Imposible concebir la Música sin Bach. Su obra significa Belleza, Eternidad, Pasión, Inspiración Divina, Majestuosidad, Esperanza, Beatitud, Éxtasis, Trascendencia, Magnificencia, Grandiosidad... la Música de Bach es lo Absoluto. Gracias infinitas, Maestro, por haber existido. Mil gracias también para aquellos que lo interpretan con devoción 🙏🎼♥️
The more I listened to this performance the more I liked it. Nobody in the orchestra is trying to take the lead . Very together as Bach surely intended. There is a calmness and delicacy in the slow movements and not too much brashness when the tempi are faster.
This is a very beautiful and authentic interpretation (including the tempi!), and very well played too. Delightful. Pure Bach. Thank you for the treat!
Quite excellent blend of all of the voices of the instruments. If you can listen to each line independently and altogether at the same time as well it is incredible. Each instrument has the distinct voice but interact their own lines crossing their prominance. The horns and especially the woodwinds are pulled out which is what it should be and most groups don't bring them out. Not familiar with this group but A+. I have heard this piece by no less that 8 groups.
JasonJason210 why so fast? After a close look in my sheet music, I don't understand why you mean this is too fast? This is a HIP-performance, the conductor make an attempt to bring the music closer to the original baroque style. There are no information from the composer about tempi.
@@geiryvindeskeland7208 It sounds too fast and 'jerky' to me -- probably for exactly the reasons you say. It's not as extreme as some of Harnoncourt's interpretations of this piece but I'm afraid I still don't like it. Every piece of music Bach wrote has a meaning and it's part of the conductor's job to try to connect to that meaning help the orchestra do so. Sure, they can impose what they call the 'HIP' style on just about any baroque piece and play as if it's some kind of 18th Century dance music and that's OK, but unfortunately that is all we are served these days. For me there are other interpretations of this piece that I consider are closer to the song's meaning. Interpretations that bring another dimension of emotion into the music, which breath life and meaning into the passages.
Dear JasonJason210, I am still sorry for my inadequate English. Thank you so much for your gentle answer! Some people get angry on me just because I want to give them a little bit of knowlegde. Forget the large concert halls, unknown to Bach, but well known by Fürtwangler, Karl Richter, Karajan and others. At the time Bach composed this music, he was employed with Prince Leopold. Leopold had his own private chamber orchestra, and the music was performed at the castle. Prince Leopold invited people to party at the castle, and they wanted music that created pleasure! So now it's time for me to quote from your comment: "Every piece of music Bach wrote has a meaning and it's part of the conductor's job to try to connect to that meaning help the orchestra do so." So what do you think - dancing, happines, women and alcohol...? Why did Fürtwangler performed this music so slowly? I am not sure, but I guess that he believed that the tempomarks in his editions was Bach's own. But tempomarks was something that publishers added to the score 100 years after Bach's own lifetime.
Imposible concebir la Música sin Bach. Su obra significa Belleza, Eternidad, Pasión, Inspiración Divina, Majestuosidad, Esperanza, Beatitud, Éxtasis, Trascendencia, Magnificencia, Grandiosidad... la Música de Bach es lo Absoluto.
Gracias infinitas, Maestro, por haber existido. Mil gracias también para aquellos que lo interpretan con devoción 🙏🎼♥️
The more I listened to this performance the more I liked it. Nobody in the orchestra is trying to take the lead . Very together as Bach surely intended. There is a calmness and delicacy in the slow movements and not too much brashness when the tempi are faster.
Ah... Excellent! One of my Bach favorites.
Hervorragende Ausführung!
This is a very beautiful and authentic interpretation (including the tempi!), and very well played too. Delightful. Pure Bach. Thank you for the treat!
fantastisch. danke Zefiro.
Excelente interpretación. BRAVO !!!
Wow! What an amazing performance. Perfect tempo in all movements.
Big sound from such a small group. Nice.
Very nice, a dream of harmony and peace 🌺🎶...Bach
une merveille d'entre les merveilles,un Bach grandiose,admiration
Ausgezeichnet!
grandioso
Hey, don't stop this video after the Air! The Gavotte or Gavottes, which come next, is/are underrated!
The video does no stop after the Air. Gavotte 1 - 2 start at 11:42
IMO the Gavottes are the best parts of this Suite!!! Absolutely OUTSTANDING!!!
The Gavotte I is my favorite piece of classical music! It's so beautiful and elegant.
Bravissimi!
Quite excellent blend of all of the voices of the instruments. If you can listen to each line independently and altogether at the same time as well it is incredible. Each instrument has the distinct voice but interact their own lines crossing their prominance. The horns and especially the woodwinds are pulled out which is what it should be and most groups don't bring them out. Not familiar with this group but A+. I have heard this piece by no less that 8 groups.
Bernardini is an oboist :) for that: the woodwinds...
6:45 - Ária na Corda de Sol.
Why so fast?
JasonJason210 why so fast? After a close look in my sheet music, I don't understand why you mean this is too fast? This is a HIP-performance, the conductor make an attempt to bring the music closer to the original baroque style. There are no information from the composer about tempi.
@@geiryvindeskeland7208 It sounds too fast and 'jerky' to me -- probably for exactly the reasons you say. It's not as extreme as some of Harnoncourt's interpretations of this piece but I'm afraid I still don't like it. Every piece of music Bach wrote has a meaning and it's part of the conductor's job to try to connect to that meaning help the orchestra do so. Sure, they can impose what they call the 'HIP' style on just about any baroque piece and play as if it's some kind of 18th Century dance music and that's OK, but unfortunately that is all we are served these days. For me there are other interpretations of this piece that I consider are closer to the song's meaning. Interpretations that bring another dimension of emotion into the music, which breath life and meaning into the passages.
Dear JasonJason210, I am still sorry for my inadequate English. Thank you so much for your gentle answer! Some people get angry on me just because I want to give them a little bit of knowlegde. Forget the large concert halls, unknown to Bach, but well known by Fürtwangler, Karl Richter, Karajan and others. At the time Bach composed this music, he was employed with Prince Leopold. Leopold had his own private chamber orchestra, and the music was performed at the castle. Prince Leopold invited people to party at the castle, and they wanted music that created pleasure! So now it's time for me to quote from your comment: "Every piece of music Bach wrote has a meaning and it's part of the conductor's job to try to connect to that meaning help the orchestra do so." So what do you think - dancing, happines, women and alcohol...? Why did Fürtwangler performed this music so slowly? I am not sure, but I guess that he believed that the tempomarks in his editions was Bach's own. But tempomarks was something that publishers added to the score 100 years after Bach's own lifetime.
... er sollte sich auf seine Oboe beschränken und das Dirigieren anderen überlassen.
not sure I understand why a group like this needs someone bouncing around in front of them. Visually very distracting.
It's a very non-standard style of conducting.
Well, listen to the orchestra bounce around. They have murdered this movement.
Just noticed him, after seeing your comment. Hands either waving or jerking in quick upward strokes. An unusual style of conducting for sure.
Ужас