Fables of Faubus -MO dir Jules Buckley & Christian Scott & Shabaka Hutchings (2017)
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- Опубликовано: 2 окт 2024
- Fables of Faubus - Metropole Orkest conducted by Juloes Buckley (2017), during the BBC Prom 53 Beneath the Underdog: Charles Mingus revisited, a tribute to jazz legend composer, band leader and bassplayer Charles Mingus.
Soloists: Christian Scott-trp; Shabacka Hutchins-b-cl; composer: Charles Mingus; arranger Tom Trapp. Footage courtesy of BBC Proms.
Metropole Orkest: 75 Years in Perspective - Its Past, its Present, its Future - 8th Decade (2016 - 2020)
Credits & Acknowledgements
Music selection: Fred Dekker, Robert Soomer, Jolien Plat
Design, Production & Final Editing: Jolien Plat, Alma Albronda
Audio supervision: Dirk Overeem; Video selection: Jolien Plat
Text and Narrative: Fred Dekker
Concept: Fred Dekker
Every measure has been taken to avoid infringement of rights of makers and performers of the music, videos, pictures and photographs used in this Perspective. Nevertheless, if you think that - in spite of these measures - you can rightfully claim one or more of such rights, please send an e-mail to info@mo.nl
Metropole Orkest
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Website Metropole Orkest: www.mo.nl
![[FULL VIDEO] Beneath the Underdog: Charles Mingus Revisited (Prom 53) - feat. Leo P](http://i.ytimg.com/vi/qx4pxOQvlKo/mqdefault.jpg)
I get the feeling that Mingus would have chased the conductor/arranger down the street with a knife.
nail on the head brother
Best comment ever!
Everyone here doesn’t know enough to know Mingus have fired the two soloists quickly. Their phrases and choices were awful, there was no line there. Just no.
should have the courage to sing the lyrics
Absolutely...a black chorus singing fuck the klu klux klan.
ruclips.net/video/EtLiwC1hcrI/видео.html
It’s just not the same when there’s no men yelling “play that thang” during the solo
Doesn’t have the chaos or soul of the original recording
It's also missing the "Battle Hymn Of The Republic" reference lick that the pianist played in a different recording.
This is basically the Mingus Big Band arrangement of the tune with strings and different backgrounds for the 2nd soloist. I encourage everyone to check out that version
Do you know where I could go to find that version?
You forgot to mention that Mingus would have fired those two soloists. Just no. The NYO youth orchestra soloists played it better.
To me, Mingus' greatest masterpiece ever.
I prefer the Black and original version...it ain’t got no bite to dig.
I have no beef with this version. It has a nice Mingusonian swing to it. Mingus would have been proud that justice was done to his composition, if not the circumstances that led him to create the composition itself. It's not everyday that a rendition of composition can make you feel like your in a corner African American church, a Bayou juke joint, and a 1970s New York City avant garde jazz loft at the same time.
There’s also the question of licensing. I’m sure that Sue Mingus would’ve made sure that the publishing was covered, and if people were going to use some thing in a major production that the Mingus estate would get compensation.
This is a brilliant tribute. And the symbolism of an all white classical style orchestra with two excellent black soloists delivers an important message. Especially at this moment in history, where it appears we whites have begun to understand. So the text isn't there (but Mingus recorded it with no text as well on his album Ah um). However, the anger is deeply expressed in the rhythmic shouting. It ain't Mingus and it ain't Dolphy... but choosing a bass clarinet for the solo is a tribute to Dolphy (who played both alto and bass clarinet on the Mingus versions).
Your boot-licking is pathetic.
@@leelarson107 Whose boots? Mingus? Or the Orkfest? Mingus I saw in person and still worship as a incomparable composer, musician, cultural icon and developer of talent. A true American hero, who lived, performed and spoke beneath the underdog.
Thank you for sharing your well informed thoughtful comment.
@@leelarson107 most stupid comment.
@@leelarson107 I wish we could see how many dislikes your comment has.
I like Hutchings' spiffy Fifties-style hat and sport-jacket.
And his playing.
And his choice of horn, which echoes that of "Original Faubus Fables" - even if he plays it a bit smoother than on that original version.
Mingus would have fired him very notes into that solo. Fortunately because the ending parts were worse. I mean it’s outrageously unacceptable figures being repeated there.
@@AquaticMammalOnBicycle Wouldn't put quite that far.
But I suspect that Mingus would've scowled at him and shouted something like, "Play some MFin' MUSIC, man!" You're right in that there doesn't seem to be a line through it. It's as if he never practiced the tune, or he's WAY out of shape on playing over changes, or he really doesn't want to be there at all. Or, as if he's so used to tenor that he plays stuff that'd power through everything with sheer sound on one. But on bass clarinet, it doesn't quite work.
Brilliant. And note the biggest possible smile of admiration in the orchestra, at 8:27, for Shabaka's fabulous solo.
I’m sorry but Mingus would have fired that musician immediately. That solo was not good. His repeated figures should have been played 0 times not many times. Also Mingus would have have been unhappy with everyone head cans. Does Jaischa Heifetz do that? Nope. Ding-ding-ding-ding.
Thank god that Mingus’s ghost has the NYO youth orchestra to listen to…their soloists played this tune better
OMG. There was like Dizzy and Eric. Very amazing stuff.
Such a great platform to have such a brilliant orchestral arrangement from Tom Trapp. Soloists are on top form and the audience went all the way with them, ace performance from the MO as usual !
Bas clarinet beautiful!
No lyrics? Weak.
Try not to smoke a cigar challenge
Alright, i need to know what the heck that auxiliary percussion instrument at 0:12 is. I’ve heard it so much that I’ll buy it if know what the name is.
the flexatone! i didnt know what it was called either but i just looked up bendy metal instrument
@@waffleman7039 Oh sweet! Much appreciated, im doing a jazz arrangement and this’ll be quite fun to add onto!
goodなポジション 非常にいいね！
Despite the skill of the musicians and the acclaim for reviving this wonderful work by Charles Mingus, I cannot forget that this is a political piece against a racist governor. A showpiece, where battles, suffering and despair emerge. But here it seems like film music to me, there is no tension, there is no soul ...
A song can be more than one thing. Even totally divorced from its original intent, as a political piece, the music speaks for itself. A child with no knowledge or understanding of history could listen to this and appreciate it. It's a kicking tune. And it's ok for a song to have political meaning and also just kick ass purely musically.
I have to disagree, I can definitely feel immense tension that makes me feel like there is a battle in that long droning note of the end of the bass clarinet solo and the trumpet player is pouring his heart out
this song feels like if impending doom were a song
Fabulous piece, fabulous arrangement and performances!
50年前で云うとモンクとマイルスの合わない関係のようだロリンズ兄さんとマイルスデイビスの関係
It's missing the "Battle Hymn Of The Republic" reference.
Transcription for the clarinet solo please! 🤣🤣🤣
I got part of it near the end: [trivial tasteless uninteresting figure repeated several times].
Mingus would have thrown a fit.
Yeah the bit at the end of the clarinet solo was really weird and quite disturbing in my opinion. 🤣
BLACK LIVES MATTER!!! ALL LIVES MATTER...
Che bello. il Nuovo e il vecchio, si fondono in una rara arte. Così umana e densa !
Beautiful
Backing vocals!!! 👊🏻🤩
Nice swing
no vocals?
Play Christian playyyyyy
... ahhh, jetzt weis ich wo all die guten bekannten Orchestermusiker sich ein-gefunden haben.
Extraordinario. La máxima expresión .!
a roller coaster ride of pure carnage!!
I feel the swing is a bit off till the trumpet solo.. nice arrangement tho
Trumpet solo had no line. Isolated cliches it seems like.
Bass clari solo was even worse with the phrases the never should have been played, while trumpeter had better choices but with no flow
соре но это калька
🤣
Charles Mingus
Great rendition!
UKバージョン,,,,すげいや・・・
ドルフィーバージョン🎷、、、そわ、そわ
How boring. Why does RUclips fill my home page with "recommendations" like this?
FENOMENALI
5:15 lil donna lee hat tip
wow
Classy!
not quite my tempo.
Günce Işık I think it's just a joke I see it all the time
I thought the same. They made the composition sound ridiculously mechanic. No sensuality at all.
Did you hear Christian's solo😧😧😧
@@luizavanco4943 it’s a reference bruh
Eh Too fast
I don't think white people should be playing this hahah
Is that Marcus Miller on bass clarinet?
Charles Barry naw man thats Shabaka right there