"one" by Studio Simkin
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- Опубликовано: 5 сен 2024
- ‘’one‘’ depicts the journey of an artist who, in the face of adversity, transcends his reality to arrive at a higher level of consciousness and a deeper understanding of his art.
This mirrors the evolution of ballet as a stage-centric art form into a modern language for an empathetic cinematic experience; a way for ballet to stay meaningful through a new format.
Renowned choreographer David Dawson and Daniil Simkin, one of the world’s foremost classical ballet dancers, create an emotional journey that depicts the struggle of artists to create art in the context of flux.
Frightened at first, the dancer in the film feels the isolation we all feel at times of great distress but then comes to understand the transformative power of his art, even if he is alone.
As the choreographic leitmotif in Mr. Dawson’s dance, the spiral has long been a symbol of rebirth and enlightenment. ‘’one‘’ underscores that adversity can lead to awakening and beauty - a path forward on a higher level, for the individual as well as for the art form at large.
Made possible with generous support by:
Perry & Martin Granoff, Susan J. Campbell, Barbara Goldstein, Andrew Martin Weber, Irene Shen, Judith M. Hoffman, Meryl Rosofsky & Stuart Coleman, Sarah Arison, Sharon Patrick, Rod Brayman, Patricia & David Belote, Ed & Linda Morse, Mason Granger, Steve Pesner, Martin & Linda Fell, Deborah & Charles Adelman, Deborah Davis, Yvonne Chen
Special thanks:
Harlequin Floors, Daniel at Körper Kreuzberg, Linda Shelton, Sharon Patrick, Meg White, Merel Laseur, Ross LeClair, Staatsballett Berlin, The Feuerle Collection
To see BTS photos and an artist discussion please visit simk.in/work/one/
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Created and produced by Studio Simkin
simk.in
Dancer: Daniil Simkin
Choreographer: David Dawson
Director: Matthäus Bussmann
Production Company: Dance Masterclass
Executive Producer: Studio Simkin
Visual Concept: Mariam Medvedeva
Director of Photography: Caspar Hees
Music: Sequence (Four) by Peter Gregson, performed by Mari Samuelsen
Costume Design: Leon Emanuel Blanck x Studio Simkin
Costume Assistant: Giuliana Maria Mamone
Producer: Fabian Döring
Editor: Altin Kaftira & Daniil Simkin
Choreography Assistant: Raphaël Coumes-Marquet
For additional crew please see end credits.
Art Direction Title Design: Dirk König
Title Design Animation: SMS3D
Administrative support: The Joyce Theater
Copyright: Studio Simkin
He's like a lonely god who saw the sun for the first time. marvelous expression.
Definizione perfetta ❤
Ótima leitura fizeste desse grande artista
Simkin is at the Apex of his generation. An absolute deep pleasure and artist. THANKYOU
I have been watching you dance since you were a little boy in the fallen angel piece with blood on your shirt. Always stunning. Always beautiful. Always simply exquisite. So glad you exist and so happy that ballet won your heart and your devotion.
I see this iconic piece as a well-earned tribute to himself. BRAVISSIMO!!!
That spectacular double arabesque turn is chiseled in my mind. Glowing choreography by David Dawson.
Standing ovations 👏!!!!!
Imposible describing that beauty with words.
Was just thinking the same.. I'm not sure if we have words that accurately describe him..
The first video I saw of you was when you were young and were dancing with your father. What an incredible journey it has been and this piece reflects that. Superb!
Art in motion. A true masterpiece.
So extraordinary ! It makes me cry to see such a beautiful dancer and production ! Bravo Daniil !
Di una bellezza commovente... Siamo Uno nell' uno. Grazie ❤❤❤❤❤❤❤❤❤ WOW 🥹🥹🥹🥹🥹 bellissimo, divino, anche nel suo messaggio. Pura Arte. Travolgente... eppure equilibrato, arriva dolcemente... E sei te. Umana Risvegliata. Potentissimo... Ci sono qui sotto 🥰🥰🥰. Adoro quel che c' è dentro di me. Grandissima Anima 👏🏻👏🏻👏🏻👏🏻
I am weeping a bit. It is so beautiful. His artistry combined with his athleticism is spellbinding. I loved that there was no scenery, no costumes, just the music and the dancer 💕
I don't think there is a more beautiful dancer than Daniil.
Прекрасная хореография, замечательный танцовщик и исключительно интересная работа осветителя и оператора. Всё неразрывно и в полном соединении
Marvelous! Beautiful dancing, music, everything.
Thank you, dear Daniil for sharing your experiences with us. Eternaly greatful for all the wonderful blissful moments you have gifted us. Be blessed.❤
Amazing! 😮😮😮❤❤❤
Bravo! I can't give enough praise to the bravery of capturing a temporal art and committing it to film. A dancer in his prime showing for all time the strength that supports the grace of ballet. Masterful!
Stunning. The power and beauty and grace of a male ballet dancer with such movement of expression. I wish we got to see more male dancers perform like this, yet it seems they are too often just glorified props for ballerinas, with short moments of high octane "tricks". We need more of this fluidity, these movements in the quietness of music, opportunities for musical expressions. Because as Daniil shows, it's just beautiful to watch.
An astounding artistry from both the choreographer and dancer. I'm glad that Studio Simkin made this available without costing us $100+ a ticket for a live performance.
❤❤❤❤❤❤❤❤❤ 💘 È MERAVIGLIOSO TUTTO.... LUI È IMMENSO
A masterpiece, watching ballet in a whole different dimension 👏
Как красиво! Как утонченно! Браво!!! И очень жаль, что Вас больше нет в Deutsche Oper.........
Maravilloso. Thank you Daniil for creating this magnific gift for us 🧡♥️
Emocionante !!!!!!!!!!
🥰🥰🥰 beautiful!
Nice one Daniil!
The synergy of your form and dance, together with the cinematography and lighting effects, is magic. This is certainly an extra dimension in the right direction that ballet needs to take. Deeper creativity is exactly what the world of ballet needs to learn to embrace way more. It is crazy and an outcry that ballet dancers train like machines to enable their bodies to do the most exquisite of movements, and yet, by and large, the industry still shackles you the way it does.
Ballet is a backbone of the “creative” arts, and yet its established mediums of creativity are restrictive and have still not properly evolved. Preserving the classic repertoires is an important task to retain the traditions of ballet, but when so many of the major companies overemphasise and over-enshrine a sense of archaism, elitism and control, in terms of narrative themes, funding, production and dancer autonomy, it prevents so many, many more people from being able to engage with this magnificent art form. Keep it up!
Ausdruckskraft, welche über seine Fingerspitzen hinausreicht - Anmut, Schönheit und Können. Bravissimo! 👏
Maravilloso... Hermoso trabajo...!!!
Absolutely amazing!
Deus lhe concedeu a perfeição na arte dança. Virtuoso! 👏👏👏👏👏👏
Spectacular Daniil. XO
Что мне очень нравится! это осмысленный подход к освоению любого элемента УЛЬТРА-СИ
Magnifecent!~
Stunning such an Amazing Dancer ❤I can't even begin to describe all the emotions I've gone through just by watching this ❤
Wonderful! I wish that I could see you dancing on stage in this life. So beautiful, inspiring! Perfect!
You are phenomenal and I can’t stop watching you inspire me with your beautiful movements ❤
Outrageously beautiful. Thank you ❤
🔥🔥🔥🔥🔥🔥 Stunning!
Bravissimo Daniil ❤ ne è passato di tempo!Ora abito in un casolare in provincia di Pisa in un oasi di pace in mezzo al verde un abbraccio
Wowowowowowowowowo❤❤❤❤❤❤
Stunning!!❤
Daniel magnificent as ever.
Would love to see you collaborate with David Parsons on the choreography.
Apasionante! 👏👏👏👏👏👏👏👏👏👏
Maravilloso. Gracias! ❤
Very beautiful. Gives peace in mind.
consoling to the soul, thank you Danill
What a way of expression... Wonderful
Символ гармонии и вечности.
Человек и вечность.
Талантливый танцовщик.
Один раз увидишь -- запомнишь навсегда.
Ещё и внешне -- аристократ.
Exquisite.
increible
maravilloso!
Nice ❤❤❤
Meraviglioso ❤
Divino
😍😍😍
❤❤❤
Really beautiful!
Perfects 🤍
Love Simkin but had trouble watching this because the shot was being cut and moved every few seconds so I got no sense of the space and how he was relating to it. Frequently, the camera angles only focused on one part of his body when you wanted to see all of it, or at least see more. Was it planned like this? Because that would be hard to imagine that planned out videography would limit how much of the dancer and his space you're seeing.
EDIT: OK, my bad, tried again, and this problem resolves around the one minute mark. I like the lighting and dramatic throughline and the way he kind of dissolves in light at the end. But the filming still makes it look a little two-dimensional, as if he's moving back and forth along a single plane. Probably influenced by Balanchine, but I feel floor patterns or use of the stage are important in choreography and making it look like the danseur is just going back and forth is IMO never a good choice. But Simkin is so expressive and has such immaculate technique, he's always a treat to watch!
Having a haircut should help? Skinshort-hair could be the best for this dance.
Ни о чём...Хотя,если без видеоряда,то вполне можно расслабиться...
Using the language of ballet, which your physique speaks so eloquently, to increase the vocabulary of dance as an expression of soul and spirit as well as one of emotion and beauty...🤍
❤❤❤❤❤