My top two orchestras at my school played this as the closer for our spring concert. It was a spectacular 10 minutes followed by a miraculous standing ovation. ❤
Frumusețe, emoție, delicatețe, strigăt disperat, teamă, entuziasm, toate împletite , închei du-se la final cu o mărturisire a iubirii (pentru Alma, soția sa). Acesta a fost modul prin care și-a declarat iubirea, fără cuvinte.
Симфонизм Густава Малера - это яркое музыкальное явление, простирающееся в 3 - Д пространстве, внимающее в себя игру контрастных чувств. Симфонизм Г. Малера, как философское и эстетическое понятие, изучал в свое время великий композитор Д.Д. Шостакович.
E pensar que não tem percussão básica...... Nem madeiras..... Nem metais...... Essa peça é sem dúvida nenhuma , Uma obra prima das cordas.... E da humanidade......
That's the beauty behind this movement. Mahler was undoubtedly known for his full orchestration and masterful use of orchestral timbres. With that, he knew when certain instruments weren't needed, with this movement of his Symphony No. 5 being perhaps the best example of that. The movements surrounding this one do "live up" to what most people would expect Mahler to sound like; however, this movement doesn't need the loud support of percussion and brass. This so-called love letter to his wife Alma is one of, if not the most intimate moments in classical music and Mahler knew he needed only one family of instruments to achieve that intimacy. Could he have done it with woodwinds or even brass? Sure. Did he need to though? No.
Mahler's music is a great example of what often gets called "chamber orchestration." Basically scoring sections (or whole movements in this case) for a subset of the total orchestra, effectively turning an orchestral composition into a series of tiny chamber ensembles passages. You'll see tuttis in Mahler's music when he needed things to be loud, of course, but they're surprisingly rarer than one might expect from a composer with such a reputation for writing such massive works. In this case, the whole movement is scored for just the string section and solo harp. And indeed, even in this whole movement of reduced scoring, you still see the chamber mentality going with the harp dropping out for the whole B section, thereby identifying its sound solely with the A sections.
Mizz Thing: Mahler used only the string section of the orchestra for the 4th movement of his 5th Symphony. You'll get the total orchestra playing in the other 4 movements. Jeez.
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My top two orchestras at my school played this as the closer for our spring concert. It was a spectacular 10 minutes followed by a miraculous standing ovation. ❤
This is the music I want played at my funeral
Frumusețe, emoție, delicatețe, strigăt disperat, teamă, entuziasm, toate împletite , închei du-se la final cu o mărturisire a iubirii (pentru Alma, soția sa).
Acesta a fost modul prin care și-a declarat iubirea, fără cuvinte.
adevarat
Cry every time listen to this
Mahler interpretado por Bernstein es incomparable !!!❤😢
Mahler my love❤❤❤❤❤❤❤
ist mein neuerer Lieblingssong ❤
😢
Wers glaubt
❤
@@louis-sk4fz 6:34
It is myself transformed into sound. Gracias Mahler and God for goodness and beauty. Celia Las Heras at 93.
Bellissimo!
Совершенно гениально
Симфонизм Густава Малера - это яркое музыкальное явление, простирающееся в 3 - Д пространстве, внимающее в себя игру контрастных чувств. Симфонизм Г. Малера, как философское и эстетическое понятие, изучал в свое время великий композитор Д.Д. Шостакович.
E pensar que não tem percussão básica......
Nem madeiras.....
Nem metais......
Essa peça é sem dúvida nenhuma , Uma obra prima das cordas....
E da humanidade......
Sublime
J’adore cette version de Leonard Bernstein 🤍🤍🤍
❤
10:14
🔥🔥🔥🔥🔥
Ich mag Pizza
This is the music that I would’ve wanted to hear at my birth. 😊
Herzerweichend!!!👨❤️💋👨🐵🙈🙉🙊
0:00 - 4:04 for Honors Performance High School audition violin exerpt
5:15
7:18
4:33
Gibt es den auf spotify?
6:11
Lg Andreas
Joooooooo
grüß dich
@@haukeeeck3060 Espress = Espressivo
😢
Sei leise louis
Ich liebe dieses Lied. Was denn los Großer Döner am spieß du Oma
Taylor John White Charles Martinez Sandra
Fahrrad
There's more to an orchestra than the string section. What about the woodwind, brass, percussion instruments?
That's the beauty behind this movement. Mahler was undoubtedly known for his full orchestration and masterful use of orchestral timbres. With that, he knew when certain instruments weren't needed, with this movement of his Symphony No. 5 being perhaps the best example of that. The movements surrounding this one do "live up" to what most people would expect Mahler to sound like; however, this movement doesn't need the loud support of percussion and brass. This so-called love letter to his wife Alma is one of, if not the most intimate moments in classical music and Mahler knew he needed only one family of instruments to achieve that intimacy. Could he have done it with woodwinds or even brass? Sure. Did he need to though? No.
Mahler's music is a great example of what often gets called "chamber orchestration." Basically scoring sections (or whole movements in this case) for a subset of the total orchestra, effectively turning an orchestral composition into a series of tiny chamber ensembles passages. You'll see tuttis in Mahler's music when he needed things to be loud, of course, but they're surprisingly rarer than one might expect from a composer with such a reputation for writing such massive works.
In this case, the whole movement is scored for just the string section and solo harp. And indeed, even in this whole movement of reduced scoring, you still see the chamber mentality going with the harp dropping out for the whole B section, thereby identifying its sound solely with the A sections.
Is this a genuine comment, or
Mizz Thing: Mahler used only the string section of the orchestra for the 4th movement of his 5th Symphony. You'll get the total orchestra playing in the other 4 movements. Jeez.
Listen to the whole symphony buddy, it accualy starts with trumpet solo
Meines Erachtens viel zu langsam!
Ihre Meinung ist meines Erachtens ziemlich akkurat!
Für meinen Geschmack zu laut
3:56
5:22
3:32