No BS intro, no stupid background music, no wasting our time begging for likes and subscribes, etc. Just right to the point with good information. Thank you! You earned my subscription.
I never like and subscribe, EXCEPT FOR YOU!!! I'm new to ProTools, and went to the forums, help desk etc. for an hour of NOTHING! Your video saved my NIGHT in 3 minutes. It worked flawlessly the first time.... SO thanks. Yes, I liked and subscribed. I love you....
Hey Wayne, I'm just an ageing D.I.Y. singer/songerwriter using Pro Tools in my home studio to try and capture my moments of excellence 🤣😂🤣 And dude, I'm so appreciative of the brilliant tutorials that stop me sometimes loosing the will to go on when I get stuck with a technical hitch. Guys like you are REALLY making a difference for folks like me! YOUR EFFORTS ARE REALLY FRIGGIN' APPRECIATED!
Hey so i've been an audio engineer forever but never learned Pro Tools in depth. Now I need to use it for my job so i'm learning all its ins and outs coming from a different DAW, and I just wanted to let you know your videos have been immensely helpful to me in switching over. Thanks for doing this, you're super good at it!
Bro. Ive been recording songs for 4 years and mixing for around 2 - 3 years in protools. And ive never rendered a track in interleaved, made such a huge difference in my mixes now just that little thing. I always used to spend so long wondering why my mixes sounded different than in protools. Thanks alot for these videos, they're a big help.
Thank you, man! I have worked in Reason for years, but with Avid no longer supporting their file type for session imports, I'm switching to PT and there's so many more steps for everything! I never thought it would be this complicated!
Good info bro! I had to check the video out to make sure I haven't been doing it wrong for years now lol! Never know, and I'm always open for correction.
Peace and Love Wave... what's thoughts on exporting (not using bounce mix)? Some say doing a print within the session then export the print rather than bounce mix, gives a more actual bounce than mix bounce. Noting things that happen on the backend when going through plugin chains through the bounce mix.
super dope! wondering after the song is fully mixed and all tracks are routed to the master fader or submix...what do you put on the master fader to send it off for mastering? this is one thing i never understood, i see that u set the VU meter to -18db but what do you do to bring it up to the levels appropriate for mastering? if you could maybe make a video about this or let me know in a message i would appreciate it. Once again I appreciate giving us all these great tips! thanks wavy
If you are sending it out to be mastered, leave it empty. We generally want it raw. If you are mastering yourself you could go with a light compressor or limiter.
When I bounce the mix as a WAV it sounds perfectly as it does in Pro Tools but when I bounce as MP3 it sounds too bright. I know that the WAV format is lossless and that the MP3 has to go through encoding. I’ve selected all of the high quality options like 24 bit depth, 48khz sample rate, 320 mbps, slow encoding. Is there any other way to make sure the mp3 sounds more accurately to the lossless file? I also tried doing the mp3 export with the WAV file in audacity but it turned out even worse, I’m guessing because it uses an open source codec and not the same codec that pro tools uses.
If anyone else is struggling with this problem, I figured it out. It was very simple. I needed a high cut filter on the track (and also a low cut filter), before bouncing it. The reason why it sounds okay in lossless is because those high frequencies sound like nothing, it’s inaudible to human ears. But when you put it through an mp3 encoder the encoder itself is very inaccurate with those high frequencies so it sounds bright and scratchy because the mp3 encoder is matching those inaudible extreme frequencies to actual audible frequencies when the mp3 is played and decoded again. Do yourself a favor and slap a cut on the high and low end extremes and the resulting encoded media will sound much more accurate.
I have a mix bus that every track goes to. I put it on the mix bus. The plugin I used was an EQ plugin from IK multimedia called T-RackS 5 Classic EQ, but there are a lot of EQ plugins that can do a high cut/low cut filter. Sometimes it’s called a high pass and or low pass filter.
So in the last bounce video you made, you said if your going straight to streaming services use 44.1 16 bit. If you are going to mixing or mastering keep it in whatever it was recorded at.. just wondering what changed?
I prefer to print my mixes from the 2-Bus, or Master to a new stereo audio track. I feel like time-based effects in particular come out better. I only bounce a mix to apply dither when down-sampling. I print 3 mixes... one with no 2-Bus processing, one with and a third with Master processing.
omg I have watched 20 of these I need to grab all tracks and paste them earlier in the song....... all tracks... select copy;;;; move ealier in the song move ALL the song to the right to make room.... and paste in the hole
@JaayleeMusic That's the difference between amateurs and professionals. You playback and record your track simultaneously. Back in the day, they used tape or ADAT.
No BS intro, no stupid background music, no wasting our time begging for likes and subscribes, etc. Just right to the point with good information. Thank you! You earned my subscription.
I appreciate that!
I never like and subscribe, EXCEPT FOR YOU!!! I'm new to ProTools, and went to the forums, help desk etc. for an hour of NOTHING! Your video saved my NIGHT in 3 minutes. It worked flawlessly the first time.... SO thanks. Yes, I liked and subscribed. I love you....
Hey Wayne, I'm just an ageing D.I.Y. singer/songerwriter using Pro Tools in my home studio to try and capture my moments of excellence 🤣😂🤣 And dude, I'm so appreciative of the brilliant tutorials that stop me sometimes loosing the will to go on when I get stuck with a technical hitch. Guys like you are REALLY making a difference for folks like me! YOUR EFFORTS ARE REALLY FRIGGIN' APPRECIATED!
Hey so i've been an audio engineer forever but never learned Pro Tools in depth. Now I need to use it for my job so i'm learning all its ins and outs coming from a different DAW, and I just wanted to let you know your videos have been immensely helpful to me in switching over. Thanks for doing this, you're super good at it!
Bro. Ive been recording songs for 4 years and mixing for around 2 - 3 years in protools. And ive never rendered a track in interleaved, made such a huge difference in my mixes now just that little thing. I always used to spend so long wondering why my mixes sounded different than in protools. Thanks alot for these videos, they're a big help.
Thumbnail had me thinking you were talking to the women about how to stop "bouncing wrong". Glad I read the title folk. Stay up. ✊🏾
Thank you SO MUCH for explaining the "offline" check box. Pro Tools trying to save a 35 min file in real time was driving me crazy!
Thank you, man! I have worked in Reason for years, but with Avid no longer supporting their file type for session imports, I'm switching to PT and there's so many more steps for everything! I never thought it would be this complicated!
Good info bro! I had to check the video out to make sure I haven't been doing it wrong for years now lol! Never know, and I'm always open for correction.
I needed that fam 💪🏾👑✊🏾
*BigUps Always bringing some fire!
Love your channel!!!!!🎉
I use 32 bit 48 because my mixes go to audio video syncing and editing in another software after me.
Take a drink every time wayne says bounce
Hey wayne i just exported mixed vocal with the beat in pro tools but it sounds mono
How to bounce in stereo ?
What about printing before bounce...
Someone probably asked about this
Peace and Love Wave... what's thoughts on exporting (not using bounce mix)?
Some say doing a print within the session then export the print rather than bounce mix, gives a more actual bounce than mix bounce. Noting things that happen on the backend when going through plugin chains through the bounce mix.
How does printing the session compare to a bounce?
Bro I really like your Channel
Good stuff Wavy!
IS there a way to get AFF files to load in studio one from pro tools?
i usually use a PRINT track to mix down to save processing power
super dope! wondering after the song is fully mixed and all tracks are routed to the master fader or submix...what do you put on the master fader to send it off for mastering? this is one thing i never understood, i see that u set the VU meter to -18db but what do you do to bring it up to the levels appropriate for mastering? if you could maybe make a video about this or let me know in a message i would appreciate it. Once again I appreciate giving us all these great tips! thanks wavy
obviously i see the L2 limiter on there but is there anything else that is done to prepare for mastering
If you are sending it out to be mastered, leave it empty. We generally want it raw. If you are mastering yourself you could go with a light compressor or limiter.
thanks sir mine was on mono instead of interleaved
Good stuff bro thanks
Is there a book anywhere that shows you step by step ? I'm a little slow when it comes to technical things. Maybe I should quit while I'm ahead.
When I bounce the mix as a WAV it sounds perfectly as it does in Pro Tools but when I bounce as MP3 it sounds too bright. I know that the WAV format is lossless and that the MP3 has to go through encoding. I’ve selected all of the high quality options like 24 bit depth, 48khz sample rate, 320 mbps, slow encoding. Is there any other way to make sure the mp3 sounds more accurately to the lossless file?
I also tried doing the mp3 export with the WAV file in audacity but it turned out even worse, I’m guessing because it uses an open source codec and not the same codec that pro tools uses.
If anyone else is struggling with this problem, I figured it out. It was very simple. I needed a high cut filter on the track (and also a low cut filter), before bouncing it.
The reason why it sounds okay in lossless is because those high frequencies sound like nothing, it’s inaudible to human ears. But when you put it through an mp3 encoder the encoder itself is very inaccurate with those high frequencies so it sounds bright and scratchy because the mp3 encoder is matching those inaudible extreme frequencies to actual audible frequencies when the mp3 is played and decoded again.
Do yourself a favor and slap a cut on the high and low end extremes and the resulting encoded media will sound much more accurate.
@@Necropheliacdo you put that on the master track or just the beat track and what plug in do you use to do that
I have a mix bus that every track goes to. I put it on the mix bus. The plugin I used was an EQ plugin from IK multimedia called T-RackS 5 Classic EQ, but there are a lot of EQ plugins that can do a high cut/low cut filter. Sometimes it’s called a high pass and or low pass filter.
What do you set your filters to like how much to get the Accurate sound
Right @@n.oboyzmusic
Great vid
🔥🔥🔥
Mighty fine. :-)
So in the last bounce video you made, you said if your going straight to streaming services use 44.1 16 bit. If you are going to mixing or mastering keep it in whatever it was recorded at.. just wondering what changed?
Probably because Apple Music takes higher quality files now so there is more of a point to exporting at higher quality now
appreciate you gng!
Thank you
bigtnx bro
Thanks Wavy! I've been wondering why my mixes suck at fadeouts!) Won't happen no more)
I prefer to print my mixes from the 2-Bus, or Master to a new stereo audio track. I feel like time-based effects in particular come out better. I only bounce a mix to apply dither when down-sampling. I print 3 mixes... one with no 2-Bus processing, one with and a third with Master processing.
I do the same.
dope
What the hell version do you use. Looks like it’s from 2005
omg I have watched 20 of these I need to grab all tracks and paste them earlier in the song....... all tracks... select copy;;;; move ealier in the song move ALL the song to the right to make room.... and paste in the hole
🍷
You never bounce, you print your track
So do you bounce your print track or export it
@@dollamanhomie No, I bounce the track into my tascam or save the protools region to wave
@@MadACeTeeMackhow you do that
@JaayleeMusic That's the difference between amateurs and professionals. You playback and record your track simultaneously. Back in the day, they used tape or ADAT.
✔️ in
That was the most confusing thing I've ever seen. Please tell me there's an easier way to do this.
I open my sessions in 96k and bounce in 96k
This is the dumbest software
Thanks so much @Wayne.wav -- love your teaching style!