I know I’ve been commenting on your uploads a lot lately, but goddamn I’m fucking shocked at how much I underestimated Liszt’s musical abilities. I used to regard his Paganini Etudes and his Hungarian Rhapsodies as his most musical works, and most of his other pieces - while technically very difficult - not very musical because I thought too much emphasis was placed on difficulty than musicality. And while this is true to some extent for some of his pieces, I also recognized that his ability to combine musicality and virtuosity was still impressive. The absolute *gems* on this channel though are outstanding though, and there is absolutely no question that he is an absolute mastermind when it comes to combining musicality and virtuosity. Every upload on your channel has been nothing less than a testament to this. Thank you so much for your work here.
I am astonished that you fail to mention the Années de pèlerinage and the Harmonies poétiques et religieuses, both extraordinary cycles (the first being in effect 3 cycles in one), or for that matter the Sonata. Surely these works, along with the Transcendental Etudes, lie at the heart of his achievement as a composer for the piano. And that doesn't even begin to take into account his still underrated orchestral music, his marvelous songs and his religious music in various forms. Still the most misunderstood of the great composers!
It surely takes a titanic degree of self-confidence (to use no stronger term) to speak with such parsimonious reserve about the musicianship of one of the most accomplished musicians who ever lived.
The algorithm is clever. I had forgotten I watched this video 5 years ago and left a one word comment which I stand by. But my perspective has matured and widened a bit since then. This performance is so good that words become trivial irritations I could just sweep aside. He plays the music as written with finesse and a golden touch. Liszt didn’t make ladies faint by angrily banging the piano as if a weapon of war. He no doubt played with great aplomb, but interspersed with the delicate and smooth. The finest and best Scotch Whiskey is best had only in Scotland and drunk straight by the shot, down the gullet she goes, potent enough to grow hairs on a lady’s breast, but smooth as the smell of spring grasses, and giving a nuanced finish of agreeable complexity invoking cherished memories of good times gone wrong but made right again…Too often we hear Liszt played like the 1812 overture - and there are such moments to be sure. But one ought not neglect the grace and beauty that require a lighter touch I would argue is the predominate facet of Listz. If I were to play this piece, I would want it to sound just like we hear it here.
The themes used are: @ 0:00 Intro @ 1:00 All'erta, All'erta! @ 1:59 Cadenza @ 2:53 A te, o cara @ 5:38 Rendetemi la speme @ 7:22 A te, o cara @ 9:58 All'erta, All'erta! @ 14:46 Son vergine vezzosa @ 17:26 A te, o cara + Son vergine vezzosa
I love this performance so much because Hegedűs is able to retain full musicality and lyrics in every passage, even the more technical demanding ones. Bravo! And Thanks once more @Andrei Cristian Anghel for posting this gem!
once again, an absolute gem. I realize i have fallen in love with a piece once i listen to it and cant get it out of my head and coming back to listen to the sweetens of it is the best feeling in the world
And again, another transcription I have heard mention of (maybe from Alan Walker's monumental three volume Liszt bio- a must read for all Lisztians), and it is a monster. Developing the technical facility to play this as masterfully as is done here is one feat. But Liszt also COMPOSED this thing. His abilities truly were legendary. Thanks again! Your storehouse of Liszt recordings must be vast, along with the scores. Kind of wild that you've managed to source piano scores for every single one of these.
This is a great piece and an equally great performance. Although the passage at 12:15 would sound so good if it were played in staccato, the markings even suggest that you should.
Thanks for posting this vibrant performance. It brings back fond memories of one of my favorite operas. If you haven’t heard the recording with Beverly Sills and Nicolai Gedda you really should; it has some truly powerful performances. Sills has the right sweetness and sincerity to sing Elvira but Gedda is the real star. He sounds wholly enraptured by the music and while high D’s and F’s in falsetto are a feat in themselves, he sings them in head voice and they sound like clear brass bells the way Rubini must have sung them.
Great piece! This is actually the 2nd version. Main difference is that the first version has a more expanded polonaise middle section and (imo) a more cohesive ending. Highly recommend giving it a listen.
Where can you find the 1st version? Is Leslie Howard the only one to have recorded it (therefore you have to buy it to get the complete piece as Hyperion recordings aren't available on RUclips/Spotify)?
@@pleasecontactme4274 If that's addressed to me, I can't help you as there isn't a score of the first version on IMSLP and there doesn't seem to be any free recording online. The Leslie Howard recording is the first track of this album www.hyperion-records.co.uk/dc.asp?dc=D_CDA67101/2 and you can find the sheet music in this edition www.prestomusic.com/sheet-music/products/7117297--liszt-free-arrangements-ii-hardback (there may be something cheaper, but sorry I can't spend too much time looking)
This is Franz trying to make other composer/musicians sound good. Right? Right. This was their Top-20 in the 1850. I love most of Liszt's music... including his organ works. Master Works..... for those who dare. His works related to St. Frances are beyond most .
I've read somewhere that attending to operas were expensive during his time. That's why Liszt's operatic and orchestral transcriptions were popular with the common folk, because in some way they're like a budget version of operas.
truly, the epitome of the internet are the comments that turn questionable and debated ideas or concepts into over simplified, self centered, affirmations. ruclips.net/video/g4whTJy-uH0/видео.html
@@Luchingador I've spoken to Leslie Howard about this work and he has confirmed that the metronome markings here are Liszt's own, so in the performance above it is indeed played slower than Liszt intended. Wim Winters is the biggest joke in the classical music community and his fallacious double beat theory is the musical equivalent of flat-earthers. Take that bullshit somewhere else.
@@Luchingador Seriously?? That guy? He is the laughing stock of the classical music community. The guy takes any "proof" he finds without considering the full context and twists them to suit his "ideas". Go on any classical music or piano forum, or better.. talk to any music professional, and you'll see what they think of him.. Never use any of his videos for any classical music debate.. ever..
2:00 ang Sigbin nahahawig sa kambing na walang sungay ang tenga singlaki ng palad ng tao ang ulo nakayuko sa gitna ng mga paa nito mahabang buntot ng ginagamit sa atake pabaligtad daw naglalakad may kakayahan naging invisible diumano sumisipsip ng dugo
Repent and trust in Jesus. Hes the only way. We deserve Hell because weve sinned. Lied, lusted stolen, etc. But God sent his son to die on the cross and rise out of the grave. We can receive forgiveness from Jesus. Repent and put your trust in him. John 3:16 Romans 3:23😊😊❤😊❤
I know I’ve been commenting on your uploads a lot lately, but goddamn I’m fucking shocked at how much I underestimated Liszt’s musical abilities. I used to regard his Paganini Etudes and his Hungarian Rhapsodies as his most musical works, and most of his other pieces - while technically very difficult - not very musical because I thought too much emphasis was placed on difficulty than musicality. And while this is true to some extent for some of his pieces, I also recognized that his ability to combine musicality and virtuosity was still impressive. The absolute *gems* on this channel though are outstanding though, and there is absolutely no question that he is an absolute mastermind when it comes to combining musicality and virtuosity. Every upload on your channel has been nothing less than a testament to this. Thank you so much for your work here.
yeah
switching from godowsky ? XD
Your TheExarion channel has done the same for me in the past few months!
I am astonished that you fail to mention the Années de pèlerinage and the Harmonies poétiques et religieuses, both extraordinary cycles (the first being in effect 3 cycles in one), or for that matter the Sonata. Surely these works, along with the Transcendental Etudes, lie at the heart of his achievement as a composer for the piano. And that doesn't even begin to take into account his still underrated orchestral music, his marvelous songs and his religious music in various forms. Still the most misunderstood of the great composers!
It surely takes a titanic degree of self-confidence (to use no stronger term) to speak with such parsimonious reserve about the musicianship of one of the most accomplished musicians who ever lived.
how can you exclude his sonata
The algorithm is clever. I had forgotten I watched this video 5 years ago and left a one word comment which I stand by. But my perspective has matured and widened a bit since then. This performance is so good that words become trivial irritations I could just sweep aside. He plays the music as written with finesse and a golden touch. Liszt didn’t make ladies faint by angrily banging the piano as if a weapon of war. He no doubt played with great aplomb, but interspersed with the delicate and smooth. The finest and best Scotch Whiskey is best had only in Scotland and drunk straight by the shot, down the gullet she goes, potent enough to grow hairs on a lady’s breast, but smooth as the smell of spring grasses, and giving a nuanced finish of agreeable complexity invoking cherished memories of good times gone wrong but made right again…Too often we hear Liszt played like the 1812 overture - and there are such moments to be sure. But one ought not neglect the grace and beauty that require a lighter touch I would argue is the predominate facet of Listz. If I were to play this piece, I would want it to sound just like we hear it here.
The themes used are:
@ 0:00 Intro
@ 1:00 All'erta, All'erta!
@ 1:59 Cadenza
@ 2:53 A te, o cara
@ 5:38 Rendetemi la speme
@ 7:22 A te, o cara
@ 9:58 All'erta, All'erta!
@ 14:46 Son vergine vezzosa
@ 17:26 A te, o cara + Son vergine vezzosa
The hero we needed but didnt deserve
Bellini has to be one of my favorite composers
really, what beside operas has he composed ? I never hear his music in radio programs beside opera. I think he is not a great composer.
This is so good it inspired Bellini to do an entire opera.
Lol
Fell totally in love with Liszt - no matter how well known the piece, even no matter how well-crafted - just love this sound
I love this performance so much because Hegedűs is able to retain full musicality and lyrics in every passage, even the more technical demanding ones. Bravo!
And Thanks once more @Andrei Cristian Anghel for posting this gem!
12:42 I feel thrilled...
once again, an absolute gem. I realize i have fallen in love with a piece once i listen to it and cant get it out of my head and coming back to listen to the sweetens of it is the best feeling in the world
And again, another transcription I have heard mention of (maybe from Alan Walker's monumental three volume Liszt bio- a must read for all Lisztians), and it is a monster. Developing the technical facility to play this as masterfully as is done here is one feat. But Liszt also COMPOSED this thing. His abilities truly were legendary. Thanks again! Your storehouse of Liszt recordings must be vast, along with the scores. Kind of wild that you've managed to source piano scores for every single one of these.
People like Liszt had set the bar instead of trying to reach a bar that'd already been set by others. Huge difference.
13:36 marvelous waltz
how is it a waltz
@𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙𒈙 ok
It isnt a waltz. It is a polonaise.
Pièce envoûtante brillante virtuose sublimement restituée ici ! Du grand Liszt !
I love the serenity of the polonaise!
Thank you so much for posting obscure liszt works
18:36 original score sounds more fantastic but this ossia is also very cool!
It's sad that not many pianists have played this version
This is a great piece and an equally great performance. Although the passage at 12:15 would sound so good if it were played in staccato, the markings even suggest that you should.
Thanks you for explanations.... Great moment of joy listening
One of the great materpieces Listzt has written but also one of the hardest. I prefer Don Juan but this performance was legendary.
Thanks for posting this vibrant performance. It brings back fond memories of one of my favorite operas. If you haven’t heard the recording with Beverly Sills and Nicolai Gedda you really should; it has some truly powerful performances. Sills has the right sweetness and sincerity to sing Elvira but Gedda is the real star. He sounds wholly enraptured by the music and while high D’s and F’s in falsetto are a feat in themselves, he sings them in head voice and they sound like clear brass bells the way Rubini must have sung them.
Fabulous
2:53 A te o cara
Amazing piece. I really enjoyed listening.
Great piece! This is actually the 2nd version. Main difference is that the first version has a more expanded polonaise middle section and (imo) a more cohesive ending. Highly recommend giving it a listen.
Where can you find the 1st version? Is Leslie Howard the only one to have recorded it (therefore you have to buy it to get the complete piece as Hyperion recordings aren't available on RUclips/Spotify)?
could you give a link?
@@pleasecontactme4274 If that's addressed to me, I can't help you as there isn't a score of the first version on IMSLP and there doesn't seem to be any free recording online. The Leslie Howard recording is the first track of this album www.hyperion-records.co.uk/dc.asp?dc=D_CDA67101/2 and you can find the sheet music in this edition www.prestomusic.com/sheet-music/products/7117297--liszt-free-arrangements-ii-hardback (there may be something cheaper, but sorry I can't spend too much time looking)
@@simonr6553 yo thanks
(but im broke XD)
Bravo!
I WAS WITH HIM TILL THE CADENZA, THEN I WAS LIKE.........SHIT I QUIT !!!!!!!!!!!!!!!
your channel are the best bro¡¡¡¡
the score is printed my hand! I love it!
The best version of "A te o cara"
This is Franz trying to make other composer/musicians sound good. Right? Right. This was their Top-20 in the 1850. I love most of Liszt's music... including his organ works. Master Works..... for those who dare. His works related to St. Frances are beyond most .
When you listen to a piece by Liszt like this one it seems you are listening to an orchestra
I've read somewhere that attending to operas were expensive during his time. That's why Liszt's operatic and orchestral transcriptions were popular with the common folk, because in some way they're like a budget version of operas.
10:51
Spanish rapsody
5:38 my fav❤
Next life I want be' Franz Liszt!
Lol
ok
This is impossible request no more gods on earth
7:22, 12:16, 17:24
amazing piece and performance! But.. the speed is slower than Liszt intended.
Try playing it at around 1.25x speed
truly, the epitome of the internet are the comments that turn questionable and debated ideas or concepts into over simplified, self centered, affirmations. ruclips.net/video/g4whTJy-uH0/видео.html
@@Luchingador I've spoken to Leslie Howard about this work and he has confirmed that the metronome markings here are Liszt's own, so in the performance above it is indeed played slower than Liszt intended. Wim Winters is the biggest joke in the classical music community and his fallacious double beat theory is the musical equivalent of flat-earthers. Take that bullshit somewhere else.
@@Luchingador Seriously?? That guy? He is the laughing stock of the classical music community. The guy takes any "proof" he finds without considering the full context and twists them to suit his "ideas". Go on any classical music or piano forum, or better.. talk to any music professional, and you'll see what they think of him.. Never use any of his videos for any classical music debate.. ever..
@@AndreiAnghelLiszt thank you
2:00 ang Sigbin nahahawig sa kambing na walang sungay ang tenga singlaki ng palad ng tao ang ulo nakayuko sa gitna ng mga paa nito mahabang buntot ng ginagamit sa atake pabaligtad daw naglalakad may kakayahan naging invisible diumano sumisipsip ng dugo
A te cara, amor talora.......
Bravo bravo bravo brilliance music
9:54
와 진짜 저거 어떻게치나..
14:46
17:24 coda
What is harder, this or the S. 253?
This piece is incredibly hard of course, but S253 is even much harder.
Which is S253? Lucretia Borgia?
@@samthepianoman S. 253 is spanish fantasy :)
Thx
Which is harder; Lucretia Borgia or Spanish fantasy
I picture Bugs Bunny playing this in his coattails.
scary
Repent and trust in Jesus. Hes the only way. We deserve Hell because weve sinned. Lied, lusted stolen, etc. But God sent his son to die on the cross and rise out of the grave. We can receive forgiveness from Jesus. Repent and put your trust in him.
John 3:16
Romans 3:23😊😊❤😊❤
I played this sight reading from my iPad. Although difficult it's not got much music appeal and rather stupid. Just showing off. Seems liszt lost it
Boring no end. tatata..tata..tatata..tata....
#mrincrediblebecominguncanny
Played horribly
How lmao
11:30
9:56