Use Displacement like Thelonious Monk and Lester Young
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- Опубликовано: 4 июл 2024
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Jazz pianist, author, improviser, activist, hypothetical Nobel Prize laureate, and Golden Boy of the American West Jeremy Siskind describes displacement - the art of starting phrases on different beats in order to create connection with variety and rhythmic tension, analyzing Lester Young's solo on "Lady Be Good" as well as Thelonious Monk's blues head, "Straight, No Chaser." 
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Another great lesson. My hat, pork pie or otherwise, is off to you and Lester.
Thanks much, Paul! Thanks for checking out the info I'm giving!
Love it! More rhythmic content, especially specific practice ideas. I feel like I learn a lot of this stuff academically and then struggle to figure out how to get it locked into my hands
The original of all this is Gershwin's FASCINATIN' RHYTHM. The displacement is already there in the original song.
I don't know that that's the ORIGINAL (certainly this is very common in ragtime and you can find examples in classical music), but that's definitely a great early example!
Always good to see one of your lessons pop up
I had no idea Lester Young on piano sounds like Bud Powell
Thanks for the Lester Young, the Monk, and the inspiring lesson!
I need Prez for President,wearing a pork pie hat,swingin' and blowin' my Blues away. Thank you, Jeremy: another great tutorial.😎🔥😎
Two great masters of rhythm. Jo Jones said that Lester Young was the best drummer he ever heard. Young said he loved to play when people were dancing.--And Monk actually got up and danced during concerts.---Your teaching is inspiring. Thank you!
I didn't know that. Very interesting and somehow I'm not too surprised. He seems like a genius among geniuses.
@@JeremySiskind Also, Benny Carter, who heard Lester playing the alto sax long before the famous first recording session that included the "Lady be Good" solo, said he was the best alto sax player he ever heard.--Yet I think Lester very deliberately sacrificed some of the virtuosity in order to play more lyrically, especially after he heard "Singin' the Blues."
Hi Jeremy! Do you think you could cover scales/modes/voicings over minor chords? I'm not sure exactly what "rules" there are when it comes to iii vs vi vs non-diatonic minor chords. This is in terms of being able to add the 9, or if I should be playing a natural or b6, and so on. Hope that makes sense.
There's a lot to say about minor chords! Here's a video specifically about the iii chord to get you started: ruclips.net/video/qtTzP2n611Y/видео.html
On "Lady Be Good" here the first first displacement is on +3 not on +4.
Oh! I must have said it incorrectly. Apologies and thanks for the correction!
Lester Young’s pork pie hat