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Raga Bhinna Shadja | Vidushi Dr. Ashwini Bhide Deshpande | Barasan Lagi Badariya & Ja Re Ja Re Ja Ja

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  • Опубликовано: 24 сен 2021
  • Beautiful rendition of Raag Bhinna Shadja by Dr. Ashwini Bhide Deshpande.The music in this video is the original recording from the album 'Ashwini Bhide-Deshpande - Classical Vocal Vol. 1', released in 1996.
    00:00 - Madhyalay Khayal : Barasan Lagi Badariya
    16:18 - Drut Khayal : Ja Re Ja Re Ja Ja Kagawa
    ______________________________________________________
    Raga: Raga Bhinna Shadja
    Taal: Teentaal
    Composition: Barasan Lagi Badariya
    Ja Re Ja Re Ja Ja Kagawa
    Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
    Style: Jaipur-Atrauli Gharana
    Tanpura : Saniya Kulkarni
    Tabla: Shri. Bharat Kamat
    Harmonium: Shri. Arvind Thatte
    ______________________________________________________
    📝Lyrics:
    *********** Barasan Lagi Badariya ***********
    बरसन लागी बादरिया
    चमके दमके सखी दमिनिया |
    कोयालिया बोले मोरे अंबुवा
    पिऊ पिऊ टेरत मोर पपैहा ||
    ********* Ja Re Ja Re Ja Ja Kagava *********
    जा रे जा रे जा जा कगवा
    इतानो संदेसा मेरो काहियो जा |
    जाये कहियो पिया को मोरे
    उनबिन लागे ना जिया मोरा ||
    ______________________________________________________
    About Artists:
    Dr. Ashwini Bhide-Deshpande:
    Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
    Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
    ______________________________________________________
    No copyright owned. These uploads are solely intended for the purpose of sharing this exquisite music, with absolutely no commercial intent. If anyone has concerns or wishes for us to remove them, please contact us at swaralankar07@gmail.com
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    Video Source: Unknown

Комментарии • 22

  • @neelimapn4
    @neelimapn4 2 года назад +9

    What an amazing rendition by Vidushi Ashwini Bhide Deshpande !! She is undoubtedly the finest vocalist of the time .. Her supreme command over Sur, Taal, Laya makes her each and every performance unforgettable .. Her elaborate and imaginative Raag - Vistaar , beautiful Layakaari, intricate Taans give divine experience to the listener . Vidushi Ashwini Bhide Deshpande is truly a torch bearer of Indian Classical Music , and in particular , the Jaipur-Atrauli Gharana. 🙏🙏🙏

  • @kshitizyonjan1735
    @kshitizyonjan1735 2 года назад +5

    Four finale. Figures in Hindustani classical music are the complete follower of the classical parameter.They are gaansaraswati kiswari Amonkar , bidusi Prabha Are, bidusi Pravin sultana and bidusi Ashwini Didi. Methinks they are all born to sing. Their singing is immaculate and impeccable. My Naman all of them.

  • @prasadghate7662
    @prasadghate7662 2 года назад +5

    It is as they say " सोने पे सुहागा " such a beautiful raag sung in exceptionally beautiful manner by Ashwiniji.
    In my life , 45 years ago I listened this raag first time as कौशिक ध्वनि
    Ashwiniji's Magic of this raag is unparalleled.
    Look how in first few seconds, entire raag is unfolded.
    Obviously, her greatness has basis of intelligence, hard work & Musical Creativity.

  • @anjitayadav8998
    @anjitayadav8998 2 месяца назад

    🙏

  • @bharatihegde3856
    @bharatihegde3856 Месяц назад

    🙏🙏🙏🙏

  • @26moonrevati
    @26moonrevati Год назад +1

    फारच सुंदर बंदिश अश्विनीताई......तुम्ही ती अतिशय प्रभावीपणे मांडलीत.....धन्यवाद!

  • @shekharagoudapatil99
    @shekharagoudapatil99 2 года назад +2

    I Like her Rash Bihag

  • @VinayakVaidya
    @VinayakVaidya 2 года назад +2

    superlative- one feels like playing again and again

  • @1235arun
    @1235arun 2 года назад +1

    काय आवाज आहे...!!! अप्रतिम...!!

  • @madhurashastri8648
    @madhurashastri8648 Год назад

    अप्रतिम....... तबला संगत, नाद मधुरता सुंदर!!!👏👏👏👏👌👌

  • @jyotsnajhaveri4587
    @jyotsnajhaveri4587 2 года назад +2

    Divine voice God bless you 🙏

  • @bautibhattacharyya8396
    @bautibhattacharyya8396 9 месяцев назад

    Excellent,voice sound. 👍🙏 i,thinking,that's, this Raga, Binna,sadhaj., know,, floating in the, Himalaya,Mountain. I thinking, & i feeling, , God, deity , Tune. Excellent , Tobla. 🙏🙏🙏🙏👍🥀🌻🌸🌏🕉👈❤❤❤❤

  • @yogeshdeshpande3670
    @yogeshdeshpande3670 2 года назад +2

    Divine !💐

  • @alainPaul34
    @alainPaul34 Год назад

    So beautiful 🙏 thank you 🙏

  • @laura-gabrielacristea9159
    @laura-gabrielacristea9159 Год назад

    nimic numai e de zis doar 🥰💖🙏

  • @vishwajeetsingh2385
    @vishwajeetsingh2385 2 года назад

    Soulful ...god bless you madam.

  • @sowmya.......4018
    @sowmya.......4018 9 месяцев назад

    Super 😍❤

  • @subhashpimpalkhare4831
    @subhashpimpalkhare4831 2 года назад

    Her Puriya Dhanashree is also very melodious

  • @twinklestar8275
    @twinklestar8275 Год назад

    👌👌🙏🙏🙏

  • @muh6956
    @muh6956 2 года назад +3

    Upload her Gaud Sarang please

  • @dattaavhad6263
    @dattaavhad6263 2 года назад

    🙏🙏🙏🙏🙏💐💐💐💐💐

  • @srirangasubbanna9182
    @srirangasubbanna9182 Год назад

    Weighty gait