Nice interesting test. Agree with everything said. The test shows that BMPCC4k is slightly sharper than 4k, but the color reproduction of the G60 turned out to be more natural. Remember what settings the G60 had? what dB gain, f2.8 aperture?
Yes, here are the settings on the Canon VIXIA HF G60 I used to try and get it to match the BMPCC4K as closely as possible: IRIS - f/4.0 SHUTTER - 1/60 GAIN - 16.0 dB WB - 3700K Gamma/Color Space - Wide DR BT.709 Color Matrix - Production Camera
@@BrianBuckalew Understood. But it is better to shoot such scenes with a wider aperture and lower gain, for example, F2.8 and 9db, or if F4 (if, for example, longer focal lengths are used on the zoom), then you can set the shutter speed to 1/30 (static scenes don't need 1/60). By the way, such scenes are quite simple in terms of dynamic range, there is no urgent need to use WideDR, you can just shoot in the standard REC709 standart profile, and leave the gain at 0db, this will make the picture as clear as possible.
Nice interesting test. Agree with everything said. The test shows that BMPCC4k is slightly sharper than 4k, but the color reproduction of the G60 turned out to be more natural. Remember what settings the G60 had? what dB gain, f2.8 aperture?
Yes, here are the settings on the Canon VIXIA HF G60 I used to try and get it to match the BMPCC4K as closely as possible:
IRIS - f/4.0
SHUTTER - 1/60
GAIN - 16.0 dB
WB - 3700K
Gamma/Color Space - Wide DR BT.709
Color Matrix - Production Camera
@@BrianBuckalew Understood. But it is better to shoot such scenes with a wider aperture and lower gain, for example, F2.8 and 9db, or if F4 (if, for example, longer focal lengths are used on the zoom), then you can set the shutter speed to 1/30 (static scenes don't need 1/60). By the way, such scenes are quite simple in terms of dynamic range, there is no urgent need to use WideDR, you can just shoot in the standard REC709 standart profile, and leave the gain at 0db, this will make the picture as clear as possible.