Anyone who hasn’t checked out chords of Orion for ambient stuff should definitely do so - he’s great and shares some amazing tips about stacking delays etc. Also - a volume pedal at the start of the chain here and some ambient swells would really add texture. Swelling into the delays and removing the attack of the chord seems to be a common trope of “ambient music”
Quite right, Chords of Orion has great pedal reviews and "how tos" for ambient guitar. Andy Othling is pretty good as well. Anyone genuinely interested in playing ambient guitar music should go there as sadly Mick and Dan are out of their comfort zone here and don't do a good job (IMO).
Stefan Fast at The Pedal Zone is amazing for all your ambient needs if you've not heard of him. He used to work at TC Electronic but left before things started going a bit wonky over there.
What I love most about this episode is that Mick, who clearly is uncomfortable and out of his element, still tries and finds some cool sounds and some appreciation for the gear instead of just trolling it. I think everyone can learn a thing or two from Mr Taylor: you don't have to love everything, but you can stay classy and still give it a go. Great work lads!
Thank you Zac, that was the general idea! Hopefully anybody who is in the least musical will be able to do something creative with whatever they’re given. It’s my one hope!
Big fan of the show, but couldn't get through this one, too much struggling. I second the idea of getting Stefan Fast, Bill Vancil, and Ed O'Brien on the show to go further with it. On the Bonamasa joke about ambient music, guitar players often make the same mistake that photographers do, thinking that by definition the most technically proficient artists always make the best work, and that if the highest level of virtuosity isn't always on full display, then it's somehow of lesser quality or importance, as opposed to trying to make the music or photos feel like what they're supposed to be about and choosing the technique that will make that happen. If you were going to follow that sort of proficiency/virtuosity logic consistently, then every guitarist would have to stop what they're doing and bow down to classical musicians and forever hold their peace. This will be heresy to some, but while Bonamasa and Eric Johnson and others are amazing technically, they make utterly boring music. And some classical music is technically impressive, yet boring. That being said, there doesn't have to be a dichotomy between proficiency and artistry. You can have both (Nels Cline, Johnny Greenwood, we could name others). At the end of the day, though, all of these great tools we have are meant to be used to make something good. Let's all remember that gear debates, etc, are only so much wanking if they don't result in making something good.
@@ThatPedalShow I think you guys have a great balance of informing people of all of the great tools we have at our disposal, showing how they can be used in different contexts, and you have fun doing it. It's why so many of us come back every week to see what you're up to. My kids even know the show (and groan when dad threatens to put on guitar videos lol). I wish I was half the player you guys are! Keep up the good work.
I agree with you .I've read an interesting quote a while ago that I think it applies to all forms of art ..... " When the intellectual part of guitar playing overrides the spiritual, you don't get to extreme heights. -John Frusciante "
Great comment honestly. Really clicked with this one. The chase of a sound or a feeling within music is so utterly subjective that I think with this constant sharing platform of comparisons people have lost touch with that. Theres nothing wrong with putting some pedals or just an amp on for yourself and just tripping out, getting in tune with your soul, and making this river of music that flows at the same tempo as what you're feeling right now. It's always going to change through the days so the same stuff wont always come out. Music is for the player, sometimes felt by the people. Exercise yourself, close your eyes, and get lost in an environment of you choice. Keep creating ♾
When you talk about not being able to use certain sounds in any situation, I think you are underestimating the number of guitarists who, like me, just like to sit on the floor in front of an amp play with the knobs (on the pedals)! I've never played in a band in my life and have no ambitions whatsoever to do so, and I think there are many people out there who feel the same.
As a synthhead, the Zoia should be right up my alley but every video I've seen of it up until know makes it look like a chore to use. Hats off to Dan for a concise practical demonstration and making it actually look fun ^^ Cheers guys!
If you want to get all historical about it, it was Eno who coined the term "ambient", meaning music that just filled the environmental background in with sound that was so minimal and slow and often without a definable rhythm, that the music could be listened to or ignored at will. Since then the term has pretty much lost any precise definition due to everyone liking the term and using it to describe just about anything with a dreamy or floating slowish vibe. But you'll still find the term used to describe an entire musical genre of great variety and depth, that hews a lot more or less closely to Eno's original formulation. I do kind of wish the term had retained it's original precision, but it's just a word - others can take over, now. Ambient guitarists of the older style, closer to Eno's original conception, include artists such as Steve Hillage, David Torn, Robert Fripp, Daniel Lanois. But there are countless guitarists nowadays with some claim to making ambient music. Hey TPS - you get Ed O'Brien back on to talk about just this topic. As brilliant and knowledgeable as you guys are, I bet he's forgotten more about ambient guitar than you guys combined can claim to know.
@Paul Van Heuklom Absolutely - the germ of quiet, repetitive music goes back and back and back, I suppose to chants and windchimes and aeolian harps and surely many other things I've never heard of. It's the hardest music to define, but when it works, it really works (and when it doesn't work, it's the worst thing ever.)
Mick: "Joe says [...] is it just an excuse for not being able to play the guitar properly?" Ironically, that is what my classical guitar teacher used to say about electric guitar players
You bunch make the best content on RUclips. Informative, insightful, and excessively fun. Even if I know or care nothing about the topic, I will always watch for the banter. Just wonderful. Thanks!
Awesome episode. I actually like having you guys figure things out vs having a “specialist” in the area as it shows a bit more of the learning process.
I've been interested in Ambient ever since Fripp and Eno put out Evening Star back in the 70s. Maybe do a show on the work of Robert Fripp and Frippertronics?
I am a middle aged man with young children, I barely get chance to take a poo in peace let alone the time and patience to work out how to use the Zoia.
JtotheP68 the benefits of being childless synth and guitar heaven. Although you could set up pedals and play generative ambient whilst doing your dad duties.
@32:25 - when Mick says, "I'm not thick by the way. I use quite complex software. I have a degree..." I totally expected him to shout, "I drive a Dodge Stratus!!!!" - ruclips.net/video/ANE8j5ay_UU/видео.html - joking of course. Mick, you're rad. I appreciate the way you see all things guitar.
Everyone needs to go and watch Stefan on The Pedal Zone. He does the absolute best demos and blows my mind with his ambience. His demo of the Meris Mercury 7 is probably my favourite video on RUclips.
These pedals would be worth a crossover episode with That Pedal Show and Pedal and effects. The four of you hashing through this plus a crazy fuzz would be crazy fun and may be educational for all involved.
Nick has said in a P&E video that he hates pedal RUclips. I’ve seen them hate on TPS on P&E. Sometimes P&E videos are entertaining, but I don’t think we’ll ever see a crossover.
Nice one Dan! It's a side of guitar playing that is vastly under represented but I'm thankful that you've indulged in it. Keep it up! (Please make a video of you guys (or someone else) using a acoustic using similar effect and I'll gladly buy a tshirt!) :-)
I love Micks attitude towards this stuff. Midi and the lot of it is obviously confusing to some levels and inherently in-depth but it’s inspiring to see him still find interest or at least the novelty and enjoyment in the concept of the zoia for example. Keep up the great shows fellas
I’m just a guy sitting in front of my guitar, pedalboard, DAW and 16 button midi trigger pad making ambient backing tracks to solo over when I’m in the mood. When I’m not, I can just use a guitar and pedals. I play guitar as a hobby and worked as an electronic tech fixing synths for years. So, I find sound design interesting. I like how I can use my midi controller to control pedal parameters so I don’t have to menu dive and how I can trigger samples or loops as well as easy to use transport controls. I can start my loop recording with a foot switch, trigger a drum loop, play a synth bass line, add or remove effects and tweak parameters, play a guitar part and go back to tweaking effects to keep the soundscape interesting, all on the fly with minimal body movements so the flow of creativity isn’t interrupted with technical hiccups.
Love the Zoia. For me it’s been the most inspiring journey. It’s helped me learn about modular synthesis, control voltages and how to create sounds I hear in my head but have never been able to reproduce. The pedal is definitely not for everyone eg Mick, but if you want to explore the outer realms of sound and music this one is for you.
For me, ambient sounds are all about creating a mood and, when used correctly, are the mark of a great songwriter. Look at the Jimmy Page’s bow section in Dazed & Confused (especially the live version from The Song Remains the Same). The atmosphere and mood he creates is astonishing!! Would it have worked without all of the reverb and delay? Maybe. But with all that added ambience the sound is out of this world and puts you in a place and mood that would otherwise be impossible!
@Logan 5 To be honest most music is really average in all genres including blues, Jazz, rock and even classical. There is very little that truly stands out from the crowd. Ambient music is no different.
Logan 5 I agree. Which is why I said ‘when used correctly’. It needs to compliment the actual song and not just be used to cover up poor musicianship. But ambient sounds can also make the difference between being a great musician and being a great artist. I’ll use Joe Bonamassa and Jimmy Page again as an example. Joe Bonamassa, who is another favourite of mine, in my opinion, is a fantastic musician, he has all the knowledge and technical skills any guitarist could wish for, but, again in my opinion, lacks the artistic side of someone like Jimmy Page who used many different techniques, such as ambient sounds, to become who I personally feel was one of the best songwriters/artists ever.
Mick gets a medal of honour for battling through this show and just resorting to facetious humour and not a "disappearing act" - on its own worth watching.
Very first Zola loop is the break down to Joe Walsh's "Life's Been Good". If nothing else, that song can now be covered by a 3pc band with the Zola! :)
Inspiring show! I found myself thinking "I've got to get one (all) of those pedals." Then I took a mental inventory of my current sound stash and realized I can already create weird experimental soundtracks to my daily life. With over 33 pedals of just about all effect types, a modeling amp, two loopers, some microphones, a Focusrite 2i2, a laptop, and a Digitech Trio+, I think I know how this weekend is going to go...see you on the other side.
ZOIA is astonishing. I bought two-one on my big board for crazy effects, and one as a super-customizable multiFX on my fly rig (where I can use it to replace the rest of the board).
Hey man, curious to know if you’re still using the ZOIA, and also if you use it with tube amps? I ask because I now have received two different ZOIAs that are unusable because of noise. Way more than any other pedal I have. It’s possible I happened to receive multiple defective units - I’m still going back and forth with Empress. But I really want it to work because it’s an incredible pedal that I also use for bass with no noticeable issue, so it seems to be a tube amp issue for me. I notice on this video they’re playing through tube amps with no noise.
@@rambis7012 I use a Zoia in several contexts: ampless (direct with cab sims via a GFI System Cabzeus) for my home stereo board; on a small fly rig that I either plug into an amp or a DI with no noticeable noise. I'm not sure what your patches are? Have you encountered this problem with every patch?
Although I love ambient music and am an IT engineer by trade, I can still identify with Mick on certain aspects. Obviously I don’t hate computers but my Chase Bliss pedals confuse me too lol. I think that this kind of stuff takes a certain kind of imagination and creativity AS WELL AS technical competency. Love you Mick and thanks for indulging us even when it’s outside of your comfort zone.
the play of persona's between these 2 is simply awesome .....complexity and simplicity .....perfect thing for all of us discerning guitarists to witness .....much love & keep kickin ass
Okay, Mick seemed exasperated at times thru this video, but he was really grooving later on! Looked totally at home with all that gear! That made me happy on a Saturday morning.
I have been using the Fender Marine Layer Reverb in the special mode as a modulated wash that just follows everything you are doing. It is really simple but incredibly effective. I absolutely love it. I will probably only ever use that pedal to do that one thing. Which quite often happens tome. Funnily enough I thought it was the shimmer mode I was buying it for but oh no that mod mode had other plans! I love it when that happens.
One of the most entertaining episodes ever, not just due to the awesome tones you guys created but also I was totally with Mick on the Zioa until Dan explained it so well! Now I need one!
i was waiting for a show like this .. with the ambience tones in it ... great that you are brave enough to get out of to comfort zone to even try this, it's not that easy ... mick did well to express how he feels about it, many will recognise this and he has done them a favour ... still you managed to pull off some great sounds .. thank you
Thank you sir, and I appreciate that you saw what I was trying to achieve here - Mick here. All the too cool for school sonic warriors out there think we made a terrible job of it. But I’m trying to provide a bridge for people like me who literally have no idea where to start. Mick here. That said, I want to see some ambient/experimental players get out of their comfort zones and play me one Albert King lick, authentically. Which they won’t, because they see blues as a regressive ‘comfort zone’ that people need to get out of. It’s massive snobbery to be honest. I’m sort of bored of being accused of being in a comfort zone. It’s what inspires me and what I want to be playing. There’s nothing comfortable about it!
That Pedal Show well said Mick. We all have different musical tastes and things that inspire us. This creates a tendency for people to be snobby about the type of music they like. This is true of all music including blues, rock, classical and especially modern jazz. I am not inspired by the same things you are but I am not going to slag you off because of it. Just keep doing what you do because you love it, who gives a shit about anything or anyone else for that matter; I don’t!
dear mick, it is not my style to accuse or offend people ... so if I offended you mick, i am sorry and do sincerely apologise. In no way did I mean that you are in a comfort zone .. maybe i should have written "comfort zone" or "the familiar paths" "your regular music preference" .". I do understand that everyone has their own preferences and love different things, so if you explore a different unknown territory and put that on YT, that is brave ... music, it is no competition, let everybody play what he/she loves, so if you love blues, play blues, no one should tell you what you can/can't/must/mustn't play... i for sure wouldn't tell you what to play ... please mick, don't be offended, I love your musical contribution to that pedal show, i love your analysis and ability to bring structure and clarity in the shows, to have the perspective of the viewer in mind while making the show ... your sensitivity is your gift, it is appreciated ... i love to see what you and dan love to do and are inspired by, not what "spoiled viewers" want to see everything that people passionately do is appreciated my gratitude and love to you and dan
I‘ve been waiting for this episode for so long! I‘m playing in an Ambient Band myself (Waves No Shore), but for us it‘s not really about looping etc. but more about creating said landscapes, textures and feelings. I feel like in this episode you‘re looking more into the experimental side of it. Maybe you can do another episode with Rabea Massaad because he‘s really got this style and everything around it down. And while you‘re at it you can bring him back for another episode on heavier stuff that is not just drive but all the other things you can do to your sound. Thank you so much!
...the funny thing is you actually need to be pretty good at guitar when playing ambient because if you make a mistake it is repeated, echoed, and reverberated for a very, very long time!! HA!
Indeed! Much like playing a 100-watt Two-Rock. Nobody is missing those wrong notes. Good point about the delays and verbs. Atonal ambient would be my thing. :0)
I LOVE you guys- and I'm glad that you did this show, as it acknowledges the huge world of ambient music makers and the literally hundreds of pedals that have sprung from the popularity of these genres. That said, and please- I mean no offense- but I don't think you guys really "get" what these pedals are for or why they are so popular. The growing global popularity of post rock, dream pop, and shoegaze has formed a symbiotic relationship with pedal-makers, and given birth to amazing gear- like the chass bliss pedal you guys have on the show. These pedals are great- and very versatile- don't get me wrong- but they would "really" make sense if placed in a post rock context. The whole ambient is for people who can't play only demonstrates various people's ignorance. I play guitar in a rock/ indie rock band- and a folk rock alt country band- AND I have side projects doing post rock, dream pop, shoegaze, and synth based electronica. The truth is that rock is actually relatively simple, really (by contrast to ambient music). Yes, there are some great players who can wank until the cows cone home- like Joe B.- but I enjoy post rock partly because it's more musically challenging in a compositional rather than improvisational sense. The chord progressions, complex harmonic structure (often modal, chromatic, and featuring frequent modulations) , and more complex arrangements get us closer to classical music and film scores than simple rock tunes or the typical three chord blues stuff. I can attest from personal experience that making a rock record is a lot less taxing on guitar- technically/ manually/ theoretically- than making a post rock record. As many people are commenting- if you could get someone on the show who really lives in these ambient genres- like a player from Mogwai, Mono, This Will Destroy You, Russian Circles, Wild Nothing, Explosions in the Sky (Ed Obrien!) etc etc etc- then these pedals might suddenly make a lot more musical sense as to what people who are buying and using these types of pedals are actually doing with them. It would also help people explore what can really be done with these pedals- beyond just making "noise". As a last note- alt country and folk genres also feature a lot of subtle ambience- just check out the latest record from Gregory Allen Isakov. The production is dense, ambient, traditionally folky, yet breath taking in its ambient richness. Lastly- love you guys- please don't take offense- just offering my simple opinion here.
None taken PG. It’s a very standard, top-down condescending view that has existed in music forever. That somehow something more complex and ‘clever’ is in some way more valuable than something that isn’t. It’s absolutely true that you may prefer it; find it more challenging and engaging and all that, which is awesome. But you have to also understand that other people find it boring, indulgent and devoid of emotion. Now you can lay the above descriptions at literally ANY kind of music you care to mention: some people get it and some people don’t, which is why music is so vast and varied. The slightly frustrating part for me - Mick here - is that I know that when we do this stuff, the people who are into it will say we did a bad job. So back up a bit. For sure we’re not experts on this stuff - our intention is to offer an idea or a route to exploring it for people who aren’t as far down the road as you are. As for guests, please be my guest. If you’d like to deal with managers, tour managers, record labels, fees, expenses and all of the bullshit that goes with it including the woefully inefficient shooting days and spiralling costs that goes with it, we’ll happily have any guest you mention! Apologies for the rant. I’m so bored of doing shit that people just moan about. Not offended, just bored. Cheers!
@@ThatPedalShow Sorry Mick!!!! I dreaded that you would be offended which clearly you are. As post rock fans, we are always on the defensive because many people deride the music as "easy" or boring, so we too have become tired of the old Joe B. argument. Anyway- hope you don't take anything too hard- just a comment on the internet. Obviously your show is awesome and we all watch every week- that's why we are here! I fill the time by watching old episodes which are a serious resource. In fact, as I am considering buying a fulltone fulldrive 3, I just re-watched your old episode where you compare it and a bunch of other pedals to the King Of Tone. I hope other people realize that all your old shows are easily available. The resource they provide is invaluable. Anyway- thanks for responding and have a great weekend!
I definitely think you should revisit this stuff with Stefan (Fast) from The Pedal Zone. This is totally his area of expertise and I'm pretty sure you know each other.
I'm so disappointed Mick didn't even so much as giggle when Dan said, "It's got all the ocelots in there." Really great episode, guys. I feel "seen", as the kids say, these days.
By coincidence, I discovered an awesome sound recently by sending lots of reverb into a normal "analogue" delay and then into a reverse "tape" delay, similar to what Dan is doing at the 18:00 minute-ish mark. On one hand it makes me proud that I came up with something that Dan is talking about, on the other hand I feel deflated, as I thought I'd came up with something new. :D
The Zoia is too clever for me, which is more of a criticism of me than the unit. I don't mind a learning curve, but I think I'd go mad. I think the Timeline is as deep as my musical brain can be bothered. Cool episode though! Lots of cool sounds and info!
Love how the counter for Dan's time to make a delay went down as Mick asked questions that took away from the time needed to make the delay. This was a great episode. Some difficulties because higher tech pedals often require more familiarity in order to make them useful. Usually difficult to get instant gratification. Not all, but most. Regardless, TPS always gives great information and I feel lucky to have them as a resource for tone chasing.
Fun show guys. While you might say that ambient tones aren't your home base, I like that you don't just "stay in your lane" but instead give exploration and weirdness a try. That Empress pedal is total mind woggling weirdness- seems fun, but a lot of work...ha ha. Thanks guys!
Zoia episode idea: Give the pedal to Dan for a week (or some specified amount of time) and then to Mick the same amount of time. Chronicle each experience like you do your vlogs, and don’t talk to each other until the period is over. Then come together to compare your experiences with the Zoia for an episode. The final episode would be ~20min of Dan learning/exploring the pedal alone, then ~20 min of Mick exploring the pedal alone, then 20 min of you two comparing the sounds you made and talking about how easy or difficult it was for you to use it.
Really amazing idea! I would so love to do this Brad, but just for context.... I get to play guitar for less than half an hour per week at the mo. I have literally no time to stuff that I actually want to do, let alone the stuff that I don’t. But it is a stellar idea.
Episode was ace, digressions and all. Loved the jam, and how eventually Mick gives in to the vibe and just _plays_. I'm imagining the first time Jeff Beck met David Torn.
MAAAN that intro and the last jam sounded amazing!! maybe mick wasnt too sure about it in the whole video but i can absolute hear a song coming from that EASILY, i think the zoia, secuences and midi drums go absolute together, i don’t know how to describe the genre it but theres so many songs based on this and works amazingly well with a voice, not quite sure that you guys can hear the whole thing that happen at the end but it was absolute art and song material. definitly the zoia is a complex device but can do wonders
Great episode! A lot of my own material has a big emphasis on ambient tones. They can be hard to fit in a mix, but I often find if you arrange parts harmonically well the effects will often sit around those parts and enhance them. You have to be sparing but it can be wonderful once you mix :)
I've wanted to see an ambient guitar episode for a long time. I totally understand Mick, though, too. The combination of your experiences and likes and dislikes is what makes That Pedal Show worthwhile. I'm a programmer and electrical nerd, yet usually when I play guitar I don't want to 'program' anything. When I play synth, I'm in a different head space, and it's ok.
I *really* like the RV-5's modulation setting. Somehow yet no other pedal has ever managed to pull off that sound. Sadly it's quite the one-trick pony.
@@JackFou I find that sometimes with Boss pedals there ae sounds which are just tonally perfect for guitar. I wonder if it's by accident because often there is rubbish on their pedals. For example I have their RC30 looper which has a waste of space section of mostly useless effects. Otherwise it's dead easy to use. If the RV5's modulation is better then that's another example.
I was out of my comfort zone for most of this video. What's never happened before, is that I watched it through to the end (nervously laughing), & I'm resisting my urge to bury my head in the sand with this stuff. Only because it's TPS! I'm totally with Mick's brain; it doesn't feel good & feels like a barrier to making music. But I'm trying to look at is as a tool; a means to an end. I love synths, I love guitar, & I love episodes that make me think. Great job all!
@@MrScrofulous I'm not being entirely serious here, I completely understand the amount of skill needed for ambient playing! My comment was just a slightly cynical take on the fact that keys players somehow seem to have a monopoly on pad-like sounds. All this despite the work Eno did with Robert Fripp, essentially defining the ambient sound with his guitar!
I have to say that I really wasn't exactly excited when I saw the title of this episode, but I have to admit it was interesting. I, like Mick, this isn't my thing, but it does have a place in music. When you ended the show with the backing track, it really helped to put the Zoia and Mood in a every day setting that could be useful. Good job guys.
@@ThatPedalShow if Rabea ever stops being the busiest musician in all of England apparently, the video that you never did was just an overview of his board and interview sort of video. You could talk about his ambient tones and his heavy gain setup at the same time, as well as his use of things like the Germaniac to create the stranger sounds he does.
aaaand the 'radiohead was so innovative and awesome' b.s. strikes again no credit to (or even an idea of) who came before them. well, perhaps a vague notion that "Eno was important", and then it usually ends there.
Mick I have to agree, I’m an engineer and I hate PCs with a passion but can handle Macs but I too was turned off computers in my early teens and never found a desire to get into them. Hell I even studied the internal communications of computers and am a Lynx administrator but I stay miles away from the buggers if I can.
Some tricks for the Empress Echosystem: Requirements: a) One main amp with a little more volume and clarity than, b) A secondary amp, less volume than the main amp, but with little more gain. c) The electric guitar of your choice. d) The Empress Echosystem. 1) A lá Edge from U2: Use two amps, in left/right mode, put a digital delay on black quarter delay time with MIX@50% in the main amp. The secondary amp with a delay time on eights note triplets and Mix@100% for a All-Wet effect. Adjust the volume at taste. 2) A lá Jonny Buckland: Left/Right mode, Mod Delay Waveform (Red Led) on the main amp with MIX@50%, Reverse Delay (Green Led) on the secondary amp with MIX@100% . 3) Old & New: Use any serial/parallel/left-right mode, use the main amp with Lo-Fi (Blue Led) with MIX@100%, Delay Time at a minimum but no 0%. For the secondary amp, use Filter-Long Delay (Yellow Led) with MIX@100% or whatever measure you like, and Delay Time at taste. 4) Ed'O Brien inspired tone: With a Left/Right mode. Use Analog Delay Deluxe Memory Boy (Red Led mode) Delay time at your taste, MIX@50-60% on the main amp. Shimmery Fixed Pitch Shift (Whisky Red Led) with MIX@100% and Delay Time at your taste, search for an octave up on the Thing 1 Knob. 5) A simple Wet-Dry. Put a Digital Delay on the Main Amp at your taste, and a Reverb+Delay with MIX@100%, try a higher Reverb Decay (Thing 2) with a lower mix (Thing 1). 6) Super Stereo Ping-Pong Delay. This is one of my preferred setups... On Serial Mode, put the Main Amp with a Mod Delay Waveform (Red Led) on the main amp with MIX@50%, and the Ping-Pong Delay (Digital Red Led) with MIX@50%. Try many Delay Times and Mixes between the two effects. And... the sustain stompswitch on the Empress Echosystem will help to make the magic... or an expression pedal.
I do not agree with Mr Bonamassa.... When you use these type of sounds and you strike a wrong note during a gig you will regret that note! every delay repeat and the repeat of the repeat and the reverse of the repeat of the repeat... For as long as that note lasts! These sounds are not forgiving!
![Victory Amps MK Clean & OD [With Martin Kidd & Lee Anderton]](http://i.ytimg.com/vi/PgKHBpHKQ-g/mqdefault.jpg)
![Victory Amps MK Clean & OD [With Martin Kidd & Lee Anderton]](/img/tr.png)
![Understand Guitar Overdrive Pedals [Gain, Clipping, Headroom, EQ & All That] - That Pedal Show](http://i.ytimg.com/vi/UcMtN8y2Hes/mqdefault.jpg)
Anyone who hasn’t checked out chords of Orion for ambient stuff should definitely do so - he’s great and shares some amazing tips about stacking delays etc. Also - a volume pedal at the start of the chain here and some ambient swells would really add texture. Swelling into the delays and removing the attack of the chord seems to be a common trope of “ambient music”
Reverse reverb can work for that effect as well.
Quite right, Chords of Orion has great pedal reviews and "how tos" for ambient guitar. Andy Othling is pretty good as well. Anyone genuinely interested in playing ambient guitar music should go there as sadly Mick and Dan are out of their comfort zone here and don't do a good job (IMO).
Don't you mean Ser Davos Seaworth, the Onion Knight?
Stefan Fast at The Pedal Zone is amazing for all your ambient needs if you've not heard of him. He used to work at TC Electronic but left before things started going a bit wonky over there.
It is uncanny isn’t it!
What I love most about this episode is that Mick, who clearly is uncomfortable and out of his element, still tries and finds some cool sounds and some appreciation for the gear instead of just trolling it. I think everyone can learn a thing or two from Mr Taylor: you don't have to love everything, but you can stay classy and still give it a go. Great work lads!
Thank you Zac, that was the general idea! Hopefully anybody who is in the least musical will be able to do something creative with whatever they’re given. It’s my one hope!
Big fan of the show, but couldn't get through this one, too much struggling. I second the idea of getting Stefan Fast, Bill Vancil, and Ed O'Brien on the show to go further with it. On the Bonamasa joke about ambient music, guitar players often make the same mistake that photographers do, thinking that by definition the most technically proficient artists always make the best work, and that if the highest level of virtuosity isn't always on full display, then it's somehow of lesser quality or importance, as opposed to trying to make the music or photos feel like what they're supposed to be about and choosing the technique that will make that happen. If you were going to follow that sort of proficiency/virtuosity logic consistently, then every guitarist would have to stop what they're doing and bow down to classical musicians and forever hold their peace. This will be heresy to some, but while Bonamasa and Eric Johnson and others are amazing technically, they make utterly boring music. And some classical music is technically impressive, yet boring.
That being said, there doesn't have to be a dichotomy between proficiency and artistry. You can have both (Nels Cline, Johnny Greenwood, we could name others). At the end of the day, though, all of these great tools we have are meant to be used to make something good. Let's all remember that gear debates, etc, are only so much wanking if they don't result in making something good.
I agree entirely! Mick here.
@@ThatPedalShow I think you guys have a great balance of informing people of all of the great tools we have at our disposal, showing how they can be used in different contexts, and you have fun doing it. It's why so many of us come back every week to see what you're up to. My kids even know the show (and groan when dad threatens to put on guitar videos lol). I wish I was half the player you guys are! Keep up the good work.
I agree with you .I've read an interesting quote a while ago that I think it applies to all forms of art .....
" When the intellectual part of guitar playing overrides the spiritual, you don't get to extreme heights.
-John Frusciante "
Great comment honestly. Really clicked with this one. The chase of a sound or a feeling within music is so utterly subjective that I think with this constant sharing platform of comparisons people have lost touch with that. Theres nothing wrong with putting some pedals or just an amp on for yourself and just tripping out, getting in tune with your soul, and making this river of music that flows at the same tempo as what you're feeling right now. It's always going to change through the days so the same stuff wont always come out. Music is for the player, sometimes felt by the people. Exercise yourself, close your eyes, and get lost in an environment of you choice. Keep creating ♾
All well said gentlemen/ (women). Bravo.
Watching the first 15 minutes of the show and seeing Mick trying to maintain interest is cracking me up. It's like me trying to listen to Bonamassa.
Neal F. Wooooord, I really want to enjoy his playing too!
Go to a live show and see why it's good.
When you talk about not being able to use certain sounds in any situation, I think you are underestimating the number of guitarists who, like me, just like to sit on the floor in front of an amp play with the knobs (on the pedals)! I've never played in a band in my life and have no ambitions whatsoever to do so, and I think there are many people out there who feel the same.
As we said, the audience will be spilt. I know many many many people who even find channel switching too much to deal with. Ha!
@@ThatPedalShow Yes, that's me.
My 18 pedal, 4 amp set up never leaves the house. A shame really, (my wife's words, not mine.)
Dave mabee will totally get that
@@davemabee5798 my wife is so far happy, that Im playing for her after work almost every day. Sometimes she say I played good 😁
You guys should get Knobs on the show - maybe when the Blooper comes out. He can wear a paper bag on his head ;)
This has to happen.
Stefan Fast too
Or Sarah Lipstate
Iodine74
She does some brilliant music, with loops, and ambient sounds.
There are already 2 knobs on the show...
ayyyyyyyyyyyyyyyyyyyyy
This was definitely an episode for Stefan from PedalZone. Would've been the perfect guest. Great content as usual !
This is a great idea!! Stefan is awesome!!
Awwww, man! Thank you so much for the support ❤
He's annoying af tho
it makes me appreciate TPS so much more to realize that in most shows, you guys actually know what you're talking about. Love you guys
As a synthhead, the Zoia should be right up my alley but every video I've seen of it up until know makes it look like a chore to use. Hats off to Dan for a concise practical demonstration and making it actually look fun ^^ Cheers guys!
If you want to get all historical about it, it was Eno who coined the term "ambient", meaning music that just filled the environmental background in with sound that was so minimal and slow and often without a definable rhythm, that the music could be listened to or ignored at will. Since then the term has pretty much lost any precise definition due to everyone liking the term and using it to describe just about anything with a dreamy or floating slowish vibe. But you'll still find the term used to describe an entire musical genre of great variety and depth, that hews a lot more or less closely to Eno's original formulation. I do kind of wish the term had retained it's original precision, but it's just a word - others can take over, now. Ambient guitarists of the older style, closer to Eno's original conception, include artists such as Steve Hillage, David Torn, Robert Fripp, Daniel Lanois. But there are countless guitarists nowadays with some claim to making ambient music. Hey TPS - you get Ed O'Brien back on to talk about just this topic. As brilliant and knowledgeable as you guys are, I bet he's forgotten more about ambient guitar than you guys combined can claim to know.
@Paul Van Heuklom Absolutely - the germ of quiet, repetitive music goes back and back and back, I suppose to chants and windchimes and aeolian harps and surely many other things I've never heard of. It's the hardest music to define, but when it works, it really works (and when it doesn't work, it's the worst thing ever.)
Mick: "Joe says [...] is it just an excuse for not being able to play the guitar properly?"
Ironically, that is what my classical guitar teacher used to say about electric guitar players
Def one of my favorite episodes so far. Super cool to see y'all moving out of your comfort zones.
And after all that "I Don't Wanna" by Mick, he finally embraces these devices at 57:50 and creates some fantastic sounds! You can do it Mick! Cheers!
You bunch make the best content on RUclips. Informative, insightful, and excessively fun. Even if I know or care nothing about the topic, I will always watch for the banter. Just wonderful. Thanks!
Love this show. Love the personal remarks and stories. Two wonderful humans. Thank you Mick and thank you Progfessor. Fraser, Simon, the whole crew!
Should have Andy Othling or Amulets on an ambient episode
Awesome episode. I actually like having you guys figure things out vs having a “specialist” in the area as it shows a bit more of the learning process.
I've been interested in Ambient ever since Fripp and Eno put out Evening Star back in the 70s. Maybe do a show on the work of Robert Fripp and Frippertronics?
I love that record. Have you read "On Some Faraway Beach"? Great read.
Dig the tape machines out...
"its fun to watch middle aged people struggling with technology"
next t shirt please
Good one. It would also require MIck's face, smiling like Alfred E. Newman...
erniesfo - that’s a lovely picture you’re painting
😄 I can’t thumbs up that enough
Middle aged? Holy crap. That makes me a dinosaur
That intro song immediately made want to watch Italian police dramas.
I am a middle aged man with young children, I barely get chance to take a poo in peace let alone the time and patience to work out how to use the Zoia.
JtotheP68 the benefits of being childless synth and guitar heaven. Although you could set up pedals and play generative ambient whilst doing your dad duties.
@32:25 - when Mick says, "I'm not thick by the way. I use quite complex software. I have a degree..." I totally expected him to shout, "I drive a Dodge Stratus!!!!" - ruclips.net/video/ANE8j5ay_UU/видео.html - joking of course. Mick, you're rad. I appreciate the way you see all things guitar.
Everyone needs to go and watch Stefan on The Pedal Zone. He does the absolute best demos and blows my mind with his ambience.
His demo of the Meris Mercury 7 is probably my favourite video on RUclips.
His demo convinced me to buy the Mercury 7, and yep, I go back just to hear his playing in that one.
Glen Baxter that’s one of my favorite demo videos of all time too! I love the chord progressions Stefan uses. You have excellent taste, sir 👍😊
Oh wow! Thank you so much, man. Completely blown away by your kindness ❤
@@thepedalzone If you're ever out in San Diego, let me know and I'll show you where the best tacos are! Same goes for Mick and Dan!
These pedals would be worth a crossover episode with That Pedal Show and Pedal and effects. The four of you hashing through this plus a crazy fuzz would be crazy fun and may be educational for all involved.
Yes ! Juan would ride the waves and Nick may never make it back...
Nick has said in a P&E video that he hates pedal RUclips. I’ve seen them hate on TPS on P&E. Sometimes P&E videos are entertaining, but I don’t think we’ll ever see a crossover.
The outro jammàge was the most intelligent, thoughtful music you've ever done on the show. Absolutely brilliant!
Nice one Dan! It's a side of guitar playing that is vastly under represented but I'm thankful that you've indulged in it. Keep it up! (Please make a video of you guys (or someone else) using a acoustic using similar effect and I'll gladly buy a tshirt!) :-)
I love Micks attitude towards this stuff. Midi and the lot of it is obviously confusing to some levels and inherently in-depth but it’s inspiring to see him still find interest or at least the novelty and enjoyment in the concept of the zoia for example. Keep up the great shows fellas
I’m just a guy sitting in front of my guitar, pedalboard, DAW and 16 button midi trigger pad making ambient backing tracks to solo over when I’m in the mood. When I’m not, I can just use a guitar and pedals. I play guitar as a hobby and worked as an electronic tech fixing synths for years. So, I find sound design interesting.
I like how I can use my midi controller to control pedal parameters so I don’t have to menu dive and how I can trigger samples or loops as well as easy to use transport controls. I can start my loop recording with a foot switch, trigger a drum loop, play a synth bass line, add or remove effects and tweak parameters, play a guitar part and go back to tweaking effects to keep the soundscape interesting, all on the fly with minimal body movements so the flow of creativity isn’t interrupted with technical hiccups.
Love the Zoia. For me it’s been the most inspiring journey. It’s helped me learn about modular synthesis, control voltages and how to create sounds I hear in my head but have never been able to reproduce.
The pedal is definitely not for everyone eg Mick, but if you want to explore the outer realms of sound and music this one is for you.
For me, ambient sounds are all about creating a mood and, when used correctly, are the mark of a great songwriter. Look at the Jimmy Page’s bow section in Dazed & Confused (especially the live version from The Song Remains the Same). The atmosphere and mood he creates is astonishing!! Would it have worked without all of the reverb and delay? Maybe. But with all that added ambience the sound is out of this world and puts you in a place and mood that would otherwise be impossible!
@Logan 5 To be honest most music is really average in all genres including blues, Jazz, rock and even classical. There is very little that truly stands out from the crowd. Ambient music is no different.
Logan 5 I agree. Which is why I said ‘when used correctly’. It needs to compliment the actual song and not just be used to cover up poor musicianship. But ambient sounds can also make the difference between being a great musician and being a great artist. I’ll use Joe Bonamassa and Jimmy Page again as an example. Joe Bonamassa, who is another favourite of mine, in my opinion, is a fantastic musician, he has all the knowledge and technical skills any guitarist could wish for, but, again in my opinion, lacks the artistic side of someone like Jimmy Page who used many different techniques, such as ambient sounds, to become who I personally feel was one of the best songwriters/artists ever.
@Logan 5 Happily admit to being cack and using delays to cover my uselessness. Still great fun though!
Logan 5 You seem like a fun guy
I'm already looking forward to the conversation that allows me to use "devil's avocado"
ive been using it for a while now and it is wonderful, absolutely wonderful
Waiting for the T-shirt in the shop
@@PureJadeKid I 100% support this
Right! Hahah I though the same thing when I heard it. Great quote
Mick gets a medal of honour for battling through this show and just resorting to facetious humour and not a "disappearing act" - on its own worth watching.
Very first Zola loop is the break down to Joe Walsh's "Life's Been Good". If nothing else, that song can now be covered by a 3pc band with the Zola! :)
Inspiring show! I found myself thinking "I've got to get one (all) of those pedals." Then I took a mental inventory of my current sound stash and realized I can already create weird experimental soundtracks to my daily life. With over 33 pedals of just about all effect types, a modeling amp, two loopers, some microphones, a Focusrite 2i2, a laptop, and a Digitech Trio+, I think I know how this weekend is going to go...see you on the other side.
Oh my goodness, my sides are hurting from Mick's rant against computers. "Randalph is ACE!" Keep it up guys, you're doing great work here.
ZOIA is astonishing. I bought two-one on my big board for crazy effects, and one as a super-customizable multiFX on my fly rig (where I can use it to replace the rest of the board).
Hey man, curious to know if you’re still using the ZOIA, and also if you use it with tube amps? I ask because I now have received two different ZOIAs that are unusable because of noise. Way more than any other pedal I have. It’s possible I happened to receive multiple defective units - I’m still going back and forth with Empress. But I really want it to work because it’s an incredible pedal that I also use for bass with no noticeable issue, so it seems to be a tube amp issue for me. I notice on this video they’re playing through tube amps with no noise.
@@rambis7012 I use a Zoia in several contexts: ampless (direct with cab sims via a GFI System Cabzeus) for my home stereo board; on a small fly rig that I either plug into an amp or a DI with no noticeable noise. I'm not sure what your patches are? Have you encountered this problem with every patch?
That was an awesome intro to the show. I am into that sound creation in a big way. Thank you Mick and Dan...you both ROCK!
Although I love ambient music and am an IT engineer by trade, I can still identify with Mick on certain aspects. Obviously I don’t hate computers but my Chase Bliss pedals confuse me too lol. I think that this kind of stuff takes a certain kind of imagination and creativity AS WELL AS technical competency. Love you Mick and thanks for indulging us even when it’s outside of your comfort zone.
the play of persona's between these 2 is simply awesome .....complexity and simplicity .....perfect thing for all of us discerning guitarists to witness .....much love & keep kickin ass
*Kicks on Empress Zoia* The breakdown from "Life's Been Good" begins oozing out of the amplifier!!!! That's a good omen where I come from!
Okay, Mick seemed exasperated at times thru this video, but he was really grooving later on! Looked totally at home with all that gear! That made me happy on a Saturday morning.
Mick, your playing at the end really reminded me of some of the great solos of Pink Floyd. Dan. Loved those unique sounds too
Just when I think I've seen your best episode, you guys create something like this. THIS one is my favorite (for now)
I think you should revisit these pedals with Jeremy and Superhans
Hahaha
“What we need to do is create a powerful sense of dread, the longer the note the longer the dread!”
and remember the manifesto
This is the best comment anyone has ever made on a TPS video ever.
there was a lot of new energy in the room tonight and some of it was just soo rainbow rhythms...and some of was just so not rainbow rhythms.
I have been using the Fender Marine Layer Reverb in the special mode as a modulated wash that just follows everything you are doing. It is really simple but incredibly effective. I absolutely love it. I will probably only ever use that pedal to do that one thing. Which quite often happens tome. Funnily enough I thought it was the shimmer mode I was buying it for but oh no that mod mode had other plans! I love it when that happens.
Show topic request: Basic pedal maintenance/repair... starting with switcher issues
One of the most entertaining episodes ever, not just due to the awesome tones you guys created but also I was totally with Mick on the Zioa until Dan explained it so well! Now I need one!
Just got my MOOD last week. It's brilliant.
You got the Mood! Was so hoping you’d get your hands on it soon (not to mention the Zoia!)
i was waiting for a show like this .. with the ambience tones in it ... great that you are brave enough to get out of to comfort zone to even try this, it's not that easy ... mick did well to express how he feels about it, many will recognise this and he has done them a favour ... still you managed to pull off some great sounds .. thank you
Thank you sir, and I appreciate that you saw what I was trying to achieve here - Mick here. All the too cool for school sonic warriors out there think we made a terrible job of it. But I’m trying to provide a bridge for people like me who literally have no idea where to start. Mick here.
That said, I want to see some ambient/experimental players get out of their comfort zones and play me one Albert King lick, authentically. Which they won’t, because they see blues as a regressive ‘comfort zone’ that people need to get out of. It’s massive snobbery to be honest. I’m sort of bored of being accused of being in a comfort zone. It’s what inspires me and what I want to be playing. There’s nothing comfortable about it!
That Pedal Show well said Mick. We all have different musical tastes and things that inspire us. This creates a tendency for people to be snobby about the type of music they like. This is true of all music including blues, rock, classical and especially modern jazz.
I am not inspired by the same things you are but I am not going to slag you off because of it.
Just keep doing what you do because you love it, who gives a shit about anything or anyone else for that matter; I don’t!
dear mick, it is not my style to accuse or offend people ... so if I offended you mick, i am sorry and do sincerely apologise.
In no way did I mean that you are in a comfort zone .. maybe i should have written "comfort zone" or "the familiar paths" "your regular music preference" .". I do understand that everyone has their own preferences and love different things, so if you explore a different unknown territory and put that on YT, that is brave ... music, it is no competition, let everybody play what he/she loves, so if you love blues, play blues, no one should tell you what you can/can't/must/mustn't play... i for sure wouldn't tell you what to play ... please mick, don't be offended, I love your musical contribution to that pedal show, i love your analysis and ability to bring structure and clarity in the shows, to have the perspective of the viewer in mind while making the show ... your sensitivity is your gift, it is appreciated ... i love to see what you and dan love to do and are inspired by, not what "spoiled viewers" want to see
everything that people passionately do is appreciated
my gratitude and love to you and dan
I‘ve been waiting for this episode for so long!
I‘m playing in an Ambient Band myself (Waves No Shore), but for us it‘s not really about looping etc. but more about creating said landscapes, textures and feelings.
I feel like in this episode you‘re looking more into the experimental side of it.
Maybe you can do another episode with Rabea Massaad because he‘s really got this style and everything around it down. And while you‘re at it you can bring him back for another episode on heavier stuff that is not just drive but all the other things you can do to your sound.
Thank you so much!
Mick with that forza soundtrack at the beginning. That was absolutely awesome I'm loving the incorporation of backing tracks into the episodes
...the funny thing is you actually need to be pretty good at guitar when playing ambient because if you make a mistake it is repeated, echoed, and reverberated for a very, very long time!! HA!
Indeed! Much like playing a 100-watt Two-Rock. Nobody is missing those wrong notes. Good point about the delays and verbs. Atonal ambient would be my thing. :0)
This episode is spectacular in headphones. Reverse delay in the memory man loop is on point. All about that! Brilliant Dan!
You guys should have the guy from the Pedal Zone on! He is the ambient tone master!
Awwww. Cheers, bud ❤
I LOVE you guys- and I'm glad that you did this show, as it acknowledges the huge world of ambient music makers and the literally hundreds of pedals that have sprung from the popularity of these genres. That said, and please- I mean no offense- but I don't think you guys really "get" what these pedals are for or why they are so popular. The growing global popularity of post rock, dream pop, and shoegaze has formed a symbiotic relationship with pedal-makers, and given birth to amazing gear- like the chass bliss pedal you guys have on the show. These pedals are great- and very versatile- don't get me wrong- but they would "really" make sense if placed in a post rock context. The whole ambient is for people who can't play only demonstrates various people's ignorance. I play guitar in a rock/ indie rock band- and a folk rock alt country band- AND I have side projects doing post rock, dream pop, shoegaze, and synth based electronica. The truth is that rock is actually relatively simple, really (by contrast to ambient music). Yes, there are some great players who can wank until the cows cone home- like Joe B.- but I enjoy post rock partly because it's more musically challenging in a compositional rather than improvisational sense. The chord progressions, complex harmonic structure (often modal, chromatic, and featuring frequent modulations) , and more complex arrangements get us closer to classical music and film scores than simple rock tunes or the typical three chord blues stuff. I can attest from personal experience that making a rock record is a lot less taxing on guitar- technically/ manually/ theoretically- than making a post rock record. As many people are commenting- if you could get someone on the show who really lives in these ambient genres- like a player from Mogwai, Mono, This Will Destroy You, Russian Circles, Wild Nothing, Explosions in the Sky (Ed Obrien!) etc etc etc- then these pedals might suddenly make a lot more musical sense as to what people who are buying and using these types of pedals are actually doing with them. It would also help people explore what can really be done with these pedals- beyond just making "noise". As a last note- alt country and folk genres also feature a lot of subtle ambience- just check out the latest record from Gregory Allen Isakov. The production is dense, ambient, traditionally folky, yet breath taking in its ambient richness. Lastly- love you guys- please don't take offense- just offering my simple opinion here.
None taken PG. It’s a very standard, top-down condescending view that has existed in music forever. That somehow something more complex and ‘clever’ is in some way more valuable than something that isn’t. It’s absolutely true that you may prefer it; find it more challenging and engaging and all that, which is awesome. But you have to also understand that other people find it boring, indulgent and devoid of emotion. Now you can lay the above descriptions at literally ANY kind of music you care to mention: some people get it and some people don’t, which is why music is so vast and varied.
The slightly frustrating part for me - Mick here - is that I know that when we do this stuff, the people who are into it will say we did a bad job. So back up a bit. For sure we’re not experts on this stuff - our intention is to offer an idea or a route to exploring it for people who aren’t as far down the road as you are.
As for guests, please be my guest. If you’d like to deal with managers, tour managers, record labels, fees, expenses and all of the bullshit that goes with it including the woefully inefficient shooting days and spiralling costs that goes with it, we’ll happily have any guest you mention! Apologies for the rant. I’m so bored of doing shit that people just moan about. Not offended, just bored. Cheers!
@@ThatPedalShow Sorry Mick!!!! I dreaded that you would be offended which clearly you are. As post rock fans, we are always on the defensive because many people deride the music as "easy" or boring, so we too have become tired of the old Joe B. argument. Anyway- hope you don't take anything too hard- just a comment on the internet. Obviously your show is awesome and we all watch every week- that's why we are here! I fill the time by watching old episodes which are a serious resource. In fact, as I am considering buying a fulltone fulldrive 3, I just re-watched your old episode where you compare it and a bunch of other pedals to the King Of Tone. I hope other people realize that all your old shows are easily available. The resource they provide is invaluable. Anyway- thanks for responding and have a great weekend!
I definitely think you should revisit this stuff with Stefan (Fast) from The Pedal Zone. This is totally his area of expertise and I'm pretty sure you know each other.
He got me addicted to the Fairfield Circuitry Shallow Water. That haunting sound. It has to be my next purchase.
Awwww, man. Speechless. Thank you!
ThePedalZone ; You're the man, Stefan! :-)
Also, this is the funniest and most thought-provoking Mick has ever been! Great comedic talent!
Mick, I feel the struggle. I'm very much there with you.
Really cool vid guys! I F'in love my Zoia! Cheers!
I'm so disappointed Mick didn't even so much as giggle when Dan said, "It's got all the ocelots in there." Really great episode, guys. I feel "seen", as the kids say, these days.
By coincidence, I discovered an awesome sound recently by sending lots of reverb into a normal "analogue" delay and then into a reverse "tape" delay, similar to what Dan is doing at the 18:00 minute-ish mark. On one hand it makes me proud that I came up with something that Dan is talking about, on the other hand I feel deflated, as I thought I'd came up with something new. :D
The Zoia is too clever for me, which is more of a criticism of me than the unit. I don't mind a learning curve, but I think I'd go mad. I think the Timeline is as deep as my musical brain can be bothered. Cool episode though! Lots of cool sounds and info!
Love how the counter for Dan's time to make a delay went down as Mick asked questions that took away from the time needed to make the delay. This was a great episode. Some difficulties because higher tech pedals often require more familiarity in order to make them useful. Usually difficult to get instant gratification. Not all, but most. Regardless, TPS always gives great information and I feel lucky to have them as a resource for tone chasing.
For anyone reading - I recently purchased a Walrus Audio SLO and it’s fantastic for ambient tones! Finding ways to put it into everything I track.
Aaaaaaaaaaaah that was so much fun. Thank you! Still saving for my Zoia and Tensor.
Fun show guys. While you might say that ambient tones aren't your home base, I like that you don't just "stay in your lane" but instead give exploration and weirdness a try. That Empress pedal is total mind woggling weirdness- seems fun, but a lot of work...ha ha. Thanks guys!
Zoia episode idea: Give the pedal to Dan for a week (or some specified amount of time) and then to Mick the same amount of time. Chronicle each experience like you do your vlogs, and don’t talk to each other until the period is over. Then come together to compare your experiences with the Zoia for an episode. The final episode would be ~20min of Dan learning/exploring the pedal alone, then ~20 min of Mick exploring the pedal alone, then 20 min of you two comparing the sounds you made and talking about how easy or difficult it was for you to use it.
Really amazing idea! I would so love to do this Brad, but just for context.... I get to play guitar for less than half an hour per week at the mo. I have literally no time to stuff that I actually want to do, let alone the stuff that I don’t. But it is a stellar idea.
That Pedal Show sorry to hear that. Hope things clear up soon.
@@ThatPedalShow did you guys ever revisit the Zoia? I can't find it
How about a video with Scott Devine about bass pedals?
Episode was ace, digressions and all. Loved the jam, and how eventually Mick gives in to the vibe and just _plays_. I'm imagining the first time Jeff Beck met David Torn.
Echoing others: Get Bill Vencil of Chords of Orion on as a guest.
One of my favourite episodes ever - love this sort of stuff! Thanks for doing it!
Time for a Divkid Ben/TPS modular synth/pedal crossover episode!
MAAAN that intro and the last jam sounded amazing!! maybe mick wasnt too sure about it in the whole video but i can absolute hear a song coming from that EASILY, i think the zoia, secuences and midi drums go absolute together, i don’t know how to describe the genre it but theres so many songs based on this and works amazingly well with a voice, not quite sure that you guys can hear the whole thing that happen at the end but it was absolute art and song material. definitly the zoia is a complex device but can do wonders
the intro was epic ... we need more music just like this... ambient rock...
Dan: Thanks for watching, we will have some jammage to finish.
Mick: What's this 'we' shit?!!
Loved this. I couldn’t stop laughing. I wasn’t sure if it was a parody. Mick’s bewilderment and Dans enthusiasm. Pure gold
It’s always part parody. :0)
For more on this check out Andy Othling and Chords of Orion
Great episode! A lot of my own material has a big emphasis on ambient tones. They can be hard to fit in a mix, but I often find if you arrange parts harmonically well the effects will often sit around those parts and enhance them. You have to be sparing but it can be wonderful once you mix :)
Hey Zoia.... play me a sequence with ocelots !!!
bvninja and elephos!
I've wanted to see an ambient guitar episode for a long time. I totally understand Mick, though, too. The combination of your experiences and likes and dislikes is what makes That Pedal Show worthwhile. I'm a programmer and electrical nerd, yet usually when I play guitar I don't want to 'program' anything. When I play synth, I'm in a different head space, and it's ok.
"It's fun to watch middle aged people struggle with technology" I Love IT!!! I'm 49 and have to ask my kids about practically anything new ;-)
Great way to start the show. Nice playing.
For once that pedal show has a pedal that I use. The Boss RV6. The modulate setting sounds really great. It's worth the cheap price of the pedal.
I *really* like the RV-5's modulation setting. Somehow yet no other pedal has ever managed to pull off that sound. Sadly it's quite the one-trick pony.
@@JackFou I find that sometimes with Boss pedals there ae sounds which are just tonally perfect for guitar. I wonder if it's by accident because often there is rubbish on their pedals. For example I have their RC30 looper which has a waste of space section of mostly useless effects. Otherwise it's dead easy to use. If the RV5's modulation is better then that's another example.
I was out of my comfort zone for most of this video. What's never happened before, is that I watched it through to the end (nervously laughing), & I'm resisting my urge to bury my head in the sand with this stuff. Only because it's TPS!
I'm totally with Mick's brain; it doesn't feel good & feels like a barrier to making music. But I'm trying to look at is as a tool; a means to an end. I love synths, I love guitar, & I love episodes that make me think. Great job all!
Hey Toni. I could definitely see myself making music with this stuff...... but I’d need somebody to push the buttons. /0)
@@ThatPedalShow Mic, I'm still confused where to plug leads in. Dan is the ying to your yang!
"Is it an excuse for not being able to play guitar properly?"
No - it's an excuse for not being able to play keys properly!
Or type properly🤣
Or typing properly🤣
@@memorymanuk Man i definitely should have read that through before I sent it
It's an excuse for buying more fx pedals.
@@MrScrofulous I'm not being entirely serious here, I completely understand the amount of skill needed for ambient playing! My comment was just a slightly cynical take on the fact that keys players somehow seem to have a monopoly on pad-like sounds. All this despite the work Eno did with Robert Fripp, essentially defining the ambient sound with his guitar!
Zoya. Mind blown. Looks like a few years of work to really dig in. Thanks
I think you broke Mick. Just have him patched up and ready to go before next week.
That was fun and really interesting shaping. Goals
So I get the impression that the Zoia is kind of like having NI Reaktor in a stomp box.
I have to say that I really wasn't exactly excited when I saw the title of this episode, but I have to admit it was interesting. I, like Mick, this isn't my thing, but it does have a place in music. When you ended the show with the backing track, it really helped to put the Zoia and Mood in a every day setting that could be useful. Good job guys.
You should get rabea for a part 2 of ambience
There are so many things we should do. We should make a list.
@@ThatPedalShow if Rabea ever stops being the busiest musician in all of England apparently, the video that you never did was just an overview of his board and interview sort of video. You could talk about his ambient tones and his heavy gain setup at the same time, as well as his use of things like the Germaniac to create the stranger sounds he does.
I’m right there with you Mick! Super interesting episode but I just want to plug in and play. Not my trip but respect.
Ed O’Brien if you remember, is a master of the ambient shtick, out of necessity when Kid A was being made. Nobody does it better.
aaaand the 'radiohead was so innovative and awesome' b.s. strikes again
no credit to (or even an idea of) who came before them.
well, perhaps a vague notion that "Eno was important", and then it usually ends there.
Mick I have to agree, I’m an engineer and I hate PCs with a passion but can handle Macs but I too was turned off computers in my early teens and never found a desire to get into them.
Hell I even studied the internal communications of computers and am a Lynx administrator but I stay miles away from the buggers if I can.
Finally a batch of pedals in which I have no interest. My wife will appreciate this episode.
Some tricks for the Empress Echosystem:
Requirements:
a) One main amp with a little more volume and clarity than,
b) A secondary amp, less volume than the main amp, but with little more gain.
c) The electric guitar of your choice.
d) The Empress Echosystem.
1) A lá Edge from U2: Use two amps, in left/right mode, put a digital delay on black quarter delay time with MIX@50% in the main amp. The secondary amp with a delay time on eights note triplets and Mix@100% for a All-Wet effect. Adjust the volume at taste.
2) A lá Jonny Buckland: Left/Right mode, Mod Delay Waveform (Red Led) on the main amp with MIX@50%, Reverse Delay (Green Led) on the secondary amp with MIX@100% .
3) Old & New: Use any serial/parallel/left-right mode, use the main amp with Lo-Fi (Blue Led) with MIX@100%, Delay Time at a minimum but no 0%. For the secondary amp, use Filter-Long Delay (Yellow Led) with MIX@100% or whatever measure you like, and Delay Time at taste.
4) Ed'O Brien inspired tone: With a Left/Right mode. Use Analog Delay Deluxe Memory Boy (Red Led mode) Delay time at your taste, MIX@50-60% on the main amp. Shimmery Fixed
Pitch Shift (Whisky Red Led) with MIX@100% and Delay Time at your taste, search for an octave up on the Thing 1 Knob.
5) A simple Wet-Dry. Put a Digital Delay on the Main Amp at your taste, and a Reverb+Delay with MIX@100%, try a higher Reverb Decay (Thing 2) with a lower mix (Thing 1).
6) Super Stereo Ping-Pong Delay. This is one of my preferred setups... On Serial Mode, put the Main Amp with a Mod Delay Waveform (Red Led) on the main amp with MIX@50%, and the Ping-Pong Delay (Digital Red Led) with MIX@50%. Try many Delay Times and Mixes between the two effects.
And... the sustain stompswitch on the Empress Echosystem will help to make the magic... or an expression pedal.
I keep telling my lead player to get a looper for "Thunderstruck".
andyhightides
😆 Who Made Who too
Great playing at the end by both of you.
I do not agree with Mr Bonamassa.... When you use these type of sounds and you strike a wrong note during a gig you will regret that note! every delay repeat and the repeat of the repeat and the reverse of the repeat of the repeat... For as long as that note lasts! These sounds are not forgiving!