#MoserMasterclass

[@jorgevillavicenciope910]

Thank you Maestro Johanes

[@michaelgay7649]

Thank you so much!

[@baibaandersson9454]

Thank God for Johannes. You have exelent points.

[@baibaandersson9454]

Absolut amazing and sharp ideas. Super effective. Very interesting. Professionall and already very sensitive.

[@thepositiveoasis]

This is awesome❤️

[@scmxtube]

Thank you for these! I'm a beginning/intermediate cellist, and even though the Haydn is a bit out of reach right now, some of the basic principles you cover have been very helpful in what I am currently learning. Your tips on shifting, intonation, phrasing, are all universal and a great insight. Thanks again!

[@gabrielemarzella7595]

Thank you very much for sharing this fantastic masterclass! Would be super the same on the Haydn Cello Concerto C Major, especially for the last movement 😃 Wish you all the best from Italy, Prof. Moser 🎻

[@derekflanderschang9654]

“Haydn D is not difficult”
-> second note requires semitone control within its own self 😎😎😎
For real super enlightening - I think it’s only difficult in the sense it is so “exposed” and obvious to listeners intonation wise, like the Bach suites. I’m pretty sure Shostakovich concerto can be a half step off and still sound ok. Maybe even prefer it a little out of tune / frenetic.

[@Codymeister99]

For sure the opening all the way through the triplets. Bowing on the tenths. Fingering on the arpeggios.

[@Sarkomedy]

I have been working on this piece for about a semester in college now, and this series will be some of the best help and blessings that I have come across. Thank you so much, Johannes! This will aid me to prepare for the upcoming concerto competition.

[@JohannesMoserCellist]

Fantastic! So happy if my comments could help here. Good luck with the competition!!

[@Xelerometal]

Hello Mister Moser. As always, masterfuly teached! Thanks for every video you upload!
I Wonder if you can tell us where can we find all the history information. I found really interesting all you said about Antoine Kraft, and about everything you always tell us. I wonder also, if you can recomend a textbook (or many of them) about it, to read.
Thank you again! Hopefully I will soon upload my video for your masterclass.
Best Regards!

[@tamayavaldivia6837]

Dónde está el botón de “me encanta”!! Gracias!! 💕

[@jfrbcelloguitar]

Saludos cordiales desde Oaxaca México! Gracias por la información! Gracias por los subtítulos.🤝

[@gkx7gucxif566]

I'm really looking forward to this, Such an accomplished cellist!
Also I wish Isserlis had been involved in the tribute video!

[@spongebob8503]

Hello Johannes moser! I love your videos they help a lot

[@agnesnagy2946]

Lol! I like you so much Johannes! I particularly love how you threw the Schoenberg cello concerto on the floor Hahahahaha. Thank you for recommending the “cello mind” book, I am learning a lot from it as a teacher and as a cellist.

[@JohannesMoserCellist]

Oh thats awesome! and yes, Intonation is such a cool universe

[@NadiA-mi9up]

Thank you so much!!! I wait for your master class every day!!!)

[@user-um6it6so6m]

I adore your masterclasses! Please, give us more and more!😊😍❤️👏🏻

[@cemr113]

Danke Schön wegen die Spanisch Untertitel!. Tolles video Johannes!.

[@marionreyes5896]

After Dvorak's cello concerto, this Haydn D is my next favorite. Danke schon!

[@hannesheinz720]

Bitte schon!

[@pedroagudo]

Amazing. And can't wait tomorrow, i want yo pratice all this Master level tips

[@hanswurst6873]

The hint to check out the resonances is amazing!!! Suddenly it feels so much more natural

[@JohannesMoserCellist]

I know - the resonance on the cello when taking hold is truly amazing

[@resatierf7443]

Esse concerto sem dúvidas é um dos mais lindos de Haydn. Gratidão pela maravilhosa masterclass:)!

[@eelecos]

Hey Johannes! Thank you for your videos! I just discovered them one week ago and I´m becoming an adict because they are so useful for me :D
For me it would be SO GREAT that you upload a video about the Gendron Cadenza, that is my worst nightmare in this concert :)
Thank you so much!!!

[@JohannesMoserCellist]

Oh I feel the same about the cadenza.... To be complete honest with you, I don`t know why people are still playing this cadenza, it seems like such a MONSTER in comparison to the concerto. Why should we go completely ROMANTIC and off the rails after the perfectly crafted writing by Haydn?

[@lenworthwilmot699]

Thank you for the video. Lol I don’t know who disliked this video. They must be a concert cellist that got passed over to play the Haydn and are sour.

[@JohannesMoserCellist]

hahah maybeeeeee.....

[@zhalaaliyeva5728]

Excelent recording! Wht mic you have been using for recording this. Video?

[@delfinagalvez5408]

Excelente, gracias!!!

[@ademirsorato]

Bravooo 👋👋👋

[@1604Virginia]

thanks for the subtitles ☺️

[@stellawu5100]

Thank you for this Video!!! Love it~❤️

[@goncalolelis3668]

Great video! I liked especially the "hybrid" intonation system applied to the opening notes, as well as the references to A.Kraft. In his sonatas for cello and basso one can also find a very narrow parallelism to some passages from the Haydn concerto.
As a sidenote, around 3.00, wouldn't it be better to match the E to the one found on the A string (the 2nd harmonic), as the E in the C string is lower (which fits to a C major chord)?

[@sofiafortinteruel9593]

Thank you 😍

[@orquestrasincronica]

Thanks so much!

[@iamgodz927]

10:40 If you don't shorten the note, how do you make the shift without losing time?

[@sammoore1913]

Hello! In the next video, could you discuss fingerings on the arpeggios in the development? The really nasty ones

[@petercrosland5502]

You have had nearly 250 years to work this out, and it is very much a concerto, so if orchestra don't have a clue none of this will help. Jaqueline du Pre is one example.

[@hannesheinz720]

I don't like Haydns D very much.
The C is the only authentic work.