I cannot press the like button enough times on this video. It's just perfection. I keep coming back to this and being totally immersed in the beauty. Danke alle!
Heaven on this beautiful earth plus the genius J.S.. Bach and the fantastic musicians, conductor, and singers, nothing but total admiration for all of them. superb utter quality.
As first, I have to say: wonderful music, wonderful interpretation, and wonderful performance! Thank you for sharing your work and joy! Greetings from Ireland. ❤️👍🏻👌👏☘️🇮🇪😇
In allem meinen Taten Laß ich den Höchsten raten, Der alles kann und hat; Er muss zu allen Dingen, Solls anders wohl gelingen, Selbst geben Rat und Tat.
The Tenor the violin are absolutely brilliant. If I had a title for this section it would be, " Romancing the Fraulein.". The Bass piece reminds of a nostalgia of things past.
Muchísimas gracias por este conmovedora interpretación. Sublime y profunda. Una total integración de los instrumentos y las voces. Mi gratitud y admiración.
JOHANN SEBASTIAN BACH { EISENACH, Saint~Empire 1685~1750 LEIPZIG, Saint~Empire } « CANTATA IN ALLEN MEINEN TATEN { BWV 97 } { 1734 } ~ { J.S. BACH FOUNDATION } Que c’est beau une merveille, cette œuvre de la musique Baroque de JOHANN SEBASTIAN BACH, interprétation du chœur, soprano, alto, ténor, basse, et orchestre grandiose dirigé par RUDOLF LUTZ né en 1951, compositeur, organiste, claveciniste et chef d’orchestre suisse bravo à tous. Cette cantate IN ALLEN MEINEN TATEN { BWV 97 }, est une cantate religieuse de BACH composé à Leipzig en 1734. L’œuvre de BACH fait partie des monuments de la musique du XVIIe siècle et bénéficie d’une reconnaissance universelle dans l’histoire de la musique. Car si le très sérieux CANTOR, Maître de musique des églises de Leipzig pendant un quart de siècle a composé pour l’office plus de deux cents cantates. Qu’elles soient sacrées ou profanes, les cantates de BACH sont parmi les plus belles, les plus vives créations vocales de l’histoire de la musique. Merci pour ce chef-d’œuvre, et ce moment de musique Baroque avec JOHANN SEBASTIAN BACH, compositeur de génie qui est éternel, que j’ai énormément aimé bravo.
Wonderful music and superb performance! The final chorale is one of my favourites and I have listened to many renditions of it - no one manages to play it with such clarity and balance as the ensemble does here; truly remarkable and exceptionally beautiful.
Ich wollte eine hohe Dynamik im Eingangssatz bekommen, und man schenkte sie mir -:) Spass beseite, wieder mal eine tolle Aufnahme der St. Gallener. Dankeschön.
A very sublime performance, once again, bravo undt brava! Wonderful that Maestro Lutz is pains-taking to give individuals their reasonable praise. You who sets up the program notes, danke schoen for giving a bit of English translation; could you also research what Scripture the cantatas are meant to illuminate, bitte?
A truly glorious performance. It is tragic to think that the wonderful organist Norbert Zeilberger was killed in a freak accident a few months after this was recorded.
@ Obviously, but they don't sound as Händelian. And it's not just the dotted-rhythm section that sounds Händelian. The opening subject of the Vivace section that follows it sounds like something out of one of Händel's concerti grossi.
@ With all due respect for your obvious erudition (despite that hint of condescension after your last full stop), it is more than that. It goes without saying that you can find antecedents for virtually everything.
A beautiful performance, yet I wonder what Bach would have thought about making so thoughtless a spectacle of his worship music glorifying his Lord, much like the crass opera he thankfully never composed. As seen in his beloved Thomaskirche, how different an atmosphere is evoked when the musicians are humbly cloistered in the back, heard and not seen, delighting to give only the divine Word and Sacrament pride of front placement.
I think it's fair to say that the musicians here are focused solely on the import of the music, and have no consciousness of being part of a spectacle. Word and Sacrament shine through the music. We can be thankful for this wonderful ensemble, who bring Bach and his sacred message to a wider world.
@, Bach has certainly paid toll on the forms of Italian opera such as, for example, the da capo aria. But the place of execution was a completely different one. In the dissertation 'JOHANN SEBASTIAN BACH AND HIS MUSICIANS IN THE TWO MAIN CHURCHES OF LEIPZIG ' from 2017 by Rinze Jan Bijma about the church music of Bach in Leipzig you can read that only about 8 singers fit on the gallery where the cantatas were performed during the service. (That gallery is still there.) The musicians were invisible from the church! The singers stood with their backs facing Bach's back, which was behind the harpsichord. So the singers were the only ones who got to see the churchgoers. They also had to have a loud voice in order to be heard in a church with around 2,000 churchgoers. And no applause for granted. However, I do think that Bach would have been satisfied with the musical content of this performance under the direction of Mr. Lutz. :)
5 лет назад+6
Get a clue. This is a recorded concert performance before a live audience, not a recreation of a church service in the Thomaskirche of Bach's time.
This is the current thinking about how this music was actually performed in Bach's time. To my mind, it sounds right. The music is not rushed, but it is energetic and lively.
The Bach Stiftung is not responsible for ads. It is RUclips that does this. You have two choices; pay them to join the pay channel ad free, or put up with the ads. But to blame the content provider, that gives us all this wonderful music free, is grossly unfair. Bach Stiftung no es responsable de los anuncios. Es RUclips el que hace esto. Tienes dos opciones; paga a RUclips por el canal sin anuncios o aguante los anuncios. Pero culpar al proveedor de contenido, que nos da toda esta maravillosa música gratis, es muy injusto.
Too many of these performances follow the example Gardiner set beginning in the 1980s to see how fast it was possible to perform Bach's music. The result is at best comical and does a huge disservice to Bach's music.
Cannot agree. The music is very well performed, energetic, lively, and full of feeling. Many people over the years grew used to a rather ponderous, heavy style of performance, with far too many instrumentalists and choristers. The more historically informed performance practice of recent years convincingly recreates the more lively and down to earth performance practice of Bach's own time.
RUDOLF LUTZ IS AS WELL A GENIUS OF CONDUCTING AND PERFORMANCE. WHAT AN EXTROARDINARY TALENT.
....and a master organist, improviser, teacher and musical luminary.
I cannot press the like button enough times on this video. It's just perfection. I keep coming back to this and being totally immersed in the beauty. Danke alle!
Ça frise la perfection
Aria tenore e violino solo: Gänsehaut pur!
Bach lebt - durch eure fantastische Interpretation! Danke.
Bach lives - through your fantastic interpretation! Thanks
Daniel Johannsen ... hervorragend!!
The violinist plays so nice and those staccato moments just describe emotions so perfectly and so synced w the tenor
The violinists are fabulous, indeed.
La sensibilidad de la violinista en el Aria de tenor es de una belleza conmovedora. Gracias
I love this piece so very profoundly.
Incredibly wonderful collaboration between tenor and solo violin! I've never heard this any better before! Thàt is making music!
Klaus Mertens...que gran bajo! Excelente la fagotista, cuyo nombre desconozco. gran versión como todas las del maestro Lutz.
Vielen Dank für Hochladen! Das ist mein Lieblingskantate und bin für Ihre Interpretation sehr begeistert.
Heavenly music
Heaven on this beautiful earth plus the genius J.S.. Bach and the fantastic musicians, conductor, and singers, nothing but total admiration for all of them. superb utter quality.
A wonderful way to spend a Saturday afternoon in preparation for Sunday; Cantata 97 helps me think about Him in "all my deeds."
Greetings from San Francisco. I am more grateful for these performances and videos than I can possibly say.
Bravo le passage d'Alto, une Alto féminine est à mon gout plus agréable à entendre qu'un Alto masculin encore un grand merci à tous
absolutamente de acuerdo una alto femenina está dentro de lo natural no a los falsetes
Merci à Mr Gamboa
👏👏👏👏👏❤😊👍
🎉🎉🎉🎉🎉👏👏👏👏👏😄❤👍
Absolutely refreshing, absolutely inspiring, absolutely BACH. Superb.
So many excellent parts, I just don't know where to begin.
As first, I have to say: wonderful music, wonderful interpretation, and wonderful performance! Thank you for sharing your work and joy! Greetings from Ireland. ❤️👍🏻👌👏☘️🇮🇪😇
Absolutely stunning performance!
I was transfixed. What a wonderful journey into both Beauty and Faith at the same time not to mention the top flight performances by all.
Greetings from Maine! This is one of my favorite cantatas. Everyone here performs very well.
From the very beginning, this is beautiful!
Escuchar las cantatas de J.S.BAH es un placer ESPLEDIDO.💥
Gracias.
From Amsterdam a heartfelt THANK YOU for this wonderful performance!
Beautiful! Thank you for keeping Bach alive.
He's dead ;-;
In allem meinen Taten
Laß ich den Höchsten raten,
Der alles kann und hat;
Er muss zu allen Dingen,
Solls anders wohl gelingen,
Selbst geben Rat und Tat.
The Tenor the violin are absolutely brilliant. If I had a title for this section it would be, " Romancing the Fraulein.". The Bass piece reminds of a nostalgia of things past.
Saudações do Brasil! Bach é estupendo! Maravilhosa interpretação! Parabéns!
Astonishing music, superbly played!
Bachstiftung just keeps going from strength to strength. Bravi tutti!
Muchísimas gracias por este conmovedora interpretación. Sublime y profunda. Una total integración de los instrumentos y las voces. Mi gratitud y admiración.
JOHANN SEBASTIAN BACH
{ EISENACH, Saint~Empire 1685~1750 LEIPZIG, Saint~Empire }
« CANTATA IN ALLEN MEINEN TATEN { BWV 97 } { 1734 } ~ { J.S. BACH FOUNDATION }
Que c’est beau une merveille, cette œuvre de la musique Baroque de JOHANN SEBASTIAN BACH, interprétation du chœur, soprano, alto, ténor, basse, et orchestre grandiose dirigé par RUDOLF LUTZ né en 1951, compositeur, organiste, claveciniste et chef d’orchestre suisse bravo à tous. Cette cantate IN ALLEN MEINEN TATEN { BWV 97 }, est une cantate religieuse de BACH composé à Leipzig en 1734. L’œuvre de BACH fait partie des monuments de la musique du XVIIe siècle et bénéficie d’une reconnaissance universelle dans l’histoire de la musique. Car si le très sérieux CANTOR, Maître de musique des églises de Leipzig pendant un quart de siècle a composé pour l’office plus de deux cents cantates. Qu’elles soient sacrées ou profanes, les cantates de BACH sont parmi les plus belles, les plus vives créations vocales de l’histoire de la musique. Merci pour ce chef-d’œuvre, et ce moment de musique Baroque avec JOHANN SEBASTIAN BACH, compositeur de génie qui est éternel, que j’ai énormément aimé bravo.
Wonderful music and superb performance!
The final chorale is one of my favourites and I have listened to many renditions of it - no one manages to play it with such clarity and balance as the ensemble does here; truly remarkable and exceptionally beautiful.
Estoy totalmente de acuerdo contigo, Fernando.
@@nargisahadi6643 ¡Muy bien! Gracias, Nargando.
Wunderschön Leicht , viel Luft .... BRAVISSIMI !!!!
Saugut!!! Echt klasse dargeboten! Immer wieder gerne❤
Dankeschön 😋
Ich wollte eine hohe Dynamik im Eingangssatz bekommen, und man schenkte sie mir -:) Spass beseite, wieder mal eine tolle Aufnahme der St. Gallener. Dankeschön.
Thank you.
How does the Fabulous Rudolf Lutz manage to surround himself with so may absolutely top musicians?
I guess, it's privilege to play under his conduct. 😉
Exquisito!!!!!!!!!
Gracias.🍂🍂🍂🍂
A very sublime performance, once again, bravo undt brava! Wonderful that Maestro Lutz is pains-taking to give individuals their reasonable praise. You who sets up the program notes, danke schoen for giving a bit of English translation; could you also research what Scripture the cantatas are meant to illuminate, bitte?
¡Saludos desde Ecuador y qué viva Bach!
The soprano monika is Divine!
BEAUTIFUL ! MANY THANKS @Bachstiftung ♥ ♥ ♥ ♥ ♥
Extraordinaire !
Such Beauty!
Fint musicerande av sopran bas tillsammans med fagotten!🎉
Another beautiful performance. Technically the recording is excellent.
El maestro Klaus Mertens es muy familiar para todos los "bachianos".-Bienvenido también a este conjunto.
Thanks.
Vielen dank
A truly glorious performance. It is tragic to think that the wonderful organist Norbert Zeilberger was killed in a freak accident a few months after this was recorded.
David Griffiths 😢 So true...
una gran pérdida de un insigne intérprete
A nice intimate reading. Flexible and light.
I wish I could listen to Bach just once and not cry.
glorious!
Brilliant Rendition of this Cantata! A worthy rival to Sir John Elliot Gardiner. Best from UK 🇬🇧
Excellent...
The only comparison I can make to Bach's command over his materials is G-d's creative power during the seven days of creation.
The alto aria at 15:50 seems to be the high point of this cantata, at least for Mr Lutz . . . and me !
So fine. Herr Lutz is so modest, that he fails to mike the harpsichord at all ?
¿ Cual es el nombre de la violinista solista?.Ella es una gran intérprete
Su nombre es Renate Steinmann.
but what is the name of your fabulous first violinist ? may i have please ? thank you.
You can find all this info on our homepage: www.bachipedia.org/en/works/bwv-97-in-allen-meinen-taten/. Best regards
@@Bachstiftung Thank You!
The "In allen meinen Taten" of Chorus may be a french overture
Are there any investigations regarding women bassonists hair length compared to women in the whole orchestra?
The opening chorus sounds uncharacteristically Händelian, at least until the voices enter.
@ Obviously, but they don't sound as Händelian. And it's not just the dotted-rhythm section that sounds Händelian. The opening subject of the Vivace section that follows it sounds like something out of one of Händel's concerti grossi.
@ With all due respect for your obvious erudition (despite that hint of condescension after your last full stop), it is more than that. It goes without saying that you can find antecedents for virtually everything.
i never bought a bachstiftung recording because of their incomprehensible lettering...
A beautiful performance, yet I wonder what Bach would have thought about making so thoughtless a spectacle of his worship music glorifying his Lord, much like the crass opera he thankfully never composed. As seen in his beloved Thomaskirche, how different an atmosphere is evoked when the musicians are humbly cloistered in the back, heard and not seen, delighting to give only the divine Word and Sacrament pride of front placement.
No day without Bach!
I think it's fair to say that the musicians here are focused solely on the import of the music, and have no consciousness of being part of a spectacle. Word and Sacrament shine through the music. We can be thankful for this wonderful ensemble, who bring Bach and his sacred message to a wider world.
@, Bach has certainly paid toll on the forms of Italian opera such as, for example, the da capo aria. But the place of execution was a completely different one.
In the dissertation 'JOHANN SEBASTIAN BACH AND HIS MUSICIANS IN THE TWO MAIN CHURCHES OF LEIPZIG ' from 2017 by Rinze Jan Bijma about the church music of Bach in Leipzig you can read that only about 8 singers fit on the gallery where the cantatas were performed during the service. (That gallery is still there.)
The musicians were invisible from the church! The singers stood with their backs facing Bach's back, which was behind the harpsichord. So the singers were the only ones who got to see the churchgoers.
They also had to have a loud voice in order to be heard in a church with around 2,000 churchgoers. And no applause for granted.
However, I do think that Bach would have been satisfied with the musical content of this performance under the direction of Mr. Lutz. :)
Get a clue. This is a recorded concert performance before a live audience, not a recreation of a church service in the Thomaskirche of Bach's time.
The music is glorious and inspiring. Most of us would rather ignore the dreary, self-flagelating Lutheran theology.
What's the big hurry?
This is the current thinking about how this music was actually performed in Bach's time. To my mind, it sounds right. The music is not rushed, but it is energetic and lively.
I THINK THIS CANTATA MAY SOUND BETTER WITH A COUNTER TENOR SINGING INSTEAD. ?
No
Skøn musik og dejlige solister, så bliver det ikke bedre......
Arruina su canal al intercalar anuncios... Totalmente inaceptable
The Bach Stiftung is not responsible for ads. It is RUclips that does this. You have two choices; pay them to join the pay channel ad free, or put up with the ads. But to blame the content provider, that gives us all this wonderful music free, is grossly unfair.
Bach Stiftung no es responsable de los anuncios. Es RUclips el que hace esto. Tienes dos opciones; paga a RUclips por el canal sin anuncios o aguante los anuncios. Pero culpar al proveedor de contenido, que nos da toda esta maravillosa música gratis, es muy injusto.
Too many of these performances follow the example Gardiner set beginning in the 1980s to see how fast it was possible to perform Bach's music. The result is at best comical and does a huge disservice to Bach's music.
Cannot agree. The music is very well performed, energetic, lively, and full of feeling. Many people over the years grew used to a rather ponderous, heavy style of performance, with far too many instrumentalists and choristers. The more historically informed performance practice of recent years convincingly recreates the more lively and down to earth performance practice of Bach's own time.
The inexpensive scallion preoperatively grease because menu obviously offend at a productive mom. red, charming ukraine
Word salad?