This is really cool mate... I really love your technique and I will definitely learn it. Maybe one day I will be able to do something like this.... Great job my friend, you are my favourite 👍😃
Wonderful painting and process you inspire me .... did you do this in one sitting ?.. if it’s a bigger piece can you do an à la prima painting over a few days or is that cheating ?
Thank you! I think this was done in one or two sittings. Definitely not cheating to paint over multiple days, that's how most of my paintings are done.
I really love your videos and your instructional style! very inspiring and helps me break out of the creative 'box' I sometimes find myself in. I would suggest including a second camera focused on your palette off to the side of the screen for future videos! I just want to see more of your process for choosing colors because they're so creative. keep up the fantastic work :)
i really like you painting style, it almost like how i normally paint but mostly i did landscape and surely going to make you as my reference and inspiration
Thank you for the videos. Often when I paint or scrape with more impasto marks I don't like the thick lines or ridges that develop. Particularly where they seem entirely unconnected to the form of the subject and even more so when catch/reflect light from strong nearby sources (windows, overhead lighting etc.). Somehow they seem to "work" in other people's paintings but feel contrived or distracting in my own!
Thanks for the comment! The best way I can describe it is that I'm putting the scrapes and thick paint on to describe my subject and express an emotion. I'm doing it because it feels right and I feel its a way I can communicate. Often when I see people doing it unsuccessfully its because they're arbitrarily making scrapes and marks just because they've seen others do it and they think it looks cool. You need to have a reason you're putting those marks down, some sort of direction and a foundation behind it. Keep painting and work hard at having a full command of the process. At some point if it feels right to start experimenting you'll know. I hope that helps.
@@talbertart Thank you for the thoughtful reply. I'll keep practicing. Sometimes I've a feeling for where an abstract mark/tone may help a painting, but mostly I just feel that something isn't working but I don't know quite what or how to fix it. :)
perfect artist wow
Fantastic work again
I appreciate it! Thanks for watching!
This inspires me so much. Thank you and please keep producing this content!!
Thank you! Will do!
This is really cool mate... I really love your technique and I will definitely learn it. Maybe one day I will be able to do something like this.... Great job my friend, you are my favourite 👍😃
Thanks so much, glad you enjoyed it!
Wow this is awesome! I'm having trouble painting messy sometimes. This is the best vid yet on the topic
Thanks!
Wonderful painting and process you inspire me .... did you do this in one sitting ?.. if it’s a bigger piece can you do an à la prima painting over a few days or is that cheating ?
Thank you! I think this was done in one or two sittings. Definitely not cheating to paint over multiple days, that's how most of my paintings are done.
I really love your videos and your instructional style! very inspiring and helps me break out of the creative 'box' I sometimes find myself in. I would suggest including a second camera focused on your palette off to the side of the screen for future videos! I just want to see more of your process for choosing colors because they're so creative. keep up the fantastic work :)
Thanks! I’ll try to do that more often 👍
i really like you painting style, it almost like how i normally paint but mostly i did landscape and surely going to make you as my reference and inspiration
Thank you!
Great talent!
Thanks!
Thank you for the videos. Often when I paint or scrape with more impasto marks I don't like the thick lines or ridges that develop. Particularly where they seem entirely unconnected to the form of the subject and even more so when catch/reflect light from strong nearby sources (windows, overhead lighting etc.). Somehow they seem to "work" in other people's paintings but feel contrived or distracting in my own!
Thanks for the comment! The best way I can describe it is that I'm putting the scrapes and thick paint on to describe my subject and express an emotion. I'm doing it because it feels right and I feel its a way I can communicate. Often when I see people doing it unsuccessfully its because they're arbitrarily making scrapes and marks just because they've seen others do it and they think it looks cool. You need to have a reason you're putting those marks down, some sort of direction and a foundation behind it. Keep painting and work hard at having a full command of the process. At some point if it feels right to start experimenting you'll know. I hope that helps.
@@talbertart Thank you for the thoughtful reply. I'll keep practicing. Sometimes I've a feeling for where an abstract mark/tone may help a painting, but mostly I just feel that something isn't working but I don't know quite what or how to fix it. :)
Impressive, did you use any mediums with your oil?
Thanks, just odorless mineral spirits to thin the paint.