@@davimag2071 Right! I found out about tricot through this video and when I decided to check out the original recordings, I felt like they weren't as good as the versions here. I was so happy when I saw they released these versions in their own album.
Fucking stunning!! Beautifully filmed presentation of a brilliant band. I'm 78 years old, been a musician and avid music listener my entire life. These women (and brilliant drummer) absolutely blow me away. Yes please!!!
For anyone who wants to dig into how truly mine boggling the time signature and tempo changes in the song 18 19 at 5:00 is, here’s my attempt at explaining it below. The song starts in 9/8 (mostly). But the way they feel the 9/8 makes it sound like it’s a measure of 4/4 with an extra eight note stuck onto the end. Basically a time signature of 4 and a half over 4. So the first measure when the drums count off is 4 eighth notes in 4 and a half/4 starting on the and of 3. Then the intro is 8 measures in 4 1/2 (or 9/8), except the 2nd measure is just 4/4 and the 7th measure is in 5/4. Then the woo hoo bit is all 4 1/2 (9/8) except the last measure where the drummer does the three stick hits at the end, which I think is supposed to be 12/8, but if so then the drummer might have got off by a hair, but it’s barely noticeable since he’s counting off the next measure (or he’s doing 6 beats plus a half beat at the end to reference the 4 1/2 motif, but idk). Then during the verse it’s 4 1/2 which you can really hear since the bass player plays 4 quarter notes and then an eighth note for each measure. The measure before the chorus is in 5/4, then the first 3 measures of the chorus are also 5/4, but the 4th measure is in 4 1/2 (9/8) again. Next 4 measures are in 5/4. Back to the verse in 4 1/2 again. First 3 measures are in that, then the 4th measure is whack but I think it’s in 11/8, then the next measure is back in 4 1/2, then the one after that is in 11/8, then the next one is 5/4, and then the last one in this section is in 7/4. They switch to a slower 9/8 for the mellow section, except every other measure they do this weird thing that I’m not even sure how to write as a time signature, but it’s referencing the 4 1/2 feeling from earlier by adding a half beat to the end of the measure. So the section alternates between a measure of 9/8 and a measure of like 9 and a half/8. Then the last bit of this section is either a measure of 5/4 in the same tempo followed by a slower measure of 4/4, or that bit I’m hearing as 4/4 is actually syncopated with the same tempo but I have no idea how to count it. Either way, it leads back to the 4 1/2 (or 9/8) verse again. They do 3 measures of 4 1/2 then one measure of 5/4, then 4 more measures of 4 1/2. It switches to 2 measures of 7/8 in a different tempo, followed by 2 measures of 4 1/2 in the original tempo, followed by 2 measures of 7/8 in the other tempo, then 1 measure of 4 1/2, then it switches to 5/4 for 5 measures in that epic lead up to the final chorus. They do the 8 measure chorus. It’s all in 5/4 except for the 4th measure, which is in 4 1/2, and the 8th measure, which is also in 4 1/2. The outro where she’s going “18!19!” goes insane. 1 measure of 9/8, one of 11/8, one of 9/8 and then one of 11/8. Then the whoa oh oh part stays in 11/8 for 3 measures and the measure after that is 13/8. Then it settles into a 6/8 groove for a bit before ending in 5/4. I cannot begin to fathom how someone even conceives of writing a song like this.
every time i see the part where they go all out and throw their headphones off at the end it brings me to tears, they're having so much fun and its the most beautiful thing ever
every single member of this band is absolutely incredible. i'm a huge motifour fan, but hiromi's timing with the drumbeat during 18,19 is absolutely impeccable. this band is legendary
Wow. I'm floored by the intricacy and unpredictability of their music. Love the tension between the sweet vocal melodies and the dissonance created by the weaving guitar leads. The way the rhythm section holds it all together is as mind boggling as it is breathtaking. The bassist has incredible technique and tone and the drummer appears to be moving in two different time zones. Awesome performance!
Distinct, sharp Japanese sound with complex chords and purposeful use of dissonance and irregular time signatures in select places; uncommon in many American bands influenced by simpler punk rock structures. Really refreshing tone and overall experience coming from the US perspective.
I really like how they take math rock and give it a very distinct japanese touch. The melodies, harmonies and song structures are especially different from western mathrock.
Vergin4Life Interesting. Would your musical excellency please enlighten us as to which bar chords are being used and why they don’t “musically work together well”? And since you don’t like tricot, what other Japanese math rock band would you suggest we listen to?
Strumming is easier to sing to because you’re usually just strumming following through without actually doing solo stuffs . Regardless it is still hard, especially when you’re listening to different time signature .
@@lucasdelima6147 more easily than someone trying to cover their tunes yeah. It’s still incredible that everyone can play these songs together in sync and as precise as they are. I think that’s in no small part to their drummer but still. These songs are demanding as hell and take some ingenuity to write
I still come back to this from time to time. I saw them on this tour in Portland and, being my favorite band, it's hard not to get worked up with the positive energy and incredible performance tricot brought and I'm glad it's been immortalized with their session here. Thanks for letting me relive this tour/show whenever I like!
@@bruceerogan3662 If you know the time signature, you can figure out a "groove" to feel that really helps you keep time. You don't even necessarily (and sometimes shouldn't) feel the time as it's written (feel six beats per measure in 6/8, for example), but instead feel the "phrasing" and common beats/subdivisions between time signatures. With some songs (Tricot's *Ochensansu-su* especially), I had to read a transcription while I listened to figure out how to "groove" to it. Let's take the first few bars of Ochensansu-su, for example: Ignore the first measure of 4/4. The first section of the song switches between 9/8 (they play the chords on beats 1, 3, and 7) and 6/4. In other words, feel the 9/8 instead as 3/4, subdivided in threes. That way, it should feel like one measure of 3 beats, followed by one measure of 6. That sort of simplifies things and makes it easier to bob your head to or whatever. Once you have a feel for the flow of the song, it'll be easier to count the time as it's written (9/8 as 9/8 instead of 3/4). I like counting/moving to the 7/4 section following the 9/8 with 6/4 section and recommend you try working that one out. Hope this helped!
@@bruceerogan3662 they know when to count to whatever they need to, and feel it the way they need to to make it make sense rhythmically. try breaking it all up
@@erebus3059 It most certainly can have tempo changes, but changing time signatures and irregular rythym in general is more so what people associate with math rock.
If you guys like Tricot you might also like Polkadot Stingray and Pulmolight for more Japanese mathrock. Pulmolight is like tricot's poppy side maximized while Polkadot Stingray ramps up the funkiness.
Neither Polkadot Stingray nor Pulmolight are mathrock bands in the slightest, they are just typical post-2000 J-GIRLS POP ROCK bands. Disbanded but Uchu Convini would be an example of a math rock (that meets J-Pop.)
You literally said "Polkadot Stingray and Pulmolight for more Japanese mathrock," and I replied just because they will disappoint those after math rock bands from Japan.
i love how you dont need to know a word of japanese to hear the conviction and emotion and power and beauty in her voice, and the energy and enthusiasm and joy in all of them playing. i love tricot
Beyond stereotypes, I just hear talented people, mostly women. Sounds much better than a lot of music around the world, not because of the genere they are playing, but musically speaking.
I once read a book about russian immigrants and in the chapter on the stereotype of them being good in math the writer wrote "well you see math is awesome and we love it"
Why are Japanese musicians so incredibly good? So many greats have come from Japan. From the boredoms, to té. It must be something in the water over there.
Andrew Kozlowski , I believe after the war, japanese goverment made music exams mandatory (correct me if im wrong, but its something along those lines), so I believe its safe to say that the majority of people in Japan own some sort of musical instrument at their homes. Of course we cant ignore the fact that the americans also influenced Japan in the 1950s when they introduced jazz,rnb to them.
Both Audiotree versions of 18,19 and Ochansensu-su are imo the best performances of these songs you can find on RUclips - LOVE IT!! And once again: absolutely fantastic soundmix and camera work.
A few months ago i found this video on my recommended, and tricot is now one of my favorite bands ever. Thank you RUclips and audiotree for introducing me to tricot and the math rock genre.
I've never really sat down and actually listened to math rock, but I just came across this by chance and tbh... it kinda slaps. Now I'm gonna delve deeper.
This video was he first time I heard tricot some months ago and I haven't stop since. They're so good and talented! I really hope I could see them live some time soon
this is the best representation of Tricot's talent I have found. Great performances and great set up and production. Sounds great. They are really good. thanks to Audiotree for making this happen.
Hiro-Hiro is so adorable!! Did anyone else catch when she head-banged too hard and her headphones fell over? It's at 4:20 lol I love this girl so much!! ひろみさん！ヘッドフォンが大丈夫 ? 😄
Javier Duarte do you know what the last song they played was where they went balls to the wall? i showed up a lil late and was hitting my cartridge so right when it hit they ended their set with that fucking crazy experience and i’ve been trying to find the song
I always come back to this and I love the end of Melon Soda where they're feelin themselves and just shake off their headphones. Really shows how much they love performing their music :)
YESYESYES I saw them live after months of listening to them and watching their MVs and it was unforgettable,, they’re so crazy talented and tuned in to each other
Music is universal, listening from these guys makes you think how does it being japaes, or Singaporean or malaysian. Refreshing sound, coming fron the Philippines
best find on audiotree since I've subbed. thank you thank you thank you. I found one of my fav bands ever. (after a week or so binge of all the Tricot music I could find)
The Japanese have their shit together, jesus christ this is a good band. Edit: 7 months later and I'm still smiling like an idiot while listening to this
I literally just discovered this band a few minutes ago...what a gap in my knowledge! This band is incredible!!! And it doesn't hurt to have George Harrison sitting over your heart! ;) I love when you have musicians so tight together that they can sound incredible and exciting with a very clean sound. The perfect combination of jazz and prog rock. I only wish tricot had been around when I was in high school back in the late 80s, we needed this kind of sound in music back then and I would have been the biggest fan.
this band makes me want headbang but I don't know when
LOL
the whole time
You have to windmill the whole time
you have to headbang in 7/8, 11/8, or 13/8
that's how mathrock works
Huge props to the audio engineer!
@@chedersom Honestly it sounds better than some of tricots released recordings and the official releases are already amazing
@@peterkinnaird5174 The Ochansensu-Su version played here is the BEST version that I've seen (much better than cd!)
@@davimag2071 Right! I found out about tricot through this video and when I decided to check out the original recordings, I felt like they weren't as good as the versions here. I was so happy when I saw they released these versions in their own album.
Every Audiotree has such great production value
Especially bearing in mind this comes with yt compression and still sounds like this. Outstanding work.
It's 2024.
I'm a jazz musician and I fucking love this band so much.
Now more than ever. Holy shit.
Fucking stunning!! Beautifully filmed presentation of a brilliant band. I'm 78 years old, been a musician and avid music listener my entire life. These women (and brilliant drummer) absolutely blow me away. Yes please!!!
Song list!!
0:27 - On the boom
4:59 - 18,19
9:03 - Ochansensu-su
12:40 - Potage
17:40 - tricot interview!
18:50 - Melon Soda
Samuel Assis d
More likes so this go on top.
Thanks! Ochansensu-su is so cool!
Thanks man!!! you're my saviour!!!
Ty
For anyone who wants to dig into how truly mine boggling the time signature and tempo changes in the song 18 19 at 5:00 is, here’s my attempt at explaining it below.
The song starts in 9/8 (mostly). But the way they feel the 9/8 makes it sound like it’s a measure of 4/4 with an extra eight note stuck onto the end. Basically a time signature of 4 and a half over 4.
So the first measure when the drums count off is 4 eighth notes in 4 and a half/4 starting on the and of 3.
Then the intro is 8 measures in 4 1/2 (or 9/8), except the 2nd measure is just 4/4 and the 7th measure is in 5/4. Then the woo hoo bit is all 4 1/2 (9/8) except the last measure where the drummer does the three stick hits at the end, which I think is supposed to be 12/8, but if so then the drummer might have got off by a hair, but it’s barely noticeable since he’s counting off the next measure (or he’s doing 6 beats plus a half beat at the end to reference the 4 1/2 motif, but idk).
Then during the verse it’s 4 1/2 which you can really hear since the bass player plays 4 quarter notes and then an eighth note for each measure.
The measure before the chorus is in 5/4, then the first 3 measures of the chorus are also 5/4, but the 4th measure is in 4 1/2 (9/8) again. Next 4 measures are in 5/4.
Back to the verse in 4 1/2 again. First 3 measures are in that, then the 4th measure is whack but I think it’s in 11/8, then the next measure is back in 4 1/2, then the one after that is in 11/8, then the next one is 5/4, and then the last one in this section is in 7/4.
They switch to a slower 9/8 for the mellow section, except every other measure they do this weird thing that I’m not even sure how to write as a time signature, but it’s referencing the 4 1/2 feeling from earlier by adding a half beat to the end of the measure. So the section alternates between a measure of 9/8 and a measure of like 9 and a half/8. Then the last bit of this section is either a measure of 5/4 in the same tempo followed by a slower measure of 4/4, or that bit I’m hearing as 4/4 is actually syncopated with the same tempo but I have no idea how to count it.
Either way, it leads back to the 4 1/2 (or 9/8) verse again. They do 3 measures of 4 1/2 then one measure of 5/4, then 4 more measures of 4 1/2. It switches to 2 measures of 7/8 in a different tempo, followed by 2 measures of 4 1/2 in the original tempo, followed by 2 measures of 7/8 in the other tempo, then 1 measure of 4 1/2, then it switches to 5/4 for 5 measures in that epic lead up to the final chorus.
They do the 8 measure chorus. It’s all in 5/4 except for the 4th measure, which is in 4 1/2, and the 8th measure, which is also in 4 1/2.
The outro where she’s going “18!19!” goes insane. 1 measure of 9/8, one of 11/8, one of 9/8 and then one of 11/8. Then the whoa oh oh part stays in 11/8 for 3 measures and the measure after that is 13/8.
Then it settles into a 6/8 groove for a bit before ending in 5/4.
I cannot begin to fathom how someone even conceives of writing a song like this.
btw it’s 9/8 9/8 9/8 10/8 because 18,19 🤣🤣🤣
I've watched this so many times over the years. The whole band coming in near the end of Melon Soda gives me chills every single time.
I just discovered them a few months ago - wish I'd known of them when they were at the HOB Chicago (I'm near there) - but that was 4 years ago.
I’m just now finding this it brings tears to my eyes believe it or not. I havent heard them since before this recorded and it’s being me back
same here just came back to watch it again and i got so emotional at their grand finale. just brought back such nostalgic good feels
Amen. I live in Japan. Their live performances are exceedingly very fine.
Can we just appreciate that they give the title card right before the song ends as well as when it starts?
Nice to find a fellow shostakovich and tricot fan
@@NothingFunnyAboutTheseCarpets nice
i agree shosty
it's bands like this that remind me I need to practice guitar more
Fuuuck😭😭 I feel the same
Give up Guitar more.
It's the bass for me... that woman has some chops
0:28 On the boom
5:00 18,19
9:05 Ochansensu-Su
12:41 potage
18:52 Melon Soda
thank you
thank you
@@bluefrogz2618 и? это русская и?
Ochansensu is a massive vybe
Set List
Arigato😊😊😊
I can finally tell my parents that i love Math
Maths
Onion Divorce *Maffs
yeah that'll do
Good
LOL
Time signatures are easy when you think of everything in 1/1.
r/showerthoughts
Nah because in 18, 19 half of the bars start on half beats
makes sense
Nah 1/8 really
Thanks now I just have to count the bars
every time i see the part where they go all out and throw their headphones off at the end it brings me to tears, they're having so much fun and its the most beautiful thing ever
every single member of this band is absolutely incredible. i'm a huge motifour fan, but hiromi's timing with the drumbeat during 18,19 is absolutely impeccable. this band is legendary
Wow. I'm floored by the intricacy and unpredictability of their music. Love the tension between the sweet vocal melodies and the dissonance created by the weaving guitar leads. The way the rhythm section holds it all together is as mind boggling as it is breathtaking. The bassist has incredible technique and tone and the drummer appears to be moving in two different time zones. Awesome performance!
@@yellodread well said😎
God, that key change in 18,19 never fails to give me chills. Absolutely adore this band.
Hands down one of the best Mathrock bands to date. Tricot Slaps!
Jay F that AF cover 👌🏼
Got represent for us mathrock and emo boys lol
Jay F it's cos they're asian
It thought it's because they're great musicians, but oh well.
I think tricot and chon :D
21:46 Everybody just go wild from this time
losing their headphones and just having fun
im becoming an instant fan
made me cry lmao
If this is the part you like, you should check the joy formidable playing whirring live
The spiritual difference between math rock and jazz
@@TeenieTinyTina Watched it, good shiet 🔥 Now i have tinnitus 👍👍
You know shit is about to go down when they lose the headphones and the drummer is holding the sticks in reverse grip.
Their arm waves during Ochansensu-Su is everything.
So much fun hosting you all!!! One of my favorite bands to have talked to on AT 🖤 come back soon
Potage’s guitar riff has been stuck in my head for about a year now and I don’t want it to get out of there
that bassline on 'potage' is dope af
And the vocals, THE VOCALS S2
I KNOW RIGHT !?
Hirohiro is a BOSS!!!!!!!!
She's among my all time top 3 bassists (along with Cliff Burton and John Dedominici).
LoL Ochansensu-su has to be the guitarist favorite song it really gets her hyped and moving more than any of the other songs.
it's a fun song to play
おちゃんせんすうす、is anthem
Las canciones van así :)
0:27 - On the boom
4:59 - 18,19
9:03 - Ochansensu-su
12:40 - Potage
17:40 - tricot interview!
18:50 - Melon Soda
Much appreciated !!
Distinct, sharp Japanese sound with complex chords and purposeful use of dissonance and irregular time signatures in select places; uncommon in many American bands influenced by simpler punk rock structures. Really refreshing tone and overall experience coming from the US perspective.
I really like how they take math rock and give it a very distinct japanese touch. The melodies, harmonies and song structures are especially different from western mathrock.
Their style also makes it more palatable to others who aren't into most math rock.
Vergin4Life Interesting. Would your musical excellency please enlighten us as to which bar chords are being used and why they don’t “musically work together well”?
And since you don’t like tricot, what other Japanese math rock band would you suggest we listen to?
Vergin4Life watch out guys! He’s been playing for 5 years! No one has ever done that before!
Vergin4Life
This is by far the example for the Dunning-Kruger-Effect that I've ever seen. This is hilariously bad.
0:28 "On the boom"
5:00 "18,19"
9:05 "おちゃんせんすぅす"
12:40 "potage"
17:39 Interview
18:57 "Melon Soda"
on the ‘boom’ （╹◡╹）
Silly me.
no problem （╹◡╹）
The bottle of water with a straw on a mic stand is genius :D
tricot lives in 2934
@@Piperdrums straws will definitely be universally banned by then lol
@@lonesomexheartbrokn
the future is now
@@lonesomexheartbrokn they'd be using a metal straw then
It’s quite the norm back in Japan. :)
seeing hirohiro absolutely kill it on a bass that looks nearly the same size as her always puts a smile on my face
I'm a beginner guitarist and I'm just imagining how hard this must have been to play and sing along with
These girls are amazing
Tricot FTW
Strumming is easier to sing to because you’re usually just strumming following through without actually doing solo stuffs . Regardless it is still hard, especially when you’re listening to different time signature .
If you do the song, doesnt Matter, you can Sing It. She did this, so she know easily how and when to sing
I've been playing for 4 years now, and this makes me still feel like a beginner lolol. Long way to go!
@@lucasdelima6147 more easily than someone trying to cover their tunes yeah. It’s still incredible that everyone can play these songs together in sync and as precise as they are. I think that’s in no small part to their drummer but still. These songs are demanding as hell and take some ingenuity to write
I still come back to this from time to time. I saw them on this tour in Portland and, being my favorite band, it's hard not to get worked up with the positive energy and incredible performance tricot brought and I'm glad it's been immortalized with their session here. Thanks for letting me relive this tour/show whenever I like!
Math rock is like the genre than even confuses the metronome
Failed horribly when I tried to figure out the time signatures of these songs. I wonder how they keep the timing
@@bruceerogan3662 If you know the time signature, you can figure out a "groove" to feel that really helps you keep time. You don't even necessarily (and sometimes shouldn't) feel the time as it's written (feel six beats per measure in 6/8, for example), but instead feel the "phrasing" and common beats/subdivisions between time signatures. With some songs (Tricot's *Ochensansu-su* especially), I had to read a transcription while I listened to figure out how to "groove" to it. Let's take the first few bars of Ochensansu-su, for example: Ignore the first measure of 4/4. The first section of the song switches between 9/8 (they play the chords on beats 1, 3, and 7) and 6/4. In other words, feel the 9/8 instead as 3/4, subdivided in threes. That way, it should feel like one measure of 3 beats, followed by one measure of 6. That sort of simplifies things and makes it easier to bob your head to or whatever. Once you have a feel for the flow of the song, it'll be easier to count the time as it's written (9/8 as 9/8 instead of 3/4). I like counting/moving to the 7/4 section following the 9/8 with 6/4 section and recommend you try working that one out. Hope this helped!
I don't think Math Rock has Tempo Change its mostly just variable Time Signatures.
@@bruceerogan3662 they know when to count to whatever they need to, and feel it the way they need to to make it make sense rhythmically. try breaking it all up
@@erebus3059 It most certainly can have tempo changes, but changing time signatures and irregular rythym in general is more so what people associate with math rock.
5:59 Her look in the camera...melted my bloody soul. AMAZING PERFORMANCE!
I'm in love
かっこよ！！
日本のバンドがこのチャンネルに出るなんて！
なんだかすごく誇らしい
ro Toroke そうですよね toricot rocks!
José An yeah,he says same thing
@@kangfukick いいえ、これはジョークで、「日本のバンドを出すなよ、アメリカのバンドが悪く見えるだろ」と言っています。つまり、彼らもtoricotにぞっこんです。嬉しいですね！
Finallllyyyy ive been waiting for tricot to hit audiotree for yeaarrs Kexp and tiny desk are next!
Do you have his records ?
god yessss
If you guys like Tricot you might also like Polkadot Stingray and Pulmolight for more Japanese mathrock. Pulmolight is like tricot's poppy side maximized while Polkadot Stingray ramps up the funkiness.
Thank you!!!!
Neither Polkadot Stingray nor Pulmolight are mathrock bands in the slightest, they are just typical post-2000 J-GIRLS POP ROCK bands. Disbanded but Uchu Convini would be an example of a math rock (that meets J-Pop.)
ntuples math or not they sound similar for anyone who wants more of that tricot inspired sound.
You literally said "Polkadot Stingray and Pulmolight for more Japanese mathrock," and I replied just because they will disappoint those after math rock bands from Japan.
@@ntuples Uchu Conbini are really an overlooked band! Sad thing is I found them.. only to knew that they've been disbanded just a few year ago :-(
i love how you dont need to know a word of japanese to hear the conviction and emotion and power and beauty in her voice, and the energy and enthusiasm and joy in all of them playing. i love tricot
5 seconds in to any of their songs and the tears want to start flowing and not stop. And they're aaaaaaaaaaaall good.
I like ikkyu’s waiting for drummer at 4:55.
Owens Hsu it’s cute as hell
I like ikkyu in general 😍❤
I personally love how the drummer is just as cute as the girls
トリコがこんなすごいバンドって知らなかった、リズムギターの音作りとメロディ好きすぎる
Without a doubt one of the best math rock bands around!
EngineeringAdam You should give Jyocho a listen! ;)
They dont even know what math rock is you fucking idiot
I don’t know why, but I couldn’t stop my smile during almost 24 minutes.
Man, that vocal harmony going into the last chorus of Melon Soda is just too good
Breaking stereotypes with women playing math rock, while also reinforcing stereotypes of Asians liking math.
Lmao
Beyond stereotypes, I just hear talented people, mostly women. Sounds much better than a lot of music around the world, not because of the genere they are playing, but musically speaking.
fiera, no te las vas a coger, jaja salu2
I once read a book about russian immigrants and in the chapter on the stereotype of them being good in math the writer wrote "well you see math is awesome and we love it"
@@FatManLaughing русские не любят математику, лол
これ普通にすごくね、、、tricotこれからも聞き続ける！！！！！！！！！
Why are Japanese musicians so incredibly good? So many greats have come from Japan. From the boredoms, to té. It must be something in the water over there.
Andrew Kozlowski what are your favorite Japanese bands?
Check out the Fin. Period included and kidori kidori
cause they have a lot of jazz and soul influences
Andrew Kozlowski practice, dedication and a culture of clean perfectionism, plus the obvious aesthetic & sonic influence
Andrew Kozlowski , I believe after the war, japanese goverment made music exams mandatory (correct me if im wrong, but its something along those lines), so I believe its safe to say that the majority of people in Japan own some sort of musical instrument at their homes. Of course we cant ignore the fact that the americans also influenced Japan in the 1950s when they introduced jazz,rnb to them.
Both Audiotree versions of 18,19 and Ochansensu-su are imo the best performances of these songs you can find on RUclips - LOVE IT!! And once again: absolutely fantastic soundmix and camera work.
A few months ago i found this video on my recommended, and tricot is now one of my favorite bands ever.
Thank you RUclips and audiotree for introducing me to tricot and the math rock genre.
ほんと音よすぎる... 気持ちいいな〜
The main riff in Potage never ceases to amaze me. Genius
I've never really sat down and actually listened to math rock, but I just came across this by chance and tbh... it kinda slaps. Now I'm gonna delve deeper.
This video was he first time I heard tricot some months ago and I haven't stop since. They're so good and talented! I really hope I could see them live some time soon
10:40 everybody stop working for a moment and check out these moves
They're fuckin' smooth, aren't they?
She is flying
Thats just what you do when the cables start getting tangled around your feet.
@@austinfromhouston12 No that's not what you do when the cables start getting tangled around your feet.
@@jonasw3945 well that’s what I do
this is the best representation of Tricot's talent I have found. Great performances and great set up and production. Sounds great. They are really good. thanks to Audiotree for making this happen.
Great band, amazing audio engineering, polite smart beautiful host, lovely energetic music!
Congratulations to everyone!
Every drummer better appreciate that clean snare roll fill at 5:11 🔥
Hiro-Hiro is so adorable!! Did anyone else catch when she head-banged too hard and her headphones fell over? It's at 4:20 lol I love this girl so much!! ひろみさん！ヘッドフォンが大丈夫 ? 😄
僕はアラフィフのおっさんですが、つい最近Tricotを知って動画見まくっています。
こんなすごいバンドが10年前から存在していたなんて、もっと早くに気づいておけばよかった。
プログレ、フュージョン好きにはたまらない。ルックスも良いしファンの年齢層も幅広いんじゃないかな。
Yes, this is great. They were awesome with TTNG and Chon and they are awesome here.
Keep up the good work!
Javier Duarte such and amazing concert im so glad i was able to see them with ttng
the billing on that tour was literally backwards!
I was at the tour stop in nyc. So incredible
Javier Duarte do you know what the last song they played was where they went balls to the wall? i showed up a lil late and was hitting my cartridge so right when it hit they ended their set with that fucking crazy experience and i’ve been trying to find the song
No love for Polyphia? Lol
4:22 Hirohiro's headphone just gave up holding her awesomeness
I always come back to listen to this version of "On the Boom"
To be able to do everything here in sync is impressive! Those vocal harmonies at the same as those guitar licks is not easy.
the bassist is SO CUTE and really killing it!!!
love Kida's dancing during Ochansensu-su
5:30 - 5:45 oh my heart...
I always come back to this and I love the end of Melon Soda where they're feelin themselves and just shake off their headphones. Really shows how much they love performing their music :)
Sweet random gods that drop me in these pinnacle spaces from another dimension - grateful.
私は今日だけ言ってずっと待っていましたが、2年前にこの素晴らしい瞬間が起こったので、このバンドが大好きです。 2020年6月14日 メキシコのファン
YESYESYES I saw them live after months of listening to them and watching their MVs and it was unforgettable,, they’re so crazy talented and tuned in to each other
Aye this is awesome. Proves musical groove transcends the language barrier.
No band should have this much talent. Not possible.
Music is universal, listening from these guys makes you think how does it being japaes, or Singaporean or malaysian. Refreshing sound, coming fron the Philippines
this is the video that got me hip to tricot. now they're hands down my fav band. thanks audiotree and the almighty YT algorithm
Will never get enough of this band. So cool that they made it onto Audiotree.
Im at a loss for words on how amazing they sound, definitely going to be playing them on loop for awhile 😍🎧🙌
I only just discovered these guys a couple of weeks ago and my god, I am so happy.
best find on audiotree since I've subbed. thank you thank you thank you. I found one of my fav bands ever. (after a week or so binge of all the Tricot music I could find)
Welcome to the world of Tricot. They are crazy ggod, enjoy!
The Japanese have their shit together, jesus christ this is a good band.
Edit: 7 months later and I'm still smiling like an idiot while listening to this
Throwing out Jesus christ for effect. I usually go with Jesus fucking christ. Lol. Yea, in love as well.
same
I literally just discovered this band a few minutes ago...what a gap in my knowledge! This band is incredible!!! And it doesn't hurt to have George Harrison sitting over your heart! ;) I love when you have musicians so tight together that they can sound incredible and exciting with a very clean sound. The perfect combination of jazz and prog rock. I only wish tricot had been around when I was in high school back in the late 80s, we needed this kind of sound in music back then and I would have been the biggest fan.
this was sick. new favorite band.
where have i been? there is a band as good as this. OMG
Love this session. Still using that Revolver guitar strap on my bass 5 years after spotting it here.
i come back to this video every few months, they fucking shred
Japanese math rock is top tier. doesnt suprise me. LOVE THEM
Have you tried toe? They're the pinnacle of Japanese math rock IMO.
That is some seriously legit stuff there! Damn, they are good. Been playing tunes since 1966...and that music and musicianship is awesome.
Love that Revolver guitar strap. 😍
I'm not sure how I ended up listening to Japanese math rock but I'm very happy about it
Amazing how they mix jazz and other style in unique j-rock. Good for ears and soul
I still can't believe I got to see them live twice in the past two months.
ProffessorDESU were you at the audiotree performance??
Saul Herald I wish lol, saw them on the super chon bros tour and then they came to my town for a gig
hell yes, they are so good live
I always come back to this video for the pure wylin out in Melon Soda
i dont know how many times i came back to this video
Feel so good to see them really having fun to play their music!
The ending alone man. This is the importance of live music right here.
4:59 "18, 19" what a masterpiece
*sits on the ground and starts slapping my guitar*
Rob scallon intensifies
*slaps the guitar* this bad boy can fit so much notes in it.
@@kouham420 Holy shit this made me laugh hard. Thank you!
You should poke your guitar too and tell it "hey, do something"
*slaps ukulele*
_I don't belong_
Tricotがこんなにすごいバンドって今日初めて知りました。日本で売れるかどうかは世界で売れることとは関係ない。日本でしか売れないバンドよりはるかにカッコええなあ。
The guitar work is exemplary.
うおおお！！tricotがAudiotree Liveににににに！！！ すげぇー！
この音響で聴けるなんて！吉田さんのドラムいいわーーーー。やっと３人の強い個性をしっかりと下支えしてくれるドラムになった。
音良すぎ 2023
5:00 18,19の最初のドラムの入りがたまらなく好きでまた聴きにきた2004
really hope they come back for a headlining tour soon
Jay Marietta I was told by their merch guy that they are coming back in spring
I literally left after they and TTNG finished lmao. Definitely looking forward to seeing them headlining a show.
Thats great news. I had no idea they were touring last month. I need to see them live.
Jason Lo you missed the best set then. Polyphia - tricot - Chon - ttng in that order
Chon blew me away live. Polyphia has parts of their music that i enjoy but i cant get into the electronic parts of their sound.