I don't care much Go or stay I don't care very much Either way Hearts grow hard On a windy street Lips grow cold With the rent to meet me So if you kiss me If we touch Warning's fair, I don't care very much I don't care much Go or stay I don't care Very much Either way Words sound false When your coat's too thin Feet don't waltz When the roof caves in So if you kiss me If we touch Warning's fair I don't care Very much
He's in character as Emcee, who probably would not sing it with cynical detachment. For one, the Emcee is a Vaudeville character, or more specifically, he is a queer German Jew in the 1930s who performs a Vaudeville character. It's an over-the-top style. He sings this song near the end of the play, juxtaposed with the number "What would you do?" by a German character who does not flee or fight the Nazis, and is resigned to live with them. The song begins sung in an over-the-top sultry manner, or with cynical detachment, depending on the director, but most of the time the second verse builds in intensity as the audience sees the Emcee show real emotion for the first and only time in the show. The emotion in the second verse is fear and denial, an attempt to follow the advice of the next song in the show ("Cabaret"). Just keep dancing, don't worry about politics, in here life is beautiful. But the Emcee dies in the holocaust, so circumstance refutes this argument.
Chills. So many chills omg.
Chris Dwan performs "I Don't Care Much" with passion and depth! Amazing performance!!
the passion in his voice!!!! this is so sad but I love it so much
Slay, Mr. Hat man, slay
UGH the breaks in his voice!!!!! I love it
I don't care much
Go or stay
I don't care very much
Either way
Hearts grow hard
On a windy street
Lips grow cold
With the rent to meet me
So if you kiss me
If we touch
Warning's fair,
I don't care very much
I don't care much
Go or stay
I don't care
Very much
Either way
Words sound false
When your coat's too thin
Feet don't waltz
When the roof caves in
So if you kiss me
If we touch
Warning's fair
I don't care
Very much
He killed it!Best rendition i've heard so far!!
Shivers, throughout my body. Blessed am I, to hear such, Angelic voice.🙏
Dude, this is beautiful.
The amount id be willing to spend to see him play Emcee
Those expressions 😍
Did anyone understanding why the people were laughing?
I don't. The guy was amazing.
Ariel Yemini the pianist probably did something funny, don’t read into it
I think someone’s phone rang in the pause
Good voice...good song!
I under rated
So good
slay my life why don't you?
Nice.
MR.HATMAN
Who else looked up 'Chris Sean's and is watching every video of him?
Soupy Oats me
Sorry, but isn’t this Chris Dwan?
How do you get his name wrong with it right in the title?
Much too hammy. This songs needs a cynical detachment. Peggy Lee would have known exactly how to do it.
He's in character as Emcee, who probably would not sing it with cynical detachment. For one, the Emcee is a Vaudeville character, or more specifically, he is a queer German Jew in the 1930s who performs a Vaudeville character. It's an over-the-top style. He sings this song near the end of the play, juxtaposed with the number "What would you do?" by a German character who does not flee or fight the Nazis, and is resigned to live with them. The song begins sung in an over-the-top sultry manner, or with cynical detachment, depending on the director, but most of the time the second verse builds in intensity as the audience sees the Emcee show real emotion for the first and only time in the show. The emotion in the second verse is fear and denial, an attempt to follow the advice of the next song in the show ("Cabaret"). Just keep dancing, don't worry about politics, in here life is beautiful. But the Emcee dies in the holocaust, so circumstance refutes this argument.