Banjo Talk: The Modal Versatility of the Double C tuning

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  • Опубликовано: 27 ноя 2024

Комментарии • 12

  • @robertwarrenburg2971
    @robertwarrenburg2971 2 года назад

    Thanks for sharing and opening up a lot more avenues of improvisation!

    • @banjojack
      @banjojack  2 года назад

      Glad that you got something from this. I twas a significant revelation for me too, when the idea sunk in.

  • @banjarmonica-yb7fi
    @banjarmonica-yb7fi Год назад +1

    Thanks sir ;) enjoy info and explained well

    • @banjojack
      @banjojack  Год назад

      Thank you and glad to help!

  • @dennisscanlin6425
    @dennisscanlin6425 2 года назад +1

    Thanks for doing this. Very nice explanation.

    • @banjojack
      @banjojack  2 года назад +1

      Dennis, my pleasure. Thanks.

  • @chrismotreble
    @chrismotreble 2 года назад +1

    Makes a lot of sense. 👍 Great post.

  • @richh1576
    @richh1576 Год назад

    MOST EXCELLENT !!!!
    I play mostly (a unique) Double C from the 5th/7th position and up, with open strings 'to' the 'capo' at 2 half-steps 'up' ... for very high versatility in mimicing an A/D tuned celtic fiddle 'lead' with lots of clawhammered 'arpeggios' and 'ornamentation' .... plus, the underlying base notes, simultaneously with the 'lead'. Celtic music MUST be a 'full house sound' or its usually weak and 'lonely' on a 5 string banjo.
    Sincerely, Very much appreciated.

  • @eoghancasserly3626
    @eoghancasserly3626 2 года назад

    Thank you sir! Really really useful

    • @banjojack
      @banjojack  2 года назад +1

      You are most welcome! I'm glad this provided some substance for you.