Beautifully sung by respected Vidushi Ashwini-ji. Sometimes reminds of her great teacher respected Kishori tai, but Ashwini-ji has also added her uniqueness to this.
i have been listening to this for a long time... in fact when cassettes and not CDs ruled the music market... but whenever listens to this rendition it has always something new offer... i just love ashawani Tai and heard her live concerts also. thanks for sharing this gem
+nisha kamath Oh yes, my friend… we bought many of the wonderful Rhythm House / Music Today cassettes back in the early 90s. She is fabulous and with calming vibrations.
A VOICE unmatched in beauty, grace, & resonance. one feels that a cool mist is enveloping you with a sweet resonance, the rendition is par excellence, mesmerizing & absolutely transcending. the venerable lady Smt ASHWINI BHIDE DESHPANDE deserves a PADMA VIBHUSHANA unreservedly. how come such great, accomplished artists are not recognized in the befitting manner is hard to understand.!!
The combination of heavenly Bhimpalas raag and divine voice. Very melodious and relaxing. 🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼👌🏼👌🏼👌🏼👌🏼👍🏻👌🏼🌸👍🏽👍🏾🌺🌺👍🏻👍🏻🙏🏼🌸👍🏽🌸👌🏼👍🏻👍🏾🌺🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🌺🌸🌺🌸🌺🌸🌸🌺🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
Ashwiniji’s voice is as sweet as honey. She is bringing out the beauty of rag bhimpalasi. Her rag expansion, expression, bolalap, bolthan, sargams, thaans, and other form of improvisation are beautiful. She has a great control of all the 3 saptaks. The mandhara saptak, the madhya sapthak and the thaar sapthak. She has good control over thal and lay. I absolutely love her singing. Madhur madhur bhimpalasi.
Ashwini Taais approach to raga..the treatment..the thought process is absolutely perfect n tailor made with excellence.. Its like a perfect blend of scientific and artistic intelligence. after listening to her you feel...Swantyasukhay sangeet
I have been searching for this particular rendition since so long now. In bhimpalasi you always get the incomplete ja ja re mandirwa rendition. Pure bliss. Thank you, dear uploader :)
SINCE ITS APPEARANCE, FOR ABOUT TWO DECADES THIS RENDERING OF BHIMPALAASI REMAINS UNMATCHED AS A PIECE OF WORLD CLASS MUSIC; AND BY ALL SIGNS, IT WILL REMAIN UNMATCHED AMIDST ABUNDANT FUTURE GLOBAL PROMOTION OF THE VOCAL MARVELS OF THE GREAT MASTERS OF THE YORE.
Millions of thanks for the availability of the Khayals on the site. Most sweet singing, proportionate balance of alaap bol-alaap, and taans. Sweet rendering of complicated taan patterns. I feel that earlier classical singing was not that sweet. Pt.Bhimsen Joshi, Kumar Ghandharva, Pt Jitendra Abhisheki, Pt Rajan Sajan Mishra Dr.Vasantrao Deshpande, Ustad Rashid Khan have made classical singing sweeter. On women front most repsected Kishori Amonkar Ashiwini Bhide and others have sweetened the classical singing.
Earlier classical singing was more technical in nature, and was meant for the "Abhijan" i.e. respected people or the classes. But modern times find made more people interested in classical music.That is recognized by the singers, and more attention is paid to the bhav, swar and taal. It is part of evolution. Of course, RUclips has brought classical music at the doorsteps of the common people, and that is really great. I wish India has much to offer to the world through this soft power.
Do you mean to say Ustad Amir Khan or Ustad Abdul Karim Khan or Ustad Faiyaaz Khan, Pandit Omkarnath Thakur, Ustad Bade Ghulam Ali Khan's singing was not sweet? I am pretty sure some of the singers whose singing you called sweet will disagree with you. There is a well-documented story about a "somebody", who tried to explain to Pandit Bhimsen Joshi, how his interpretation of Marwa was superior to that of Ustad Amir Khan. The great Pandit Bhimsen Joshi replied - "ek kaam karo, tum hamko suna karo, main Ustad Amir Khan to sunta hoon". The real fact is that the recording facilities during the heydays of the above quoted Ustad's & Pandit's were poor plus some of our greatest singers got recorded when they were pretty old. Most of the new generation singers would not even dare to attempt the Bandishes that the Ustads of yore sang with ease. I will quote just one to illustrate my point - Go listen to a Sadra by Ustad Bade Ghulam Ali Khan, in Rag Adana - The bandish is: Rama chadho, gadha lanka, ranadheer, sang laxaman liye badho. Many have attempted it but have truthfully said that their interpretation is not even a 10th of Bade Ghulam Ali khan's.
will somebody tell me the meaning of this song.? is it HINDI or MARATHI.?....it sounds so painfully sad.... there is repeated reference to 'biraha' which i take to be the word 'viraha' in samskrit which means ''seperation''......? is it a song on seperation of ''loved ones'....??...Dr.ASHWINI BHEDE DESHPANDE the songs, you sing are very strange to listen to, though listening to it takes me to another ETHEREAL WORLD.......there is a certain monotony,a certain rippling effect a certain cascade,a certain persistence,a certain sadness beyond words..........fantastic.....one of the finest singers in that genre......indisputably so,.........the rendition of a genius singer.....par excellence...!!!! the music reaches its ''CRESCENDO''as it progresses slowly & steadily..then staggeringly upwards....then it comes down sober......then the narrative changes quickly.....is it about separation from a beloved.....that is the theme...? because the word ..'biraha' occurs repeatedly....???...sometimes in tantalizingly goes up to come down depressingly.......song is peculiar...rather HINDUSTANI MUSIC itself is such...??...''sugama vichoro biraha''........what is this exactly.?....by the way...at the end of the song,there seem to be a sober tune change......wonderful.....absolutely melodious indeed.......!!!!
suryanarayana begur I agree with your feelings. This cheese rendered by Pt.ABD is a masterpiece. But this is not full version. It is not "sugama vichara". It is Saguna vichara. I have this lengthy khyal singing in cassette form brought out from her London concert. It is more than 50 minutes duration.
I love Raag Bhimplas, and after listening to various performers I can surely say that this rendering of Ashwini Bhide is the best . Love the Aalap which she unfolds slowly and with exquisite grace. The raag then goes on to enrapture the listener and when it reaches the finale with Ja Ja Re Apne Mandirava, and the Tarana I am totally bowled over. Give us more Ashwiniji.
By a distance, her pinnacle and undoubtedly the best bhimpalasi ever rendered on this earth. This is heading straight to the archives.She enlivens the birha of a forelorn belle.
The best advice I have is to go to a live concert. Most classic recordings of Hindustani music are not of great quality, because they are poorly made recordings of live concerts. Not just that - this is an improvisational art, so much of the beauty lies in the fact that you're hearing the artist's own thoughts ("khayal") -- and if it's a master, those thoughts are reflections of both the moment and the past. No piece sounds the same as a result.
Yes. " khayal" is an urdu word for imagination and it is best witnessed in live concerts. i was lucky enough to witness the great " khayal" of masters of great hindustani music legends when they were alive bharat ratna bhimsrn joshi and sangeet samrat pundit jasraj. and i have been to ashwinitai's concert and pundot sanjeev abhyankar's concert also. all in the US. yes you can get cds and cassettes but it is not the same thing.
Dear Iffysam, The best way to learn and experience is to go on listening. Listen to all the maestros of the genre. Listening is learning. Dr V R Chitguppi, Dombivli-Mumbai
Mr. fiso to answer your question this is an Indian Classical rag called bhimpalasi. It uses sa ga ma pa ni sa going up the scale and sa ni dha pa ma ga re sa coming down the scale. Indian Classical music is based on improvisation. Within these given notes framework, the singer must do her improvisation on the spot and make it sound unique and beautiful
u can always watch the videos of indian classical vocalists and maestros of intruments on youtube..... u can refer to the website called swarganga (.com) logging in from fb too! it has all basics explained quite perfectly and in simple understandable manner
I express my feelings,how much pleasure and preace of mind with some grief taking me away from the earthly loss gain nothing but eternal peace of mind cover my existence with inexpressible mood.
Ashwini deshpande is a torch barrier of the Jaipur atrauli gharana just like gana thapaswini mogubaikurdikar, the mother of ganasaraswathi kishore amonkar, ganasaraswathi kishore amonkar, another singer named shruthi sadolikar khatkar who is also very good is from Jaipur atrauli gharana... The hallmarks of Jaipur atrauli gharana is that they sing their Vilambits or " bada khayals" in either teental or Ada chautal, they don't sing sargams, they don't sing "tihais" and they have long drawn "mukdas" or short quick "mukdas"
I loved listening to this. I'm a total noob to this genre, so I don't want to come off as even vaguely authoritative, but it makes for nice background music, beautiful, emotionally evocative, and atmospheric. I've heard snippets of "Hindustani music", and to my ears, it all has the same kind of laid-back beauty. But I wasn't raised around this music and don't really know it except as an outsider. What's a good way to learn more about it and experience the best of this genre?
Ashiwini bhide deshpande tai is one of the best torch bearers of the jaipur atrauli gharana after ganatapaswini mogubai kurdikar and ganasaraswathi kishori amonkar.
This is one of the most powerfull recordings of music of ALL TIME .
She is my favourite singer! I truely respect her so much & have learnt so much from her singing!
Me too
Beautifully sung by respected Vidushi Ashwini-ji. Sometimes reminds of her great teacher respected Kishori tai, but Ashwini-ji has also added her uniqueness to this.
Wonderful rendition by Vidushi Ashwini Bhide... She is undoubtedly the finest classical vocalist at the time with unmatched excellence.
i have been listening to this for a long time... in fact when cassettes and not CDs ruled the music market... but whenever listens to this rendition it has always something new offer... i just love ashawani Tai and heard her live concerts also. thanks for sharing this gem
+nisha kamath Oh yes, my friend… we bought many of the wonderful Rhythm House / Music Today cassettes back in the early 90s. She is fabulous and with calming vibrations.
excellent rendition .nkp sinha
A VOICE unmatched in beauty, grace, & resonance. one feels that a cool mist is enveloping you with a sweet resonance, the rendition is par excellence, mesmerizing & absolutely transcending. the venerable lady Smt ASHWINI BHIDE DESHPANDE deserves a PADMA VIBHUSHANA unreservedly. how come such great, accomplished artists are not recognized in the befitting manner is hard to understand.!!
Dugad Swaroop
What a performance... Every time i listen it bhompalasi gives a new look entirely. ❤❤❤
The combination of heavenly Bhimpalas raag and divine voice. Very melodious and relaxing. 🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼👌🏼👌🏼👌🏼👌🏼👍🏻👌🏼🌸👍🏽👍🏾🌺🌺👍🏻👍🏻🙏🏼🌸👍🏽🌸👌🏼👍🏻👍🏾🌺🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🌺🌸🌺🌸🌺🌸🌸🌺🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
I am a student of hindustani classical vocal in the US and listening to such recordings are very helpful
Ashwiniji’s voice is as sweet as honey. She is bringing out the beauty of rag bhimpalasi. Her rag expansion, expression, bolalap, bolthan, sargams, thaans, and other form of improvisation are beautiful. She has a great control of all the 3 saptaks. The mandhara saptak, the madhya sapthak and the thaar sapthak. She has good control over thal and lay. I absolutely love her singing. Madhur madhur bhimpalasi.
Ashwini Taais approach to raga..the treatment..the thought process is absolutely perfect n tailor made with excellence..
Its like a perfect blend of scientific and artistic intelligence.
after listening to her you feel...Swantyasukhay sangeet
Swaantahasukhaaya
Archana Mhaskar
K
Sir, What's the meaning of "re bhiraha bamana sugana bicharo"
@@chinnikrishna5361 viraha means longing or separation
one of my favorite singer
Amazing rendition !!! Top most of Bhimpalas I have listened to ...
I have been searching for this particular rendition since so long now. In bhimpalasi you always get the incomplete ja ja re mandirwa rendition.
Pure bliss. Thank you, dear uploader :)
SINCE ITS APPEARANCE, FOR ABOUT TWO DECADES THIS RENDERING OF BHIMPALAASI REMAINS UNMATCHED AS A PIECE OF WORLD CLASS MUSIC; AND BY ALL SIGNS, IT WILL REMAIN UNMATCHED AMIDST ABUNDANT FUTURE GLOBAL PROMOTION OF THE VOCAL MARVELS OF THE GREAT MASTERS OF THE YORE.
Millions of thanks for the availability of the Khayals on the site. Most sweet singing, proportionate balance of alaap bol-alaap, and taans. Sweet rendering of complicated taan patterns. I feel that earlier classical singing was not that sweet. Pt.Bhimsen Joshi, Kumar Ghandharva, Pt Jitendra Abhisheki, Pt Rajan Sajan Mishra Dr.Vasantrao Deshpande, Ustad Rashid Khan have made classical singing sweeter. On women front most repsected Kishori Amonkar Ashiwini Bhide and others have sweetened the classical singing.
Earlier classical singing was more technical in nature, and was meant for the "Abhijan" i.e. respected people or the classes. But modern times find made more people interested in classical music.That is recognized by the singers, and more attention is paid to the bhav, swar and taal. It is part of evolution. Of course, RUclips has brought classical music at the doorsteps of the common people, and that is really great. I wish India has much to offer to the world through this soft power.
Do you mean to say Ustad Amir Khan or Ustad Abdul Karim Khan or Ustad Faiyaaz Khan, Pandit Omkarnath Thakur, Ustad Bade Ghulam Ali Khan's singing was not sweet? I am pretty sure some of the singers whose singing you called sweet will disagree with you. There is a well-documented story about a "somebody", who tried to explain to Pandit Bhimsen Joshi, how his interpretation of Marwa was superior to that of Ustad Amir Khan. The great Pandit Bhimsen Joshi replied - "ek kaam karo, tum hamko suna karo, main Ustad Amir Khan to sunta hoon". The real fact is that the recording facilities during the heydays of the above quoted Ustad's & Pandit's were poor plus some of our greatest singers got recorded when they were pretty old. Most of the new generation singers would not even dare to attempt the Bandishes that the Ustads of yore sang with ease. I will quote just one to illustrate my point - Go listen to a Sadra by Ustad Bade Ghulam Ali Khan, in Rag Adana - The bandish is: Rama chadho, gadha lanka, ranadheer, sang laxaman liye badho. Many have attempted it but have truthfully said that their interpretation is not even a 10th of Bade Ghulam Ali khan's.
will somebody tell me the meaning of this song.? is it HINDI or MARATHI.?....it sounds so painfully sad.... there is repeated reference to 'biraha' which i take to be the word 'viraha' in samskrit which means ''seperation''......? is it a song on seperation of ''loved ones'....??...Dr.ASHWINI BHEDE DESHPANDE the songs, you sing are very strange to listen to, though listening to it takes me to another ETHEREAL WORLD.......there is a certain monotony,a certain rippling effect a certain cascade,a certain persistence,a certain sadness beyond words..........fantastic.....one of the finest singers in that genre......indisputably so,.........the rendition of a genius singer.....par excellence...!!!! the music reaches its ''CRESCENDO''as it progresses slowly & steadily..then staggeringly upwards....then it comes down sober......then the narrative changes quickly.....is it about separation from a beloved.....that is the theme...? because the word ..'biraha' occurs repeatedly....???...sometimes in tantalizingly goes up to come down depressingly.......song is peculiar...rather HINDUSTANI MUSIC itself is such...??...''sugama vichoro biraha''........what is this exactly.?....by the way...at the end of the song,there seem to be a sober tune change......wonderful.....absolutely melodious indeed.......!!!!
Bade Gulam Ali Khan and ustad Amir Khan main pillar you forget
suryanarayana begur I agree with your feelings. This cheese rendered by Pt.ABD is a masterpiece. But this is not full version. It is not "sugama vichara". It is Saguna vichara. I have this lengthy khyal singing in cassette form brought out from her London concert. It is more than 50 minutes duration.
Gifted voice what a raag. Awesome
Definitely one of the best bandish I have heard in Bhimpalasi.
Apart from the rendition for which I have no words to praise, also enjoyed many thought provoking comments by lovers of hindustani classical music.
A delightful voice... thank you for sharing!
Thanks a lot for this gem!!!!
This is one of the best renditions of Bhimpalas I have listened!
Ya seriously
100% Right....
Agreed!
Agreed
Amazing mastery over Swar,Laya,Taal.. Mesmerizing rendition.. What an artist !
though i do not understand anything of HINDUSTANI LORE, as i am from south,....i cannot help listening to the song with rapt attention.......
What ever you like it that is only a big thing!!!!!!
Yes. very true
I love Raag Bhimplas, and after listening to various performers I can surely say that this rendering of Ashwini Bhide is the best . Love the Aalap which she unfolds slowly and with exquisite grace. The raag then goes on to enrapture the listener and when it reaches the finale with Ja Ja Re Apne Mandirava, and the Tarana I am totally bowled over. Give us more Ashwiniji.
Absolutely fantastic !
Awesome👍 Madam. There are no words to express. God bless you🙏.
Her thaans, bol alaps, sargams patterns are wonderful.
Amazing rendition. Powerful!
By a distance, her pinnacle and undoubtedly the best bhimpalasi ever rendered on this earth. This is heading straight to the archives.She enlivens the birha of a forelorn belle.
Such a grace such a beauty!
The best advice I have is to go to a live concert. Most classic recordings of Hindustani music are not of great quality, because they are poorly made recordings of live concerts. Not just that - this is an improvisational art, so much of the beauty lies in the fact that you're hearing the artist's own thoughts ("khayal") -- and if it's a master, those thoughts are reflections of both the moment and the past. No piece sounds the same as a result.
Yes. " khayal" is an urdu word for imagination and it is best witnessed in live concerts. i was lucky enough to witness the great " khayal" of masters of great hindustani music legends when they were alive bharat ratna bhimsrn joshi and sangeet samrat pundit jasraj. and i have been to ashwinitai's concert and pundot sanjeev abhyankar's concert also. all in the US. yes you can get cds and cassettes but it is not the same thing.
@@pallavisreetambraparni6995 00000000
Don't make it
Listening to such recordings and concerts are a great experience for students of hindustani classical vocal music.
Divine. She is the master of bringing out all the colors and shapes of a raag, especially vilambit for Yaman and Bhimpalasi I find.
Great Artist Great Voice , heart touching !
Very so nice Raag Bhimpalaasi now listened .Thanks Ashvini Taai.
Dear Iffysam, The best way to learn and experience is to go on listening. Listen to all the maestros of the genre. Listening is learning. Dr V R Chitguppi, Dombivli-Mumbai
Very true.
Mesmerising!
it is awesome rendition
Great melodious voice,listener's delight.Carry on in this way.
Truly divine singing 🙏🏼🙏🏼🙏🏼
such perfection, so much soul. Bliss!
sublime...........!
Melody dripping from every note...wish I had Guru like Ashwini ji
I love ashwiniji's style of singing. Her voice is like honey flowing and very soothing. Many thanks for uploading this
Well said 😊
very wonderful .she is not honer enough by us .
What a beautiful rendition of bhimpalasi and such powerful singing 🙏🙏🙏🙏truly Divine
Voice from heaven
खूप छान अश्विनीजी.
What a singer... Matchless!!!!
Mr. fiso to answer your question this is an Indian Classical rag called bhimpalasi. It uses sa ga ma pa ni sa going up the scale and sa ni dha pa ma ga re sa coming down the scale. Indian Classical music is based on improvisation. Within these given notes framework, the singer must do her improvisation on the spot and make it sound unique and beautiful
Sakshat swar parbramham 🙏😭❤️❤️
So sweet & melodious rendition.
Beautiful Bhimpalasi🙏
Wonderful!!
The "taana-s" have me floored... what a virtuoso this lady is
No words to praise!
u can always watch the videos of indian classical vocalists and maestros of intruments on youtube.....
u can refer to the website called swarganga (.com) logging in from fb too!
it has all basics explained quite perfectly and in simple understandable manner
अप्रतीम🎉🎉
Sublime rendition.
yes sublimest.....
Beautiful vocalist !!
So soulful & calm! I love her voice & songs
I am fan of her. So sweet voice 😊😊😊
The tabla artist is also doing a great job. he is not overpowering ashwini tai and drowning her out. this is how a tabla artist should be.
wonderful
रे बिरहा बामना सगुन बिचारो
कब घर आए मोरा |
जबसे गए मोरी सुध हो न लीनी
किन सौतन बलमा रहे मोरा
Plz tell me that, us bada khyal in 48 matra Or 32 matra!!
Great performance
I express my feelings,how much pleasure and preace of mind with some grief taking me away from the earthly loss gain nothing but eternal peace of mind cover my existence with inexpressible mood.
Divine🙏
Oh !!!! Outstanding 🙏🙏🏿🙏🏻
I almost shed a tear ❤️
Beautiful rendition!
This stimulates to sobering to continues us to listener's
मधुर स्वरों कि गायकी में आनंद आया ..
I had met her parents. Amazing people.
Gorgeous.
🙏🎖🙏🎖🙏
Can someone kindly translate lyrics? Thanks 😊
Brilliant !!
आहा किती सुंदर
Very nice
अप्रतीम.. शब्द नाहित
Wow very wonderful
Beautiful
With grace
please visit Pune Shivaji nagar .. all classical music with live audio and vedio you will get ..
apratim tai......
मधुर स्वरों कि गायकी
I still have her cassette. I never use them.i dont want to spoil them.
🙏♥️
Ashwini deshpande is a torch barrier of the Jaipur atrauli gharana just like gana thapaswini mogubaikurdikar, the mother of ganasaraswathi kishore amonkar, ganasaraswathi kishore amonkar, another singer named shruthi sadolikar khatkar who is also very good is from Jaipur atrauli gharana... The hallmarks of Jaipur atrauli gharana is that they sing their Vilambits or " bada khayals" in either teental or Ada chautal, they don't sing sargams, they don't sing "tihais" and they have long drawn "mukdas" or short quick "mukdas"
Very Nice Rendition
Super ಮೇಡಂ
व्वा वा !!!
I hope this answers your question
🙏🙏🙏🙏🙏🙏🙏
Good singing
🙏🙏🙏🙏🙏
🙏
I loved listening to this. I'm a total noob to this genre, so I don't want to come off as even vaguely authoritative, but it makes for nice background music, beautiful, emotionally evocative, and atmospheric. I've heard snippets of "Hindustani music", and to my ears, it all has the same kind of laid-back beauty. But I wasn't raised around this music and don't really know it except as an outsider. What's a good way to learn more about it and experience the best of this genre?
Jio bagwaan kya batt hai...
Rag Bhimpilasi rendition and
So like jazz, I guess you can say there is some similarities with Indian Classical music
l like it
Can't you just speak something good about her 😡
Ashiwini bhide deshpande tai is one of the best torch bearers of the jaipur atrauli gharana after ganatapaswini mogubai kurdikar and ganasaraswathi kishori amonkar.
Please can someone post the full lyrics of this bandish?