Hel’s Due: The Green Ring: Die Walküre, Act 2, Part 21

Поделиться
HTML-код
  • Опубликовано: 21 ноя 2024
  • This video, part of a note-by-note dissection of Wagner’s Der Ring des Nibelung from the first note of Das Rheingold to the last in Götterdämmerung, covers from the horrific climax to Siegmund’s battle with Hunding to Act 2’s last note.
    Dover Die Walküre Full Score, pp. 396 - 412
    DAS RHEINGOLD: • Unborn Stuff: The Gree...
    DIE WALKÜRE, ACT 1: • Under the Storm: The G...
    DIE WALKÜRE, ACT 2
    Part 1: The Dark • The Dark: The Green Ri...
    Part 2: An Ill Wind • An Ill Wind: The Green...
    Part 3: Blood Tells • Blood Tells: The Green...
    Part 4: The Unspoken: • The Unspoken: The Gree...
    Part 4: No Exit • No Exit: The Green Rin...
    Part 5: Love Past Imperfect • Friend or Foe: The Gre...
    Part 6: Friend or Foe / q_vldbwf3g
    Part 7: Love Past Imperfect • Love Past Imperfect: T...
    Part 8: What None May Know • What None May Know: Th...
    Part 9: Mortal Threats • Mortal Threats: The Gr...
    Part 10: Double Indemnity • Double Indemnity: The ...
    Part 11: Army of One • Army of One: The Green...
    Part 12: Paternal Malfeasance • Paternal Malfeasance: ...
    Part 13: Missing Links • Missing Links: The Gre...
    Part 14: Love as Hate • Love as Hate: The Gree...
    Part 15: Sins of the Father • Sins of the Father: Th...
    Part 16: Innocent Debtors • Innocent Debtors: The ...
    Part 17: Empty Promises • Empty Promises: The Gr...
    Part 18: Hearts Crack • Hearts Crack: The Gree...
    Part 19: Turning Point • Turning Point: The Gre...
    Part 20: Abandoned • Abandoned: The Green R...
    The Green Ring Preface:
    The Case for Erda: • The Case for Erda: The...
    The Case Against Wotan: • The Case Against Wotan...
    The Case for Loge: • The Case for Loge: The...
    Music as Text: • Music as Text: The Gre...

Комментарии • 1

  • @aidenpeleg2789
    @aidenpeleg2789 4 месяца назад

    There is something about Wagner’s operas and music that incites such a passion in his admirers to want to “participate” in some way, to dive deep into the work and put enormous effort into creating their own iteration or analysis of the work. I’ve seen his operas produced in full in Lego form, or completely computer animated. Sometimes such products are silly in concept, but demonstrate such a dedication to the work that they have to be loved.
    Your analysis (which is not silly in concept, to be clear) is a wonderful addition to this body of Wagnerian labors-of-love. Though demanding on the viewer in terms of length and detail, they are fantastically made, and perhaps someday I will finish watching all of them. Thank you for your work!