So far, your tutorial is the best that I have watched on RUclips, which demonstrates the difference between ProRes Raw and non-ProRes footage. Thank you. You have really educated me a lot on ProRes Raw.
This is one of the best videos I've seen in years! My mind is blown! I've been using FCPX for years, but I just recently bought the Ninja V for my a7siii and FX3. I'm working with ProRes RAW for the first time ever. And this video was extremely eye-opening for me. I had no idea you could adjust ISO and LUTs from the info window. And it turns out that you can also adjust temperature there, as well. Thank you so much for bringing this stuff to my attention. I'm subscribing now!
Ah this answered the question I was thinking of. If it mattered what iso I shot at it I can adjust it later. Thanks! Ps, for anyone interested, in the Sony a1 you can adjust the temperature settings.
I am so grateful for your time in making this video, especially like that you are using FCP! I found the last (talking head scene) example very helpful Love the RAW NR comparisons. I first saw this in Philip Bloom’s excellent “I can see pt2” video where he shared that it was essential he rec in Pro Res Raw, & do NR in post using neat video. (Rather than the in-camera NR) he actually stated that he wouldn’t have been able to complete the video properly using the in camera NR. Thanks again for your time!
Great job showing the differences of pro res raw and internal. Big difference for recovery. I just got a ninja V and wow im honestly a little blown away. great examples here i subscribed.cheers
Wow! That was excellent. I learnt a lot as I have until now, dismissed RAW (of any flavour) of being something that I needn't ever use. To say that I am now tempted is an understatement. I wouldn't use it for everything, but certainly I can see advantages for certain shooting scenarios. Thank you!!
Really awesome video. Thank you! I think ProRes Raw for pro productions, for RUclips the A7Siii internal recording is more than enough with correct exposure and white balance.
Hello Mark, thank you so much for sharing your deep knowledge and help us cinematographers, editors and post specialists advance in our craft. Have a great year 2023!!
Great video! Now if Apple would just put more effort into implementing their ProRes Raw for a wider variety of cameras (and making color balance adjustments possible in post).
This was awesome. Thanks for the excellent breakdown and link to others. My only question is how do you post process Lens barrel distortion and chromatic aberration in post? All the research keeps pointing back to using the fisheye effect to make adjustment. Any tips on this?
Thanks Mark - this is my go to reference for Prores (waiting for my Ninja V to arrive) …wondering though - any thoughts on *Record Setting at * 100m 4:2:0 as opposed to 4:2:2? I had thought 4:2:2 was a “higher colour palate” (???) for lack of better words at this moment… any advise?
Thank you this great video. Please can you explain how do you spot and fix lens barrel distorition in post? And would this Fix need to be done to every RAW clip you shoot?
Thank you very much for your valuable video. Very interested in knowing what is the configuration of your Mac. processor, Graphic card, Ram memory? Thanks in advance. Very good job!
Extremely useful, thank you putting together. In regards to comparing 10 bit vs 12 bit, is there much of a difference to justify the larger file sizes?
The files are only slightly larger than 10-bit ProRes, to me it's more a matter of the extra post-processing required. Really depends on your usage case.
So what is the rationale behind having to "activate" ProRes RAW and also DNx? I cannot for the life of me understand the reasoning for the process. I mean I did it, but... why??
My guess is, Apple and AVID have some sort of arrangement with Atomos to provide data on how many of their customers are using their respective codecs - but I don't know that for certain.
I have a question I can't find an answer to. I love Prores Raw, but in FCPX, it seems you can't change the ISO within the clip once it has been set. This means my longer clips are forced to stay at one ISO despite the sunlight changing. Is there any way to tell FCPX to change the ISO within the same clip? It seems like a very restricting paramater.
Thank you for this! I’ve been trying to learn more about ProResRAW since getting a Sigma fp to go with my Ninja V I had been using on a Fuji X-T3. I’m setting the Ninja V to PQ monitoring, and using a PQ timeline in FCP for HDR output to RUclips, but I can’t find any information about this workflow anywhere! Is there a chance Ripple Training could do a series for HDR workflows? Thanks again, love your training tutorials, and the RUclips videos are a great free extra!
Boy I really wouldn't do that. Working in the PQ flavor of HDR really requires a proper HDR monitor with at least 1,000 nits - and while the Ninja V could theoretically do that, it's quite small for that purpose. Plus most folks won't see it on RUclips in HDR anyway. I'd highly recommend you stick to SDR unless you are delivering to Netflix, Hulu, Apple, etc.
@@MotionTips Oh well, that explains why no one has PQ HDR workflow videos out. I’d argue that HDR for RUclips is worthwhile, as there are quite a lot of OLED screen phones in the wild, and HDR looks pretty great on them. I’ve played around with HLG, but find the results look better from FCP with PQ. I’ll keep experimenting. Thank you for the information!
@@MotionTips A few thoughts. What about Apple's XDR display? It is very expensive but apparently a fraction of the price of previous reference monitors. Also would it make sense to grade in HDR and use the newish Duplicate Project As (Rec 709) feature to produce a 709 deliverable with some minor additional grading perhaps? Would that give some degree of future proofing if one is shooting ProRes Raw with the NinjaV anyway so that it would not be necessary to re-grade the HDR from scratch down the line?
@@mickspixels Yes, the XDR display is a great option. Normally you would first work in an HDR project (HLG or PQ) in an HDR library, then duplicate as Rec 709 like you say but then perform a "trim pass" on the Rec. 709 to make sure it's ok, using the HDR Tools effect as needed.
I'm importing the prores raw clips into fcpx and it just keeps repeating rendering but I havent edited the clips yet. why doesnt it finish and the rendering dots go away?
Hi thank you very much, was looking for this! How do you, finaly export in FCP. What settings do you use? I put it now in apple tv in 4k, but that looks terrible?
Hey Ripple ! Is there any way to use keyframes on the raw settings ? Like going from outside to inside and smoothly adjusting the WB ? I can't figure out the proper way to do that. Hint ?
You cannot keyframe any metadata settings. A common way to address this is to cut the clip at the point where you see the change, color grade the A side of the clip then the B side, then apply a really long dissolve so that the change from one color temp to another is not as noticeable.
Your camera only outputs a raw signal over HDMI. The Ninja V recorder then debayers the signal and turns it into a ProRes RAW file. You camera does not record or output ProRes RAW.
If we try using the preinstalled noise reduction plugin from final cut x, will this be sufficient or do we really need a third party noise reduction plugin like from neat video for prores raw? Thanks!
BUT after "Adding HDR clip to SDR project," I notice that my prores raw media IS changed on the timeline but not in the browser; I have camera lut turned off and the correct slog conversion selected, but I am still seeing that the clips are brighter in the timeline than they are in the browser. Is this normal and expected? What settings are off?
In FCP I can only see or change the iso range of the a7s3 ProRes RAW footage between ISO 50 - 25600.. Do I need to shoot at a certain iso from the start before being able to change the iso higher than 25600 in FCP..?
MotionTips 🤔 , i've seen videos of people shooting RAW up to the highest ISO.. ...I wonder how that would work if you shoot at higher ISO's in RAW, but only get that short ISO range in the post-settings...?
@@RaymondKPhotoVideography Ok I've tested this. If you shoot ISO between 50 and 25,600, that is the range you can select from in FCP. If you shoot higher, for example 102,400, you'll get that ISO, and then still the same range of 50 to 25,600. So no matter what ISO you shoot, you can only change it to an ISO within that 50 to 25,600 range.
@@MotionTips Okay Thank you for testing that out! I guess 50-25600 is a range most people use.. so they decided it that way.. Would still love for the ISO Range to be extended for post in the future.. it should be possible,.. But I'm happy that at least I'm still able to shoot at those higher ISO's in RAW.. getting the most out of the a7s3. And I guess If I need a bit more or a bit less exposure afterwards in Post I'll have to pull-down or push-up the footage through grading it a bit more... Again thank you for taking the time to test this out for me!
@@MotionTips I agree. I need to know how much better w/r to All-Intra, I know if compressed xavc its a no brainer but with All-intra if it's as minuscule as tested by others or more
@@rippleguys Yeap, It was supposed to appear there. It's weird because the codec shows Apple ProRes Raw, Linear PCM. But nothing about ISO or Exposure, not even on extended Metadata view.
no good video on youtube about workflow with prores raw. affter this lesson my picture perfect. just purchesed codec from dji for ronin 4 g. Match better picture then sony fx 3 with s log 3.
At 19:24 you say 1 hour SSD, instead of 1 terabyte SSD. Maybe you could Add a text over that. Love your videos. thank you. Just trying to help. Delete this comment if you want after you fix it. lol.
yeah, sometimes mistakes slip through. Unfortunately, RUclips does not allow replacing a previously posted video and we would lose all our likes and comments.
Great video.! Can the Ninja V record ProRes with older cameras? Like Canon 5D Mk3, 1Dx. I think these can do Clean HDMI out. But what does that mean? No mp4 like internal? What is your recommendation plugin for lens correction? Thx.
halnor777, check the camera compatibility list to see what cameras can output ProRes RAW to the Ninja V: www.atomos.com/compatible-cameras/?product=ninja-v. Not sure about lens correction in FCP - I have one for GoPro distortion from Alex4D but don't have anything for other specific lenses.
3 года назад+2
I love fcpx and prores but... braw is much better than prores raw.
@@rippleguys Yup that's why i started using resolve on the side. Sometimes I only develop BRAW and export PRORES files or sometimes I doing whole roundtrip with editing in FCPX (motionvfx plugins are the best :) )
only thing that is stupid is in the raw to log conversion there's only 6 cameras in it, and you can't even add to it as if those are the only cameras everyone use no arri, bm, red, zcam, no cinema cameras thats really stupid apple and fcpx is supposed to be for PRO's LMAO!!!!
Can I keep the files on the SSD and edit them in final cut connecting directly to that ninja ssd so I dont have to use my laptop hard drive? (I keep running out of space)
I need a copy of that book.
So far, your tutorial is the best that I have watched on RUclips, which demonstrates the difference between ProRes Raw and non-ProRes footage. Thank you. You have really educated me a lot on ProRes Raw.
This is one of the best videos I've seen in years! My mind is blown!
I've been using FCPX for years, but I just recently bought the Ninja V for my a7siii and FX3. I'm working with ProRes RAW for the first time ever. And this video was extremely eye-opening for me. I had no idea you could adjust ISO and LUTs from the info window. And it turns out that you can also adjust temperature there, as well. Thank you so much for bringing this stuff to my attention. I'm subscribing now!
The final result with the interview noise reduction and midtones uplifting looks really nice
Great overview, Mark. I shoot on the Panasonic GH5s and the S1H to Atomos Ninja V monitors so I will begin testing with ProRes RAW in FCPX. Thanks!
Ah this answered the question I was thinking of. If it mattered what iso I shot at it I can adjust it later. Thanks! Ps, for anyone interested, in the Sony a1 you can adjust the temperature settings.
OMG! It's getting better and Better Man!
One of the most useful videos I have found explaining Prores Raw! Thank you for clearing up every question I had!
Best explanation of Raw video and how to process it i have seen . So good.
I have been watching you guys for years- you all are simply the best! Thanks for all the great training over the years!!!!!!!
I am so grateful for your time in making this video, especially like that you are using FCP! I found the last (talking head scene) example very helpful
Love the RAW NR comparisons. I first saw this in Philip Bloom’s excellent “I can see pt2” video where he shared that it was essential he rec in Pro Res Raw, & do NR in post using neat video. (Rather than the in-camera NR) he actually stated that he wouldn’t have been able to complete the video properly using the in camera NR.
Thanks again for your time!
This must have been a tremendous amount of work. Thank you.
Great job showing the differences of pro res raw and internal. Big difference for recovery. I just got a ninja V and wow im honestly a little blown away. great examples here i subscribed.cheers
Wow! That was excellent. I learnt a lot as I have until now, dismissed RAW (of any flavour) of being something that I needn't ever use. To say that I am now tempted is an understatement. I wouldn't use it for everything, but certainly I can see advantages for certain shooting scenarios. Thank you!!
That was awesome. Thanks so much. I learned that pro res raw is not for me. But so cool to learn the ins and outs! Thanks so much for this!
Great video! Many thanks for posting this.
Really awesome video. Thank you! I think ProRes Raw for pro productions, for RUclips the A7Siii internal recording is more than enough with correct exposure and white balance.
Hello Mark, thank you so much for sharing your deep knowledge and help us cinematographers, editors and post specialists advance in our craft. Have a great year 2023!!
Hi Mark, the most detailed post editing video so far- thank you!!!
best explanation i heard for a long time! great job! i guess i will use raw on my a7siii and ninja v now and never miss it again :)
Thanks a lot! Awesome Video 💖
Very interesting overview, Mark, thanks!
Great video! Super helpful! Great structure that helps me understand everything and not miss any of the steps on the way :)
Thanks for this. I'm planning to have the conversion done on one of my Nikon Z6s.
Thanks so much for this video Mark!
Massively helpful. Thanks so much for making this!
You answered every single question I had. I just need to know why the kangaroo keeps popping up now.
Great vid, amazing detail.
Thanks for this amazing tutorial!
So so helpful!
Raw in stills or video remains really time consuming insurance that’s way over my head! Fun to watch and learn about though!
Great stuff, well done
Just a great video. Well explained. Wort while to process with the Neat plugin.
Thank you, lots of good information.
This just makes me wish that Apple and Blackmagic would play nice together and support both 😭😢
Great information! Thank you for sharing.
Great explain aswome work ...
Thank you for a highly helpful and informative video.
Very useful informations!
LTC, false color and focus peaking are worth the price of admission alone IMO. Not much else can compete.
Great video! Now if Apple would just put more effort into implementing their ProRes Raw for a wider variety of cameras (and making color balance adjustments possible in post).
This was awesome. Thanks for the excellent breakdown and link to others. My only question is how do you post process Lens barrel distortion and chromatic aberration in post? All the research keeps pointing back to using the fisheye effect to make adjustment. Any tips on this?
Looking for answers to that myself :-)
C’mon @Apple let’s get white balance for Sony ProRes Raw! Great video! How about a video covering lens distortion correction for ProRes Raw?
Is it possible to change iso, wb, exposure of sony prores raw camera metadata?
Atomos update on the FX3 email said you can change WB now, not on the a7s3 though yet...
Great video
The latest update to Ninja V brings in WB adjustment to A7S3 as well so update asap!!!
Yes!!!
thanks
I'm a big Ninja V fan, I have 3. They need to have Adobe Premiere able to read/adjust Nikon metadata as well.
I need a copy of that book😁
@Gerald Undone “let’s get undone” !!
Awesome & Thanks :)
Thank you!!!
Very interesting video. Could you please shoot a video while working in HDR? Rec. 2020 / PQ
Фантастика!)
1 hour ssd ?
Thanks Mark - this is my go to reference for Prores (waiting for my Ninja V to arrive) …wondering though - any thoughts on *Record Setting at * 100m 4:2:0 as opposed to 4:2:2? I had thought 4:2:2 was a “higher colour palate” (???) for lack of better words at this moment… any advise?
Thank you this great video. Please can you explain how do you spot and fix lens barrel distorition in post? And would this Fix need to be done to every RAW clip you shoot?
I need that book
Hey bro, thanks for the video!
What is this type of sound in 19:25 ? I kinda search it but can't find it :(
Thank you very much for your valuable video. Very interested in knowing what is the configuration of your Mac. processor, Graphic card, Ram memory? Thanks in advance. Very good job!
Thanks for the great video, curious what ssd’s are you using in the enclosure?
Honestly don't remember, bought them awhile ago, would need to open the cases!
Extremely useful, thank you putting together. In regards to comparing 10 bit vs 12 bit, is there much of a difference to justify the larger file sizes?
The files are only slightly larger than 10-bit ProRes, to me it's more a matter of the extra post-processing required. Really depends on your usage case.
Very nice, but I question: how to copy the camera like settings of iso , wb and camera lut to another clip? Thank you
So what is the rationale behind having to "activate" ProRes RAW and also DNx? I cannot for the life of me understand the reasoning for the process. I mean I did it, but... why??
My guess is, Apple and AVID have some sort of arrangement with Atomos to provide data on how many of their customers are using their respective codecs - but I don't know that for certain.
I have a question I can't find an answer to. I love Prores Raw, but in FCPX, it seems you can't change the ISO within the clip once it has been set. This means my longer clips are forced to stay at one ISO despite the sunlight changing. Is there any way to tell FCPX to change the ISO within the same clip? It seems like a very restricting paramater.
Thank you for this! I’ve been trying to learn more about ProResRAW since getting a Sigma fp to go with my Ninja V I had been using on a Fuji X-T3. I’m setting the Ninja V to PQ monitoring, and using a PQ timeline in FCP for HDR output to RUclips, but I can’t find any information about this workflow anywhere! Is there a chance Ripple Training could do a series for HDR workflows? Thanks again, love your training tutorials, and the RUclips videos are a great free extra!
Boy I really wouldn't do that. Working in the PQ flavor of HDR really requires a proper HDR monitor with at least 1,000 nits - and while the Ninja V could theoretically do that, it's quite small for that purpose. Plus most folks won't see it on RUclips in HDR anyway. I'd highly recommend you stick to SDR unless you are delivering to Netflix, Hulu, Apple, etc.
Also take at look at this MBS I did on using HDR shot on the iPhone it may help you: ruclips.net/video/rp3zXcyYyuo/видео.html
@@MotionTips Oh well, that explains why no one has PQ HDR workflow videos out. I’d argue that HDR for RUclips is worthwhile, as there are quite a lot of OLED screen phones in the wild, and HDR looks pretty great on them. I’ve played around with HLG, but find the results look better from FCP with PQ. I’ll keep experimenting. Thank you for the information!
@@MotionTips A few thoughts. What about Apple's XDR display? It is very expensive but apparently a fraction of the price of previous reference monitors. Also would it make sense to grade in HDR and use the newish Duplicate Project As (Rec 709) feature to produce a 709 deliverable with some minor additional grading perhaps? Would that give some degree of future proofing if one is shooting ProRes Raw with the NinjaV anyway so that it would not be necessary to re-grade the HDR from scratch down the line?
@@mickspixels Yes, the XDR display is a great option. Normally you would first work in an HDR project (HLG or PQ) in an HDR library, then duplicate as Rec 709 like you say but then perform a "trim pass" on the Rec. 709 to make sure it's ok, using the HDR Tools effect as needed.
27:52 I would expect the thicker traces in the RGB parade with ProRes RAW is because it has more noise, not more luminance.
That may well be, thanks for the comment.
I'm importing the prores raw clips into fcpx and it just keeps repeating rendering but I havent edited the clips yet. why doesnt it finish and the rendering dots go away?
Fix for lens distortion - use Arri signature prime lenses on your Sony A7S3 🙂
Hi thank you very much, was looking for this! How do you, finaly export in FCP. What settings do you use? I put it now in apple tv in 4k, but that looks terrible?
export File > H.264 for uploading to RUclips.
I going to use，because purchased iPhone 13 pro and ready for prores
3:01 wow 😂
The more you use footage from Belize, the more that vacation turns into a business trip for tax purposes, Mark
Alex I was not there for vacation. I was working there full time.
Hey Ripple ! Is there any way to use keyframes on the raw settings ? Like going from outside to inside and smoothly adjusting the WB ? I can't figure out the proper way to do that. Hint ?
You cannot keyframe any metadata settings. A common way to address this is to cut the clip at the point where you see the change, color grade the A side of the clip then the B side, then apply a really long dissolve so that the change from one color temp to another is not as noticeable.
So FX3 has got the WB control in Prores raw but not the A7SIII :(
I'm using an R5 and a ninja ultra and I don't see raw to log conversion. Anybody know what I'm doing wrong?
Are you sure you're getting 12-bit out 9f the Ninja V? I thought it maxed out at 10-bit?
I’ve been following you for a ton of years. Can my Sony A71V & FX30 out put pro res raw?
Your camera only outputs a raw signal over HDMI. The Ninja V recorder then debayers the signal and turns it into a ProRes RAW file. You camera does not record or output ProRes RAW.
If we try using the preinstalled noise reduction plugin from final cut x, will this be sufficient or do we really need a third party noise reduction plugin like from neat video for prores raw? Thanks!
Final Cut’s noise reduction is not even close to what you get with neat video. It’s well worth the money!
what if you applied neat video on the XAVC too even if the in camera noise reduction was already applied?
You can certainly do that, it should help reduce noise further
Why is the Phantom Lut so damn contrasty?
Can you edit prores raw on windows PC?
Can I edit focal point on a Prores raw video? Change focus from one subject to another natively not like a filter
No
Is it possible to change iso wb exposure of Sony a7siii Prores raw in FCPX?
I discuss this specifically in the video. You can change ISO but not WB.
BUT after "Adding HDR clip to SDR project," I notice that my prores raw media IS changed on the timeline but not in the browser; I have camera lut turned off and the correct slog conversion selected, but I am still seeing that the clips are brighter in the timeline than they are in the browser. Is this normal and expected? What settings are off?
If you are using HDR clips in an SDR project then you must use HDR tools effect to tone map highlights to 100 nits (rec 709).
This is because you turned off the camera LUT, which does the HDR > SDR conversion for you
What export setting do you use from Final Cut to Davinci Resolve for coloring grading and maintaining 12 Bit depth?
You export XML, not clips. In Resolve, you import the XML and it points to the exact same media.
@@MotionTips Thank you
Prores Raw wont work in resolve so I dont think exporting XML will either, so you can convert it to prores 4444 should maintain the 12 bit depth
@@MrVh78 Ah yes very good point you are correct!
In FCP I can only see or change the iso range of the a7s3 ProRes RAW footage between ISO 50 - 25600..
Do I need to shoot at a certain iso from the start before being able to change the iso higher than 25600 in FCP..?
I don't believe so, I think that's the only range you can access in post.
MotionTips
🤔 , i've seen videos of people shooting RAW up to the highest ISO..
...I wonder how that would work if you shoot at higher ISO's in RAW, but only get that short ISO range in the post-settings...?
@@RaymondKPhotoVideography Ok I've tested this. If you shoot ISO between 50 and 25,600, that is the range you can select from in FCP. If you shoot higher, for example 102,400, you'll get that ISO, and then still the same range of 50 to 25,600. So no matter what ISO you shoot, you can only change it to an ISO within that 50 to 25,600 range.
@@MotionTips Okay Thank you for testing that out!
I guess 50-25600 is a range most people use.. so they decided it that way..
Would still love for the ISO Range to be extended for post in the future.. it should be possible,..
But I'm happy that at least I'm still able to shoot at those higher ISO's in RAW..
getting the most out of the a7s3.
And I guess If I need a bit more or a bit less exposure afterwards in Post I'll have to pull-down or push-up the footage through grading it a bit more...
Again thank you for taking the time to test this out for me!
What about XAVC-All Intra? is that a better codec to compare with the Prores RAW ( Assuming this one used was XAVC-S)
No codec, by definition, can be better than RAW in terms of quality.
@@MotionTips I agree. I need to know how much better w/r to All-Intra, I know if compressed xavc its a no brainer but with All-intra if it's as minuscule as tested by others or more
@@MrVh78 Fair enough! Perhaps do your own test of XAVC-S vs. SI, or there are a lot of other videos out there comparing these codec options...
I have a ninja 5 with my Atomos CastX
For some reason, I cant see ISO or exposure settings with my ProRes Raw files shot on the A7siii
They appear in Metadata View > Extended not in the Inspector
@@rippleguys Yeap, It was supposed to appear there. It's weird because the codec shows Apple ProRes Raw, Linear PCM. But nothing about ISO or Exposure, not even on extended Metadata view.
@@fledsilveiraoficial Make sure you are running Final Cut 10.4.9 or later.
Same issue, i am running FCPX 10.4.10. Any others ideas ? Thanks a lot !!!
@@dammgot8727 make sure the file you've recorded is a prores raw file
no good video on youtube about workflow with prores raw. affter this lesson my picture perfect. just purchesed codec from dji for ronin 4 g. Match better picture then sony fx 3 with s log 3.
At 19:24 you say 1 hour SSD, instead of 1 terabyte SSD. Maybe you could Add a text over that. Love your videos. thank you. Just trying to help. Delete this comment if you want after you fix it. lol.
yeah, sometimes mistakes slip through. Unfortunately, RUclips does not allow replacing a previously posted video and we would lose all our likes and comments.
@@rippleguys oh ya. Thats right. Oh well. Thanks again for putting out great videos. Learned a lot so far.
Great video.! Can the Ninja V record ProRes with older cameras? Like Canon 5D Mk3, 1Dx. I think these can do Clean HDMI out. But what does that mean? No mp4 like internal? What is your recommendation plugin for lens correction? Thx.
halnor777, check the camera compatibility list to see what cameras can output ProRes RAW to the Ninja V: www.atomos.com/compatible-cameras/?product=ninja-v. Not sure about lens correction in FCP - I have one for GoPro distortion from Alex4D but don't have anything for other specific lenses.
I love fcpx and prores but... braw is much better than prores raw.
and only works in Resolve.
For now...
@@rippleguys Yup that's why i started using resolve on the side. Sometimes I only develop BRAW and export PRORES files or sometimes I doing whole roundtrip with editing in FCPX (motionvfx plugins are the best :) )
only thing that is stupid is in the raw to log conversion there's only 6 cameras in it, and you can't even add to it as if those are the only cameras everyone use no arri, bm, red, zcam, no cinema cameras thats really stupid apple and fcpx is supposed to be for PRO's LMAO!!!!
🤣🤣🤣🤣🤣 oh stop it!!!
How to be as smart as @GeraldUndone 🤣🤣🤣🤣
Very useful video, thanks so much.
Great video
Can I keep the files on the SSD and edit them in final cut connecting directly to that ninja ssd so I dont have to use my laptop hard drive? (I keep running out of space)
The SSD is a mounted drive like any other - so yes 👍