Thank you that was very helpful! I bought the LRTL7 this summer, and found the video training of how to jump into LR and back again very confusing. I've saved your video to reference back to, so thanks again! Love your TL you showed too.
Great vid, your customary expertise and great teaching style shines through, as always. The "bing" at 10:52 caused me to jump to my own copy of LRT (which was rendering as I was watching your vid), LOL.
Man, they’ve come a long way! I’m going to dust off my LR Timer and upgrade; the ability to do it all in one package is great (will have to head down to Darling Harbour and see if I can re-create your holy grail. 😊).
Thanks for this great demo. LRTimelapse is a fantastic piece of software. However, I find I save heaps of time by importing the dng sequence straight into Davinci Resolve Studio and use the raw editor, then keyframing further colour correction and grades from there. I use the deflicker effect when needed which does a pretty good job (not quite as good as LRTimelapse). I also save some hdd space and time by using Adobe DNG converter to bring the Sony ARW files from my memory card straight into my Mac as DNGs.
that works too, however I find the RAW editor for DNG files coming out of my Lumix really terrible to work with in DVR.Would you mind sharing how you grade your RAWs in davinci, which decoder you're using etc? Many thanks
@@MatthewVandeputte Hi Matthew, the method I’ve been using is very similar to the method you showed in this tutorial ruclips.net/video/lX9KRWKYgSo/видео.html. The main difference being that instead of duplicating the video tracks and fading in the correction/grading differences (pseudo keyframing), I use dynamic keyframes on specific nodes in the colour page. In the Camera Raw section on the colour page the settings I use are also the pretty much the same as yours: Decode Quality::Full Res., Decode Using::Clip, White Balance::Custom, Colour Space::Rec709, Gamma::sRGB. I do basic corrections in the Raw editor (raw editor can’t be keyframed as you know) and then move to nodes for the fine-tuning and keyframing. I tried your method after watching your tutorial but I went back to keyframing on the nodes. I find this gives me more granular control as I could target specific keyframes for things like brightness only and some keyframes might just be saturation, contrast or shadows etc. It also saved having multiple tracks for when applying multiple grading changes that needed fading in. The results for the two methods are pretty much the same, so either approach is good. Although I recognise that a key benefit to your multi track method is that all the adjustments can be done in the Camera Raw tab (camera raw can’t be keyframed, as you know). Hmm, I’m now wondering if a a hybrid approach might be good. Use multiple tracks to get the most out of the raw editing capability, blend/fade as needed, then create a compound clip and use node corrector keyframing to fine-tune - I might have to give that a try!
Thank you Matthew an always a great video. I am using LRT6 since years and always with Lightroom and AE, but it's just a hobby and the Adobe Package is quite expansive. I will give it a try in combination with DVR19. The only workflow step I am missing in your video is the lens correction. Where and when are you doing it?
Well explained! I also use lumix now for timelapse and love how the camera handle exposure leveling but one thing i miss in Lumix camera to make it almost perfect is to be able to set minimum shutterspeed to longer then then 1 sec when use auto iso and A mode in timelapse mode. I want the camera to be able to have longer shutterspeed before ramp the iso up when go from day to night for example. Is it something you also have notice? Thank you for your awsome videos and content 👌🙏
Hi Matthew, Thanks for another great vid Will LR Timelapse repair a day to night Timelapse that was exposure adjusted in camera (same settings all the way through the clip)? Rock on Matthew 🤘
Looks great but just cannot justify the $$ as I would only use it a couple of times each month, and some months not at all... Maybe a cheaper option with limited exports per month or similar for casual personal users.
@@MatthewVandeputte I will give the free option a try, not sure how the 400 image limit will go. Who knows, maybe it will be enough, and later consider purchasing. Cheers.
This is a new era for LRTimelapse 🎉 Thank you, Matthew!
You're very welcome!
Looks handy, will have to check it out. Thanks.
Cheers
Thank you that was very helpful! I bought the LRTL7 this summer, and found the video training of how to jump into LR and back again very confusing. I've saved your video to reference back to, so thanks again!
Love your TL you showed too.
Great to hear!
Great vid, your customary expertise and great teaching style shines through, as always. The "bing" at 10:52 caused me to jump to my own copy of LRT (which was rendering as I was watching your vid), LOL.
haha nice
Epic stuff, Matthew - thanks for sharing your knowledge.
My pleasure!
Thanks you very much!
I didn't know it was standalone now, that's great.
You're welcome!
Great vid and didn’t know some of the things you did in the software so that’s awesome. Thanks dude
Glad you liked it!
Man, they’ve come a long way! I’m going to dust off my LR Timer and upgrade; the ability to do it all in one package is great (will have to head down to Darling Harbour and see if I can re-create your holy grail. 😊).
would love to see your take!
Thank you Matthew, looks fantastic, I will have to upgrade. You make it look so easy now, love your videos, much appreciated.
Happy to help!
Matthew thanks heaps , your videos are always so encouraging because they teach so much thank you
Happy to hear that!
nice work!
Thank you! Cheers!
Thank you for sharing. I am still waiting for some app, that can help with slight camera shake, like wind vibration etc.
Most video editors will easily stabilise your footage with the built features!
Thanks for this great demo. LRTimelapse is a fantastic piece of software. However, I find I save heaps of time by importing the dng sequence straight into Davinci Resolve Studio and use the raw editor, then keyframing further colour correction and grades from there. I use the deflicker effect when needed which does a pretty good job (not quite as good as LRTimelapse). I also save some hdd space and time by using Adobe DNG converter to bring the Sony ARW files from my memory card straight into my Mac as DNGs.
that works too, however I find the RAW editor for DNG files coming out of my Lumix really terrible to work with in DVR.Would you mind sharing how you grade your RAWs in davinci, which decoder you're using etc? Many thanks
@@MatthewVandeputte Hi Matthew, the method I’ve been using is very similar to the method you showed in this tutorial ruclips.net/video/lX9KRWKYgSo/видео.html. The main difference being that instead of duplicating the video tracks and fading in the correction/grading differences (pseudo keyframing), I use dynamic keyframes on specific nodes in the colour page.
In the Camera Raw section on the colour page the settings I use are also the pretty much the same as yours: Decode Quality::Full Res., Decode Using::Clip, White Balance::Custom, Colour Space::Rec709, Gamma::sRGB. I do basic corrections in the Raw editor (raw editor can’t be keyframed as you know) and then move to nodes for the fine-tuning and keyframing.
I tried your method after watching your tutorial but I went back to keyframing on the nodes. I find this gives me more granular control as I could target specific keyframes for things like brightness only and some keyframes might just be saturation, contrast or shadows etc. It also saved having multiple tracks for when applying multiple grading changes that needed fading in. The results for the two methods are pretty much the same, so either approach is good. Although I recognise that a key benefit to your multi track method is that all the adjustments can be done in the Camera Raw tab (camera raw can’t be keyframed, as you know).
Hmm, I’m now wondering if a a hybrid approach might be good. Use multiple tracks to get the most out of the raw editing capability, blend/fade as needed, then create a compound clip and use node corrector keyframing to fine-tune - I might have to give that a try!
@@horizonimages Thank you so much for the detailed reply, I'll be looking into potentially updating my workflows with this. 🙏🏻
Thank you Matthew an always a great video. I am using LRT6 since years and always with Lightroom and AE, but it's just a hobby and the Adobe Package is quite expansive. I will give it a try in combination with DVR19. The only workflow step I am missing in your video is the lens correction. Where and when are you doing it?
Fair point, not sure where to apply lens correction, DVR might have some tools built-in but it won't be as good as doing it in LRC
Who's noticing a trend in subject matter :)
Well explained! I also use lumix now for timelapse and love how the camera handle exposure leveling but one thing i miss in Lumix camera to make it almost perfect is to be able to set minimum shutterspeed to longer then then 1 sec when use auto iso and A mode in timelapse mode. I want the camera to be able to have longer shutterspeed before ramp the iso up when go from day to night for example. Is it something you also have notice?
Thank you for your awsome videos and content 👌🙏
yeah I haven't figured that out yet sadly! Thanks for the nice words
Hi Matthew,
Thanks for another great vid
Will LR Timelapse repair a day to night Timelapse that was exposure adjusted in camera (same settings all the way through the clip)?
Rock on Matthew 🤘
Not sure I get the question, it was or wasn't exposure adjusted in camera?
@@MatthewVandeputte Sorry Matthew, no it was not adjusted in camera
Hi. I need your advice. Is it possible to make HDR video bt2020 in the program without connecting Lightroom???
I believe you need to go via lightroom to export the TIFF sequence first unfortunately
Looks great but just cannot justify the $$ as I would only use it a couple of times each month, and some months not at all... Maybe a cheaper option with limited exports per month or similar for casual personal users.
There's a free version that has limited but good functionality up to 400 photos for a sequence
@@MatthewVandeputte I will give the free option a try, not sure how the 400 image limit will go. Who knows, maybe it will be enough, and later consider purchasing. Cheers.
TIL that u can deflicker only a part of the sequence 🫠
haha yup! Major time saver