Verdi: Requiem / Currentzis · musicAeterna · Berliner Philharmoniker
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- Опубликовано: 8 дек 2019
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Giuseppe Verdi: "Dies irae" from Messa da Requiem / Teodor Currentzis, conductor · musicAeterna chorus · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 30 November 2019
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This is incredible. The timing of the notes and the ability to extract such power from a small chorus is superb.
I’d wish to love my job as this conductor does
Sacred to the memory of Verdi
That choir is alive! Amazing singing!!
Not only Teodor, but the timpanist is awesome too
The timpanist must play in a heavy metal band. Period!
He actually started with drums at the age of 8.
When you listen slipknot just before performing in orchestra.
I'd loved to see this live! ❤ so much intensity!!!
I was there in the audience and must say it was the best performance I ever heard in my life. And I am an old man.
I love that timpani
The man is so tall that he doesn't need a podium.
What is the idea behind the second bass drum? Is it used as a sort of natural subwoofer, only to amplify the sound waves that the first one makes?
Indeed. It’s called resonance by sympathy. It means that the first skin, upon receiving the vibrations when the is struck, makes the other three resonate and creates the effect that two bass drums are played at the same time (which is really what is happening).
Stupid timpanist he thinks he is playing great !!!!
He is not
He sounds tiny lacks power👎👎
@@beto1515 Do you know about whom you are talking? This Wieland Welzel, one of the best, if not the best, timpanists in the world.
クルレンツィスの迫力すごすぎる笑 春の来日公演が楽しみだわ。
So exciting to see him finally conduct one the world’s best.. one has to wonder what it was like during the first rehearsal
Finale bellissimo
Esecuzione sontuosa
👍👍👍💐💐💐 FINE melody
Tamas back on Solo-Trumpet!👍🏻
Was so pleased to see that. He was a beast and still is
Currentzis ist simply amazing!!
Спасибо, потрясающий
Amazing!!
Así que el nuevo compositor actualmente esta genial - siento cada detalle y lo deja que se escuche es bueno y eso que es el primer video que veo de el jejejej
It's a pity to cut the clip just during the trumpets 😥
ruthless
He is such tall that even he does not need a podium on which he to stand.
Das ist hervorragend!
Timpani and bass drum
JUST SPANK IT!
..wirklich Pauke!!!!!
OH MY GOD!!!
Теодор- потрясающий дирижёр!!!
the ultimate level: JUDGEMENT DAY
Bravo Maestro!
Wow AMAZING PERFORMANCE!!!!!!
I just read requiem and was surprised because I had this very piece in mind.
Hold onto your hats, kids!
Wow! This is really good.So powerful.
Bravo
キタ～～～～～～～～～～～～～！
Is this boss battle?
Marilyn manson !!!!!!
it's true😂😂😂
why did they replace the bass drum with timpani?
It is not replaced.
Who were the 4 soloists?
Pls don't tell meKermes, Simone is the soprano. LOL
Soprano is Zarina Abaeva
Ich mag.
Kylo Ren! Looking sharp!
Awesome!!!!!!!!!!!!!
finally
Suscríbete vale la pena
내스탈이야
Lindíssimo 🌟🌟🌟🌟sublime 🎄maravilhoso 🎄 obrigada🌟🌟🌟🌟🌟 por🎄 partilhar 🎄SAUDADES 🇵🇹
ruclips.net/video/QpXLYG00T3c/видео.html
Sorry, aber warum braucht Bernstein nicht so ein übertriebenes Tempo, um trotzdem zumindest dieselbe Wirkung zu erzielen...?
however, Bernstein does not stick to the original score either: in Bernstein's version during the dies irae the sopranos (and perhaps also the altos) begin to sing along with the basses and tenors ... it is not clear why.
Mmüükkeemmmeeellll.......
yo this really reminds me of riot i am getting GOOSEBUMPS
#ÁlvaroPeterlevitzBPO
Great Maestro!!
A OK ........................... Bill Bickley uk
Εύγε!!!
عمل متقن
no islam please
Donluca Zaupa Who are you exactly to tell someone what to comment?
Why is this video sped up? Everybody's movement looks quite unnatural o.O
No, thats because its recorded in 50p - more frames per second, looks faster. Its great
The singers of the chorus are all dress up like monks and nuns ! It's quite appropriate for a requiem ..
Not as good or radical as with his ensemble MusicAeterna, but still amazing. I wish the Berliner Philharmoniker invited Teodor Currentzis more often!
I don't understand why people like this performance. The balance in the choir is really weird. At points like 1:00 you are supposed te be able to very cleary hear the tenors and basses so that the rythm is emphasized, you can bearly hear them. The timpanies are also to loud in many places (1:12 you shouldn't be able to count every stroke) and the bass drum to soft where you want them to really impact (0:39). Furthermore, there is just a general lack a of drama. Points like 1:49, it supposed to be snarly and terrifying.
Lo trovo troppo veloce. Inoltre troppo basato sulla ritmica e meno sull’interpretazione del brano cosí che sembra essere abbastanza superficiale la lettura.
One piece of information is enough to affirm that this interpretation by Currentzis, at this fast tempo, is absurd and unfounded: We are looking at religious music, which premiered in the Church of San Marco, in Milan. And in that church, as in any other ⛪️ or Catholic cathedral, you could not go at that tempo, because nothing would be understood, and it is evident that the intention of the composer was for his music to be understood in the place where he knew it was going to be released
If you listen to Toscanini's interpretation, it has a very similar tempo to Currentzis'. Toscanini knew Verdi personally so I can imagine that this fast tempo expresses the actual composer of this masterpiece.
The tempo cannot be set with absolute objectivity by the composer (and even less so if he is deaf, like Beethoven). And even less by Toscanini. The choice of tempo is a subjective thing. But there is one objective and certain thing: what the acoustics of a room allow. And it is absolutely certain that the day of the premiere could not be at this tempo, if the interpreters wanted the public to understand something (and even understand each other), because the acoustics of the church of San Marco in Milan do not allow that tempo.
@Tony_21 By the way, Toscanini's tempo is slower than Currentzis's.
The timpanist became better.
Que desastre de interpretación, pobre Verdi
Por que?
Por que?
@@W8in12 Completamente fuera de estilo, tempi muy rápidos, contrastes dinámicos sólo para apantallar al público, cae en la vulgaridad esta "interpretación"
@@jcceledon33 Comprendo lo atorrante que puede llegar a ser una interpretación "fuera del estilo", y de lo que estamos acostumbrados a oir. Pero mano, para mi es mas atorrante pensar que vamos a durar quien sabe cuantos años mas tratando de aproximarnos a una idea, una concepción de la música que YA NO PODRÁ SER, a menos que se invente una máquina del tiempo. La música interpretada de forma "purista" y la que rompe esquemas, son igual de válidas. Con esto no trato de invalidar tu punto de vista, pero bueno, es mejor ser mas receptivos, al menos para mi. Saludos
La crítica de su contertulio, con la que estoy de acuerdo, no se debe a que defienda una interpretación “purista”. Simplemente, esta interpretación es histérica. El tempo es tan rápido, que resulta ridículo. Basta un dato para afirmar que esta interpretación de Currentzis carece de fundamento: Estamos ante música religiosa, que se estrenó en la iglesia de San Marcos, de Milán. Y en esa iglesia, como en cualquier otra ⛪️ o catedral católica, no se podría ir a ese tempo, porque no se entendería nada, y es evidente que la intención del compositor era que se entendiera su música en el lugar en que sabía que iba a ser estrenada. Lo mismo en Perm, o en Siberia, este tempo es funciona, para entrar en calor.
Taktkratzer 😔
Currentzis doesn't have a clue of Verdi. Hew only understands speed, which he believes is synonymous of tension
His existence is simply a blasphemy to classical music - and a much needed one. The word 'innovative' would not suffice to describe the music he gifts us. A new horizon even beyond our imagination.
@@StocksIn60Seconds I hope more people understand that we need this as much as the 'old and gold' recordings, some people are still trying to revive Karajan - by the looks of it.
A little bit too fast in my opinion and the timpani sound A little bit too hard. I would have used some softer sticks...
Wouldn't that be the whole point of this? Going against the 'regular' tempo.
Nobody cares Steve.
@@jerendonb rofl no, it's important to see what's the currentzis differences, he's not a common conductor at all
No, it is not too fast, by Verdi is 80, he plays 83. The others were too slow...
This is dies Irae day of wrath I think the hard timpani fits
Interesting!!! I guess Requiem has never been performed this way. Maestro should've asked the orchestra and chorus to shake their heads and bodies more actively that would make the performance more ridiculous ... oh, sorry ... I mean more genius!!! Brava Maestro!!!
The conductor is a sham.
starwarsjunkie7777 That’s your opinion. The conductor is certainly far off for the score’s markings. No respect for the composer; what a sham. Go away kid.
David S you noob!
David S Better to be a ‘sham’ conducting the Berlin Philharmonic than whining in a RUclips comment section-guaranteed!
@@davids5652 imagine if every conductor or interpret played the music EXACTLY as it was written. What a fucking boring philosophy, and it's not like that's an amateur conductor. Have some respect
Tony Gemayel Right, but he’s very far off, and the score’s visions are not reflected. Sure, there’s always room for interpretation, but this was pushed too much.
Yet another conductor whose antics spoil a performance for me. Much better heard and not watched.
And why do conductors wear such naff clothes ?
I don’t understand these people.. Why do you go to a concert in the first place? To watch and criticize if someone’s baton technique is good or not? Come on.. It’s save to say that the orchestra and the music under the baton of Currentzis is astonishing, an experience you will never forget.. And isn’t that the reason why we’re going to concerts??
Surely the orchestra could manage to find a decent, and very large, bass drum? That was pretty pathetic.
If you were there you would have a very different opinion
@@mattamorris You're right: I would have been even more disappointed, especially as Currentzis is a fiery conductor and deserves better.
@@JWFan221 you have your own opinion and I respect that but being In that audience was amazing and I truly was taken aback
Plenty of bass drum on these speakers.
@@JWFan221 Currentzis studied at St. Petersburg conservatory with legendary teacher Ilya Musin, who also taught Valery Gergiev, Seymon Bychkov and many more legends. I understand if you don't like the way he conducts, but I don't think you should question his knowledge on the score, unless you know/can do better.
Der Chor war nicht so gut, wie wir es hier gewöhnt sind, der Dirigent benutzt das Requiem zu sehr zur Selbstdarstellung 👎
Basta un dato para afirmar que esta interpretación de Currentzis, a este tempo tan rápido, es absurda y carece de fundamento: Estamos ante música religiosa, que se estrenó en la iglesia de San Marcos, de Milán. Y en esa iglesia, como en cualquier otra ⛪️ o catedral católica, no se podría ir a ese tempo, porque no se entendería nada, y es evidente que la intención del compositor era que se entendiera su música en el lugar en que sabía que iba a ser estrenada