A New Look at Impressionism: Materials and Techniques of the French Impressionists

Поделиться
HTML-код
  • Опубликовано: 23 апр 2020
  • Attracted to the medium’s direct color and ability to capture the transitory effects of light, leading Impressionist artists exhibited pastels alongside oil paintings in the first Impressionist exhibition in 1874, depicting the everyday with extraordinary lightness and variety of technique. Pushing traditional materials to embody new concepts, the Impressionists also applied paint to canvas in radical new ways. Take a fresh look at these remarkable artists.
    Annette Manick, head, Paper Conservation, Museum of Fine Arts, Boston
    Irene Konefal, conservator, Museum of Fine Arts, Boston
    Wednesday, November 14, 2018

Комментарии • 36

  • @paulalovesart4545

    I really love these lectures so much. This was amazing. Hope to keep seeing more and more.

  • @carrolsensabaugh2049
    @carrolsensabaugh2049 2 года назад +9

    Thanks so much for posting these! I love listening to them while painting! :)

  • @lisengel2498
    @lisengel2498 2 года назад

    And amazing how beautifull the details shown from Degas’ pastel techniques are. I have always admired him and this lecture showed his wonderfull ways of working with color, line and light in ways that leave you in awe. Its so beautifull and I could look at it for hours 🙏💗

  • @danieladeutsch1708
    @danieladeutsch1708 3 года назад +2

    Fascinating! Very interesting. Thank you for posting.

  • @artstudioutopia
    @artstudioutopia 2 года назад +1

    An Oasis of quality content - Thank you.

  • @m.i.miller8008
    @m.i.miller8008 3 года назад +1

    excellent.. Thank you. Very interesting.

  • @craignunnallypurcell

    It would be interesting to let the forensics of pastels, watercolor, gouache, graphite, ink and other media define themselves upon a ground of watercolor or other base. Maybe subject matter would evolve/grow through the mix of these various media or grounds as guidelines are struck and followed or ignored.

  • @lisengel2498
    @lisengel2498 Год назад

    Very interesting, detailed info ❤

  • @minipainter2
    @minipainter2 Год назад

    Thank-you.

  • @lisengel2498
    @lisengel2498 2 года назад

    So interesting to watch all these details of pastel materials and techniques - the only thing that would have made it even more wonderfull to watch is to just show the powerpoint images without having the speaker in the corner ( just to make the image of the pastel as large as possible in an IPAD - 😊💗🌷

  • @MaryKnasinski
    @MaryKnasinski 3 года назад +3

    I wish I had any talent for drawing - I'd love to use pastels even a tiny fraction this well.

  • @lisengel2498
    @lisengel2498 2 года назад

    Interesting with such a basic presentation of pastel materials and techniques 🧡💗

  • @renzo6490
    @renzo6490 2 года назад

    Could white canvas be primed with a gesso that contains fine grit particles as a preparation for pastel work?

  • @jacobohernandez6343
    @jacobohernandez6343 2 года назад

    Hola cordiales saludos . excelente exposición de Arte .el arte nueve el mundo . él hecho qué la nacional Galería de Londres aya adquirido una copia del chico de Rojo la pintura original . Aún existe y espera su adquisición por un privado oh museo qué lo preserve a futuras generaciones . colección de latino América Jacobo Hernández desde Colombia actualmente dueño de la obra original .y se escucha oferta decente por ella felicidades

  • @gparrish1978
    @gparrish1978 2 года назад

    It is astonishing how benighted this lecture is. It starts off with cliches. Do you not think that 19th-century academic artists understood loose painting styles? Had they not looked at late Titian? Was Turner not regular discourse? How much more do we need to suffer these kinds of talks? The only thing new about impressionism was our ability to stomach poor technique.

  • @renzo6490
    @renzo6490 2 года назад

    I am sorry to see that Ms. Manick hasn't replied or responded to any of the comments.

  • @clarybeans1

    Left behind. The did. I am Sorry.

  • @chiarapoggi6408
    @chiarapoggi6408 Год назад

    Fateci vedere i dipinti, delle spiegazioni ne facciamo a meno !

  • @rexchristiankennedymontroy2052
    @rexchristiankennedymontroy2052 2 года назад

    It is a great pity that men are not presenting in these series from MFA, after all, I miss their deep knowledge and literary talents which are so important when discussing Art. With all respect for female experts, I really believe, that a great loss is being observed when you suddenly see just female "experts" in a domain which has been dominated by men!

  • @lawrencealtaffer1813
    @lawrencealtaffer1813 4 года назад +4

    If you are going to lecture on French art, you should learn how to pronounce French proper names.