Thank you so much for this comment! I need to revisit this session and give it another listen I think 🙂 Thank you stopping by and I’m glad you enjoyed the sounds 😃
Thank you so very much! 😃 I will have more to enjoy as soon as I am physically capable again. On the very slow mend from a pretty serious situation from a couple weeks back
Vielen Dank! 😊 Reine Wellenformen in der Sample-Bahn und der MS-20-Tiefpass sind eine gute Mischung, die ich mir wegen diesem Patch gut gemerkt hab. Ich wollte sehen, ob ich den Sound des wavestates ein bisschen... schmutziger bzw. wilder machen konnte
Thank you very much! I have some new tricks from this session for getting the sound to shift in more interesting ways that I'll definitely be using going forward. Thank you for checking out this video and I'm happy you enjoyed it 😃
Thank you so much! I‘m happy you enjoyed this piece from the wavestate🙂 If you would like to continue on this adventure, the video titled Vela is a companion session to this piece. I hope you enjoy it! 😃
Simple is sometimes the best way to go. In my view, that opens the doors for more complex modulations. My challenge lately has been finding the best ways to automate as much as I can, while at the same time keeping everything relatively predictable and under some measure of my own control. I've been away from my wavestate for a week now and I'm brimming with ideas for it, so I can't wait to get back. Thank you for stopping by and checking out this session, and it always makes me happy to hear from other people who enjoy their wavestates 😃
@dani_raudvik +1 on keeping the main theme simple, especially when using the Wavestate with its track lane based concept. Sure, will pass by again soon Dani to check on what you've been up to! 😎👍🎹🎵🇬🇧💥
Danke sehr! Es freut mich sehr, dass dir der Sound gefällt 😃 Die Gleichung ist nur ein Platzhalter, weil mir zur Zeit der Aufnahme gar kein richtiger Titel eingefallen ist 🙂
First off your sounds are wonderful .... REALLY enjoyed listening to your piece! I also have a question. I just purchased my Wavestate and love it .... but may I ask where you purchased your stand for yours? It looks awesome and I've looked everywhere and can't find one that even looks remotely like it! Hoping you get back to me on my question and look forward to hearing more of your music!
Hi! First off thank you for the compliment on my music. I really appreciate it 😃 As for the stand, it‘s actually meant for laptops which would explain the problem. Specifically, it‘s a Belkin Loft stand and seems to be readily available still. I hope that that helps 🙂
@@dani_raudvik THANK YOU for your quick reply to my question. I am going to try to find one of those stands for sure!!! And again keep up the great work on your Wavestate ... Great stuff!!!
If you can find it anywhere, I recommend listening to David Parson's "Himalaya" album (released in 1989). I think you'd like it. (I like both your music and his, btw.) Not sure what else he used, but one of his keyboards was a Roland Super Jupiter.
Thank you very much for stopping by and checking out this video and thanks for the recommendation. I did find a full album playthrough here on youtube so I'll check that out a little later on 😊 I'm really happy to hear that you enjoy the things I make, and thank you again for the recommendation.
Thank you so much for checking this out and for the feedback! There were keyboard splits to keep layers B-D (pad/choral sounds) separate from layer A (deep bass saw wave). In addition to various envelopes happening at different times and at different rates, I had an x-modded square amp LFO modding one of the pad layers so it would jump in and out or pulsate depending on the randomized oscillation rate of the amp LFO. My goal was to try to blur the line between whether the listener was hearing a randomly-triggered envelope or whether the sound pulsing was due to the LFO. 😊 This was a lot of fun to build. I have some other tricks up my sleeve for future sessions, but I definitely want to do similar patches to this with lead/melody layers as well. Thank you again for stopping by and checking this out! 😃
Is it just my random choice of your videos or Modwave indeed sounds "sharper" and Wavestate "softer"? I own both and actually am much more interested in Wavestate but I like the "sharpness" of your Modwave performances, they sound a bit more "spicy" to me.
The wavestate is a "softer" synth compared to the modwave I think, but that just has to do with the way that wavetables are. As far as how I use the modwave itself, having each oscillator be split between two wavetables, and then having the position on those wavetables being modified by random LFOs creates the jumps through their harmonic content, which is what gives them an edge over the sounds on the wavestate. I love both of these synthesizers, but I'd never think that I could force a modwave-type sound with all of that digital edge out of the wavestate. That said, the MS-20 LPF does give more of an edge to the sounds from the wavestate, but that will only go so far. Thanks for stopping by and checking out this video! 😊
@@dani_raudvik yes I thought something similar but the difference is quite subtle at least through my tablet's speakers through which I mostly listened so I thought maybe I'm just imagining it, thanks for your answer!
Thank you very much for the feedback and for your interest in my sounds! My plan with my sounds is to put them up for sale once I use them on my own albums. The recording process will begin soon, and sound bank releases will follow. I'll make announcements on this page about all of that when it happens. Stay tuned for that! 😃
Beautiful ambient sounds! Great camera angle of the Wavestate, it looks like a space station!
Thank you so much for this comment!
I need to revisit this session and give it another listen I think 🙂
Thank you stopping by and I’m glad you enjoyed the sounds 😃
Amazing sounds , admire your work.
Thank you so very much! 😃
I will have more to enjoy as soon as I am physically capable again. On the very slow mend from a pretty serious situation from a couple weeks back
Krassere Sounds als sonst. Da mußte ich mich erstmal drauf einstellen aber toll 👍👍👍
Vielen Dank! 😊
Reine Wellenformen in der Sample-Bahn und der MS-20-Tiefpass sind eine gute Mischung, die ich mir wegen diesem Patch gut gemerkt hab. Ich wollte sehen, ob ich den Sound des wavestates ein bisschen... schmutziger bzw. wilder machen konnte
@@dani_raudvik Das ist dir gut gelungen 👍
Great piece! Very inspiring and enjoyable. Thanks for all of the great music.
Thank you very much!
I‘m glad you‘ve enjoyed everything you‘ve checked out. I‘ll have more new material soon 🙂
Bravo!! 👏👏👏👏👏👏👏👏
Thank you very much!
I have some new tricks from this session for getting the sound to shift in more interesting ways that I'll definitely be using going forward.
Thank you for checking out this video and I'm happy you enjoyed it 😃
Really enjoyed listening to this, nicely done
Thank you so much! I‘m happy you enjoyed this piece from the wavestate🙂
If you would like to continue on this adventure, the video titled Vela is a companion session to this piece.
I hope you enjoy it! 😃
Simple but awesome Dani! Love my Wavestate 😁👍💥
Simple is sometimes the best way to go. In my view, that opens the doors for more complex modulations. My challenge lately has been finding the best ways to automate as much as I can, while at the same time keeping everything relatively predictable and under some measure of my own control.
I've been away from my wavestate for a week now and I'm brimming with ideas for it, so I can't wait to get back.
Thank you for stopping by and checking out this session, and it always makes me happy to hear from other people who enjoy their wavestates 😃
@dani_raudvik +1 on keeping the main theme simple, especially when using the Wavestate with its track lane based concept. Sure, will pass by again soon Dani to check on what you've been up to! 😎👍🎹🎵🇬🇧💥
building like a cushion:-)
Thank you for stopping by and checking out this video.
I'm glad that you enjoyed this session with the wavestate 😃
Richtig gut ! Ich genieße den Sound... ( die Schwarzschild-Metrik, soso ... :) )
Danke sehr!
Es freut mich sehr, dass dir der Sound gefällt 😃
Die Gleichung ist nur ein Platzhalter, weil mir zur Zeit der Aufnahme gar kein richtiger Titel eingefallen ist 🙂
First off your sounds are wonderful .... REALLY enjoyed listening to your piece!
I also have a question. I just purchased my Wavestate and love it .... but may I ask where you purchased your stand for yours? It looks awesome and I've looked everywhere and can't find one that even looks remotely like it! Hoping you get back to me on my question and look forward to hearing more of your music!
Hi!
First off thank you for the compliment on my music. I really appreciate it 😃
As for the stand, it‘s actually meant for laptops which would explain the problem. Specifically, it‘s a Belkin Loft stand and seems to be readily available still.
I hope that that helps 🙂
@@dani_raudvik THANK YOU for your quick reply to my question. I am going to try to find one of those stands for sure!!!
And again keep up the great work on your Wavestate ... Great stuff!!!
If you can find it anywhere, I recommend listening to David Parson's "Himalaya" album (released in 1989). I think you'd like it. (I like both your music and his, btw.) Not sure what else he used, but one of his keyboards was a Roland Super Jupiter.
Thank you very much for stopping by and checking out this video and thanks for the recommendation.
I did find a full album playthrough here on youtube so I'll check that out a little later on 😊
I'm really happy to hear that you enjoy the things I make, and thank you again for the recommendation.
Amazing. This was all programmed into the synth to trigger off an individual key press? So many layers and envelops happening.
Thank you so much for checking this out and for the feedback!
There were keyboard splits to keep layers B-D (pad/choral sounds) separate from layer A (deep bass saw wave). In addition to various envelopes happening at different times and at different rates, I had an x-modded square amp LFO modding one of the pad layers so it would jump in and out or pulsate depending on the randomized oscillation rate of the amp LFO. My goal was to try to blur the line between whether the listener was hearing a randomly-triggered envelope or whether the sound pulsing was due to the LFO. 😊
This was a lot of fun to build. I have some other tricks up my sleeve for future sessions, but I definitely want to do similar patches to this with lead/melody layers as well.
Thank you again for stopping by and checking this out! 😃
@@dani_raudvik this is incredible. I couldn’t be more impressed!
Thank you very much, genuinely.
It always means a lot to hear that something I've done is striking to another person in one way or another
Is it just my random choice of your videos or Modwave indeed sounds "sharper" and Wavestate "softer"? I own both and actually am much more interested in Wavestate but I like the "sharpness" of your Modwave performances, they sound a bit more "spicy" to me.
The wavestate is a "softer" synth compared to the modwave I think, but that just has to do with the way that wavetables are. As far as how I use the modwave itself, having each oscillator be split between two wavetables, and then having the position on those wavetables being modified by random LFOs creates the jumps through their harmonic content, which is what gives them an edge over the sounds on the wavestate.
I love both of these synthesizers, but I'd never think that I could force a modwave-type sound with all of that digital edge out of the wavestate. That said, the MS-20 LPF does give more of an edge to the sounds from the wavestate, but that will only go so far.
Thanks for stopping by and checking out this video! 😊
@@dani_raudvik yes I thought something similar but the difference is quite subtle at least through my tablet's speakers through which I mostly listened so I thought maybe I'm just imagining it, thanks for your answer!
Please send me your sound banks, ... I've been waiting for something like this, ...great job!!!
szymon.imielski@o2.pl
Thank you very much for the feedback and for your interest in my sounds!
My plan with my sounds is to put them up for sale once I use them on my own albums. The recording process will begin soon, and sound bank releases will follow. I'll make announcements on this page about all of that when it happens.
Stay tuned for that! 😃