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Rachmaninoff: Etude-Tableaux op. 33 (Grimaud)
The quantity and numbering of these Etudes is confusing because Rachmaninov withdrew three of the original nine prior to publication. The original nine were as follows: #1 in f minor, #2 in C major, #3 in c minor, #4 in a minor, #5 in d minor, #6 in e-flat minor, #7 in E-flat major, #8 in g minor, and #9 in c-sharp minor. Rachmaninov withdrew numbers 3 in c minor, 4 in a minor and 5 in d minor. The a minor Etude, originally number 4, was included in the Etudes-Tableaux, Opus 39 as number 6, and the other two, in c minor and d minor were published posthumously. The resulting set of Etudes-Tableaux, Opus 33, thereby became a set of six, #1 in f minor, #2 in C major, #3 (formerly #6) in e-fl...
Просмотров: 2 089
Видео
Prokofiev: Toccata in D minor op. 11 (Janssen, Tebenikhin, Raekallio, Cocchia, Horowitz)
Просмотров 5 тыс.10 месяцев назад
Much of Sergei Prokofiev's compositional output in the early and mid-1910s consisted of stylistically bold keyboard compositions written for his own use as a pianist. The composer's Toccata (1912) belongs to this period, as do works like Sarcasms (1912-1914) and the First (1911-1912) and Second (1913) Piano Concerti. The advanced, aggressive musical language of these works led to Prokofiev's re...
Fauré: Dolly Suite for piano, 4 hands, op. 56 (Valentin and Roget)
Просмотров 49710 месяцев назад
The Dolly Suite is a set of six short character pieces for piano duet which Fauré composed over the years 1893 to 1896. The set is dedicated to Hélène Bardac ("Dolly"), daughter of the singer, Emma Bardac, with whom Fauré enjoyed a brief relationship in the 1890s. Mme. Bardac would go on to become the second wife of Claude Debussy in 1905; Debussy composed his own homage to domesticity, the Chi...
Schubert: Six Moments musicaux D. 780, op. 94 (Curzon, Uchida, Cho)
Просмотров 27710 месяцев назад
The Moments musicaux were composed during 1827 and 1828, the third and last pieces, which were written during 1823 and 1824, excepted. Each is composed in a sectional form and many are dances of some kind. No. 1 in C major is a minuet in the absolute abstract, meaning that, just as with a Chopin waltz, the music transcends all human footwork. The trio section rolls forward on wheels of seamless...
Brahms: Piano Sonata op. 5 no. 3 in F minor (Siirala, Nakamatsu)
Просмотров 88410 месяцев назад
The Sonata written in the midst of this travel and hubbub justifies Schumann’s Olympian fanfare. It is a work of symphonic proportions and scope, bursting at the seams with ideas to the point that it needs an extra movement to explore different directions with material from earlier movements. It is his biggest solo piano work, and indeed his last Piano Sonata. The first movement, with its tumul...
Sibelius: 13 Pieces for Piano op. 76 (Mustonen, Bibileishvili, Gräsbeck)
Просмотров 2,3 тыс.10 месяцев назад
13 Pieces for Piano, Op.76 is a remarkable collection. Each piece in this opus offers a glimpse into Sibelius' soaring creativity and unique musical language. With delicate melodies and intricate harmonies, Sibelius invites the listener on a journey of emotional depth and exploration. From the tender and introspective passages to the fiery and passionate moments, the range of emotions expressed...
Alkan: Etude op. 39 nos. 8-10, "Concerto for Solo Piano" (Wee)
Просмотров 2,4 тыс.11 месяцев назад
Alkan might be dismissed as a mordant satirist, a miniaturist of genius, and a freakish rival of Liszt's in fashioning a transcendental keyboard technique were it not for a handful of works looming as an avenue of astounding, colossal, enigmatic sphinxes. Those works include "Quasi-Faust" (from the Grande Sonate); the late, misleadingly named Impromptu, Op. 69, for pédalier; the Symphonie for s...
Scriabin: Poème Satanique op. 36 (Lettberg, Margulis)
Просмотров 1,6 тыс.11 месяцев назад
In the Poème satanique, Op 36, Liszt’s influence on Scriabin is at its clearest; the sensual chromaticism of the Mephisto Waltz No 1 is evoked here. Later, speaking to his friend and associate Sabaneev, Scriabin characterized this work as ‘the apotheosis of insincerity. It is all hypocritical, false.’ The dolce appassionato of love is juxtaposed with a riso ironico, a powerful and recurrent ‘ir...
Rameau: Nouvelles Suites (Theraud)
Просмотров 15311 месяцев назад
Rameau's Suites in A and G stand as remarkable examples of Baroque keyboard music, showcasing his mastery in composition and innovation. Through intricate dances, expressive sarabandes, and imaginative pieces like "Les Trois Mains" and "La Poule," Rameau weaves a rich artwork of musical delights. Theraud's piano interpretation adds a modern touch to these historical gems, revealing the timeless...
Liszt: Fantasia and Fugue on the Theme B-A-C-H, S. 529 (Brendel)
Просмотров 2,4 тыс.11 месяцев назад
If the Sonata was Liszt’s attempt to address the legacy of Beethoven, then the Fantasia and Fugue on B-A-C-H was a homage to another great German master, Johann Sebastian Bach. The piece was, appropriately enough, originally written for organ, specifically for the consecration of the new instrument in Merseburg Cathedral in 1856. A revised version for piano was made in 1870. Bach had himself so...
Czerny: The School of Velocity op. 299 nos. 7, 10, 37, 38, & 39 (Szokolay)
Просмотров 4,6 тыс.11 месяцев назад
Czerny's "School of Velocity," Op. 299, is a set of 40 piano études composed in the 19th century. Designed as a pedagogical tool, the collection focuses on improving piano technique, emphasizing aspects such as speed, agility, and finger strength. Each étude addresses specific technical challenges, providing a systematic approach for pianists to enhance their skills. This work has stood the tes...
Shostakovich: Dances of the Dolls, suite for piano (Petrushansky, Forlenza, Malikova)
Просмотров 1,1 тыс.11 месяцев назад
Shostakovich: Dances of the Dolls, suite for piano (Petrushansky, Forlenza, Malikova)
Alkan: Etude op. 39 no. 12, "Le Festin d'Esope" (Ringeissen, Smith, Maltempo, Gibbons, Roma)
Просмотров 548Год назад
Alkan: Etude op. 39 no. 12, "Le Festin d'Esope" (Ringeissen, Smith, Maltempo, Gibbons, Roma)
Debussy: Suite Bergamasque L. 75 (Rogé, Thibaudet)
Просмотров 239Год назад
Debussy: Suite Bergamasque L. 75 (Rogé, Thibaudet)
Czerny: The Art of Dexterity, Book IV, op. 740 no. 31 (Paperno, Smorodinova)
Просмотров 654Год назад
Czerny: The Art of Dexterity, Book IV, op. 740 no. 31 (Paperno, Smorodinova)
Chopin: Polonaise op. 40-1 & 53 (Dang Thai Son)
Просмотров 307Год назад
Chopin: Polonaise op. 40-1 & 53 (Dang Thai Son)
Scriabin: Piano Sonata op. 68 no. 9, "Black Mass" (Bakk)
Просмотров 512Год назад
Scriabin: Piano Sonata op. 68 no. 9, "Black Mass" (Bakk)
Rachmaninoff: Suite no. 1 for 2 Pianos in G minor op. 5, "Fantaisie tableaux" (Ashkenazy & Previn)
Просмотров 913Год назад
Rachmaninoff: Suite no. 1 for 2 Pianos in G minor op. 5, "Fantaisie tableaux" (Ashkenazy & Previn)
Scriabin: 2 Impromptus op. 12 (Apekisheva)
Просмотров 436Год назад
Scriabin: 2 Impromptus op. 12 (Apekisheva)
Chopin: Prelude op. 28 no. 16 in B-flat minor, "Hades" (Arrau)
Просмотров 3782 года назад
Chopin: Prelude op. 28 no. 16 in B-flat minor, "Hades" (Arrau)
Ravel: La Valse for 2 Pianos (Beatrice Long and Christina Long)
Просмотров 5842 года назад
Ravel: La Valse for 2 Pianos (Beatrice Long and Christina Long)
The piano is way too loud
Thank you. These would be two favourite interpreters for this beautiful piece seeing we cannot actually hear the composer himself. They are very clear and project nice dynamics for both, a delicious sense of decadence.
Cocchia 🔥🔥
¿Alguien más oye mucho de "tarantella" en las voces medias del 24 y en todo el 37? Czerny es INMORTAL. Gracias a Dios y a sus geniales intérpretes hoy tiene la relevancia que merece. ¡Lo adoro! erpretes
Тяжело....трудица у поте лица....нудно,-скушно и без усяких изюминок...
Book III No. 24 reminds me of Chopin's Black Key Study Etude from op 10.
ちゃんとスタッカートを付けてください
And it goes into Allegro MODERATO, not presto. Like Yuja, Ax understands that, while it totally eludes the minds of less musical pianists!
This is brilliant. The fact that it has no dislikes is a testament to how good it is!
I just noticed something: on a couple of occasions, Yo-Yo Ma pauses very slightly to give Ax a chance to catch up. No such charity from Capucon to Wang. That’s because Yuja never needs it; she is, IMO, one of the very greatest recorded pianists. She’s up there with the greatest of all time. Of course, who are the greatest is a matter of opinion, with certain exceptions: I think that Dinu Lipatti remains the greatest recorded pianist who has ever lived, and that is even allowing for the fact that the old recordings do not expose the details of technical demands imposed on the pianist by Rachmaninov. Incidentally, it is obvious, when confronting certain very difficult portions of Rachmaninov, that he was a masterful pianist. My problem is very small hands, his being probably very large. His scoring is so rich and round, however, that little guys like me (and Rubinstein, for example) are able to leave out the odd note when we simply can’t get to it. I was in the front row of the Albert Hall when Rubinstein did a concert for the students of the University of London? I didn’t get lucky: I was the secretary of the music society so I grabbed two of the front seats for myself and my girlfriend. She was a very good poet, but her musical inclinations were more towards the Beatles and Stones, which was great when I had designs on her during discos, but not for the purpose of sharing exhilaration with Rubinstein at the Albert Hall. Ah shxt: you can’t have everything in life. But Rubinstein was clever: he knew that the majority of his U of L student audience was not inclined to appreciate anything more advanced than Fur Elise, so he kept it simple until his last offering (there was no predetermined program, so he played whatever he wanted, or heard a student shout a request for). He finished up with a blistering 3rd movement of the Appassionata, which really surprised me because Rubinstein used to avoid the tougher Beethoven works in his later years for obvious reasons. This is all happening in 1972, by which time he was in his mid-80s, I think. He was still very energetic, and I think he was very motivated by the raucous encouragement he got from what he knew was a Philistine, yet wonderfully enthusiastic audience, most of whom regarded music as an atmospheric prop when making a conquest at a disco! Rubinstein was magnificent and after the interval he walked back onto the stage with a cigar, for which ridiculous act he got a massive response from his newly initiated (pop n’ rock) students of music! Looking back on it, Rubinstein’s wonderful, unpretentious character and unaffected personality really shone through that day. I just looked it up: he was playing for us just 4 years before his final concert; and he only retired because of blindness, without which he would have continued, no doubt, because he still had another ten years of life to go after he played for us. What a guy!
A while ago, I got a call from an old school friend who plays cello (as an amateur) and asked me to do the Rach sonata with him. Medical school and a lifetime of practice (medical, that is) does not equip you to play the piano part of the Rach cello sonata. Fortunately, I knew that well from my stereo and IPAD score and was therefore forewarned and able to refuse with an unavailability excuse. He said, “Don’t be such a pxxxy. Where do you think I am on this?” My answer to that was “Have a heart, man; the cello part is a little bit easier, to say the least”. We had incredible times at home for some time trying to put it together. Sooner or later, I’m going to get a call inviting me to make a fool of myself on a concert stage somewhere. It would have been a breeze when I was 17, but it is now a fxxxing nightmare even contemplating it. And I mean that: the nightmare woke me up in the middle of the night with someone of 6’ 4” with huge hands standing up from inside the piano and yelling at me to get the notes right. I assume it was Rach, so I am determined to get back into shape and make this happen. Being primarily a pianist (the violin being my other instrument) and having done the concertos at school, I figured this was doable …. but it isn’t any mor; it’s just too tough! I have a feeling that if I could talk to the great maestro, he would tell me that his cello sonata is his greatest masterpiece. Perhaps I’ve heard (and struggled with) the concertos too many times, I don’t know. But I think this cello sonata is absolutely gorgeous and, having played it quite a few times over nearly 60 years, whenever I can twist the arm (well, a leg at least) of a cellist friend to take a stab at it, it never grows the slightest bit stale on me. Yes, I have that feeling of it being his greatest work. It makes me a believer: thank you, almighty G-d, for giving us Rachmaninov!
Does learning new material for the piano get harder as you get older? I'm 24 years old now and I, too, feel my prime has passed me by. I used to be able to pick up relatively difficult pieces within a few devoted hours of an evening.. now it seems a lot less effortless..
I heard this sonata shortly after hearing the Tchaikovsky Piano trio. I can't help but feel that Rachmaninoff was influenced by the Tchaikovsky. They both contain some of the most beautiful (and heart breaking) melodies I have ever heard.
@estherbreslau6075 Tchaikovsky was Rachmaninoff’s mentor up until Tchaikovsky’s untimely death. Upon hearing about Tchaikovsky’s death, Rachmaninoff locked himself in his room until he created a tribute to his mentor and friend. It’s Trio élégiaque No. 2 in D Minor, Op. 9. Wait until you hear it. Talk about beautiful and heart breaking music. 💙😢
@@kamiharalson6174 I know it well. I have been involved in classical (broad definition) music since I was a young child some 80+ years ago. Ran a music store for 23 years.
@@estherbreslau6075 what a journey! I hope to be so involved with music all my life
25:00
When Debussy writes ff you know the things have gone too far...
the work is massive and i kind of prefer his piano version to the organ . Liszt manages more variety in textures, or at least they are more visible. It is a feat to stick to the 4 notes motif throughout the entire piece and Liszt used every tool he knew in effects, harmony etc. It may not be to everyone's liking but i consider it a great work and Brendel give it justice.
まだ広告や動画嫌がらせくるよ。廃人版甘くない?めちゃはっちゃけたのを送ってください!
ヤフーフリマで送ってくる奴ら、極致版いっといて!見たいんだって!
ヤフーフリマ送ってくる奴らに秒で上行く嫌がらせ、ちまちまコツコツやってって。研究対象さ!どうなるか楽しみやん?
ボストンバレエも見たいってさ。秒の嫌がらせ開始!
豊潤サジーってとこしつこい。見たいんだって!秒で見たいんだって。はいはい研究対象ね!
グレイスってとこしつこいよ。もっと廃人版極致秒で嫌がらせ!お願いします!
お外で赤ん坊が泣いてる。食え。食え。美味しいよ。
美容外科医皆捕虜。ただで働かせて。
世界中から集めて。全員捕虜。
もちろん財産全部取って借金大量にさせてね。土産つき(笑)
クズって生きてるだけで重罪なのに、寄ってくる?ケツ当ててくる?100乗でやり返すから。
ケツ当てて来た奴、元ポークビッツだから元に戻してやってからボルト目ン玉放送ね。詐称したんだし。
僕がやってって言う事はやって下さい。僕は早いから。早すぎて皆さんにはわからないかもだけど 、じゃあ僕がいる意味なに?
EDになってもまたすぐ立つ方法あるんだって。広告できたよ。じゃんじゃん飲ませてじゃんじゃんボルト当てて目ン玉飛び出すとこ放送すれば?Vとっといてでもいいし。
広告全部、全部廃人版やっって下さい。極致の作って先行放送。そのうち世界中に。
Thannk G-d he doesn't smother everything in pedal! Crisp, clear, neo-classical, top-notch playing1
Best performance!0
He makes more of those staccato marks in the Fugue than I'm used to hearing, and it's so revealing! It really adds texture to a piece that can sometimes sound a bit recessive. I also like his détaché phrasing of the closing notes of the Minuet theme. Overall, one of the best performances I've heard. Faithful to Ravel both in style and detail--and idiomatically French.
Mükemmel !!!
Black metal in 1913.
15:05 The voicing made my jaw drop
This is very interesting!
Delightful!
This piece is exhausting, and it's frustrating that the hardest looking part is ACTUALLY the hardest part for once, especially getting it up to as fast as Kissen or Kocsis
wow ... i didnt know Rachmaninoffs Cadenza ...in all ... breath taking ...thanks for uploading
Tame NL er😅
What energy! We have ample recorded evidence that Gershwin played his fast tempi *really* fast. Donohoe captures his virtuosity in fast transcriptions, particularly in the accompaniments. From these rhythmic displacements, he creates contrapuntal lines from the broken chords, rather than a series of offbeat harmonizations. There's also a clear deliniation between the accompaniments and melody that can be lost. With all of the great playing, several of the slower songs are simply too fast, in particular "Somebody Loves Me" and "The Man I Love."
Ravel aimait tellement les chats qu'il semble en avoir mis dans sa musique tant elle est féline...Merci infiniment. ❤
When I was a teenager learning to play the piano, I never liked Czerny, I just found it so boring. Now, more than 35 years later, I had started discovering these etudes and they are so beautiful. I wish I had studied when when I was younger. Many passages have so many similarities with the Chopin Etudes, I wonder who inspired whom.
To play these kinds of Czerny Etudes (school of velocity, finger dexterity, etc) one has to be an accomplished pianist already.
No. 24 is one of my favorite Czerny etudes now.
Браво виконавцю-віртуозу!❤❤❤
no offense but I don't think this was yo-yo ma?
Yes it’s, the version published in 1991
@@HarryWCH 1991??? Is that 2nd "9" a typo?
@@estherbreslau6075what are you on about
@@estherbreslau6075no?
@@estherbreslau6075 He was talking about the recording not the sonata
Crazy Interpretation, sadly he chose the busoni edition, which is horrible compared to the original
💀💀
Кто же этот гений,который исполнил эти шедевральные композиции без ошибок?!!! Я завидую такой технике исполнения🎉
No. 37 has a bit of the spirit of mazeppa
Meraviglioso! Che pianista splendido musicale
5:11 wow
good👏👏
❤❤❤❤❤
Какая же гармония, какой же дар божий был у этого человека! Завораживает по-настоящему!!!
gute Sendung
Could anyone knowledgeable in composition tell me what the chord progression starting at 10:04 and repeated twice could be described as? Would it have a name? I remember hearing this before, not sure where... Maybe Swan Lake... I absolutely love it. So exquisitely dramatic, like an inexorable fall. Thanks!
It's really a different experience reading along with the song.
best czerny performance ive ever heard. beside the fact that its technically remarkable its also played with refreshing musicality! a rare combination when people play czerny. and some of these are really taken at breathtaking speeds all without losing clarity and exactness in articulation