Really good looking setup, thanks for explaining it. It would be even more cool if you could have a sample shot of all lights turned off so we could really see how much difference every element gives.
I always try to as much as possible but on client jobs where there’s the client on set or the DP is busy it’s hard to ask that, I don’t like getting in the way of the flow!
So helpful man. I really like how you present everything in an approachable way that I'm sure inspires confidence to many beyond just me to tackle these types of setups.
Thanks for sharing as always, Brady. I would love to see you do interior lighting for a space on the first or second floor where you don't have the budget to light through the window.
I had this lighting setup all week for a high-key comedy feature and it looked great. We paired it with a Ronin 4D and a set of Laowa Nanomorphics, and it just makes quick work of large spaces needing lit with motivational light.
Another excellent lighting breakdown. These videos are a great means of inspiration. By the way, it was great meeting you at the Aputure booth today at Cine Gear Expo. It was fun talking shop for a while. Glad I'm subbed to your channel. Thanks again for these breakdowns.
I would have warmed all the lights to 6500K instead of 5600. As the sky is overcast, the scenary outside the window looks very blue compared to the interior which gives away the fake sunlight. If you set the camera WB to the outside color temp and matched your lights to that the shot wouldve looked even better imo
Brady as always I love your stuff... I have a question for you. For a wide shot like this I would love to hear your thoughts on on using a straight forward setup like this using diffusion etc. vs. something like Deakins Cove lighting technique. Is one better than the other or what are the pros and cons of each approach. And what factors would make you choose one vs. the other. Thanks in advance.
I love this question. this one gives a lot more control over our lights, giving more direction, and as well needs less output since the light is more directional so we wouldn’t need a brighter light. Also, time, this setup would be much faster than a cove. Although, I’d imagine if made large enough, and lights were bright enough a cove off of muslin would be very nice.
Great video as always Brady!
I appreciate this!!
@@BradyBessette lighting normal interiors doesn’t have to be complicated, and you show with a few lights you can achieve a high key look and nail it.
I always appreciate your content! So much to learn!
Thank you thank you!
I love your videos man. You're such a great teacher!
Thank you so so much.
Great Brady!!! Excellent as always!!!
Thank you!!
You’re the GOAT of lighting in my book! I love your content bro
That’s literally so kind thank you 😊
@@BradyBessette you’re welcome. do you offer lessons on lighting?
You make learning lighting feel easy. Thanks!
That’s a huge compliment. Thank you.
Really good looking setup, thanks for explaining it. It would be even more cool if you could have a sample shot of all lights turned off so we could really see how much difference every element gives.
Good comment, well spot on!
I always try to as much as possible but on client jobs where there’s the client on set or the DP is busy it’s hard to ask that, I don’t like getting in the way of the flow!
You’re a lifesaver brah! 🙏🏼
So helpful man. I really like how you present everything in an approachable way that I'm sure inspires confidence to many beyond just me to tackle these types of setups.
That really means so much, I try! Thank you
Great setup! Really efficient
Thank you kindly
Thanks for sharing as always, Brady. I would love to see you do interior lighting for a space on the first or second floor where you don't have the budget to light through the window.
Always a good challenge. You got it , let me brainstorm! Thank you
I had this lighting setup all week for a high-key comedy feature and it looked great. We paired it with a Ronin 4D and a set of Laowa Nanomorphics, and it just makes quick work of large spaces needing lit with motivational light.
That sounds fun! Yah it’s a great reliable setup
learning in the best possible way to work with you soon.
Thank you so much for such great content, sir.
Another excellent lighting breakdown. These videos are a great means of inspiration.
By the way, it was great meeting you at the Aputure booth today at Cine Gear Expo. It was fun talking shop for a while. Glad I'm subbed to your channel. Thanks again for these breakdowns.
Your lighting in this video is really good! 👍 I appreciate your tips, keep inspiring & pursuing your dreams ☺
Thank you tons!!!
@@BradyBessette your welcome
I would have warmed all the lights to 6500K instead of 5600. As the sky is overcast, the scenary outside the window looks very blue compared to the interior which gives away the fake sunlight. If you set the camera WB to the outside color temp and matched your lights to that the shot wouldve looked even better imo
I used a white polystyrene board that came in my fridge box on my last shoot haha.
The insulation board was a paid actor…also, I learned so much in this video than I did in the few years of my film program, thank you!🙏🏽
I was thinking the same thing lol. And honestly thank you!!
Brady as always I love your stuff... I have a question for you. For a wide shot like this I would love to hear your thoughts on on using a straight forward setup like this using diffusion etc. vs. something like Deakins Cove lighting technique. Is one better than the other or what are the pros and cons of each approach. And what factors would make you choose one vs. the other. Thanks in advance.
I love this question. this one gives a lot more control over our lights, giving more direction, and as well needs less output since the light is more directional so we wouldn’t need a brighter light.
Also, time, this setup would be much faster than a cove. Although, I’d imagine if made large enough, and lights were bright enough a cove off of muslin would be very nice.
@@BradyBessette Thanks so much for your thoughts.
Yoh, any recommendations for a budget-friendly Aparture Nova 300c ?
Consider the amaran f22c!
I've been using P60c
Great job Brady. What made you choose the P300c over the Amaran F22c in this scenario? Trying to decide which one to invest. Thx
It’s what we had on hand, and it was a bit brighter than f22. Extta 100w. But I use my f22 much more, it’s very versatile
tnx its very interesting bro
Thank you!!
Brady!
Hello!
I was just wondering if that was the real sun behind you, or if you set up a light to do that on purpose... but you answered me as soon as I asked 😅.
I was just as surprised hahahah thank you for stopping by
white balance is missing?
I imagine it was 5600, I forget, I wasn’t on camera team for this!
I’m sorry!
Excellent video Brady! How did you manage to mount all that in just 5 minutes??
I mean he didn't haha.
Yeah maybe 10 or so, idk pretty fast!
First 😊
Howdy 🤠