Mamma mia....Pavarotti nel 1979 al top della sua vocalità e in una serata felicissima. Credo che nessuno nella storia abbia cantato meglio La gelida manina di cosi’...
Resulta estimado Juan que justamente el Director de Orquesta es Carlos Kleiber, considerado por muchos el Mejor Director del Siglo XX! No es casualidad! De padre austriaco y formado desde los 5 hasta los 18 años en Argentina. Y que jamas se quito el CARLOS aun cuando regreso a Europa.
@@MrAldila His performance was indeed beautiful but, to my ear, not up to Pav. To each his/her own. Pav has power to spare, it like he's not even trying. Insane breath control and resonance. Check out Pav's Budapest performance from 1986.
@@mushyartuk6045 Right? The Budapest "Che Gelida Manina" was his best I feel and you can see it in his face. He felt good that night....confident and strong. And it showed in his awesome performance resulting in a nearly 3 minute ovation. Pav is the best.
In late 60's and 70's he possessed one of the best lyric tenor voices ever, and a natural musicality you can't teach.Sad record companies forced him into recording operas more suited to Spinto Tenors and resulted in the deterioration of his voice in later years.
@@Castorp-wn7dh When Pavarotti started his career he sang bel canto roles, well suited to the exceptionally beautiful lyric tenor voice he possessed.It was not a big voice, like Corelli, Domingo, and similar Spinto Tenors.His upper and middle voice excellent, but lower voice weak.Due to his huge record sales, both record companies and opera houses wanted him to sing some of the heavier roles better suited to Spinto Tenors in particular Wagner also Puccini, Mascagni.When Pavarotti recorded operas better suited to Spinto/Dramatic tenors Caluf in Aida for example his voice could be tuned up, but when he sang these roles on a stage his technique and small voice could not meet the demands of heavy dramatic roles.All.voices decline with age but I do believe singing roles not suited to his voice hastened the usual decline as singers age.Pavarotti's impact on opera was huge, he was 71 when he died, a voice of exceptional beauty one of the best leggero tenors in the history of operatic singing.
@@Castorp-wn7dh Yes I have at Covent Garden 1965, it was his breakthrough in Donizetti's La fille de regiment.It's was his performance in this role which gave him the title 'King of the High C's' in one aria he sang nine effortless high C's and curtain calls went on forever.
Видеоклипы
how I wish I was in that audience, I'd still be applauding now, simply wonderful.
I feel the same way. What a tragedy to have missed him live....in any capacity.
Completely breathtaking, Pavarotti just makes this hauntingly beautiful aria, his own.
Untouchable when he sings like that
I do miss Pav....😕
I loved Pavarotti's voice at this stage in his career. Warmth, depth, resonance, power to create the perfect voice.
just imagine hearing this live
I’d die
Madre mía...hace una interpretación e ésta joya de Puccini maravillosa...de los mejores Rodolfo sinó el mejor...voz perfecta para el rol.
No one compares...
The greatest love song of all time
Mamma mia....Pavarotti nel 1979 al top della sua vocalità e in una serata felicissima. Credo che nessuno nella storia abbia cantato meglio La gelida manina di cosi’...
La mejor Che gelida manina que le escuché al Gordo Pavarotti. Preciosa.
Dios bendiga al que lea este comentario 🙏😊
Resulta estimado Juan que justamente el Director de Orquesta es Carlos Kleiber, considerado por muchos el Mejor Director del Siglo XX! No es casualidad! De padre austriaco y formado desde los 5 hasta los 18 años en Argentina. Y que jamas se quito el CARLOS aun cuando regreso a Europa.
What a voice
Tears in my eyes....
Tears tears tears tears
Honestly I think this is hands down the best performance of this piece. I watch and watch over and over again since this was first posted.
Absolutely
Until you listen to Roberto Alagna's live rendition here: ruclips.net/video/1KZa6RypYO8/видео.html
@@MrAldila His performance was indeed beautiful but, to my ear, not up to Pav. To each his/her own. Pav has power to spare, it like he's not even trying. Insane breath control and resonance. Check out Pav's Budapest performance from 1986.
@@randalcolucci6833 i agree with you
@@mushyartuk6045 Right? The Budapest "Che Gelida Manina" was his best I feel and you can see it in his face. He felt good that night....confident and strong. And it showed in his awesome performance resulting in a nearly 3 minute ovation. Pav is the best.
Thank you for posting this. I can't get enough versions of this w Pav here at 44 yrs old. He crushed it. At LEAST a 1 minute ovation!
Oh this version. I grew up with one version in my ear. This is the one.
Pavarotti dando clase de cómo se debe cantar che gelida manina
823 views it shoulld be 823 million views
I cannot hear this enough. I want to die listening to this until my heart bursts.
Wonderfully put-i feel the exact same way.
Incomparably beautiful
wonderful
Wonderful sound quality.
mcp
Bravo!!!
GOAT ❤️❤️❤️❤️❤️
Perfection!
Who in the world downvotes this?
Goosebumps. Simply the best xxxxx
Unico!!!
In late 60's and 70's he possessed one of the best lyric tenor voices ever, and a natural musicality you can't teach.Sad record companies forced him into recording operas more suited to Spinto Tenors and resulted in the deterioration of his voice in later years.
Agree 1000%!
What do mean by "later years"?
@@Castorp-wn7dh When Pavarotti started his career he sang bel canto roles, well suited to the exceptionally beautiful lyric tenor voice he possessed.It was not a big voice, like Corelli, Domingo, and similar Spinto Tenors.His upper and middle voice excellent, but lower voice weak.Due to his huge record sales, both record companies and opera houses wanted him to sing some of the heavier roles better suited to Spinto Tenors in particular Wagner also Puccini, Mascagni.When Pavarotti recorded operas better suited to Spinto/Dramatic tenors Caluf in Aida for example his voice could be tuned up, but when he sang these roles on a stage his technique and small voice could not meet the demands of heavy dramatic roles.All.voices decline with age but I do believe singing roles not suited to his voice hastened the usual decline as singers age.Pavarotti's impact on opera was huge, he was 71 when he died, a voice of exceptional beauty one of the best leggero tenors in the history of operatic singing.
@@peterholwill1170 Have you ever heard Pavarotti live in an opera house?
@@Castorp-wn7dh Yes I have at Covent Garden 1965, it was his breakthrough in Donizetti's La fille de regiment.It's was his performance in this role which gave him the title 'King of the High C's' in one aria he sang nine effortless high C's and curtain calls went on forever.
❤️😍😍🎼❤️
Tra 10 secoli lui sarà ricordato
Parigi Parigi Parigi ❤❤❤
Bravo, era nel suo repertorio migliore, ma anche Jaume Aragall era un grande in quest'aria!
👏👏👏👏👏👏👏👏
🎭👏
Goal!!!!!!!!!!!!!!!!!!!!!
PLEASE POST COTRUBAS ARIAS. TY sincerely Arnold Bourbon Amaral
3:35 #LaSperanzaChallenge