Vinnie really rules... Ex.Seven days (Sting) is a drum class in itself. Austin, thanks for studying so carefully the greats and sharing. You are one of them for sure!
Yeah, so I'm not even a drummer, but I am a fellow music teacher. Austin gets a sub for being really, really good at what he does. I'll definitely be telling my drummer friends about this one.
you said exactly what i was thinking while i was watching this! the fact that hes just jamming and his timing is spot on to a computer program just shows how automatic his playing is! Really glad to see you break down and groove this time instead of a solo! Amazing dude!
Best teacher I ever saw in RUclips. He explained so nicely that a beginner lvl drummer can also play this groove. Thanks bro... you are awesome. Thumbs up
This reminds me of something that Danny Carey does in the song, Aenima. It's one of the coolest polyrhythms on the hi-hats that I've ever heard. It takes place about halfway through the second verse and again later in the song. Carey starts opening the hi-hat on every other 8th note (or 8th note triplet depending on what time signature the song is in) while keeping the snare part the same. It creates a really cool effect, just like what Vinnie does in this video. Amazing!!
it does sound like the eulogy drumming, but in that danny carey opens the hi hat on the first note of the triplet pattern. there is a video of a crazy guy called furman who teaches you how to play it (I can just about get it using the ride, but my brain melts trying to pay it on the hi hats like danny does).
Gregg Stockdale Yeah, that one's a doozie. I can play the first three measures without a problem, although it's been awhile since I tried. But it's the fourth measure of the four bar pattern that trips me up because of where the hi-hat opens in that measure in relation to the kick drum part. In my profile pic I'm holding a Danny Carey signature stick. It's from when he was still using Trueline sticks. I caught it after seeing them play at Lollapalooza '97 in Nashville. I ran up to the stage as the band was exiting stage left and I yelled his name as loud as I could. He actually heard me, turned, and made the perfect toss. I made a pretty damn good catch. haha... Notice the big knot in the stick about 2-3 inches up from the butt end.
+drewper73 I had a pair of the true line tribal assault (the non signature danny carey stick). Amazing sticks, although I had a new kit at the time and because it wasn't set up properly I broke every single one! gutted you can't get them any more.
Gregg Stockdale Yeah, Carey now has a Vic Firth signature stick and the knot isn't nearly as big as it was on the Trueline stick. It's a lot more tapered. It's still too big of a stick for my taste. Too long.
Another mind-bending, mind-melting Vinnie moment. Who can do this? Who can just on the fly, superimpose metric modulation in such a way that you come back in on the right accent in the middle of the phrase? Sometime when I watch/listen to Vinnie, I just want to scream and throw my sticks. Or play more. Or quit. Or practice for 15 hours straight. Stupefying is the word...
K Porter - There’s a drummer down here in Fl. Works with Raul Midon currently. I played with him for years. Name is Goetz Kujack. He’s great with certain polyrhythmic grooves- The stuff in this lesson is something he would do everywhere. Also- Will Kennedy of the Yellowjackets. This Austin guy is killing- use his lessons on here to de-mystify and expand. Never throw your sticks, wood isn’t getting any cheaper!!!😝
*There is a song by The Smiths called “Unhappy Birthday” where I felt the natural urge play a very similar pattern to this one from Vinnie. Aenima by Tool has a very similar pattern but with a constant bass pattern over a bit more complicated hat work. Ir-Irregardless, great video as always. I’m saddened that you seem to have stopped uploading a couple years ago. I’ve loved learning many of the tasty beets you hand picked for us. Peace my dude.* Learning that Simon Phillip beat was life affirming.
Hey really like your videos and how you break them down from slow to fast , very helpful . Your a hell of drummer man keep them coming ... Thanks much.
They could be playing Blue Miles by Chick Corea. On a number of live occasions, Weckl and the rest of the CCEB really went to town with half note triplets in this one. Vinnie could be referencing that in this clip. As always, awesome job, Austin!
Great as usual! It would be fun to see something from the Legendary showdown between Weckl, Gadd and Vinnie. Especially one of the things that Vinnie does after Gadd starts the Crazy Army beat. Keep up the great work! Always a pleasure watching your videos!
If you notice, Vinnie does the Möller technique on the hi hat with two downstrokes and an accent on the opening. This subtle difference between the way Vinnie played it and the way Austin played it, which was more even, is the difference between a Jazz/Blues approach and a Metal approach. One is not inherently superior to the other, but each appeals to different audiences and fits different situations.
Great lick and groove here. I use that kind of variation over reggae grooves with the hi hats quite a bit. I have seen the Dino 4 at the Baked Potato quite a few times. They're amazing. The later version of the group (Jazz Ministry) had Abe Laboriel Jr. instead of Vinnie.
Thanks man! This is totally awesome! Can't wait for the next one!!! Would really love to see your take on Richard Spaven some day, if not next time. This guy is totally amazing and under-rated. Anyways, good work Austin!
This is superb Austin. Reminisce of stings "seven days" in 5 , but put in a nice shuffle in 4 ups the ante. This is something beyond cool. Darryl from LedZepplica
that pattern vinny does of skipping the beat after he opens the hihat is found in a lot of his other polyrhythmic grooves, like the Days of the Week sting song. It's definitely a reference to the more common 16th note patterns in pop music, like &a1 &a2 &a3 &a4 or 1e& 2e& 3e& 4e&
Good video Austin! You have a real knack for pin pointing the highlights of a performance and breaking it down in a clear and simple way. Was just working on this. I think to absorb this idea it's best to make at least 3 more permutations of the basic pattern. Start with the original then move the open hi hat to the right by one 8th/triplet then practice playing a 4 bar loop of the basic groove for 2 bars then one of the permutations for 2 more bars. hmm...wanted to upload a pdf...but there doesn't seem to be a way to do it here.
Your vids are great man I always enjoy.. I am always intrigued though meeting so many drummers over the years, on how they count time. I have heard so many variations when it comes to triplets. I found for 8th notes 1 an a 2 an a 3 an a 4... to groove the easiest but obviously to each his own whatever works best. I took lessons for 12 years from a legendary western New York jazz drummer/teacher played with Tommy Dorsey, Billy Holiday etc.. he used to teach it as 1 trip let 2 trip let 3.. Just breaking up the actual word which I found effective as well. I was curious as to know when learning how u counted 16th note triplets and 32nd note “ “... only because whilst taking lessons yrs ago I found those to be the counting that is to be more crucial obviously bc of more notes. It would be great to hear your input because like my teacher used to say you could live 10 lifetimes and still never know or master everything there is to this instrument. Keep the videos coming you do an excellent job and you are a really great player. I can’t remember if you have done anything by max roach or Art Blakey.. Some people probably wouldn’t consider him a “great” but it would be cool to see one on Chad Sexton as a more modern day guy. Thx man
Austin, that was awesome dude. Man you were right in the pocket with Vinnie with that, fantastic bro! ta - ta ;) All the best, keep groovin, David Curtis Drumming
Vinnie really rules... Ex.Seven days (Sting) is a drum class in itself. Austin, thanks for studying so carefully the greats and sharing. You are one of them for sure!
Yeah, so I'm not even a drummer, but I am a fellow music teacher.
Austin gets a sub for being really, really good at what he does. I'll definitely be telling my drummer friends about this one.
+Steve Moss Thanks Steve!
you said exactly what i was thinking while i was watching this! the fact that hes just jamming and his timing is spot on to a computer program just shows how automatic his playing is! Really glad to see you break down and groove this time instead of a solo! Amazing dude!
Best teacher I ever saw in RUclips. He explained so nicely that a beginner lvl drummer can also play this groove. Thanks bro... you are awesome. Thumbs up
Reminds me of Tool, the Eulogy groove and Forty Six and Two
Aenema too
This reminds me of something that Danny Carey does in the song, Aenima. It's one of the coolest polyrhythms on the hi-hats that I've ever heard. It takes place about halfway through the second verse and again later in the song. Carey starts opening the hi-hat on every other 8th note (or 8th note triplet depending on what time signature the song is in) while keeping the snare part the same. It creates a really cool effect, just like what Vinnie does in this video. Amazing!!
it does sound like the eulogy drumming, but in that danny carey opens the hi hat on the first note of the triplet pattern. there is a video of a crazy guy called furman who teaches you how to play it (I can just about get it using the ride, but my brain melts trying to pay it on the hi hats like danny does).
Gregg Stockdale Yeah, that one's a doozie. I can play the first three measures without a problem, although it's been awhile since I tried. But it's the fourth measure of the four bar pattern that trips me up because of where the hi-hat opens in that measure in relation to the kick drum part. In my profile pic I'm holding a Danny Carey signature stick. It's from when he was still using Trueline sticks. I caught it after seeing them play at Lollapalooza '97 in Nashville. I ran up to the stage as the band was exiting stage left and I yelled his name as loud as I could. He actually heard me, turned, and made the perfect toss. I made a pretty damn good catch. haha... Notice the big knot in the stick about 2-3 inches up from the butt end.
+drewper73 I had a pair of the true line tribal assault (the non signature danny carey stick). Amazing sticks, although I had a new kit at the time and because it wasn't set up properly I broke every single one! gutted you can't get them any more.
Gregg Stockdale Yeah, Carey now has a Vic Firth signature stick and the knot isn't nearly as big as it was on the Trueline stick. It's a lot more tapered. It's still too big of a stick for my taste. Too long.
Carey is doing a 5/8 signature over a 6/8 guitar lick.
Awesome lick. Awesome explanation and demonstration!
Fantastic Austin. Well done on this one. Shuffles and especially half time shuffles are my favorite.
Another mind-bending, mind-melting Vinnie moment. Who can do this? Who can just on the fly, superimpose metric modulation in such a way that you come back in on the right accent in the middle of the phrase?
Sometime when I watch/listen to Vinnie, I just want to scream and throw my sticks. Or play more. Or quit. Or practice for 15 hours straight.
Stupefying is the word...
K Porter - There’s a drummer down here in Fl. Works with Raul Midon currently. I played with him for years. Name is Goetz Kujack.
He’s great with certain polyrhythmic grooves-
The stuff in this lesson is something he would do everywhere.
Also- Will Kennedy of the Yellowjackets.
This Austin guy is killing- use his lessons on here to de-mystify and expand.
Never throw your sticks, wood isn’t getting any cheaper!!!😝
*There is a song by The Smiths called “Unhappy Birthday” where I felt the natural urge play a very similar pattern to this one from Vinnie. Aenima by Tool has a very similar pattern but with a constant bass pattern over a bit more complicated hat work. Ir-Irregardless, great video as always. I’m saddened that you seem to have stopped uploading a couple years ago. I’ve loved learning many of the tasty beets you hand picked for us. Peace my dude.*
Learning that Simon Phillip beat was life affirming.
You should really be the highest paid drum professor in Berkeley.
Amazing talent to teach in such articulate way.
Thank you, Austin
Austin - you are the MAN, please keep these treats coming, you do such a great job - Thank YOU
Awesome! Doing this with a click is already challenging, and Vinnie does it while jamming with perfect tempo!
Your drum sound is outstanding, really well recorded. Also nice work with all the transcriptions you do. Keep it rockin'! 😃
Great lessons by an excellent teacher. Thanks Austin.
What a great episode!
Great video! Vinnie is one of my all time favorite drummers!
Mate. That playing along with the track at the end was superb. Great video
Really great work man! Love it! Classic Vinny sticking that stuff in.
I love your approach - no arrogance - you are a joy to watch :-)
Very COOL...and well explained. Great lesson Austin.....!
Tremendous stuff again! Thanks!
Vinnie is such a badass...I love this stuff man. Can you do some more old school Steve smith? Excellent channel and I'm definitely a fan!
Thank you for sharing. Always looking for new tasty grooves. This is the tastiest I've heard in a while.
very, very, very, very good man..their perception is great. The way you teach is very didactic!
That was an excellent breakdown of a Vinnie-ism...Thank you!
Awesome! Will try that soon, love your videos!
Great video and great channel Austin!!
Outstanding work!
This is my favourite one so far... Awesome!!
Excellent walk through and description.... killer vid
Vinnie has been my personal hero!
this is great work! i admire your ability to really break everything down and build it up step by step.
and what he does right after that section....just awesome
Can't tell you how many people have said Vinny's stuff lines up on the grid better than anybody's. But still grooves!
Austin! Thank you so much for these lessons, because they are helping my playing immensely!
Just found that video recently too, Vinnie and Larry were so on form that night!!!
Great lesson as always :) more Vinnie! :)
Hey really like your videos and how you break them down from slow to fast , very helpful .
Your a hell of drummer man keep them coming ... Thanks much.
You nailed it man! So happy about this episode!
+DrSticktrick Thanks dude!
Great work... I love your videos!!!
yeaahh !! i watched this part every day and i ve always wondered what it was !!! thanks a lot Austin !! we need more vinnie
Thank you for all this videos!
Love the video. Great shuffle pattern.
Very nice! Thank you for posting.
They could be playing Blue Miles by Chick Corea. On a number of live occasions, Weckl and the rest of the CCEB really went to town with half note triplets in this one. Vinnie could be referencing that in this clip. As always, awesome job, Austin!
amazing as always!thanks
Super tasty groove! Also totally applicable to 'real life' situations (with a willing & competent bassist). Thanks, Austin.
Great video Austin! Just recently found your channel and I really enjoy the way you break all these licks down. Keep it up bud.
Awesome video man! Definitely wanna try this one out!
You're doing a public service, man. Love it. Carry on.
thank you for these lessons ! technical and educational brilliantly done :)
a video that demands intelligent response! great job...how you can transcribe this stuff is as impressive.
Nice stuff... great lesson..
Austin, you're the man! These videos are such high quality stuff.
Awesome job Austin!
Vinnieeeeee! Hell yeah that was great man, I'm definitely going to work on this
great one Austin!! that will be my afternoon GOAL!! :)
Great as usual! It would be fun to see something from the Legendary showdown between Weckl, Gadd and Vinnie. Especially one of the things that Vinnie does after Gadd starts the Crazy Army beat.
Keep up the great work! Always a pleasure watching your videos!
great video as always
Terrific breakdown, Austin🥁
If you notice, Vinnie does the Möller technique on the hi hat with two downstrokes and an accent on the opening. This subtle difference between the way Vinnie played it and the way Austin played it, which was more even, is the difference between a Jazz/Blues approach and a Metal approach. One is not inherently superior to the other, but each appeals to different audiences and fits different situations.
Jazz/blues really.
Gerard Voytek hahahahahaha
Marvelous !
Great job!
great stuff as always! would love to see a nate smith one. he's killing it!
i like your work!!
You r the man....thank you
way cool...I like n play grooves like this lots!
This is great, your transcriptions are killer! Looking forward to practice this. :)
Great lick and groove here. I use that kind of variation over reggae grooves with the hi hats quite a bit. I have seen the Dino 4 at the Baked Potato quite a few times. They're amazing. The later version of the group (Jazz Ministry) had Abe Laboriel Jr. instead of Vinnie.
Nice stuff man. By the way, LOVE the sound of your snare drum.
Best one so far bro! Smashed it 🔥🔥🔥
Thanks man! This is totally awesome! Can't wait for the next one!!!
Would really love to see your take on Richard Spaven some day, if not next time. This guy is totally amazing and under-rated.
Anyways, good work Austin!
This is superb Austin. Reminisce of stings "seven days" in 5 , but put in a nice shuffle in 4 ups the ante. This is something beyond cool. Darryl from LedZepplica
Great Lesson
You're the best!!!
Keep going
that pattern vinny does of skipping the beat after he opens the hihat is found in a lot of his other polyrhythmic grooves, like the Days of the Week sting song. It's definitely a reference to the more common 16th note patterns in pop music, like &a1 &a2 &a3 &a4 or 1e& 2e& 3e& 4e&
finally something really useful on you tubE ;-) thanks so much!
Good video Austin! You have a real knack for pin pointing the highlights of a performance and breaking it down in a clear and simple way. Was just working on this. I think to absorb this idea it's best to make at least 3 more permutations of the basic pattern. Start with the original then move the open hi hat to the right by one 8th/triplet then practice playing a 4 bar loop of the basic groove for 2 bars then one of the permutations for 2 more bars.
hmm...wanted to upload a pdf...but there doesn't seem to be a way to do it here.
Great channel man!!!!
When I watch vinnie play it seems he has no limits. That he can do anything. It's pretty mind blowing.
Have you heard this clip? ruclips.net/video/4hOm7rkvChQ/видео.html I think it's my favorite, but stuff with Patitucci in general, and with Zappa...
holly molly)) this is awesome man))) I am watching your channel in Saint-Petersburg Russia!! Good luck to you and thanks
Austin, you da great.
I've found it very similar to the Aenima polyrhytm by tool!
Early in his career. Vinnie got known as a studio drummer to get the job in 1-2 takes. So I'm not surprised that his meter is so solid
love the trad, mate! rock.
Damn that polyryhtm grooves nicely.
Nicely done man, sick!
Awesome work man, keep it up!
Great stuff man!
So cool! Could you please analyse and explain Ian Paice's pictures of home drum intro?
Killing it as always! Been practicing the Jost Nickel lick you went over. Ever considered doing any Mark Guiliana licks? Just a request!
He's been voted for the next episode so yep!
Great vid dude you play great 👍 nice job
hahaha and we'll see if we can break it down? You always break it down with perfection. Awesome videos man. Keep it up
I'm not sure if it's just my phone but you voice audio is not coming through... Love your work!!
Your vids are great man I always enjoy.. I am always intrigued though meeting so many drummers over the years, on how they count time. I have heard so many variations when it comes to triplets. I found for 8th notes 1 an a 2 an a 3 an a 4... to groove the easiest but obviously to each his own whatever works best. I took lessons for 12 years from a legendary western New York jazz drummer/teacher played with Tommy Dorsey, Billy Holiday etc.. he used to teach it as 1 trip let 2 trip let 3.. Just breaking up the actual word which I found effective as well. I was curious as to know when learning how u counted 16th note triplets and 32nd note “ “... only because whilst taking lessons yrs ago I found those to be the counting that is to be more crucial obviously bc of more notes. It would be great to hear your input because like my teacher used to say you could live 10 lifetimes and still never know or master everything there is to this instrument. Keep the videos coming you do an excellent job and you are a really great player. I can’t remember if you have done anything by max roach or Art Blakey.. Some people probably wouldn’t consider him a “great” but it would be cool to see one on Chad Sexton as a more modern day guy. Thx man
Great Job Man.
Austin, that was awesome dude. Man you were right in the pocket with Vinnie with that, fantastic bro! ta - ta ;)
All the best, keep groovin,
David Curtis Drumming
thank you so much for the video and the timestamp
Good job!
hi, may i know what metronome are you using? i cant seem to find it anywhere. awesome video by the way! :)
Thank you for the video man.