer if it's super cold). Otherwise you'll blackshade for a colder temperature then what the camera will be
Global shutter is one thing I didnt expect to love so much but also, the difference between 4k to 6k is HUGE from 8ish megapixels to 19megapixels. I’ve started using this for my photo shoots and its blown my mind. Gyroflow is also incredible, once you get it implemented into your workflow you’ll never go back.
Thanks man! Should have some more on the way soon for the fujinon video haha Thank you! I was actually doubting my grade bc I’ve been trying different techniques so I’m stoked to hear that
Great video. Been a Komodo OG user a couple of years and love it so much for the same reasons you mentioned. My next camera will definitely be a Red either KX or I'm thinking VRaptor for the super high frame rates. But hard to justify because the Komodo is amazing as is. That look that colour.
Crazy you got me watching your entire video. Also, I don’t want this camera but now you have me wanting this camera lol. You always have the speed booster option that’ll work great with the Contax and nowadays with the Nisi ND, we have clean VND. Keep getting after it, great work, and have fun!
haha amazing yeah dude it's a soooolid one! I saw you had the raptor for a bit, I could see this being a nice middle ground compared to the raptor for the stuff you do So true! Loooots of options thankfully, thanks man! Hope you've been well
That's my goal. Work with the Blackmagic I have and then upgrade to either the RED ecosystem or the Sony Burano. Also thank you for detailing your upgrade path/growth journey. That's something that people need to understand and build out for themselves as they advance on their journeys.
Just another option for people to consider who are in your position... The super 35 V raptor. I was also looking at the Komodo X. You may be able to find a good deal on a used one if you're patient and lucky. You may be able to get one for maybe 20% more than a KX.
You know what.. That’s a great idea! I could see that being a great addition to a KX or a reaaaallly solid A cam The KX was a great first move for me for the size but man that raptor still is pretty compact, brb checking facebook marketplace haha
Yeah so the ProRes can be a little confusing. ProRes in Red’s can only shoot 4K max. But if you set your sensor to 6k 17:9, you’ll use the entire size of your sensor. So “technically” it says 6k, but it’s only 4k. If you set your sensor to 4K, it’ll just crop in.
Yep! Potentially, I guess time will tell The acquisition makes me hesitant to invest any more money (raptor) until we see how things play out But for now the KX is perfect for me
The image and ctrl you get with that footage in post can save a lot from things missed on pre-production. Not that you shouldn't get it right in front of camera to begin with, but not like every job is the same. R3D is LEGIT!
Its worth noting CFexpress like Cfast (SATA 2/3) is just its using the new NVMe 1x/4x interface, so with most camaras you can just use adapters and run 4-8TB NVMe SSDs at the same cost of these native cards, some brands are just outright using M.2 SSDs on caddy sleds witch makes far more sence easy to get, easy to replace, easy to conformal coat etc.
That’s an option too! I hate running external media- did that on the p6k. But if you’re doing event / studio / stuff that doesn’t mind a fragile setup then that’s forsure a great move
@@thomas.kovacik I've never had an issue with it because it's very easy to rig and protect media cabling lines, massive amount of upfront savings when you consider how much has to be invested into LTO tape for maintaining a local archive per project, you just dump a drive into an ingestion and just pop a new one in and off to go.
Thank you for posting, Tom. Well done. Insightful and comprehensive. A couple little discussed and pluses of Komodo are the fact that 4K is downsampled from 6K with no cropping. So, I guess it’s sort of like the FX9 without the slow readout speed being GS. The GS gives it a filmic look. I shot 35mm film for 10 years and this is the closest digital camera to that I’ve shot with. Another point is REDs exceptional customer service. Email or call them anytime and you’ll reach a RED pro.
Is this finally a RED that is suited to run and gun documentary production? I use the Panasonic S5 with zoom lenses to shoot in all kinds of lighting situations from very bright to very dark, and generally I shoot handheld except for interviews.
Holding out till the bottom falls out on this camera. Komodo is fine for now. I know this will be $5k body in the near future after monitoring RED's trends. Good choice on camera and great video!
Not a bad idea! It’s gonna be a great camera for years Yeah that trend is worrisome, another reason why I didn’t want to invest into a raptor haha Thanks!
It’s amazing the color codecs are insane I owned one for a bit but too much work around for my needs even tho u CAN def one man band that camera it’s just difficult . The fx3 is where it’s at for me .
Nope! Been there with the pocket 6k back in 2019. Great value but I hate the ergonomics haha I’d rather have the KX, c70,fx3,fx6 and the like The ursas are cool too but way too big for the majority of jobs I do haha
Course, and thank you! Niiiice two solid cameras Wish I had the Pyxis back in 2019 haha. Looks like a great offering too- KX is just way more refined for what I’m looking for
Nope! Thoughts still stand between the c70/c80 and kx I could see myself getting something like the c70/c80/fx6 for events and more run n gun stuff. But for the majority of my work the kx is perfect I’m gonna wait and think but may just wait for a Sony fx6 mkii
The form factor is great on the Red KX. Seems like you enjoy shooting more on the X than the C70. I own the R5C, and I'm thinking of upgrading to a BlackMagic Pyxsix 6K FF or the C400.
Any thoughts on the autofocus? I know c70 has a solid af system but curious about the red Komodo I have many RF lenses like the 24-105 f2.8 and would love to keep af functions where possible
Wow this video is already pumping pretty well! I would have waited about 2 days to hear what Cannon's next camera is. Although, while I say that I just bought the C70 and I already had the Canon R5C, So I didn't take my own advice.
Haha yeah, when I bought it on 12/31/23 there was no guarantee of an announcement from canon, so they were out of the equation haha I don’t like waiting on promises
Hey man. I watch a ton of your videos for advice with gear. Actually got the nisi ND filters for my fx3 cuz of you. I'm in the hunt for a new camera. I have been waiting for the Sony A1 ii to drop to pick up a used A1 but after watching this, you're making me start to think differently lol. I have seen that the new firmware on the Komodo has autofocus with Canon RF lenses, have you tried it? If so, how does it compare to the fx3? I would probably be all in on this camera but I NEED the autofocus, being a youtuber and everything is run and gun. Thanks for all your videos and all you do bro!
Hey! So rad to hear all of that Yeah the KX is a vastly different camera- I believe the AF is better than the OG Komodo, but it’s def not even close to the c70/c80/fx6/fx3. I know some guys that rely on the AF but it’s pretty primitive If you need auto focus and are run n gun- id def send you to the c80/fx6. Maybe c400 if you really need the extra specs / features But for RUclips, it’s tough to beat the fx3
Thanks for the video, very informative and honest. I think that for your type of work the just released Canon C400 would be the ideal camera. The Komodo X would still produce better images (more filmic) than the c400 (more video look), but the functionality of the C400 seems unbeatable for run & gun, corporate, comercial, broadcasting. Personally, and in terms of image quality, I would have invested on the coming Blackmagic Ursa Cine 12K ($15K) with its new FF sensor and impresive capabilities, but I understand that this brand is not requested enough in your local area and network, and maybe it's not suited for the type of work you do. However, I think this is going to change in the next couple of years. Blackmagic is taking the high-end cinema camera market very seriously and their camera hardware and color science is getting better and better.
I have the regular Komodo and work on bigger sets and it's been a struggle tbh , no evf, no internal ND, only one SDI.. and having to rig it out completely is so much work. The file size is also massive which makes it an expensive workflow on the C-Fast cards. Still trying to figure out how to rig out the best set up for myself but for people that work with a bigger team its not the best camera.. Beautiful image quality though
yeah the KX adds some nice upgrades with the dsmc3 monitor allowing for the sdi to be open for TX. Built in vlock plate means no more adapter from BP to vmount. It can get by, but yeah it's def not the most convenient for larger sets. I think I'd pick a raptor 10/10 times for those bigger jobs, or better yet - an Alexa haha The KX is really versatile for solo operators who find themselves on small teams / solo. I think the raptor would be too overkill for most of my things right now haha Yeah the image is just gorgeous! Also wish we could run EVF / DSMC3 monitor, would be epic
Thanks! The KX is wonderful I haven’t but that filter is awful for image quality haha. I’d go breakthrough x4 or kippertie revolva I’ve been doing screw on NDs but plan to get a matte box kit soon
@Every_Joint_Supplies they’re big but the trade off is so worth it! On the c70 I shot aboit 200-500gb per project, now I’m 500-1000gb. I shoot elq for most, lq for more serious things, MQ for the big stuff
@@thomas.kovacikOk, good to know. I love the C70 but I also bought a LUMIX S5ii and the image is great, I started noticing how it compares to the c70 and makes me think twice about the image of the c70 now lol. So I’m really trying to get a better image and your video is convincing me.
A Komodo X only needs a battery, lens and an mobile phone (as monitor via wifi). This is minimal and cheap. Unless you use a $20,000 Canon 31.5 to 95 T1.7 and second $20,000 14 to 35 T1.7. But these are 2 great lenses which covers everything, especially in low light and shallow depth of field shots.
Well put together video Thomas! I'm taking a more serious look at the KX. Question, what is your ND workflow or workaround when shooting outdoors with the KX?
Thank you! I have 3, 6 and 8 stop IRNDs I keep them close by in a bag or pouch. If I’m having to swap often I’ll throw one in a pocket to make swapping really fast So far it’s been smooth!
I think from a modularity, name recognition and simplicity stand point, I completely under the switch. Wonder how you’re ND workflow has been with the X. I’m sure you’re doing fine with screw-on/4x5.65 filters but are there new discoveries you’ve made?
it's been solid! it's identical to the fx3 in a way so it's been a seamless move. of course internal nd is fastest but it hasn't been bad or overbearing. If anything, the IQ bump is worth the loss of internal nd haha I'm using the tokina irnd 3, 6, and 8 stop so far and they've been great! I'm considering adding a kippertie revolva or breakthrough x4 for my ef lenses, but we'll see
Would love to know how you handle focus on shoots when you don't have a person involved, especially coming from a C70 where the autofocus was something you could potentially lean on?
Definitely! I’ve been primarily manual focusing for the last 4-6 years, so I’ve had lots of practice haha I definitely want to make a video about how to get better / more confident with it Medium sized focus throws make it nice as a solo operator (80ish-200degrees)
Is the top monitor good enough to pull focus on? I have the Raptor myself and I would LOVE to be able to use smaller native screen than the 7 inch one from RED
It some scenarios! Yeah having it on top def makes it more versatile / useful It’s reaaaally small but for quick stuff it’s actually fine! It’s fun running it with the wing grip + lens for a really compact setup
yeah! internal nd is super convenient, for run n gun stuff it's great The other pros definitely outweighed the lack of ND- it's almost been a year and it's been mellow! I've been using circular ND's - 1,3,6,8 stops and just recently picked up a mattebox. I'm used to that workflow from my fx3 so it wasn't jarring That said- I wish I could've kept my c70, but at the time it made sense to sell. Now that time has gone on, I plan to grab a fx6 soon.. I think. Primarily for those run n gun jobs. I think having something in the middle between my fx3 and kx would be nice
@thomas.kovacik what's the bubble level on the top handle there? I was looking into placing some bubble levels on my rig (mostly horizontal ones to see easily when I skew my rig on EasyRig setup), but that one tiny on top of the top handle really caught my eye
@@thomas.kovacik the Same bro! I rented it a lot past years until past week a good offer came to me, less than 10ke for a full kit, pristine condition, so I jumped. Did you saw this -15% offer from red during December 23 ? The K-x is very interesting. It can be an awesome camera to pair with a Gemini, Monstro or raptor. She fix all the defaults of the og komodo. What’s your fav go-to lense do you use for the Kx?
I want to see your thoughts on c400! I was debating on KX or c400 but I like the feeling of having a back up recording. If I shoot a wedding I would die if something happened to that card… maybe I shouldn’t be so paranoid.. but love the image out of the KX… but I think c400 first then KX. I shoot currently on A7SIII
yeah it def depends on what you need! I miss the dual card slots forsure I could see myself having a c400 if I was doing more and more weddings / corporate / event. I adore my KX and it's prefect for most of my jobs I'm gonna make a video talking about the c400!
@@thomas.kovacik yes!! Super excited for this! Maybe you can do a sensor image comparison between KX and c400? I know it’s not a fair a comparison but would be interesting to see! Current plan: c400 for a year or two then add the RED KX for other bigger projects. Again thanks for your videos!
@@BrogenDavis33 of course! I’d love to get my hands on one. I’d take a long term loaner from canon haha, I could easily put it to work If that happens I’ll do an image comparison!
@@thomas.kovacik Ursa G2 + P6K Pro the last few years but picked up the 6K full frame and absolutely love it. Just has a look that’s hard to explain. But it’s for sure working for me.
I’ll be the first to say this 👀 what do you think of the new C400 as an upgrade to the C70? Especially compared to the Komodo X with similar body style and 6K quality. Would love to see you pick one up and compare them
@@thomas.kovacik would be great if Canon could loan you one before they ship to the general public in September. Maybe I’ll buy a C400 instead of a C70
Really cool video! Always enjoy to listen to you haha. Now I doubt buying the c70 or the fx3...maybe save some money and buy the komodo x haha. Let´s see...
I’m sure it gets closer but I’d say no Having to record externally sounds annoying + all of the nerdy raw patents / jargon that I haven’t spent too much time worrying about haha R3D is incredible
that's the hope! I heard there's 1-2 new rf cinema cameras. I wonder what they'll add to it and if I would've picked those over the KX if they were out 6 months ago. Prob not but I'm hoping they're solid for all the canon homies haha
Are you gonna switch now canon is gonna announce the new full frame Cinema camera.. Gonna be nice to get a Full frame cinema camera with build in ND filters and RF mount to use with the new RF 24-105 F2.8 video lens.. Just hope its gonna have SDI + full HDMI... an upgrade to the C500 mark 2 meets C70.. gonna be great.
no plans to make any moves with the KX, if sony comes out with a fx3 mkii I'll prob make a move with my fx3 but I'm verrrry happy with the KX Hopefully those specs are true! 6k FF is a must. Canon is overdue for some new rf cinema cameras haha
You never go wrong with a RED Komodo X.. its basicly a mini Raptor 🔥✌️fantastic camera. I got the R5C, an R3 and two C70 cameras.. but it hurts my brain that Canon releases the RF 24-105 F2.8 but doesent have any full frame RF cameras with build in NDs 😅
Where did you find the requested productions or how did you or where did you expose yourself to be seen by those looking for Sony or Red based cameras?
May I ask, I have myself a lot of Contax Zeiss lenses. But which bigger 35-70?? 3.4 ?? lens do you show here lots of times? as well on the C70 and this Red? Is there somewhere a list of lenses? /zeiss contax you have and use? Or can you just write it here down? Thanks and talk some more slower. ;-) Greetings from the Netherlands. 🙂 Onno Nugteren Photography and Film Ah I think it is a Contax Zeiss 35-70 f/3.4 right?
I showed quite a bit, lots of 35-70, 50 1.4, 35 2.8 and more I had the 18 f4, 25 2.8, 35 2.8, 50 1.4, 85 1.4, 35-70, 80-200, 100 macro I re-filmed this video 5 times to make it as short as possible, soooo yeah apologies for speaking fast I guess
How do you feel now that Red is Nikon and everyone is fire selling their full sized Red's? I'm not asking this to be a dick, I'm actually looking at this camera as it's dropped in price wondering if I can live with whatever is coming up next from this company being all in on this brand going forward.
gonna be making a video on this! the future is... gray haha I have zero regrets on my investment! If I bought a raptor... I may be a bit worried, but if I bought one- it would be out on set / being rented often which definitely helps offset worries Now with nikon / red, we may see them shift into Z mount, but im not sure for the price of 7k for the kx now, it's an absolute steal. If you have the means, I would forsure get one. IF a red doesn't make sense, I would look at the c400 bc of workflow benefits I'm about 15-18k all in on the KX, if I was any more invested (30k+) I'd be a little worried just bc red is known for losing value quickly haha, but you only lose that value if you sell hahah RED is still RED in a way, these cameras are still great, some are still using DSMC2 often There's lots of boggled thoughts, but time will tell! I try not to lose sleep over it and just focus on my work haha
@@thomas.kovacik I think you are right. It might even be a collectors item, the last of the best type of thing, time will tell. Nikon’s cameras don’t impress me at all, at least not yet. Great stills cameras, but the video side is lacking in dynamic range and frame rates, plus lens choices for me personally. I’m in the canon glass world. I’m thinking I will still get the camera anyway, we’ll see. I’m holding off a little longer
I have been debating the Red system for so long but the internal ND's is too so useful for my purposes (constantly switching lenses for shooting sports). Hopefully the new Canon cinema that's getting announced tomorrow is like... somewhat close to this camera. Side note - thanks for creating those CLog2-to-Rec709 luts, use them every single time.
Yeah I can get that! Hopefully it’s close to the KX- I feel the KX offers such a solid value for a solid majority of filmmakers. It’s in a sweet spot forsure and it would be rad to see canon / Sony offer something similar Appreciate it! Glad you’re enjoying them
Thanks! It’s not too bad, similar workflow to my fx3 of course I’d love some sort of rear lens nd solution but I’m still researching. The trade off with R3D / ergonomics / workflow are worth the loss of internal nd for me
@@thomas.kovacik Thanks man. Cvp have shown some pretty great rear rotary nd systems. Was changing to R3D a huge difference in image quality. I like the c70 but it has its frustrations. Seems like a worthy upgrade
It’s been mellow! I shot with the c70 without IBIS, and sometimes only with lens IS on RF lenses IBIS sometimes makes the image get funky so I don’t mind not having it
The Red DSCMc3 monitor is another $2500+ so you're spending a lot and still not getting internal NDs. And when you tack on a battery behind it, the weight is not THAT far off from a c70 WITH battery. And of course, video production is the whole pipeline with a good portion of the heavy lifting being done in the colour grading. I mean, it's good you have this as you wanted it, but for THAT much more money compared to, say, a C80, is it THAT much better proportionate to the money? IMO, no.
That money is worth streamlining the rig + having camera control- having a 7” smallHD on my c70 meant I needed power and HDMI- with no camera control V mount on camera is way easier and cleaner that vmount on rods + channeling a cable into camera- yes the c70 without vmount is smaller and lighter which is nice Yeahhh I need to make a video on this soon bc people told me to wait for these new canons, now that they’re out I’m glad I didn’t wait If anything I’d take another c70 haha But yeah, the red monitor is expensive for most- for me it’s worth it. When you compare it to the price of a cine 7 with red control it’s about the same price but the cine 7 can be used anywhere- but you’re stuck to using 3 cables and SDI protocol The red monitor is really really convenient
Mostly size + being locked into EF glass If canon had an RF version I prob would’ve ended up with one but the KX fits my style really well- plus it fits in a backpack easily haha
I showed a couple sneaky clips, I have this bright tangerine cheese plate + the red xlr unit! I had the mid49 plate before but this is quicker to move setups around
Honestly, I think you made a mistake. I have the komodo X with all the bells and whistles and it's been a disappointment. Image quality doesn't exceed FX6, no image stabiliser, no built in nd's. I use the breakthrough VND and battle vignetting. C70 might not have the sexy name but you're gonna miss all that it offers. Image quality is on par for less than half the price.
Image quality: CAMERA = qualitative ETTR underexposure stops where blue eye color is visible at all Arri Alexa Mini LF = 9-10 c70 4k raw = 9-10 c70 xfavc = 8 c70 dgo-off xfavc = 7-8 sony venice 2 = 7-8 s1h 6k log = 7-8 ursa 12k = 7-8 sony a73 iso640 = 7-8 sony fx6 = 7-8 panasonic gh6 dynamic boost = 7 red komodo = 7 fx30 4k log iso800 = 7 fx30 4k log iso2500 = 7 fuji x-h2s = 7 nikon z9 8k raw = 7 canon r5 = 7 nikon z9 nlog = 6-7 sony a73 iso12800 = 6-7 canon r6 = 6-7 fx30 4.7k raw iso800 = 6 canon r5c raw st = 6 r3 6k raw = 5-6 canon r5c 10b 422 = 5-6 A few of these cameras they only publish as stills so there may be a bit more margin for error in judging those.
Fantastic video Thomas! I love seeing how much you love this camera. Amazing looking footage too!
Appreciate it Josh! I’m so glad I went with it, it’s so perfect for what I need / want
Please don't get any ideas, Josh! We need you on team canon!
cant wait to watch this and imagine buying a red komodo
Haha I hope this doesn’t encourage anyone to make bad decisions
But I feel this when watching Alexa mini videos haha
@@thomas.kovacik nah its a very solid breakdown, thank you. its super nice to get a birds eye view of everything that goes into a decision like this. excited to see what canon has coming but as a c70 owner i share a lot of the same complaints and would love a more robust workhorse cinema cam
@@thomas.kovacik Yeah and after the mini you'll start looking into even more expensive stuff... Had a Komodo, got a mini and now i'm getting a little Arri Alura 18-80 until I can actually buy a great set of primes...
@nathanael_marguereta_dop oh noooo haha
It never ends
I went to the Red website because of this video.
Your channel is my favorite way to see gear I have no business on buying. You make that sensor sing man!
haha I love it! appreciate that Luis!
The best Komodo X video on RUclips! Thanks man
appreciate you dude! You'll love one hahah
This one got me over the line, I’m going to buy this camera now. You spoke across it so well, in all aspects. Subscribed too, thanks G
amazing! glad you found it helpful
it's an incredible camera! I'm loving it
I've watched this video a few times now. Your footage is better than most on YT, and this really helped me pull the trigger. My current camera is a pocket 6k pro. I shoot product commercials, so i can't wait to see the IQ difference! New camera comes soon! Cheers!
Appreciate that! Enjoy your new camera, it's epic!
well now I need one
Why have 1 LF when you can have 6 KX’s
but for real, this camera is so sick
How has the boot up time/black shading been in the more "run & gun" scenarios ? Thinking about making the switch from FX3 for more doc-style outdoor work
hasn't been an issue! I black shade at the start of every day, then again at lunch (just bc) but most scenarios the light doesn't come on saying you need to black shade.
Bootup time is forsure slower- the c70 was like 1-2 seconds, fx3 is the same. I just turn it on and leave it going until I know we are moving locations or not shooting or whatever
The fx3 is really solid and versatile, I would try to add something to go alongside it. There's been so many times where I reach for the fx3 for the speed, but man the KX IQ, workflow and ergonomics are reaaaally nice
It's crazy minimal with that dsmc3 monitor and it feels great when running around solo haha
@@thomas.kovacik For the blackshading, make sure you let the camera get up to working temperature (just turn it on, let it be for 5 mins and then do the shading, even longer if it's super cold). Otherwise you'll blackshade for a colder temperature then what the camera will be
Global shutter is one thing I didnt expect to love so much but also, the difference between 4k to 6k is HUGE from 8ish megapixels to 19megapixels. I’ve started using this for my photo shoots and its blown my mind.
Gyroflow is also incredible, once you get it implemented into your workflow you’ll never go back.
So nice dude. Really cool to see footage of the work you’ve done with it. Also a side note… loving the grade in this video.
Thanks man! Should have some more on the way soon for the fujinon video haha
Thank you! I was actually doubting my grade bc I’ve been trying different techniques so I’m stoked to hear that
Love the breakdown and how you also included what lenses you shot with. You sold me on quite a few points that I hadn't heard anywhere else 🤝
Amazing! Stoked to hear that
Spent way too long researching it haha, but 9 months later I couldn’t be happier
Live this very intuitive and full of info! Keep it up brother
thanks! glad it was helpful
very refreshing video. enjoyed hearing you articulate from start to finish.
appreciate it!
Great video. Been a Komodo OG user a couple of years and love it so much for the same reasons you mentioned. My next camera will definitely be a Red either KX or I'm thinking VRaptor for the super high frame rates. But hard to justify because the Komodo is amazing as is. That look that colour.
Crazy you got me watching your entire video. Also, I don’t want this camera but now you have me wanting this camera lol. You always have the speed booster option that’ll work great with the Contax and nowadays with the Nisi ND, we have clean VND. Keep getting after it, great work, and have fun!
haha amazing
yeah dude it's a soooolid one! I saw you had the raptor for a bit, I could see this being a nice middle ground compared to the raptor for the stuff you do
So true! Loooots of options thankfully, thanks man! Hope you've been well
That's my goal. Work with the Blackmagic I have and then upgrade to either the RED ecosystem or the Sony Burano. Also thank you for detailing your upgrade path/growth journey. That's something that people need to understand and build out for themselves as they advance on their journeys.
Just another option for people to consider who are in your position... The super 35 V raptor. I was also looking at the Komodo X. You may be able to find a good deal on a used one if you're patient and lucky. You may be able to get one for maybe 20% more than a KX.
You know what.. That’s a great idea!
I could see that being a great addition to a KX or a reaaaallly solid A cam
The KX was a great first move for me for the size but man that raptor still is pretty compact, brb checking facebook marketplace haha
I'm in that same position! waiting for good deals on used kx and posibly raptor
Yeah so the ProRes can be a little confusing. ProRes in Red’s can only shoot 4K max. But if you set your sensor to 6k 17:9, you’ll use the entire size of your sensor. So “technically” it says 6k, but it’s only 4k. If you set your sensor to 4K, it’ll just crop in.
Didn't Nikon buy RED? I wonder if down the road that will change clients minds or the popularity concept.
Yep! Potentially, I guess time will tell
The acquisition makes me hesitant to invest any more money (raptor) until we see how things play out
But for now the KX is perfect for me
The image and ctrl you get with that footage in post can save a lot from things missed on pre-production. Not that you shouldn't get it right in front of camera to begin with, but not like every job is the same. R3D is LEGIT!
I agree! it's great to have it
Its worth noting CFexpress like Cfast (SATA 2/3) is just its using the new NVMe 1x/4x interface, so with most camaras you can just use adapters and run 4-8TB NVMe SSDs at the same cost of these native cards, some brands are just outright using M.2 SSDs on caddy sleds witch makes far more sence easy to get, easy to replace, easy to conformal coat etc.
That’s an option too! I hate running external media- did that on the p6k. But if you’re doing event / studio / stuff that doesn’t mind a fragile setup then that’s forsure a great move
@@thomas.kovacik I've never had an issue with it because it's very easy to rig and protect media cabling lines, massive amount of upfront savings when you consider how much has to be invested into LTO tape for maintaining a local archive per project, you just dump a drive into an ingestion and just pop a new one in and off to go.
Thank you for posting, Tom. Well done. Insightful and comprehensive. A couple little discussed and pluses of Komodo are the fact that 4K is downsampled from 6K with no cropping. So, I guess it’s sort of like the FX9 without the slow readout speed being GS. The GS gives it a filmic look. I shot 35mm film for 10 years and this is the closest digital camera to that I’ve shot with. Another point is REDs exceptional customer service. Email or call them anytime and you’ll reach a RED pro.
Is this finally a RED that is suited to run and gun documentary production? I use the Panasonic S5 with zoom lenses to shoot in all kinds of lighting situations from very bright to very dark, and generally I shoot handheld except for interviews.
seems like it! it's definitely really nice for solo operation- as you can see how minimal it can get
Holding out till the bottom falls out on this camera. Komodo is fine for now. I know this will be $5k body in the near future after monitoring RED's trends. Good choice on camera and great video!
Not a bad idea! It’s gonna be a great camera for years
Yeah that trend is worrisome, another reason why I didn’t want to invest into a raptor haha
Thanks!
I want one! Waiting for a Nikon Z mount version! I'm invested into that glass😁
I’m sure we’ll see it soon!
you hit all the points man! very good video
Thank you!
This video was super helpful. I think I'm pulling the trigger!
amazing!
It’s amazing the color codecs are insane I owned one for a bit but too much work around for my needs even tho u CAN def one man band that camera it’s just difficult . The fx3 is where it’s at for me .
yeah the image is just soooo solid. Yup takes a bit more, I don't mind it though!
The FX3 is stellar, I love mine too
Thank you very much, for sharing your experiences
Always!
Did you consider any of the Black magic cc?
Nope! Been there with the pocket 6k back in 2019. Great value but I hate the ergonomics haha
I’d rather have the KX, c70,fx3,fx6 and the like
The ursas are cool too but way too big for the majority of jobs I do haha
@@thomas.kovacik Thanks for the response, man. Great video by the way. I'm thinking about the Pyxis and the X as of the moment
Course, and thank you!
Niiiice two solid cameras
Wish I had the Pyxis back in 2019 haha. Looks like a great offering too- KX is just way more refined for what I’m looking for
Hey you going back to Canon for then C80
Nope! Thoughts still stand between the c70/c80 and kx
I could see myself getting something like the c70/c80/fx6 for events and more run n gun stuff. But for the majority of my work the kx is perfect
I’m gonna wait and think but may just wait for a Sony fx6 mkii
With The Kx price drop, Im heading for the Kx
@RonaldSimpson-jk8ff great opportunity!!
The form factor is great on the Red KX. Seems like you enjoy shooting more on the X than the C70. I own the R5C, and I'm thinking of upgrading to a BlackMagic Pyxsix 6K FF or the C400.
It really is! I’m loving it
Nice! That c400 looks killer. Seems like a great upgrade from the c70
Any thoughts on the autofocus? I know c70 has a solid af system but curious about the red Komodo
I have many RF lenses like the 24-105 f2.8 and would love to keep af functions where possible
Haven’t tried it fully yet! I tested it quick before I sold my RF 24-70 and it seemed okay
@ going to keep an eye out on what Nikon might be able to provide to them as far as resources to get the af to a better place via firmware
Fair play :)
really great B-roll btw
thanks!
Great video man!!! Side tangent looking at this videos post the Sigma lenses stuff lol I hope Red comes out with a firmware fix soon
Wow this video is already pumping pretty well! I would have waited about 2 days to hear what Cannon's next camera is. Although, while I say that I just bought the C70 and I already had the Canon R5C, So I didn't take my own advice.
Haha yeah, when I bought it on 12/31/23 there was no guarantee of an announcement from canon, so they were out of the equation haha
I don’t like waiting on promises
@@thomas.kovacik I totally feel you and unlike you I don't have any paid work. Mostly doing passion projects and working full-time.
Hey man. I watch a ton of your videos for advice with gear. Actually got the nisi ND filters for my fx3 cuz of you. I'm in the hunt for a new camera. I have been waiting for the Sony A1 ii to drop to pick up a used A1 but after watching this, you're making me start to think differently lol. I have seen that the new firmware on the Komodo has autofocus with Canon RF lenses, have you tried it? If so, how does it compare to the fx3? I would probably be all in on this camera but I NEED the autofocus, being a youtuber and everything is run and gun. Thanks for all your videos and all you do bro!
Hey! So rad to hear all of that
Yeah the KX is a vastly different camera- I believe the AF is better than the OG Komodo, but it’s def not even close to the c70/c80/fx6/fx3. I know some guys that rely on the AF but it’s pretty primitive
If you need auto focus and are run n gun- id def send you to the c80/fx6. Maybe c400 if you really need the extra specs / features
But for RUclips, it’s tough to beat the fx3
do you still feel the same now that the c80 has launched ?
Yep! Gonna make a video on this
@@thomas.kovacik Would love to see that video. I'm torn between the C80 and Komodo right now
Thanks for the video, very informative and honest. I think that for your type of work the just released Canon C400 would be the ideal camera. The Komodo X would still produce better images (more filmic) than the c400 (more video look), but the functionality of the C400 seems unbeatable for run & gun, corporate, comercial, broadcasting. Personally, and in terms of image quality, I would have invested on the coming Blackmagic Ursa Cine 12K ($15K) with its new FF sensor and impresive capabilities, but I understand that this brand is not requested enough in your local area and network, and maybe it's not suited for the type of work you do. However, I think this is going to change in the next couple of years. Blackmagic is taking the high-end cinema camera market very seriously and their camera hardware and color science is getting better and better.
Thanks! Yeah the c400 seems to fix a lot of issues with the c70
The Blackmagic is rad! But wayyyy to big for me haha, but not opposed to them overall
I have the regular Komodo and work on bigger sets and it's been a struggle tbh , no evf, no internal ND, only one SDI.. and having to rig it out completely is so much work. The file size is also massive which makes it an expensive workflow on the C-Fast cards. Still trying to figure out how to rig out the best set up for myself but for people that work with a bigger team its not the best camera.. Beautiful image quality though
yeah the KX adds some nice upgrades with the dsmc3 monitor allowing for the sdi to be open for TX. Built in vlock plate means no more adapter from BP to vmount. It can get by, but yeah it's def not the most convenient for larger sets. I think I'd pick a raptor 10/10 times for those bigger jobs, or better yet - an Alexa haha
The KX is really versatile for solo operators who find themselves on small teams / solo. I think the raptor would be too overkill for most of my things right now haha
Yeah the image is just gorgeous!
Also wish we could run EVF / DSMC3 monitor, would be epic
If the C80 was out would you have stayed with the Canon system?
That’s a video i plan on making soon!
Short answer- no, I still would’ve gone with KX!
Great video thanks. Did you end up uploading any KX footage?
Love the video, I’m considering selling my c70 to get an X. Have you tried the canon drop in nd filters on the Komodo X?
Thanks! The KX is wonderful
I haven’t but that filter is awful for image quality haha. I’d go breakthrough x4 or kippertie revolva
I’ve been doing screw on NDs but plan to get a matte box kit soon
@@thomas.kovacik How are you doing with file sizes? I heard compared to the c70, the X file sizes are massive!
@Every_Joint_Supplies they’re big but the trade off is so worth it! On the c70 I shot aboit 200-500gb per project, now I’m 500-1000gb. I shoot elq for most, lq for more serious things, MQ for the big stuff
@@thomas.kovacikOk, good to know. I love the C70 but I also bought a LUMIX S5ii and the image is great, I started noticing how it compares to the c70 and makes me think twice about the image of the c70 now lol. So I’m really trying to get a better image and your video is convincing me.
A Komodo X only needs a battery, lens and an mobile phone (as monitor via wifi). This is minimal and cheap. Unless you use a $20,000 Canon 31.5 to 95 T1.7 and second $20,000 14 to 35 T1.7. But these are 2 great lenses which covers everything, especially in low light and shallow depth of field shots.
Has it been rock solid or have you had any hardware issues?
It’s been dead perfect! Zero issues
So much so.. I now could see a use for a raptor haha
@@thomas.kovacik Dang. Everyone I know has had issues of one kind or another which puts me off. So, it's interesting to hear the counterpoint
@photographyRI strange! What kind of issues have you heard?
Well put together video Thomas! I'm taking a more serious look at the KX. Question, what is your ND workflow or workaround when shooting outdoors with the KX?
Thank you! I have 3, 6 and 8 stop IRNDs
I keep them close by in a bag or pouch. If I’m having to swap often I’ll throw one in a pocket to make swapping really fast
So far it’s been smooth!
I think from a modularity, name recognition and simplicity stand point, I completely under the switch. Wonder how you’re ND workflow has been with the X. I’m sure you’re doing fine with screw-on/4x5.65 filters but are there new discoveries you’ve made?
it's been solid! it's identical to the fx3 in a way so it's been a seamless move. of course internal nd is fastest but it hasn't been bad or overbearing. If anything, the IQ bump is worth the loss of internal nd haha
I'm using the tokina irnd 3, 6, and 8 stop so far and they've been great! I'm considering adding a kippertie revolva or breakthrough x4 for my ef lenses, but we'll see
@@thomas.kovacik That's great! What ND's do you use if you don't mind me asking?
Yeah! Check out the description at the top- I have links to all 3! IRND 0.9, 1.8 and 2.4
Tokina pro IRND 82mm
Would love to know how you handle focus on shoots when you don't have a person involved, especially coming from a C70 where the autofocus was something you could potentially lean on?
Definitely! I’ve been primarily manual focusing for the last 4-6 years, so I’ve had lots of practice haha
I definitely want to make a video about how to get better / more confident with it
Medium sized focus throws make it nice as a solo operator (80ish-200degrees)
Is the top monitor good enough to pull focus on?
I have the Raptor myself and I would LOVE to be able to use smaller native screen than the 7 inch one from RED
It some scenarios! Yeah having it on top def makes it more versatile / useful
It’s reaaaally small but for quick stuff it’s actually fine! It’s fun running it with the wing grip + lens for a really compact setup
I’m surprised you didn’t mention lack of neutral density filter. You’re giving that up. If you work outside a lot that would be a dealbreaker for me.
yeah! internal nd is super convenient, for run n gun stuff it's great
The other pros definitely outweighed the lack of ND- it's almost been a year and it's been mellow!
I've been using circular ND's - 1,3,6,8 stops and just recently picked up a mattebox. I'm used to that workflow from my fx3 so it wasn't jarring
That said- I wish I could've kept my c70, but at the time it made sense to sell. Now that time has gone on, I plan to grab a fx6 soon.. I think. Primarily for those run n gun jobs. I think having something in the middle between my fx3 and kx would be nice
My issue is that it's a S35 sensor. I don't want to go from FF back down to S35
Yeah it can be hit / miss
I don’t mind it! But sometimes I love the raptor bc I can use the full image circle of my FF lenses and get those fun edges
@thomas.kovacik what's the bubble level on the top handle there? I was looking into placing some bubble levels on my rig (mostly horizontal ones to see easily when I skew my rig on EasyRig setup), but that one tiny on top of the top handle really caught my eye
it's from wooden camera! I have one in 3/8 and one in 1/4 20
nice move, i did the same from bmpcc6k to gemini
Thanks! Wow that’s a great move too
Always wanted the Gemini, but couldn’t afford it back in it’s prime haha
@@thomas.kovacik the Same bro! I rented it a lot past years until past week a good offer came to me, less than 10ke for a full kit, pristine condition, so I jumped. Did you saw this -15% offer from red during December 23 ? The K-x is very interesting. It can be an awesome camera to pair with a Gemini, Monstro or raptor. She fix all the defaults of the og komodo. What’s your fav go-to lense do you use for the Kx?
sony footage looks really good how did you grade that footage?
I want to see your thoughts on c400! I was debating on KX or c400 but I like the feeling of having a back up recording. If I shoot a wedding I would die if something happened to that card… maybe I shouldn’t be so paranoid.. but love the image out of the KX… but I think c400 first then KX. I shoot currently on A7SIII
yeah it def depends on what you need! I miss the dual card slots forsure
I could see myself having a c400 if I was doing more and more weddings / corporate / event. I adore my KX and it's prefect for most of my jobs
I'm gonna make a video talking about the c400!
@@thomas.kovacik yes!! Super excited for this! Maybe you can do a sensor image comparison between KX and c400? I know it’s not a fair a comparison but would be interesting to see! Current plan: c400 for a year or two then add the RED KX for other bigger projects. Again thanks for your videos!
@@BrogenDavis33 of course!
I’d love to get my hands on one. I’d take a long term loaner from canon haha, I could easily put it to work
If that happens I’ll do an image comparison!
Need to see more footage of that Fuji lens with kx sensor
That’s gonna be the next video most likely!
Blackmagic user but watched this whole video and loved it. Good stuff man.
rad! appreciate it
What camera(s) are you primarily working with?
@@thomas.kovacik Ursa G2 + P6K Pro the last few years but picked up the 6K full frame and absolutely love it. Just has a look that’s hard to explain. But it’s for sure working for me.
@@AdamSzarmack that 6K full frame image is incredible, it has a 3D-pop quality to it (also Komodo X has it)
I’ll be the first to say this 👀 what do you think of the new C400 as an upgrade to the C70? Especially compared to the Komodo X with similar body style and 6K quality. Would love to see you pick one up and compare them
Definitely making a video on this! Would love to get my hands on the c400 at some point
@@thomas.kovacik would be great if Canon could loan you one before they ship to the general public in September. Maybe I’ll buy a C400 instead of a C70
what do you think about the c400
full frame, sdi, 6k, box-ish shape, etc etc etc...seems like it would have checked the boxes you had as well
Making a video about this!
@@thomas.kovacik sweet!
So jelous about the 'less cables' haha..
great vid bro
haha thanks man, that dsmc3 monitor is the key ingredient here haha
Really cool video! Always enjoy to listen to you haha. Now I doubt buying the c70 or the fx3...maybe save some money and buy the komodo x haha. Let´s see...
thanks! haha yeah you really can't go wrong
With that new c400 now, things are kinda shaken up a bit haha
Love your videos man. You make me want to create more videos
So stoked to hear that, appreciate you sharing
I miss creating videos, def need to get back into being consistent again
Get me turned on… can ProRes raw on FX3 compare to red raw in KX?
I’m sure it gets closer but I’d say no
Having to record externally sounds annoying + all of the nerdy raw patents / jargon that I haven’t spent too much time worrying about haha
R3D is incredible
@@thomas.kovacikthank you, I’m on the fence now
the phone vibrating constantly really threw me off and I kept checking my phone haha
Hahah, I have no clue how I didn’t hear it when talking
Gonna make sure it’s on silent next time haha
No issues great vid again, watching this to see to do upgrade from c70 to c400 or go a little higher
@donovanmortell8380 hahathanks! Yeah that’s a great question, I’m actually going to record a video talking about the c400.. it looks really solid
Let’s see if canon can step up their game this June 5
that's the hope! I heard there's 1-2 new rf cinema cameras. I wonder what they'll add to it and if I would've picked those over the KX if they were out 6 months ago. Prob not but I'm hoping they're solid for all the canon homies haha
Is the memory, monitors, etc, off the shelf and no longer RED proprietry ?
Yep! You of course can get red proprietary things but it’s not necessary
Would you mind sharing a few raw clips so we can play with the color and dynamic range?
Yes! I’ll get a link going this week
@@thomas.kovacikman that would be super helpful, thanks so much!
Nice review, I like what you do. For Sony global shutter you were thinking of the A9M3. Thanks for your testimony
Cableless setup? What about the Ronin 4D?
Seems nice! Too niche for my A cam haha, I see this as a specialty camera
I need a KX, raptor, c400, burano, mini lf- something along those lines
Are you gonna switch now canon is gonna announce the new full frame Cinema camera..
Gonna be nice to get a Full frame cinema camera with build in ND filters and RF mount to use with the new RF 24-105 F2.8 video lens..
Just hope its gonna have SDI + full HDMI... an upgrade to the C500 mark 2 meets C70.. gonna be great.
no plans to make any moves with the KX, if sony comes out with a fx3 mkii I'll prob make a move with my fx3 but I'm verrrry happy with the KX
Hopefully those specs are true! 6k FF is a must. Canon is overdue for some new rf cinema cameras haha
You never go wrong with a RED Komodo X.. its basicly a mini Raptor 🔥✌️fantastic camera.
I got the R5C, an R3 and two C70 cameras.. but it hurts my brain that Canon releases the RF 24-105 F2.8 but doesent have any full frame RF cameras with build in NDs 😅
Where did you find the requested productions or how did you or where did you expose yourself to be seen by those looking for Sony or Red based cameras?
Just a byproduct of the network I’ve made. Lots of friends shoot Sony and when they are looking to fill roles it makes sense to match
May I ask, I have myself a lot of Contax Zeiss lenses. But which bigger 35-70?? 3.4 ?? lens do you show here lots of times? as well on the C70 and this Red? Is there somewhere a list of lenses? /zeiss contax you have and use? Or can you just write it here down? Thanks and talk some more slower. ;-) Greetings from the Netherlands. 🙂 Onno Nugteren Photography and Film Ah I think it is a Contax Zeiss 35-70 f/3.4 right?
I showed quite a bit, lots of 35-70, 50 1.4, 35 2.8 and more
I had the 18 f4, 25 2.8, 35 2.8, 50 1.4, 85 1.4, 35-70, 80-200, 100 macro
I re-filmed this video 5 times to make it as short as possible, soooo yeah apologies for speaking fast I guess
@@thomas.kovacik you must realize that many of your viewers are no native's in English. Do you at all speak any foreign language? :-) Greetings again.
Internal ND is by far the main thing missing from RED's offerings.
I’d agree
But the IQ / workflow benefits outweigh that for me haha
How do you feel now that Red is Nikon and everyone is fire selling their full sized Red's? I'm not asking this to be a dick, I'm actually looking at this camera as it's dropped in price wondering if I can live with whatever is coming up next from this company being all in on this brand going forward.
gonna be making a video on this! the future is... gray haha
I have zero regrets on my investment! If I bought a raptor... I may be a bit worried, but if I bought one- it would be out on set / being rented often which definitely helps offset worries
Now with nikon / red, we may see them shift into Z mount, but im not sure
for the price of 7k for the kx now, it's an absolute steal. If you have the means, I would forsure get one. IF a red doesn't make sense, I would look at the c400 bc of workflow benefits
I'm about 15-18k all in on the KX, if I was any more invested (30k+) I'd be a little worried just bc red is known for losing value quickly haha, but you only lose that value if you sell hahah
RED is still RED in a way, these cameras are still great, some are still using DSMC2 often
There's lots of boggled thoughts, but time will tell! I try not to lose sleep over it and just focus on my work haha
@@thomas.kovacik I think you are right. It might even be a collectors item, the last of the best type of thing, time will tell. Nikon’s cameras don’t impress me at all, at least not yet. Great stills cameras, but the video side is lacking in dynamic range and frame rates, plus lens choices for me personally. I’m in the canon glass world.
I’m thinking I will still get the camera anyway, we’ll see. I’m holding off a little longer
damn i came in just to hear it was a little better than the C70, but I'm going to buy one now
both are solid! make sure you understand the workflow of the red before jumping in. the c70 is definitely easier to operate
I have been debating the Red system for so long but the internal ND's is too so useful for my purposes (constantly switching lenses for shooting sports). Hopefully the new Canon cinema that's getting announced tomorrow is like... somewhat close to this camera.
Side note - thanks for creating those CLog2-to-Rec709 luts, use them every single time.
Yeah I can get that! Hopefully it’s close to the KX- I feel the KX offers such a solid value for a solid majority of filmmakers. It’s in a sweet spot forsure and it would be rad to see canon / Sony offer something similar
Appreciate it! Glad you’re enjoying them
Would you have bought the C400 if it was available?
Depends, prob not but I can see myself owning one with the KX
Great vid thanks. He did you find moving from internal nd to external?
Thanks! It’s not too bad, similar workflow to my fx3 of course
I’d love some sort of rear lens nd solution but I’m still researching.
The trade off with R3D / ergonomics / workflow are worth the loss of internal nd for me
@@thomas.kovacik Thanks man. Cvp have shown some pretty great rear rotary nd systems.
Was changing to R3D a huge difference in image quality. I like the c70 but it has its frustrations. Seems like a worthy upgrade
What computer should I get to edit videos best with the Komodo X?
Any new Apple silicon chip will do
I’ve used it with the M1 Max 16” and now m3 max 14”, it cruises through R3D
How has no image stabilization been when shooting handheld?
It’s been mellow! I shot with the c70 without IBIS, and sometimes only with lens IS on RF lenses
IBIS sometimes makes the image get funky so I don’t mind not having it
can you do a video where you show off your lenses? would be dope!
Yes! I’ve moved some things around but I’m editing my fujinon first impressions right now!
How much recording time do you get on a 1TB card?
4ish hours at ELQ I believe
Are you going to keep your C70 as a spare?
Nope! Sold it, wish I could’ve kept it but it made sense to sell it
@@thomas.kovacik I understand. I could buy a c400 if I sold all the cameras I don’t want to part with.
@@StarLightDotPhotos could be ideal
That c400 looks great
@@thomas.kovacikI don't have the skills to need it yet, but it's sexy.
I guess I need to wait until next year for your "Why I bought the Sony Burano" video.
lol
The Red DSCMc3 monitor is another $2500+ so you're spending a lot and still not getting internal NDs. And when you tack on a battery behind it, the weight is not THAT far off from a c70 WITH battery. And of course, video production is the whole pipeline with a good portion of the heavy lifting being done in the colour grading. I mean, it's good you have this as you wanted it, but for THAT much more money compared to, say, a C80, is it THAT much better proportionate to the money? IMO, no.
That money is worth streamlining the rig + having camera control- having a 7” smallHD on my c70 meant I needed power and HDMI- with no camera control
V mount on camera is way easier and cleaner that vmount on rods + channeling a cable into camera- yes the c70 without vmount is smaller and lighter which is nice
Yeahhh I need to make a video on this soon bc people told me to wait for these new canons, now that they’re out I’m glad I didn’t wait
If anything I’d take another c70 haha
But yeah, the red monitor is expensive for most- for me it’s worth it. When you compare it to the price of a cine 7 with red control it’s about the same price but the cine 7 can be used anywhere- but you’re stuck to using 3 cables and SDI protocol
The red monitor is really really convenient
Nice one, Fujinon MK18-55mm T2.9 is that E version modded to EF? thx
E modded to RF!
It’s a mirrorless lens so you gotta stay with the short flange, would be cool to have it in EF or PL though
@@thomas.kovacik def PL yes wonder why they don’t have the option available? Thank you
why not the c300mkiii you can keep the c70 as a b cam on a gimbal but rigging the c300 a little for handheld
Mostly size + being locked into EF glass
If canon had an RF version I prob would’ve ended up with one but the KX fits my style really well- plus it fits in a backpack easily haha
Thoughts on the c400?
Mayyyy make a video on this
TLDR- it’s a solid camera for canon shooters, and I’m happy with my KX move
Thoughts on the C400 release?
Video coming soon on that!
literally working hard to get this
congrats! im getting one as well comign from black magic 6k
thanks! heck yeah, you'll love it!
I didn’t see audio how do you do that? Great images
I showed a couple sneaky clips, I have this bright tangerine cheese plate + the red xlr unit!
I had the mid49 plate before but this is quicker to move setups around
Whats the lens in the thumbnail?
Olympus zuiko 28 f2!
Clean setup.
Thanks! Been reaaaally in love with the minimal kit
The video I've been waiting for. I love you but my wallet hates you.
Haha it’s such a solid camera! Pricey but it’s been worth it
My wallet is so sad too
What kind of mount adapter do you use for the contax zeiss?
Simmod EF hard conversion!
@@thomas.kovacik thanks man one more question does it produce a more pleasing image than a native EF L prime lens?
Why is so many RED owners uses SmallHD monitors?
They’re the best haha
Watched this twice, great video. Had mine for about a month now, so it's nice seeing all of my initial thoughts confirmed in one concise video.
Thank ya! Such an incredible little camera
Which nds you use?
Tokina pro IRND 82mm 1,3,6,8 stops
Honestly, I think you made a mistake. I have the komodo X with all the bells and whistles and it's been a disappointment. Image quality doesn't exceed FX6, no image stabiliser, no built in nd's. I use the breakthrough VND and battle vignetting. C70 might not have the sexy name but you're gonna miss all that it offers. Image quality is on par for less than half the price.
On that note, I'm selling if anyone wants haha
Eh I’ve been reaaaallly happy with this camera haha
The c70 / fx6 crush though, they’re so versatile
Image quality:
CAMERA = qualitative ETTR underexposure stops where
blue eye color is visible at all
Arri Alexa Mini LF = 9-10
c70 4k raw = 9-10
c70 xfavc = 8
c70 dgo-off xfavc = 7-8
sony venice 2 = 7-8
s1h 6k log = 7-8
ursa 12k = 7-8
sony a73 iso640 = 7-8
sony fx6 = 7-8
panasonic gh6 dynamic boost = 7
red komodo = 7
fx30 4k log iso800 = 7
fx30 4k log iso2500 = 7
fuji x-h2s = 7
nikon z9 8k raw = 7
canon r5 = 7
nikon z9 nlog = 6-7
sony a73 iso12800 = 6-7
canon r6 = 6-7
fx30 4.7k raw iso800 = 6
canon r5c raw st = 6
r3 6k raw = 5-6
canon r5c 10b 422 = 5-6
A few of these cameras they only publish as stills so there may be a bit more margin for error in judging those.