Another great concept to add to our playing. Thanks Q! I am also including my bass drum in some of these to add another dimension in my sound. For example, on a seven note grouping I will use a double paradiddle in the hands between the snare and toms and add the bass drum hit for the seventh note. I think it sounds pretty cool! Thanks again Q!
Hello Mr. Davis! I know i am asking to much questions, so it´s ok when you don´t reply to all of them. Here are some more: 1. How do i learn to play sraight-ish? (three ideas: 1 taking the first and fourth stroke of a quintublet to find something between 8th notes and a shuffle. 2. taking the first and fifth stroke of a septublet to find st between 8th notes and a shuffle, or 3. just trying by feeling to find st between...). 2. How can rhythmic illusions be applied to jazz? 3. In wich (thousand) ways could double bass drum playing being applied to jazz? 4. How could the butterfly roll be brought into jazz? 5. How did Buddy Rich play a one handet roll? 6. How did he play it in the music? 7. Your video about press rolls opened the door to a new world for me. Could you please make one or two lessons about out of time playing... Btw. i am very happy about this video of today. Yesterday i was worried, cause usually you post on monday. Even if you don´t answer any of my questions, i am really glad you are here! Cheers from Germany
Hi Quincy! Thank you for this lesson, very helpful. Could you make a video on soloing with less instruments ? Say, ride, snare, bass and hats ? I sometimes find myself in situations where I bring only the minimum equipment, and I find it hard to be creative in my solos with the minimum gear. Thank you and all the best !
Amazing exercise, I can see the continuity with your "Flow" exercise and your "Single Stroke Pyramid". Full of great concepts! BTW: Amazing idea the secondary camera in vertical position for the IG/RUclips Shorts content! Thanks as always!!!
Great lesson, as always. To my mind, these groupings are the letters & words in the language of drumming. Combine them to make phrases (sentences and paragraphs). I think 3s, 5s, & 7s are the most interesting, as they cross the beats/barlines to make longer and more complex phrases.
Hey Q! Do you have any insights you could share about drumming for Free Improv or Avant Garde or anything like that? I don't have a huge background in Jazz. Part of me struggles between knowing how to play both Out and In at the same time. I also feel like I need to feel some kind of pulse in order to play with feel, even if it is a fluctuating pulse. Another part of me feels like I'm playing with folks that don't want any pulse at all! LOL. Thanks for sharing your knowledge. I should probs buy a lesson or two at this point.
Playing with people who groove helps us learn how to play with groove. Playing with folks who play free help us play free. Playing with folks who do both help us do both. Hope that helps!
@@drumqtips I learned something new yesterday, and it is the difference between Free Jazz and Free Improvisation. I have been studying folks like Elvin and Blakey, and unaware of where Anthony Braxton and Derek Bailey are coming from. Very weird stuff.
Hey David. Yes I am playing hemiolas across the bar line. But I’m always aware of where the true best is. Maybe I’ll do another video explaining this. Thnx
We are all More ready than you even before the "are you really ready" challenge!!!
Stevie🤣🤣🤣🤣🤣
I like this lesson also all of them.I'll be buying your playalongs and keep studing your lessons.
The howling 🤣Crazily - good word! This lesson would kick my butt!
❤️❤️❤️
Me and my son watched this together, great lesson
I love that! Thanks Sam.
Grandissimo Quincy 👏👏👏👏🥁🥁☀️
A W E S O M E A G A I N ! ! ! ! ! what an inspiration man, thank you!
I appreciate that Patxi!
brilliant exercise
Thank you!
I’m ready, your lights seems less bright Quincy!!!
Figuratively or literally🤣🤣
Thanks Quincy. New year, new challenge.👍🥁😁
Super lesson, Q! Play along is great, too!
Thanks Rob!
Absolutely love the outbursts. 😊Great lesson!
Thanks for watching Jason!
Thanks, Mr. Q! Fun with groupings! I already knew about fun with groupies...
Oh brother🙈🤣🤣
@@drumqtips I figured at least 99 people would crack that joke, so I may as well be the first!
Another great concept to add to our playing. Thanks Q! I am also including my bass drum in some of these to add another dimension in my sound. For example, on a seven note grouping I will use a double paradiddle in the hands between the snare and toms and add the bass drum hit for the seventh note. I think it sounds pretty cool! Thanks again Q!
Spice it up Richie👊🏾
Brilliant QD,
Thanks Angelo!
I've got this bass backing track from Quincy. Higly recomennded . Super helpfull
3x Yes. I am ready
Hello Mr. Davis! I know i am asking to much questions, so it´s ok when you don´t reply to all of them. Here are some more: 1. How do i learn to play sraight-ish? (three ideas: 1 taking the first and fourth stroke of a quintublet to find something between 8th notes and a shuffle. 2. taking the first and fifth stroke of a septublet to find st between 8th notes and a shuffle, or 3. just trying by feeling to find st between...). 2. How can rhythmic illusions be applied to jazz? 3. In wich (thousand) ways could double bass drum playing being applied to jazz? 4. How could the butterfly roll be brought into jazz? 5. How did Buddy Rich play a one handet roll? 6. How did he play it in the music? 7. Your video about press rolls opened the door to a new world for me. Could you please make one or two lessons about out of time playing... Btw. i am very happy about this video of today. Yesterday i was worried, cause usually you post on monday. Even if you don´t answer any of my questions, i am really glad you are here! Cheers from Germany
Way too many questions for me to handle (🤣🤣) but thanks for watching Baldur!
quincy i am ready now .thank you bro
Thank you!
Yet ANOTHER great way to combine warming up with good practicing. Thanks again! 😀
Thanks TC!
You sir are a Master and your efforts are much appreciated
This is great!!!! 🔥🔥🔥🔥
Love your playing and passion man! I like combining flammed 5s and 3s to make groupings of 16. I need to DD your vids. Keep up the awesome work👌
Awesome! Thanks for watching and sharing.
Another absolutely amazing lesson that is priceless and inspiring.
Thank you!!
Love this! looks like a lot of fun too ;)
Enjoy Eddie!
Challenging, musical and great fun! Eye opening (and mind opening, too…)
Thanks, Quincy!😎
So simple... but not at all easy!
Hi Quincy! Thank you for this lesson, very helpful.
Could you make a video on soloing with less instruments ? Say, ride, snare, bass and hats ? I sometimes find myself in situations where I bring only the minimum equipment, and I find it hard to be creative in my solos with the minimum gear.
Thank you and all the best !
Great suggestion Sacha!
As ever MrQ, ready to walk that path. Thanks, a great practice routine to get into✌️🌻
Absolutely Markie!
Amazing exercise,
I can see the continuity with your "Flow" exercise and your "Single Stroke Pyramid".
Full of great concepts!
BTW: Amazing idea the secondary camera in vertical position for the IG/RUclips Shorts content!
Thanks as always!!!
Great channel.
Thank you!
Great lesson, as always. To my mind, these groupings are the letters & words in the language of drumming. Combine them to make phrases (sentences and paragraphs). I think 3s, 5s, & 7s are the most interesting, as they cross the beats/barlines to make longer and more complex phrases.
Absolutely Michael!
Nice work maybe one day I have to continue on my path and work on the stuff I was given. Lol I got enough butt kicking stuff.
No rush to get there sister Smith:)
I'm trying to buy your play alongs through Papal but you dont acept the address of Puerto Rico.I think its download.I 'm interest.
I got you. digital play along s.
Hey Q! Do you have any insights you could share about drumming for Free Improv or Avant Garde or anything like that? I don't have a huge background in Jazz. Part of me struggles between knowing how to play both Out and In at the same time. I also feel like I need to feel some kind of pulse in order to play with feel, even if it is a fluctuating pulse. Another part of me feels like I'm playing with folks that don't want any pulse at all! LOL. Thanks for sharing your knowledge. I should probs buy a lesson or two at this point.
Playing with people who groove helps us learn how to play with groove. Playing with folks who play free help us play free. Playing with folks who do both help us do both. Hope that helps!
@@drumqtips I learned something new yesterday, and it is the difference between Free Jazz and Free Improvisation. I have been studying folks like Elvin and Blakey, and unaware of where Anthony Braxton and Derek Bailey are coming from. Very weird stuff.
how to count this? are you hemiolizing across the bar?
Hey David. Yes I am playing hemiolas across the bar line. But I’m always aware of where the true best is. Maybe I’ll do another video explaining this. Thnx
Many thanks. I appreciate you.