[@eddiebeato5546]

Jaw-dropping…especially his control! One of the finest pianism ever! Marc Andre Hamelin’s technique is legendary!!!

[@rottincheez347]

definitely not an exaggeration, my jaw was dropping every couple minutes at least. Insane playing

[@matthewclarke5008]

This piece is easy for him after Alkan and Godowsky.

[@galois7005]

recommand to beginner

[@herobrine1847]

command

[@user-hf4pi5do9h]

command

[@charlesthomas5956]

command

[@charlesthomas5956]

command

[@charlesthomas5956]

command

[@karpabla]

Ah, what memories! I remember this piece was the exam in my first course of piano.

[@CatkhosruShapurrjiFurabji]

Finally, a score video of this! Thanks!

[@arcadiyratner3284]

Абсолютный пианизм. Совершенный!

[@KenWangpiano]

Interesting interpretation with such great control

[@bigbong620]

Amazing!

[@Bruceykeys]

Trying to figure out which section Scriabin blew his right hand up in ☠

[@Fy37-Piano]

Maybe too many chromatic thirds lmao

[@roshan7c356]

Must be all the consecutive octaves and chromatic scale thirds

[@Damian_Theodoridis]

Liszt: Here is my transcription of your opera
Mozart: WHAT HAVE YOU DONE!?!!??!

[@dwacheopus]

Transcription..?

[@Damian_Theodoridis]

@@dwacheopus yes

[@ZeMeatMuncher]

Copied straight from the other video

[@Damian_Theodoridis]

@@ZeMeatMuncher ok

[@Damian_Theodoridis]

cuz its funni@@ZeMeatMuncher

[@shin-i-chikozima]

The wonderfulness of this performance is unrivaled

[@JeffJeff-qb9bx]

Osaka better

[@shin-i-chikozima]

@@JeffJeff-qb9bx
ThankYou
I hope you are well
From
A corner of Tokyo

[@charlesthomas5956]

​@@JeffJeff-qb9bxYou sure?

[@advikthepianokid4583]

@@JeffJeff-qb9bxOsaka? Or do u mean Okada?

[@ValzainLumivix]

Nice

[@jonathanstupidcheesespaghetti]

1 week of simply piano

[@j.vonhogen9650]

😂

[@igo.spekkyjarvonvreich]

does anyone notice the change he made at 10:43

[@therealtruetwelfth798]

How about 13:00 ?

[@igo.spekkyjarvonvreich]

@@therealtruetwelfth798 I feel like i prefer the original here - but well spotted

The change he made at 13:00 was from the Busoni edition of this work

[@Fy37-Piano]

I think this version is horrible. The dramatic introduction to the final part of the piece fits just perfect.

[@Chimmykoya-]

The part that he didn’t play is the anhang, which I prefer because it fits the last part so perfectly

[@juananramos2807]

Simply piano Day 5

[@Michelle6998832]

MG! I wonder how long it takes an average trained classical pianist to learn than master that? 🤔 Any opinions???? Let's start a thread!
🌹

[@ejb7969]

55 years of preparation and a few weeks of study and practice.

[@Sparsha-ij8rr]

При хорошем владении примерно 12 сложными этюдами Шопена и несколькими трансцендентными этюдами из S139, я думаю, - 4-6 месяцев, если каждый день уделять этому произведению по 2-3 часа напряженной игры

[@Damian_Theodoridis]

Best. Version. Ever

[@JamesBower-yj6ew]

Okada takes the cake, imo

[@Damian_Theodoridis]

@@JamesBower-yj6ew okada’s is messy, this is cleaner

[@JamesBower-yj6ew]

​@@Damian_TheodoridisOkada plays with blistering speed though, which makes it much more entertaining

[@Damian_Theodoridis]

@@JamesBower-yj6ew no hamelin played faster *I think*

[@JamesBower-yj6ew]

​@@Damian_TheodoridisJust listened to this a couple more times and I think you're right. Hamelin's version is better on many levels, such as how buttery the arpeggio at 15:18 was. Wow

[@user-fi4yd2kf6g]

And I thought Rachmaninoff was hard to play....
Anyway, a beautiful piece and astonishing playing.

[@NoLazy71]

Beginner score in muse score

[@Fy37-Piano]

Crazy Interpretation, sadly he chose the busoni edition, which is horrible compared to the original

[@isner_lew1834]

I do not like this version, its lacking of something

[@isner_lew1834]

@@ekenyon51416 Its lacking something because it skipped the double third and tenth part and directly went to quasi presto, i did not like the transcition too. Okada version is gold, but it can be better if we add the double third part.

[@pentaxel3905]

@@isner_lew1834 The part you were describing is an Ossia that was only available on a specific edition, Lang Lang played that part. It seems to me you're talking about the Busoni edition.

[@isner_lew1834]

@@pentaxel3905 yes, it makes the piece better tbh. But lang lang skipped andantino in the coda, so NAH

[@pentaxel3905]

@@isner_lew1834 I agree with you, but no Ossia or Ossia, both Lang Lang and Okada have pretty terrifyingly good performances

[@isner_lew1834]

@@pentaxel3905 1000% agree

[@alexandreblanc9294]

I was a big fan of this music ten years ago, today I realize the "poverty" of this musical content, and that's not the fault of Hamelin, who is an amazing pianist... this piece goes in every direction, without exploiting properly the different themes... I'm a fan of Liszt generally, but now I don't find any interest in this piece.

[@Whatismusic123]

Yeah, this is just a collection of musical ideas, not music.

[@xevivr]

Whyyyy

[@user-uy9qs5sk4n]

You are completely right, but nobody other than Liszt could write so difficult yet effectful piano music - only Rachmaninoff.

[@stefanbernhard2710]

I agree. This is one of liszt's most mediocre transcriptions. It's almost self parody. The first time I heard it was by Lang Lang , so that spoiled it permanently. Norma fantasy is 1000x better imo

[@treesny]

As someone who knew and loved Mozart's opera for many decades before hearing this piece, I cannot disagree more strongly with the negative comments on it. It seems to me as genuine and inventive a response to the opera as his Norma piece is to Bellini's masterwork. The hellfire/worldly pleasures dichotomy of Giovanni's persona are beautifully reflected in the structure of the piece.