This song's alright. Out of all of the songs on the album, this one's probably my least favorite, but this is my favorite King Gizz album so this is still good in my eyes. The mixing of this track was inspired by the stereo mixes they made in the 60s before stereo was the main way to listen to music. The whole song is 60s, but the panning in particular is very 60s-ish. The mixing of the whole album is weird, but that's more because of how lofi it is and some unusual EQ choices I guess. Next up, God is Calling Me Back Home, one of my favorite tracks on the album. This track and the studio version of Head On/Pill were my introduction to noise rock in a way. Good stuff in my opinion.
This is a fun little tune but not one of my favorites. It reminds me of something that would have been on Oddments. I wonder if it was a leftover. Thankfully most of the rest of this album are a step up in terms of quality.
also yeah, this song and let me mend the past have the worst mixing issues on the album. i’d suggest listening to the red rocks 22’ version of the later song, the cleaner mid elevates it so much
Love the use of the sitar hope they bring it back in a future album
This song's alright. Out of all of the songs on the album, this one's probably my least favorite, but this is my favorite King Gizz album so this is still good in my eyes. The mixing of this track was inspired by the stereo mixes they made in the 60s before stereo was the main way to listen to music. The whole song is 60s, but the panning in particular is very 60s-ish. The mixing of the whole album is weird, but that's more because of how lofi it is and some unusual EQ choices I guess.
Next up, God is Calling Me Back Home, one of my favorite tracks on the album. This track and the studio version of Head On/Pill were my introduction to noise rock in a way. Good stuff in my opinion.
as someone who has a speaker setup & this album on vinyl, it doesnt sound too different
This is a fun little tune but not one of my favorites. It reminds me of something that would have been on Oddments. I wonder if it was a leftover. Thankfully most of the rest of this album are a step up in terms of quality.
also yeah, this song and let me mend the past have the worst mixing issues on the album. i’d suggest listening to the red rocks 22’ version of the later song, the cleaner mid elevates it so much
I’d say it adds charm