I’ve seen so many good things on RUclips, but let me tell you something it’s so far one of the best video I’ve seen since I Color grade . Thank you so much for sharing … this video is a game changer🙌
Adding a Colour Space Transform (with Cineon Film Log as the Output Gamma) node before the - pause - LUT node = 🤯👏👏👏 Brilliant as always - thanks so much Joris 🙏🏻
Perfect timing, I was about to start searching for tutorials on the topic and you just posted. Thank you, it was very helpful!! Can't wait to start making videos
Have found your channel recently as I want to learn to edit on DaVinci Resolve.. have been editing on Premiere Pro for the past 4 years and to color grade in it is literally hell as compared to what I see in Resolve. Your tutorials are great and sense of humour too.. you've gained yourself a new sub as I hope to start editing on DaVinci Resolve.
@@JorisHermans I am switching now. I have several projects under belt with resolve and now am dreading working in premiere. I was just tired of fighting with my timeline and choppy playback. Even with a monster PC. Resolve plays like watching TV even with no proxies.
Thanks for the cinematic look tutorial, Joris. One obs from my experience with timeline output gamma. REC.709 gamma 2.4 is for broadcast (TV) and REC.709 gamma 2.2 is for internet (YT, etc)
Darren's way that you showed works fine and takes the gamma curve down, but it also lowers the film colors at the same time. If you put the LUT on a layer node with the LUT on top and the same LUT under it , you can change the composite mode of the layer mixer to color. Then when you change the input gain of the top node down and it lowers just the gamma curve down. Adjust to taste. Film stock emulation is a combination of hues and gamma curves - if you do the method you showed the hues are also subdued which is okay if that's what you want, but for most the over doing part is the gamma curve.
Is the following correct then: create correction/balance node(s) > Color transform node (slog to Cineon) > 2 serial nodes one on top of the other (both with the same film lut) > layer mixer - right click on this mixer chose composite mode>color. Highlight the top node of the 2 lut nodes. Go down and press the "Key" icon above the color wheels. (Here is where I am having a little trouble) I see no change if I change the "Key input" >gain parameter. I do with "Key output" >gain parameter when the top node is highlighted. And it seems to be getting the proper result. Am I doing it wrong?
@@editor4958 Sorry, yes you are doing it correctly. I typed the instructions above by memory and incorrectly typed the input gain. It is actually the "Key output gain". I have edited it in my comment above to show that correction. Good call
Damn! I came into this video thinking "I already know what he's gonna say" but then your old way matched my current way. You've just leveled up my grades and I'm so glad I watched!
Thanks heaps, u r one of the few creators left with teaching reall stuff and inspiring new film makers to improve their skills,, always great to watch 🙏. I wasn't kidding when I said I watch your videos more than Peter Mckn's 😬 these days .....
Or you can drop layer mixer after cineon. Set mixer to color. Drop same print on both nodes. Decreasing key value of upper node will kill the contrast & bottom node to kill color. Or there are plenty of 3rd party plugins that works without converting to cineon.
Is the following correct then: create correction/balance node(s) > Color transform node (slog to Cineon) > 2 serial nodes one on top of the other (both with the same film lut) > layer mixer - right click on this mixer chose composite mode>color. Highlight the top node of the 2 lut nodes. Go down and press the "Key" icon above the color wheels. (Here is where I am having a little trouble) I see no change if I change the "Key input" >gain parameter. I do with "Key output" >gain parameter when the top node is highlighted. And it seems to be getting the proper result. Am I doing it wrong? How do you adjust color with the bottom node? Thank you.
Thanks mate, very helpful! I´m shooting Fuji F-log2 (Prores HQ 10-bit) and since there is no Fuji gamma yet available, someone recommended using REC 2020 gamma. Works fine for now.
Hey Joris! Nice Video and explanation how to use built-in LUT with Cineon. One quetion to your LUTs: do I need to apply Cineon Film Log node before using your LUTs or they should be applyed without that additional node. Thanks!
I'm going to have to play around with this. I normally make an adjustment layer before I do any color changes. This looks like a cool way to get color adjustments.
@@jaysnappsmediallc Log profiles have bigger colour space than rec 709 is. And if you use rec 709 timeline, there is lot of colours that are out of rec709 colour space.
Great video. Totally new to Da Vinci Resolve so perhaps this questions makes no sense however trying anyway....my timeline consists of many clips - do I need to repeat these steps for all the clips separately? Or can I copy these edits to all clips and from there make changes in the node key per clip?
THANK YOU SO MUCH! you just taught me everything I've been looking for a long time and people just complicate it! awesome, great video, congratulations. ❤❤❤❤❤❤
This the colour space on my iPhone footage BT.2020 HLG (9-18-9)..Could you please explain the fist steps to start colour grading this kind of footage please? Do we need colour space transformation for this too? it would be nice if you could explain how to colour grade normal iPhone footages.. thanks
Hi, happy to find your channel. Great content. This film helped me to get good colors on my recent production, so happy. One question - I'm filming at the moment with Xiaomi Mi 11 lite. Have no idea what color space shall I use for it. Could you give me a hint? Or anyone else? Thanks!
Hi Joris, Thank you so much for all videoes. They're really very helpful. Could you please help me with the ColorSpaceTransformation for DJI Mini 3 Pro which uses D-Cinelike. I use two serial nodes and do this. Do you recommend any changes to it please? Input node: Input color space: DJI D-Gamut Input gamma: DJI D-Log Output color space: DaVinci Wide Gamut Output gamma: DaVinci Intermediate Output node: Input color space: DaVinci Wide Gamut Input gamma: DaVinci Intermediate Output color space: Rec.709 Output gamma: Gama 2.4
Tried this with gopro footage, this is already rec709 so the second easy way is my way to go. I didn't get the expected result but after a while, i realized in my project settings the timeline color space was set to rec709 (scene). I changed it to rec709 gamma 2.4 and this was much better. 😅
Great video but I'm a bit confused. I have a canon M50 and shoot video in a neutral picture style (low contrast and saturation ) but I'm a bit clueless what to do then in Davinci. It's difficult to see what you're clicking on from the 9 minute mark on. Would you mind letting me know? Thanks Joris :)
During the entire quarantine period, I learned how to write soft at soft soft. TNice tutorials is not to say that self-isolation is a pleasant tNice tutorialng,
Hello Joris, What do you think about Color Science : DaVinci YRGB Color Managed for color grading automaticaly all your film without making adjustment for each clips ?
Thank you for this video, I just have one quick question Why shoot in LOG If you going to change it to rec 709, ? Should you just shoot in rec 709 and skip the whole LOG conversion part ? ☺
Shooting in LOG will give you a ton more dynamic range and room to color grade your footage. You'll be more limited when color grading rec.709 footage...
Excuse in have questions, my body sony a7 iv & i selected in picture profile gama : cine4 in my camera , but for color transform in davinci I don’t know what select object for gama ?! I didn’t find cine4 , i thinking maybe different name … Thanks for response
"These -pause- LUTs..."
Don't forget to make that pause... 🤨😅
too funny
,,,,,, otherwise you'll be talking about "the sluts"... 🙂 I do it all the time when tell my wife about my color grading techniques....
HAHAHAHAHA
RUclips's captions put "the [ _ ]" once when I guess you didn't pause enough 😅
Lmfaoooo
I’ve seen so many good things on RUclips, but let me tell you something it’s so far one of the best video I’ve seen since I Color grade . Thank you so much for sharing … this video is a game changer🙌
Thanks! Much appreciated! 👊🏻💥
That's right... actually
Adding a Colour Space Transform (with Cineon Film Log as the Output Gamma) node before the - pause - LUT node = 🤯👏👏👏
Brilliant as always - thanks so much Joris 🙏🏻
for mac?
Perfect timing, I was about to start searching for tutorials on the topic and you just posted. Thank you, it was very helpful!! Can't wait to start making videos
👊🏻💥
Does this work on iPhone footage ?
Have found your channel recently as I want to learn to edit on DaVinci Resolve.. have been editing on Premiere Pro for the past 4 years and to color grade in it is literally hell as compared to what I see in Resolve. Your tutorials are great and sense of humour too.. you've gained yourself a new sub as I hope to start editing on DaVinci Resolve.
Switched from Premiere to Resolve two years ago and never looked back! 💥
@@JorisHermans i hope to do the same.. just need to find a tutorial for beginners along with your awesome tut vids. 😅😅
@@JorisHermans I am switching now. I have several projects under belt with resolve and now am dreading working in premiere. I was just tired of fighting with my timeline and choppy playback. Even with a monster PC. Resolve plays like watching TV even with no proxies.
I’m using log footage but I don’t see the camera I used to shoot the footage as one of my selection after using the CST… so what do I do now?
Very useful and well explained. The result is fantastic. You make my video’s life much easier
Thanks for the cinematic look tutorial, Joris.
One obs from my experience with timeline output gamma. REC.709 gamma 2.4 is for broadcast (TV) and REC.709 gamma 2.2 is for internet (YT, etc)
Thanks for sharing and for watching! 🙏💥
Darren's way that you showed works fine and takes the gamma curve down, but it also lowers the film colors at the same time.
If you put the LUT on a layer node with the LUT on top and the same LUT under it , you can change the composite mode of the layer mixer to color.
Then when you change the input gain of the top node down and it lowers just the gamma curve down. Adjust to taste.
Film stock emulation is a combination of hues and gamma curves - if you do the method you showed the hues are also subdued which is okay if that's what you want, but for most the over doing part is the gamma curve.
Thanks for the tip, Jim. Do you have a video link example of your technique ?
Is the following correct then: create correction/balance node(s) > Color transform node (slog to Cineon) > 2 serial nodes one on top of the other (both with the same film lut) > layer mixer - right click on this mixer chose composite mode>color. Highlight the top node of the 2 lut nodes. Go down and press the "Key" icon above the color wheels.
(Here is where I am having a little trouble) I see no change if I change the "Key input" >gain parameter. I do with "Key output" >gain parameter when the top node is highlighted. And it seems to be getting the proper result. Am I doing it wrong?
@@editor4958 Sorry, yes you are doing it correctly. I typed the instructions above by memory and incorrectly typed the input gain. It is actually the "Key output gain". I have edited it in my comment above to show that correction. Good call
@@JimRobinson-colors Thank you for the response, and the good technique!
Bro I’m subscribing that was awesome
Welcome! 😎👊🏻💥
Damn! I came into this video thinking "I already know what he's gonna say" but then your old way matched my current way. You've just leveled up my grades and I'm so glad I watched!
🙏🏻💥 glad you liked it!
Thanks heaps, u r one of the few creators left with teaching reall stuff and inspiring new film makers to improve their skills,, always great to watch 🙏. I wasn't kidding when I said I watch your videos more than Peter Mckn's 😬 these days .....
Much appreciated! 💯👊🏻💥
Thank You from Pakistan, It was very helpful
Thank you soo much! Very helpful.
I really like this video when you say "i need money for food and BEER.." LOL🤣🤣
It's not a joke! Me thirsty and hungry filmmaker 😭😎
Or you can drop layer mixer after cineon. Set mixer to color. Drop same print on both nodes. Decreasing key value of upper node will kill the contrast & bottom node to kill color.
Or there are plenty of 3rd party plugins that works without converting to cineon.
Is the following correct then: create correction/balance node(s) > Color transform node (slog to Cineon) > 2 serial nodes one on top of the other (both with the same film lut) > layer mixer - right click on this mixer chose composite mode>color. Highlight the top node of the 2 lut nodes. Go down and press the "Key" icon above the color wheels.
(Here is where I am having a little trouble) I see no change if I change the "Key input" >gain parameter. I do with "Key output" >gain parameter when the top node is highlighted. And it seems to be getting the proper result. Am I doing it wrong? How do you adjust color with the bottom node? Thank you.
Thanks mate, very helpful! I´m shooting Fuji F-log2 (Prores HQ 10-bit) and since there is no Fuji gamma yet available, someone recommended using REC 2020 gamma. Works fine for now.
Thank you, going to try this later! I’m just learning davinci resolve and have been struggling with this the past few days
I've been searching for this for the past 3 days and all I found was people wanting to sell their own luts. Great job and thank you!
Joris did you have video how to do that lut/color grading settings will apply to many clips which you have in time line?
Thank you bro 😍😍
Welcome 😊
weer een leuke video Hermans! heb weer wat leuks bij geleerd, top!😀
Top! Dan kan ik gerust zijn en een weekendje vrij nemen 😄👊🏻💥
You are awsome buddy! Always funny as well as willing to help. Cheers! 🍺
So helpful and uncomplicated! Thank you very much.😊
This video was excellent and easy to follow. Thank you!
SON OF A...... Lut. You just cut down my nodes by half. You saved my project.... now back to these........ luts.
😄👊🏻💥
Thank you very much for your tutorial. It was extremly useful to me. Cheers,
Hey Joris, thank‘s for that amazing LUT tip 🙏
I was waiting for this tutorial ♥️
Guy, u are stealing my heart, good wotk bro
Hey Joris! Nice Video and explanation how to use built-in LUT with Cineon. One quetion to your LUTs: do I need to apply Cineon Film Log node before using your LUTs or they should be applyed without that additional node. Thanks!
Thanks for the 709-A tip!
Took me almost 2 years to figure that out... 😅😭😵
I'm going to have to play around with this. I normally make an adjustment layer before I do any color changes. This looks like a cool way to get color adjustments.
Great tutorial Joris 👍🏻
awesome mate!
Thank you! Cheers! 👊🏻💥
If you want extra stop of dynamic range you have to use davinci vide gamut (or sony slog) colour space in timeline. And output of timeline rec 709.
I ALWAYS want extra DR 😬🙏🏻
I noticed that clog 3 gets about 1/3 - 1/2 extra stops dynamic range if timeline colorspace is clog 3.
Wait, can you explain this in detail Henrikki?
@@jaysnappsmediallc Log profiles have bigger colour space than rec 709 is. And if you use rec 709 timeline, there is lot of colours that are out of rec709 colour space.
@@henakos so instead of setting the timeline to Rec-709A…set it too… ????
Thank you for awesome toturial !!!!!
Just found your channel and its. Fantastic so helpful thank you for time. In making this video
Love you channel! Keep it up!
Great video. Totally new to Da Vinci Resolve so perhaps this questions makes no sense however trying anyway....my timeline consists of many clips - do I need to repeat these steps for all the clips separately? Or can I copy these edits to all clips and from there make changes in the node key per clip?
Oh wow! Thank u so much! I love the tempo how u talk!
Thank you for this Video.
Glad it was helpful! Thank you for watching 🙏
THANK YOU SO MUCH! you just taught me everything I've been looking for a long time and people just complicate it! awesome, great video, congratulations. ❤❤❤❤❤❤
Glad it helped! 🙏🏻🔥
Bro thanks i loved you
This the colour space on my iPhone footage BT.2020 HLG (9-18-9)..Could you please explain the fist steps to start colour grading this kind of footage please? Do we need colour space transformation for this too? it would be nice if you could explain how to colour grade normal iPhone footages.. thanks
Thanks for the great tips man, you rock!
Thank u for humor 😂 and for the tutorial as well
thank you !!
Welcome!
This is Gold! Thank you Sir
Thanks for watching 🙏 Glad it helped!
Thank you so much bro.. I learned more and more ❤️
Really awesome video you made. Thanks!
Glad you liked it! 👊🏻💥
Thanks a lot. Now I have nice looking short home video.👍
LOL, "buy my luts becouse i need money for food and beer"... you're cool, smart and funny man. Thanks for tutorial
Glad you liked it! 😎🙏
hahha， Yeap Beer，that is the point! Good vid, thx. Learned a lot
i need more (s)luts.
🙃
How do I know which color space transform to use? I use a nikon z9
Informative video! What's the background music starting at 7:25?
Great job senior more tips
Wow wow wow! so helpful!
Glad it was! 🔥🫡
Really nice videos thanks for the great explanation
Thanks for watching 🙏💥
Thanks
Most welcome! 🙏
Very helpful, I was wondering why "Those - pause - LUTs" are so far from what it's supposed to look no matter how I adjust it.
thank you for your videos bro!
Thank you for watching bro 👌🏻
your very good technic your big fan
Nice I was getting ready to start editing a vlog
Perfect timing 😎👊🏻💥
Hi, happy to find your channel. Great content. This film helped me to get good colors on my recent production, so happy. One question - I'm filming at the moment with Xiaomi Mi 11 lite. Have no idea what color space shall I use for it. Could you give me a hint? Or anyone else? Thanks!
Great video! Thank you
Thanks for watching 👊🏻💥
Useful Tutorial ,espesially for fhe beginner like me
PHENOMENAL JORIS
Yep, that's my superhero name... 😎😅
This is dope!
Glad you liked it! 👊🏻💥
awesome thanks 😊
Hi Joris, Thank you so much for all videoes. They're really very helpful. Could you please help me with the ColorSpaceTransformation for DJI Mini 3 Pro which uses D-Cinelike.
I use two serial nodes and do this. Do you recommend any changes to it please?
Input node:
Input color space: DJI D-Gamut
Input gamma: DJI D-Log
Output color space: DaVinci Wide Gamut
Output gamma: DaVinci Intermediate
Output node:
Input color space: DaVinci Wide Gamut
Input gamma: DaVinci Intermediate
Output color space: Rec.709
Output gamma: Gama 2.4
before colour grades BRAW looks boring in viewer while editing, how can i see applied LUTs in Davinci Resolve 17 viewer on Edit Page ???
my laptop speakers. Any suggestions on what to do to get my soft back? I recently updated. Any help would be greatly appreciated.
Excellent!
if the camera I am using is iphone12 pro max, which setting should I pick on the input color and gamma?
Tried this with gopro footage, this is already rec709 so the second easy way is my way to go.
I didn't get the expected result but after a while, i realized in my project settings the timeline color space was set to rec709 (scene).
I changed it to rec709 gamma 2.4 and this was much better. 😅
Thank you, I really needed to hear tNice tutorials!!
👏BRAVO!!!!
👊🏻💥
Great video but I'm a bit confused. I have a canon M50 and shoot video in a neutral picture style (low contrast and saturation ) but I'm a bit clueless what to do then in Davinci. It's difficult to see what you're clicking on from the 9 minute mark on. Would you mind letting me know? Thanks Joris :)
thanks a LUT.
😄😎
What do you put for the input colour space and input gamma if ur camera not there
I always had problems with luts looking ceazy lol thanks
Bedankt voor de duidelijke uitleg, Joris. Je bent goe bezig! How can you see in Davinci Resolve if your footage is shot in rec-709?
Als het er "normaal" uitziet dan is het recht.709.
Wow. What a great video! Thank you! What Input Color Space and Input Gamma would you use for Cinestyle???
Not sure since it's not a real log profile 🤔
@@JorisHermans 🫠 LOL. Thanks for the reply! I will figure out something. Great videos!
During the entire quarantine period, I learned how to write soft at soft soft. TNice tutorials is not to say that self-isolation is a pleasant tNice tutorialng,
How do I know the input colour space and Gamma, for my insta 360 footage, shot LOG ? HELP!
Hello Joris, What do you think about Color Science : DaVinci YRGB Color Managed for color grading automaticaly all your film without making adjustment for each clips ?
Does this apply to 8bit dslr footage ad well, and on a windows pc??
Hi! What about Flat GoPro footage? What settings do I use for that?
What would be the color management settings for Fuji footage or pictures that are not F-Log?
Just skip that step, your footage is already rec.709
what if i'm using my phone camera? what are the settings
Thank you for this video, I just have one quick question
Why shoot in LOG If you going to change it to rec 709, ? Should you just shoot in rec 709 and skip the whole LOG conversion part ? ☺
Shooting in LOG will give you a ton more dynamic range and room to color grade your footage. You'll be more limited when color grading rec.709 footage...
LMFAO!! Deez LUTS!! Great video man, thank you for producing, will help a lot!
where to download the raw video for editing ?
Excuse in have questions, my body sony a7 iv & i selected in picture profile gama : cine4 in my camera , but for color transform in davinci I don’t know what select object for gama ?! I didn’t find cine4 , i thinking maybe different name …
Thanks for response
im useing gopro 6 for my fpv drone so which imput colour space should i pick and unput gamma pls someone help me
Actually I was also doing the same thing! Along with Dehancer film grain.😅
Nice subscribed
Nice! Much appreciated 🙏🏻💥
@@JorisHermans do leave your opinion on my work 😁