Wow, this is probably the most beautiful and accurate "Caro nome" I've heard in years! Really excellent in technical and musical terms and, what is even better, memorable. She sings the trills as written and not run over them like so many Gildas nowadays do. Really great. I hope the Met gives her other main roles to sing.
The finest current American Lyric Coloratura singing today! She follows in the footsteps of Ruth Ann Swenson, Anna Moffo, Roberta Peters. Exquisite singing!
She's the only true bel canto singer now before the public. Perfect trills, perfect understanding of legato and portamento, and perfect coloratura sung legato rather than aspirated, gargled, or punched. Her musicality often reminds me of Callas, in the way she sees the aria as a whole, from an aerial point of view. Nothing is rushed, nothing is stretched more than it should be, and everything she does just sounds "right." Listen to her sing the finale of Rossini's Adina and tell me there is another soprano around who could do what she does so effortlessly (ruclips.net/video/YHF3UHs3j0U/видео.html)
Not only is she talented, but is a lovely person, too! I'm seeing 4 productions at the Met this new season, but unfortunately none are hers. Will have to catch her next year, it seems.
I had the good fortune to be in the house for this performance. It was a memorable evening. Her "Ah più non ragiono" was just epic. Hey Met, please post that too! Grazie mille!
Daikini Kathryn I would also include Reri Grist and the monumental Beverly Sills in your list of great American coloratura sopranos. Ms. Orposea is indeed fantastic.
Оропеза, на мой взгляд, сегодня лучшая колоратурная певица. И что же? Ее не записывают на диски, есть только одна полная видеозапись "Лючии". Это просто постыдно. В мире оперы существует не одна только Нетребко, пиар которой переходит все грани приличия. Лизетте - ты лучшая!!!!
Отличная техника, прекрасный голос. Одна такая сейчас. Все остальные современные певицы имеют недостатки в технике или голос некрасивый. На ней уши отдыхают.
Opera definitely needs to be rescued from big vibratoed, heavy-assed, boring singers. At last here’s a young woman with not only a beautiful voice with strong technique & acting chops but something that would make the composers smile: great musicianship! Check out her vocalising with the written score. Only Callas before her could honour the composers with such meticulous attention to details.
A Verdi se le fue la mano con los trinos en esta aria, definitivamente. Hasta máquinas de trinar (y lo digo en el peor sentido) como Sutherland o Sills se debían de cansar de tanto gorgorito.
![MONI OVADIA: MAI PIÙ - Torino, Giorno della Memoria 2025 [Trancemedia.eu]](http://i.ytimg.com/vi/l3yu2njkPOg/mqdefault.jpg)
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
Wow, this is probably the most beautiful and accurate "Caro nome" I've heard in years! Really excellent in technical and musical terms and, what is even better, memorable. She sings the trills as written and not run over them like so many Gildas nowadays do. Really great. I hope the Met gives her other main roles to sing.
FINALLY a soprano of this generation with a real trill, and not the bubbling vibrato on one note. THANK YOU, LISETTE!!!!
.... and that trill is admirable!
Been in love with this voice since she was a teen. She's been around the Met too long for them to not engage her more. Just a lovely singer.
BRAAAAVA! Her trills are out of this world CRAAAZY!!!
Splendida, una perfetta coloratura e tanta emozione
She is absolutely fantastic.
The finest current American Lyric Coloratura singing today! She follows in the footsteps of Ruth Ann Swenson, Anna Moffo, Roberta Peters. Exquisite singing!
Totally agree.
Ha un anima vibrante , che trasmette emozioni , e crea un aspettativa in chi l ascolta
magnifica
She right now in Madrid with Lucia has a big big big succes.she is more than amazing ❤️❤️❤️
Divina
Wonderful voice and amazing technique!
SUPERLATIVA!!!
She's the only true bel canto singer now before the public. Perfect trills, perfect understanding of legato and portamento, and perfect coloratura sung legato rather than aspirated, gargled, or punched. Her musicality often reminds me of Callas, in the way she sees the aria as a whole, from an aerial point of view. Nothing is rushed, nothing is stretched more than it should be, and everything she does just sounds "right." Listen to her sing the finale of Rossini's Adina and tell me there is another soprano around who could do what she does so effortlessly (ruclips.net/video/YHF3UHs3j0U/видео.html)
Sublime et magnétique. Quelle ligne de chant ! Et, Dieu du Ciel... ces trilles...
I was in Tucson for that performance, too, and we loved Lisette!
Not only is she talented, but is a lovely person, too! I'm seeing 4 productions at the Met this new season, but unfortunately none are hers. Will have to catch her next year, it seems.
I had the good fortune to be in the house for this performance. It was a memorable evening. Her "Ah più non ragiono" was just epic. Hey Met, please post that too! Grazie mille!
Just saw her in Massenet's "Werther" from the MET in HD and she was magnificent. Gorgeous voice and stage presence!
spellbinding
wonderful mesmerising tessitura
Bravissima
Daikini Kathryn I would also include Reri Grist and the monumental Beverly Sills in your list of great American coloratura sopranos. Ms. Orposea is indeed fantastic.
Ethereal pianissimo!
Can somebody tell me why this incredible soprano is not singing more at Met?
She's singing Manon and Traviata there this next season.
I echo Dakini Kathryn's comment. Simply exquisite singing ....
👏👏👏👏👏👏👏
Just gobsmacked! The technique certainly, but the way she uses them to convy the emotions in the aria just strike me.
Оропеза, на мой взгляд, сегодня лучшая колоратурная певица. И что же? Ее не записывают на диски, есть только одна полная видеозапись "Лючии". Это просто постыдно. В мире оперы существует не одна только Нетребко, пиар которой переходит все грани приличия. Лизетте - ты лучшая!!!!
Отличная техника, прекрасный голос. Одна такая сейчас. Все остальные современные певицы имеют недостатки в технике или голос некрасивый. На ней уши отдыхают.
Opera definitely needs to be rescued from big vibratoed, heavy-assed, boring singers. At last here’s a young woman with not only a beautiful voice with strong technique & acting chops but something that would make the composers smile: great musicianship! Check out her vocalising with the written score. Only Callas before her could honour the composers with such meticulous attention to details.
A Verdi se le fue la mano con los trinos en esta aria, definitivamente. Hasta máquinas de trinar (y lo digo en el peor sentido) como Sutherland o Sills se debían de cansar de tanto gorgorito.