Tucker Antell Grime Scene
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- Опубликовано: 6 сен 2024
- Grime Scene
Original Composition: Tucker Antell
Featuring: Tucker Antell, Tenor Saxophone; Ken Clark, Organ; Steve Fell, Guitar; Luther Gray, Drums. Recorded by Vancil Cooper and Alex Chaloff at 12th Note Productions in Boston, MA. Special Thanks to Alex Chaloff for the video and mixing!
He's easily one of the baddest cats on the scene today.
How does this only have 10k views? That was superb! Makes me wanna grab my horn and start transcribing.
What a SLEEPER player!!! Jeeeez this dude is good
Tucker Antell literally speaks into the Horn with multiple disciplines and styles.
came for the sax was surprised by that awesome guitar solo!
Excellent tune Tucker! Please upload more!
Regards, Kenny. Sydney, Australia
This is a really good feeling of music .......:)
Wooo that sound!
Some tasty stuff there my man! Well done.
Wow! Amazing!
So fine by all hands on deck!
+Tucker Antell
SWEET playing by all...and fantastic 10M! Super jelly here. And thanks for sharing what mouthpiece you were using here...and the insight into the reed properties/selection as well. THUMBS UP :)
OH, can you check with LUTHER to see what d@mn RIDE CYMBAL he's using here??? I wanna steal that pie right off his kit, haha!
Thanks to Vancil & Alex for the great Audio & Video quality, too!
Cheers
B.B.
on which mouthpiece and ligature Tucker plays in this track thanks ..............?
Sublime.
Fantastico!
Great Tucker, I'm trying to get you to Mexico for concerts! hopefully
Thanks Armando! Keep me updated I hope it works!
Such a huge fan of your high quality videos. Killin it!
Monster
Lest, Dext, Tuck, ER Room /Conn Men Rule!
I dig your sax skills, Tuker. Blow Tucker Blow. Enjoyed the AEA microphone session as well. Also, what mic are you using in this video for the sax sound. Really nice!
Hey thanks so much Nathanael! It's the AEA N22 mic. Love the sound!!! thx again for the comment!
Linked from www.johannesgerber.com/ who did the custom mouthpiece work. Thanks.
Do you have the link for Johannes Gerber? Thanks!
Great playing! Is that a 10m that you are playing in?
Erik Hellqvist yes it is! 1935 10M I love this horn!
That's the best 10M sound I've ever heard. What mouthpiece?
Hey Bob thanks so much! It's a Slant-like piece handmade by Johannes Gerber. Great work and nice guy!
They are made by Johannes Gerber. His hand made pieces are perfection I highly recommend them! I'm playing on his Octa Supreme these days.
Hey Tucker Antell, love you sound. Did you customize by replacing the cork with silver plated initiator or is it the stock cork on the neck...just curious? Thanks!
Hey loving this track do you sell the lead sheets
Hey thx Rob! Haven't thought about that TBH but I could send them to you! Find me on FB to discuss
do you consider this a dark mp
hmmm I'd say it's fairly neutral. It can be brightened or darkened depending on the embouchure and the reed.
i bought the vintage and the vibra master, i have high hopes for a dark sound any suggestions on these would be appreciated
Reeds do A LOT in this regard. I find the Rigotti Gold's and La Voz to be brighter and Rico Jazz, Hemke and perhaps Vandoren's (depending on the cut) to be darker. It also depends on the strength -- If I go for the softer end of the strength spectrum within my comfort zone, it's easier to pull out those higher harmonics for a bright sound. Conversely, if I put on a harder reed, those higher frequencies are more subdued and the deeper harmonics ring through for an overall darker sound. The thing I love about these pieces is that I can do all of the above with a mixture of embouchure and reed choice, and usually carry around two different strengths/brands of reeds for the occasion so I can play either Lenny Pickett style GB wailing, or Stan Getz style trio. The greater effect of embouchure can't be overestimated though! Lip placement, amount of mouthpiece in the mouth, pressure etc.. all make changes so that you can dial in your sound.
Tucker Antell thanks bro, I am using V16s, and Java greens, I have a Ben Allen and woodstone traditional right now, the Johannes are on the way,
Good, but nothing i haven't heard before.
Yeah I dont listen to all my Coltrane and dozens of other players recordings that i have listened to for the past 55 yrs of my saxophone playing because I heard them before...NOT. I guarantee you cant play anything that I haven’t heard or played before including multiphonics. So what is the constructive nature of that comment?
zangsax he probably tried playing some overtones but couldn’t so he took his frustration to RUclips lol
@@zangsax Yeah what it is mate, it's about not just regurgitating the Jamie Anusole book of jazz licks every time you pick up your horn, Slick, nice playing yes, after all I did say "Good', but ultimately, safe, comfortable. Where's the edge? Individuality? He certainly ain't no Coltrane!