Have you considered doing a manual delay compensation on your foh set-up? With sources coming in from both waves and the desk itself, it might really clean up your mixes as they are all out of time at this point. Using Multi or Super Rack delay compensation great, but it only aligns those inputs. All of your card returns are most likely 4-5ms behind the direct AES50 signals. In your video on the dp48 where the band can get the drum bus and the kick, the kick will arrive slightly ahead of the rest of the drums. It’s may not be a huge audible difference at first, but you can really glue the mix back together doing your alignments manually.
Since I was really only processing vocals in Waves Multirack, the very minor delay was completely unnoticeable, had I been processing some of the drums or an acoustic or something more rhythmic and I started to notice the delay causing alignment issues, then I could do a manual delay, but what I’d likely do is just process everything so they all go through Multirack to get ADC. Although, I recently set up a much better solution for broadcast audio! You can check it out here ruclips.net/video/AFKX9lmNGOQ/видео.html
Thanks for all the content man. Have been taking your videos in today. Question, what did you need exactly to use the gopro on stage as a camera? I have a slider and gopro hero6 laying around. wondered if I should try setting up a similar shot.
Thanks Jeff! For go pros you can just get a micro hdmi to hdmi cable. You’ll likely also need a converter, but that may or may not be necessary depending on your setup. I use the Decimator MD-LX. It’s a cheap, but solid converter which converts my HDMI signal to SDI. amzn.to/2J7hPh6
@@ChurchTechTalks Thanks man! Second question. I didnt find one, but any chance you have a walkthrough on working with colour for the livestream with the blackmagics? I am new to them, and I have been trying to mess with the colour on the camera itself but have heard that you can lay a color lut over for the livestream? Any tips?
@@mrjswartzy we use LUTs to color correct each lens and camera individually. The process of creating LUTs is complex and something I leave to the color wizards of the world. Having my buddy come on and explain the process of creating LUTs is a great idea for a future video. Here’s a link to a before and after tiff photo of our camera one color correction and our camera 1 LUT. You’re free to use it, but it won’t be identical on your camera/lens combo. www.dropbox.com/sh/7wgo0213ohoj8y0/AADFuPKbvkw7zNaxx3Irgksja?dl=0
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Have you considered doing a manual delay compensation on your foh set-up? With sources coming in from both waves and the desk itself, it might really clean up your mixes as they are all out of time at this point. Using Multi or Super Rack delay compensation great, but it only aligns those inputs. All of your card returns are most likely 4-5ms behind the direct AES50 signals. In your video on the dp48 where the band can get the drum bus and the kick, the kick will arrive slightly ahead of the rest of the drums. It’s may not be a huge audible difference at first, but you can really glue the mix back together doing your alignments manually.
Since I was really only processing vocals in Waves Multirack, the very minor delay was completely unnoticeable, had I been processing some of the drums or an acoustic or something more rhythmic and I started to notice the delay causing alignment issues, then I could do a manual delay, but what I’d likely do is just process everything so they all go through Multirack to get ADC. Although, I recently set up a much better solution for broadcast audio! You can check it out here ruclips.net/video/AFKX9lmNGOQ/видео.html
Thanks for all the content man. Have been taking your videos in today. Question, what did you need exactly to use the gopro on stage as a camera? I have a slider and gopro hero6 laying around. wondered if I should try setting up a similar shot.
Thanks Jeff! For go pros you can just get a micro hdmi to hdmi cable. You’ll likely also need a converter, but that may or may not be necessary depending on your setup. I use the Decimator MD-LX. It’s a cheap, but solid converter which converts my HDMI signal to SDI. amzn.to/2J7hPh6
@@ChurchTechTalks Thanks man! Second question. I didnt find one, but any chance you have a walkthrough on working with colour for the livestream with the blackmagics? I am new to them, and I have been trying to mess with the colour on the camera itself but have heard that you can lay a color lut over for the livestream? Any tips?
@@mrjswartzy we use LUTs to color correct each lens and camera individually. The process of creating LUTs is complex and something I leave to the color wizards of the world. Having my buddy come on and explain the process of creating LUTs is a great idea for a future video.
Here’s a link to a before and after tiff photo of our camera one color correction and our camera 1 LUT. You’re free to use it, but it won’t be identical on your camera/lens combo. www.dropbox.com/sh/7wgo0213ohoj8y0/AADFuPKbvkw7zNaxx3Irgksja?dl=0
Are you the person who played peter from 7th heaven? ❤️
Yes I am :)
Omg 😍