More from what's been called "The best Bach organ in America". Not only great sounding, but great looking too. (Thanks to highly skilled cabinet makers). From Chicago, U.S.A.
My Orchestra arrangement of this piece: Woodwinds: 3 Oboes Brass: 2 Natural Trumpets in D Percussion: 2 Timpani in A and E Strings: Violins 1 and 2 Violas Continuo (Cellos, Basses and Harpsichord)
Es ist wunderbar, wenn Sie von Zeit zu Zeit ein Bach- Werk spielen. Werden Sie einmal das Es-Dur Präsidium von Bach spielen? Herzlichen Dank Ihnen für jede geschenkte Aufführung.
Dear Mr. Karosi, Many of us admire what you do, your musicality, your registration skills, your interpretations, and the quality of your videos. On this subject, could you one day, in another video, describe your equipment for the video, for the sound recording, and for the making of the videos? Thank you in advance.
I've only heard this prelude performed in a somber and quiet register by Simon Preston, so it really is interesting to hear in another more rambunctious style. Loved it, beautiful organ and amazing performance!
For yet another way of performing BWV 536 check out the performance by Marko Sever on the Beauty in Sound channel. He goes for dignity and grandeur. All three approaches are equally valid and it's fascinating to hear the same piece sounding so different.
Mi piace moltissimo il tuo modo "umile" di suonare, con grandissimo rispetto per la musica di Bach e per lo strumento che hai la fortuna di poter suonare. Le tue intepretazioni sarebbero da prendere come modello per molti altri organisti arroganti che capita di ascoltare su RUclips. Bravo!
I would have liked more legato in the fugue - it is quite vocal and there is lots of stepwise movement. If the prelude is played a bit slower, it balances the fugue more.
Hi Balint, my name is Melissa Ware and I am wondering what it is called when you are playing one key board that is making the other key board play in synchronicity? Does it have a specific name?
Hi Melissa, I think you mean when I couple the two manuals? It is called the coupler. On this organ you can see the other manual’s keys depressed at the same time as the one I am playing. That is a manual coupler. There is also a pedal coupler when I play the manuals from the pedal board. You may add me on Whatssup or Messenger if you have more questions 😊
Dear Mr Karosi, great rendition. Could you describe how do you manage with playing high notes on the pedalboard extending only to d? Did you play final passage partially on manual?
Penso che la tua sia un’interpretazione che rende giustizia a questo brano, uno dei miei preferiti di Bach. Se mi posso permettere: il preludio lo farei un tantino meno virtuosistico e un po’ più pensato musicalmente. Al suo interno vi sono tanti e tali accorgimenti ritmici da giustificare un po’ di agogica in più. Per contro trovo molto giusto il tempo che hai preso per la fuga: solenne e cantabile, come dev’essere. Anche qui, se posso, tralascerei quegli abbellimenti iniziali che appesantiscono un tema così pulito e cantabile, quasi di corale, che col suo incedere incessante e solenne, tra le varie parti vocali, fino allo stretto finale, porta la magniloquenza di questo poco eseguito preludio e fuga a vette inaccessibili.
Einfach wunderbar... voller Dynamik und Geheimnis... herzlichen Dank Ihnen Herr Karosi
More from what's been called "The best Bach organ in America". Not only great sounding, but great looking too. (Thanks to highly skilled cabinet makers). From Chicago, U.S.A.
Magnifique interprétation. L'orgue est très coloré et lumineux.
Love how you color coordinated your trousers with the organ case trim paint! Nice organ playing, too! 😊
beautiful playing. i have played the same piece at the beginning of the mass at 9pm at the franciscan church in Ljubljana, Slovenia, EU
Quina agilitat amb els baixos.
Bravo❤
Wow a modern organ! The voicings are so crisp.
It's BWV 536 in case anyone is wondering.
My Orchestra arrangement of this piece:
Woodwinds:
3 Oboes
Brass:
2 Natural Trumpets in D
Percussion:
2 Timpani in A and E
Strings:
Violins 1 and 2
Violas
Continuo (Cellos, Basses and Harpsichord)
Bravó, Karosi úr! Ez igazán izgalomba hozta a lelkemet, ahogy Bach minden zenének szánta. Köszönöm a remek előadást.
I had the enormous privilege of hearing this piece for the first time I can remember. Great performance, this is now in my playlist
KÖSZÖNÖM SZÉPEN!
Good old Balint plays again 👍👌
You have a beautifully gentle posture at the organ...
Es ist wunderbar, wenn Sie von Zeit zu Zeit ein Bach- Werk spielen. Werden Sie einmal das Es-Dur Präsidium von Bach spielen? Herzlichen Dank Ihnen für jede geschenkte Aufführung.
Dear Mr. Karosi, Many of us admire what you do, your musicality, your registration skills, your interpretations, and the quality of your videos. On this subject, could you one day, in another video, describe your equipment for the video, for the sound recording, and for the making of the videos? Thank you in advance.
Beautiful playing! You sound amazing . Also very smartly dressed
Nagyszerű és meggyőző!
awesome!
Wonderful
Nice principal selection and pedal work.
I've only heard this prelude performed in a somber and quiet register by Simon Preston, so it really is interesting to hear in another more rambunctious style. Loved it, beautiful organ and amazing performance!
For yet another way of performing BWV 536 check out the performance by Marko Sever on the Beauty in Sound channel. He goes for dignity and grandeur. All three approaches are equally valid and it's fascinating to hear the same piece sounding so different.
The video is very beautiful and filled my heart
His playing skills are also very beautiful❤
Love this organ!
Toujours impeccable! Merci!
szép!
The organ seems to be tuned a halftone higher, so the piece sounds in b-flat major.
Brilliant!
Bravo yet again, Bálint!!!!!!!
I'm going to an organ concert tomorrow where the organist is performing one of your compositions as part of their repertoire!
I wonder which one! Please let me know
@@bkarosi I didn't know that you are also a composer....Where can I find info?
@@marccheban194 www.karosi.org
@@marccheban194 Yes, you can find info on my website at www.karosi.org
Always impressed me they play not only with they’re fingers but also there feet!
I bet they also know how to use periods and commas and when to use _they're,_ _there_ and _their._ Amazing world we live in.
And for those of an international pedant nature, a period is what the younger fairer sex go through roughly once a month.
Ce jeune Chantre c'est le futur au prèsent!
Meraviglioso
Grande Balint
JS bach is the best.
Mi piace moltissimo il tuo modo "umile" di suonare, con grandissimo rispetto per la musica di Bach e per lo strumento che hai la fortuna di poter suonare. Le tue intepretazioni sarebbero da prendere come modello per molti altri organisti arroganti che capita di ascoltare su RUclips. Bravo!
credo che con un organino così non potrebbe essere "arrogante" nemmeno volendo. Esecuzione pulita comunque
I would have liked more legato in the fugue - it is quite vocal and there is lots of stepwise movement. If the prelude is played a bit slower, it balances the fugue more.
Great
Hi Balint, my name is Melissa Ware and I am wondering what it is called when you are playing one key board that is making the other key board play in synchronicity? Does it have a specific name?
Hi Melissa, I think you mean when I couple the two manuals? It is called the coupler. On this organ you can see the other manual’s keys depressed at the same time as the one I am playing. That is a manual coupler. There is also a pedal coupler when I play the manuals from the pedal board. You may add me on Whatssup or Messenger if you have more questions 😊
💖💖
🎉🎉🎉🎉
Thank you Clara :-)
Dear Mr Karosi, great rendition. Could you describe how do you manage with playing high notes on the pedalboard extending only to d? Did you play final passage partially on manual?
Yes, I played them on the manual
Penso che la tua sia un’interpretazione che rende giustizia a questo brano, uno dei miei preferiti di Bach. Se mi posso permettere: il preludio lo farei un tantino meno virtuosistico e un po’ più pensato musicalmente. Al suo interno vi sono tanti e tali accorgimenti ritmici da giustificare un po’ di agogica in più.
Per contro trovo molto giusto il tempo che hai preso per la fuga: solenne e cantabile, come dev’essere. Anche qui, se posso, tralascerei quegli abbellimenti iniziali che appesantiscono un tema così pulito e cantabile, quasi di corale, che col suo incedere incessante e solenne, tra le varie parti vocali, fino allo stretto finale, porta la magniloquenza di questo poco eseguito preludio e fuga a vette inaccessibili.
👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👏👏👏👏👏👏👏👏👏
👏👏👏👏🥰🎶🥂
I don't agree with the choice of the ornamentation, expecially at the beginning of the fugue, in the theme of the fugue
Sorry, for me this is not the way to play this "christmas pastorale"..
Bravo ! It's 440 hz ?
A = 477 Hz