Take Five - Yamamoto Hozan with Blue Coats Orchestra [Live]
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- Опубликовано: 8 фев 2025
- Performed in Tokyo (Japan) 2004
Born: 1938. Designated Living National Treasure in 2002.
Head of the Hozan-kai Shakuhachi Guild, performer, teacher, composer and pioneer in expanding the possibilities of the shakuhachi, Yamamoto Hozan attended the Seiha Music College graduating in 1962. After formation with Reibo Aoki and Katsuya Yokoyama of the widely acclaimed "Shakuhachi Sanbon Kai" trio in 1966, he electrified the conservative traditional scene by applying his talents to a variety of crossover collaborations beginning with the jazz idiom in 1967. These have led him to work with such world renowned musicians as Ravi Shankar, Jean Pierre Rampal, Tony Scott and Gary Peacock. Through the seventies and eighties to the present he has led the shakuhachi world receiving innumerable honors, including Ministry of Cultural Affairs and Education Ministerial awards for his performances, recordings (numbering in the hundreds) and compositions. He currently serves as lecturer at The Tokyo University of Fine Arts and Music.
こんなかっこいい世界があったとは！!!
Incredibly beautiful. What a cultural encounter! He brings all the solitude, beauty, hours of meditation from the japanese monestaries into this wonderful jazz standard. Two cultures really wanting to share, to give to each other. Just think of how Coltrane, one of the greatest of the era when this was written, learned from Eastern cultures...
うわー こりゃヤバイ 素敵。
ｓａｘと尺八が見える風景。
和楽器とＪＡＺＺの景色。
後ろのバンドが手にする楽器には部品が６００個もついている。
前の演奏者の尺八には、その基本構造に部品は無い。
尺八のポテンシャルは奇跡的。
凄い！凄いかっこいい！最初の音で鳥肌ゾワ〜。尺八の音ってまるで自然界にある音色のようでほんと耳に心地良い
Amazing! To play this song requires mastering one of the most the difficult techniques: the meri = partial covering of the holes for notes in between the 5 main ones, D, F, G, A, C. Covering just a bit too little or too much and not softening your breath enough, the meri note will be out of tune or worst muted. The last hole can produce 3 tones: D (full cover & strong breath), D# (tiny gap & soft breath), & E (1/2 cover & medium breath). Quickly shifting between main & meri notes is very hard..
Thanks for the info
You seem to know a lot. I wish you all the best in life.
Actually too true, on point, Mr. Hozan is a true master, pulling this piece out in such a flawless way
me watching the video was like "is he playing althis on a 5 hole shakuhachi ? ... it looks like ... holly crap he does but how ? ..."" reading your comment "" ...oh .. this is superhuman" !!!
@@istvankardos8440 A long lifetime of practice plus you can do a ton with one of those with partial-holing and bending notes at the mouthpiece. It is MUCH more flexible than the silver flute you played in high school.
ヤバい！！めちゃくちゃカッコいい！！
今までなぜ知らなかったのか…😢
ほんま久々に涙が😭
感動っす。
昔むかし、大学の合唱団にいたころ、この方の地方公演のバックで合唱をしたことがありました。なつかしいです。当時はそんなに有名なかただとは知らなかったのです。
かっこよすぎてため息が出ます
Totaly incredible level of playing the instrument! A person who has reached this level of skill has the right to play what he wants and how he wants!
As a novice, budding shakuhachi player, I can assure you that to play something like this on a shakuhachi is astounding, to say the least. Extremely difficult instrument to even get a (pleasing) sound from.
what an inspiring performance by the legend. may he rest in peace
Absolutely MAGNIFICENT!!!!
Un truc de dingue ! du jamais vu (entendu) ! Exceptionnel !
ネプチューン海山のレコードを40年位前かなぁ、聴いた事があります。40年程前に紫野に住んでいた頃にバンブーの音色を思いだします。
Wonderful collaboration !!
Salute. Bravo !
Such brightness and joy...
awwww beautifully played... nice ~
WOW! tried playing along with my shakuhachi and i cant keep up!
Bravo!
amazing!
Amazing!!!
Superb
I've never played the trumpet but I used to play the alto horn and it is nothing like the Shakuhachi..
Amazing
しぶ かっこええ。
¡Genial!
Suena espléndido este instrumento japonés.
Fantastic, spirited, beautiful perfomance by one of the greatest players ever imho 😍
おつかれさまでした
Som maneiro. muito bom 👏👏👏👏👏
R.I.P
@jdswiney Have you ever tried to play the shakuhachi? What the man is doing is incredible!
一時代を築いておられたんだなぁ。
日本の尺八がジャズに対応してる素晴らしい～
村岡実さんのTAKE FIVEと聴き比べてます。
お2人共名手なので、たとえ吹き間違えても味となってしまい、素人には全く気付かれないどころか、逆に
「かっちょえ～～～～～～～～‼️」
となってしまうでしょう。
私も尺八買っちゃいました。
「首振り三年」ですからね～～～～
No doubt.
Swell!
this video take from Hi Vision Analog Broadcast
I play shakuhachi for 2 years. It is intrinsically difficult for a shakuhachi to play in jazz way...since it's not designed that way. You you can play only 5 notes in an octave with only finger move. To cover 12 notes you need to lower head to help. Hozan has incredible mastery. But I do prefer shakuhachi playing in intended way... You can argue that there are no limitation for any instrument. However I think there are certain way in which shakuhachi presents more potential space and power. Playing jazz like this, shakuhachi is kind of trapped.
In the end, it's always about the person, not the instrument.
いつの収録ですか。新しい。（The music is much new for the appearance.）
"newer" was correct ?
"Modern"
ご冥福をお祈りいたします。
とてもすばらしい おつかれさまでした
Goemon ishikawa on flute
5 hole delignt
コルトレーン…
幌と和
好きです。ただ、パフォーマンスが必死すぎだと思う。もっとリラックスしてほしいなあ。あと、高音部ののびが、尺八だといまいちだね。
でも、やっぱり面白い。
Sorry but I prefer the shakuhachi played as was initially intended.
You and all of us have come to this day thanks to change
In a Confucian context (雅楽尺八)? In a Buddhist context (普化尺八)?
"As originally intended" would mean as Chinese tradition (from the state of 吳) intended.
He could use a little practice.
Personally I think he did great