You can read the interview Lomography did with me on their magazine here: www.lomography.com/magazine/353410-the-art-of-silhouettes-bart-visser-s-double-exposure-experience-with-the-fantome-kino-b-w-film
Shame they were misaligned but some of them work really well like that. The split one with you and your girlfriend facing each other is pretty cool. I really appreciate this and your other videos on the Lomochrome, CineStill and Kodak films; these weird Lomo films are what got me to pull the trigger on a simple 70s Konica rangefinder. I'm interested in what you can get from the other Lomochrome films, if you've shot the other ones you had in the Lomo Purple video.
I expected the exposures to misalign with that method. I wonder how to align double exposures consistently. To shoot a whole roll of double exposures, your method--shooting all the silhouettes first, and the textures second--seems efficient. If using a double exposure feature on a camera, you'd enter or exit your studio before each shot, which is ideal only if you wanted a few double exposures on a roll. Thanks for this video.
I think my marker lines smudged because I didn't let them dry enough before closing the camera, I have seen other people use this method and get good results so I think it is worth another attempt!
You can read the interview Lomography did with me on their magazine here:
www.lomography.com/magazine/353410-the-art-of-silhouettes-bart-visser-s-double-exposure-experience-with-the-fantome-kino-b-w-film
It's wonderful to see creativity in young people. Great work, keep it up. ....from an old film dude in Massachusetts.
Appreciate it 🙏
This is cool, watching more than once
I'm glad you are enjoying the videos!
This is so cool. I recently got into photography and want to try this
Go for it! I learned a lot by trying it just figure it out
Shame they were misaligned but some of them work really well like that. The split one with you and your girlfriend facing each other is pretty cool. I really appreciate this and your other videos on the Lomochrome, CineStill and Kodak films; these weird Lomo films are what got me to pull the trigger on a simple 70s Konica rangefinder. I'm interested in what you can get from the other Lomochrome films, if you've shot the other ones you had in the Lomo Purple video.
I expected the exposures to misalign with that method. I wonder how to align double exposures consistently. To shoot a whole roll of double exposures, your method--shooting all the silhouettes first, and the textures second--seems efficient. If using a double exposure feature on a camera, you'd enter or exit your studio before each shot, which is ideal only if you wanted a few double exposures on a roll. Thanks for this video.
I think my marker lines smudged because I didn't let them dry enough before closing the camera, I have seen other people use this method and get good results so I think it is worth another attempt!