Eu ouvi uma entrevista do Luiz Eça no programa "As 10 mais da sua vida" na extinta Rádio Jornal do Brasil. Ele citava essa versão como uma dessas 10 mais e contou um caso. Disse que quando ouviu essa versão pela primeira vez, ficou tremendamente aborrecido porque ele sempre imaginou essa música em um ritmo lento. Ficou tão puto que mandou uma carta para Bill Evans, mostrando sua insatisfação e Bill Evans respondeu pedindo desculpas. Eça então passou a ouvir a versão mais vezes e acabou se apaixonando. Tempos mais tarde, quando veio se apresentar no Rio, Bill Evans entrou em contato com Luiz Eça para se conhecerem e a partir dai se tornaram muito amigos.
Bill's version of "The Dolphin" is beautiful. I sometimes wish Bill would have explored more bossa nova-influenced repertoire during his lifetime. In particular, I believe his harmonic palette and lyrical improvisational lines would have adapted well to that format.
Bossas I don't know but you can find playing "Minha" a song of Rio de Janeiro's composer Francis Hime (all Brazilian musicians don't only play bossa nova !). On the other side Tenório Jr. was influenced by Bill Evans.
a Fender Rhodes is a mechanical piano,hammers strike tines that are.Herbi amplified electrically.There si no electronic piano that can duplicate the sound,as a result all the ones that are still around after 40 yrs are maintained. Herbie Hancock has recorded on them extensively.It's rare to hear Bill E. on one, while comping on acoustic piano.
Bill Evans recorded this easy listening type of album only to get money to satisfy his needs for narcotics. "From Left to Right", "Bill Evans with Orchestra", and "The Vips"are some examples.
@@jean-josemesguen4930 Hi. What I said has no relation to Eça´s Music; I am speaking about why Bill Evans recorded such commercial albums, which are really secondary in his canon. Any biography of Bill attests to this.
![Standards - The Dolphin - Martin Taylor [SS009]](http://i.ytimg.com/vi/7v5HY3bn8e4/mqdefault.jpg)
![Gunna - HIM ALL ALONG [Official Visualizer]](http://i.ytimg.com/vi/HiCxoDeo0hc/mqdefault.jpg)
The song that plays in my head when I am driving to work to listen to troubled children. To go yet another day and Bill makes it a little easier.
Bill Evans arrangements and compositions are at the same level of Beethoven or Chopin in terms of pure beautiness
Beethoven would agree :)
Composer is Luiz ECA
@@spactick Yes.. sure
BEAUTINESS TO THE NINES
Linda música do grande compositor, arranjador e pianista brasileiro Luiz Eça.
i get the chill every time i listen to this thing
Eloy Hurtado Bermudez You and me both, everything he plays affects me like that, but this is divine......
joyful and moving music, thanks a lot Bill♥
Magistral interpretação de Bill Evans .......
BILL EVANS..❤️❤️❤️❤️❤️❤️
best song ever!
Viva, Luizinho Eça !
Great! But this is the "Before" version. Can anyone post the "After" version, with the flutes harmonizing his solo? Absolutely gorgeous.
Eu ouvi uma entrevista do Luiz Eça no programa "As 10 mais da sua vida" na extinta Rádio Jornal do Brasil. Ele citava essa versão como uma dessas 10 mais e contou um caso. Disse que quando ouviu essa versão pela primeira vez, ficou tremendamente aborrecido porque ele sempre imaginou essa música em um ritmo lento. Ficou tão puto que mandou uma carta para Bill Evans, mostrando sua insatisfação e Bill Evans respondeu pedindo desculpas. Eça então passou a ouvir a versão mais vezes e acabou se apaixonando. Tempos mais tarde, quando veio se apresentar no Rio, Bill Evans entrou em contato com Luiz Eça para se conhecerem e a partir dai se tornaram muito amigos.
Bela história! Dois gênios!
So so beautiful.
Pûre merveille ...
Great! Thanks! Wonderful Luiz Eça! good Bill Evans! Vale vale! dos deuses...
EXCELENTE.NOTA 10.
Autor: Luiz Eça
💝
凄い落ち着く(*'▽')
o gênio, brincando sobre tema do saudoso Luizinho Eça...
Como assim? Essa música é uma releitura de uma composição de Luizinho Eça?
é, gravada num dos discos do Tamba Trio!!
So cool
😃🍀💙🌸
Sounds like a cute videogame's, like A Had In Time, soundtrack
Who composed this song?
Brazilian pianist Luíz Eça.
ルイス・エサのカバーですね。これもいいね。
0:10
is this the only bossa that Bill played?
He recorded "Jazz Samba" (Claus Ogerman) with guitarist Jim Hall in 1966.
@@budigarcia Much appreciated
Bill's version of "The Dolphin" is beautiful. I sometimes wish Bill would have explored more bossa nova-influenced repertoire during his lifetime. In particular, I believe his harmonic palette and lyrical improvisational lines would have adapted well to that format.
Bossas I don't know but you can find playing "Minha" a song of Rio de Janeiro's composer Francis Hime (all Brazilian musicians don't only play bossa nova !). On the other side Tenório Jr. was influenced by Bill Evans.
that's not al electronic piano - that's an electric piano: there is a very important difference.
hedgeclipper418 what is the difference?
a Fender Rhodes is a mechanical piano,hammers strike tines that are.Herbi amplified electrically.There si no electronic piano that can duplicate the sound,as a result all the ones that are still around after 40 yrs are maintained. Herbie Hancock has recorded on them extensively.It's rare to hear Bill E. on one, while comping on acoustic piano.
Bill Evans recorded this easy listening type of album only to get money to satisfy his needs for narcotics. "From Left to Right", "Bill Evans with Orchestra", and "The Vips"are some examples.
Not true. He loved Luiz Eça's music, and they played four hands, there's a live album.
@@jean-josemesguen4930 Hi. What I said has no relation to Eça´s Music; I am speaking about why Bill Evans recorded such commercial albums, which are really secondary in his canon. Any biography of Bill attests to this.