6 Things Beginner Guitarists Think are Hard
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- Опубликовано: 31 май 2024
- ➢ The Official Zombie Guitar Website: www.zombieguitar.com/
➢ My 3 FREE Courses: www.zombieguitar.com/free
➢ Zombie Guitar Facebook Group: / zombieguitarmembers
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Relevant Lessons:
➢ All About 7th Chords: • Let's Talk About 7th C...
➢ Chords on the High Strings: • How to Play Chords on ...
➢ The "Minor" CAGED System: • The "minor" CAGED system
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Timestamps:
0:00 - Lesson Intro
1:55 - Part 1: Making a Campfire Version
5:33 - Part 2: Converting to Movable Barre Chords
8:16 - Part 3: Simplify the Barre Chords
9:58 - Part 4: Convert to Barre Chords
13:10 - Part 5: Confine to a Single Position
20:35 - Part 6: Transpose to a New Key
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Enjoy! 
Видеоклипы
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Brian Kelly is awesome. It’s almost like he knows what we’re thinking and worrying about. He knows!
Yeah...awesome!
Now i know why I joined your website. You explain things very clearly without over complicating it.
Best instructor ever
faboulous ... Brian does these explanations in a true signature way. Many string jugglers are distinctive players, he not just is this but also an signature explainer of this all
hard to find other content that is so dense and still clear and focussed, yet comprehensive
well engeneered tuition is what we get, easily accessible
Really enjoyed this lesson ....
Gonna grab me a few beers, and go out my back garden and light a fire .... then strum along!!! 😊😊
Well done Brian .... awesome tutorial as always!!!
I watch lots of guitar/music theory videos but every time I watch him, I finish and know something new and useful. Music teachers could learn tons about TEACHING music theory by following him! Well done, Sir!
I appreciate the words John! Thank you 😀
Great lesson Brian! I had not one but TWO lightbulb moments watching this lesson....
1. understanding how 7th chords are made
2. how to play all chords in a single 4 fret position
Outstanding job on this one sir ! !
Glad to hear it 😁
Love it. Nice job, Brian!
I love how succinct, to the point, dense, understandable you are as a teacher. Thanks
Thanks for the words! I appreciate you checking out the vid 😀
My favorite kinda content. Thanks
Thank Brian! This lesson really helps clarify and solidify these transitions. I appreciate your instruction technique. Jeep up the excellent work.
After being a Zombie Guitar member for the last 7 or so months, I can say this. All of the suject matter and content in the Brian Kelly videos that you see on RUclips, are presented in order as an organized curriculum on his website which is the best way for me to learn. That being said, I still watch the RUclips vids😎
Awesome lesson and refresher!
Well that was spot on!! many thanks
Wow! Thank you!
this F# sounds beautiful there. thx for this lesson! It´s really helpfull.
Good lesson Brian - 64yrs & CAGE makes no sense to my brain (perhaps it was never explained to me properly lol) but just plain chord shapes makes tons of sense :)
Does it still not make sense still after watching this video?
@@zombieguitar I think this one did it.....thx
As always thank you. You just make sense, where all other teachers make it some kind of mystery. Or maybe I just work better with logical brained ppl showing me things 🍻
I am hands down a better guitarist because of Brian. You literally explain things in the most perfect way possible
Glad to hear it! I appreciate you watching my vids. Thank you 😀
Great lesson. Thanks, boss. We Can think at this progression as chords of B harmonic minor: you begin and end the progression in the tonal center of Bm and F# are the dominant chord. Just theory learned in Zombie Guitar.
This is where the nuances of the 12-key vs. 24-key argument come into play...
That F# major chord is the "major V" chord when this key is being viewed from the "minor context".
The F# major chord is the "major III" chord when the key is being viewed from the "major context".
In both contexts, the F# major chord is optional and not required.
We could label this F# major chord as a "borrowed chord", but we can't say for sure exactly where it is being "borrowed" from.
You will find an F# major chord when you harmonize the B harmonic minor scale or the B melodic minor scale. You'll also find an F# major chord in the parallel major key, which is B major.
So where exactly is this F# major chord "borrowed" from? We can't say for sure!
The 12-key model just simplifies all of this by simply saying "the F# major chord is an out-of-key chord for the key that we are playing in" 😀
@@zombieguitar Thanks, Brian.
Big B doing his thing 😊. Good as usual man. Have a good one. 👋✌️🎸🎸 Gentlemen im older been watching him and others He is the Best im serious 💯
For heaven's sake, can I just watch one of your videos WITHOUT learning something!? Love it man! This is good stuff. You are the only teacher out there simplifying things. #zombie4life
That's awesome! Glad to hear it. I appreciate you following along with my vids 😀
Barcords are hard at first took a lot of work to get them down well but now it’s as fast as want so the hard work does pay off
sorry about my last pissy post..
i have that problem with barre chords.., its not about strength , but physiology , my fingers are meaty, i have just been adding a power chord..... A 5th... instead of barred chords
BRIAN, most of nirvana songs chord progressions are based off the Mixolydian b6 scale mode because of using the b6 major chord and b7 major chord which sound better in rock n roll music tonality which you should make a lesson about nirvana songs using this Mixoldyian b6 scale because of the vocal line
Regarding CAGED to my mind there are only 3 shapes A C and E. G is the same as A and D is the same as C the only difference being whether you reach forward or backwards to locate the root note
OK the thing i think is hard, that is holding me back..is how it seems pros barely touch strings, like during scales, while i have to press hard, and lose rhythm
also, in the first part.. knowing the minor of the keyA5, D5, and E5 in the key of C would be minor
I feel like I missed why two chords became dominant instead of major 7ths
The chord in the outer-circle, clockwise position is the "V chord" (the 5th chord) of the key, which is the one and only naturally occurring dominant 7th chord found in a key.
As for the F#m7 turning into an F#7...that is because both of those chords contain the same type of 7th, which is a b7. Removing the "minor" quality, you are left with a dominant 7th chord as opposed to a major 7th chord.
Check this video out for a more detailed explanation: ruclips.net/video/WBBwiWerSxA/видео.htmlsi=HNkaaaeeQCZdBvO-
@@zombieguitar oh wow, thank you! I'll check that video out now!
Briliant !
Thank you! 😀