This album comes from the French Harpsichord Music box-set, containing the first 7 CD's out of 29. Tracklist can be found here! D’ANGLEBERT: 00:00:00 Suite in G Major: I. Prélude 00:02:23 Suite in G Major: II. Allemande 00:05:51 Suite in G Major: III. Courante 00:07:41 Suite in G Major: IV. Double de la courante 00:08:46 Suite in G Major: V. Seconde courante 00:10:36 Suite in G Major: VI. Troisième courante 00:12:15 Suite in G Major: VII. Sarabande 00:15:20 Suite in G Major: VIII. Gigue 00:17:31 Suite in G Major: IX. Seconde gigue 00:18:53 Suite in G Major: X. Gaillarde 00:22:44 Suite in G Major: XI. Chaconne rondeau 00:27:13 Suite in G Major: XII. Gavotte 00:28:30 Suite in G Major: XIII. Menuet 00:29:50 Suite in G Minor: I. Prélude 00:31:56 Suite in G Minor: II. Allemande 00:35:48 Suite in G Minor: III. Courante 00:37:16 Suite in G Minor: IV. Seconde courante 00:39:08 Suite in G Minor: V. Sarabande 00:42:37 Suite in G Minor: VI. Gigue 00:45:08 Suite in G Minor: VII. Gaillarde 00:48:10 Suite in G Minor: VIII. Passacaille 00:55:51 Suite in D Minor: I. Prélude 01:00:10 Suite in D Minor: II. Allemande 01:04:16 Suite in D Minor: III. Courante 01:05:45 Suite in D Minor: IV. Double de la courante 01:07:18 Suite in D Minor: V. Seconde courante 01:09:23 Suite in D Minor: VI. Sarabande grave 01:12:55 Suite in D Minor: VII. Sarabande 01:15:44 Suite in D Minor: VIII. Gigue 01:18:00 Suite in D Minor: IX. Gaillarde 01:21:29 Suite in D Minor: X. Gavotte 01:22:54 Suite in D Minor: XI. Menuet 01:24:37 Suite in D Minor: XII. Variations sur les folies d’Espagne 01:34:17 Suite in D Major: I. Allemande 01:37:34 Suite in D Major: II. Courante 01:39:10 Suite in D Major: III. Seconde courante 01:40:56 Suite in D Major: IV. Sarabande 01:43:41 Suite in D Major: V. Gigue 01:45:14 Suite in D Major: VI. Chaconne rondeau 01:49:54 Suite in D Major: VII. Tombeau de M. de Chambonnières 01:55:14 Overture de Cadmus 01:58:23 Ritournelle des fées de Roland 01:59:38 Menuet “dans nos bois” 02:01:04 Chaconne de phaeton 02:05:07 Courante de lully 02:06:33 Double de la courante 02:08:02 Sarabande ”dieu des enfers” 02:10:14 Gigue de lully 02:12:00 Menuet “La jeune Iris” 02:13:23 Gavotte “où estes vous allé” - Air ancient 02:14:51 Gavotte “le beau berger Tirsis” - Air ancient 02:16:28 La bergère Annette - Vaudeville 02:17:44 Ouverture de la mascaraed 02:20:43 Les sourdines d’armide 02:23:56 Les songes agréables d’atys 02:26:47 Air d’Apollon du triomphe de l’amour 02:30:15 Menuet de poitou - Vaudeville 02:31:20 Passacaille d’armide 02:36:16 Ouverture de Proserpine 02:39:07 Chaconne de galatée 02:40:57 Pièces in C Major: I. Prélude 02:41:46 Pièces in C Major: II. Allemande 02:44:02 Pièces in C Major: III. Gaillarde 02:46:45 Pièces in C Major: IV. Double 02:49:43 Pièces in C Major: V. Chaconne CHAMBONNIÈRES: 02:53:42 Suite in C Major: I. Allemande le moutier 02:55:11 Suite in C Major: II. Allemande 02:58:37 Suite in C Major: III. Courante 02:59:40 Suite in C Major: IV. Autre courante 03:01:01 Suite in C Major: V. Sarabande 03:02:26 Suite in C Major: VI. Gigue la verdinguette 03:04:22 Suite in D Major: I. Allemande la mignonne 03:09:22 Suite in D Major: II. Courante 03:10:37 Suite in D Major: III. Sarabande 03:12:25 Suite in D Major: IV. Gigue 03:13:54 Suite in D Minor: I. Allemande 03:16:27 Suite in D Minor: II. Courante 03:17:45 Suite in D Minor: III. Sarabande 03:19:54 Suite in D Minor: IV. Pavanne 03:24:22 Suite in F Major: I. Allemande 03:28:24 Suite in F Major: II. Courante 03:29:35 Suite in F Major: III. Sarabande 03:31:58 Suite in F Major: IV. Chaconne 03:35:31 Suite in F Major: V. Brusque 03:37:22 Suite in G Major: I. Allemande 03:42:34 Suite in G Major: II. Courante 03:44:30 Suite in G Major: III. Sarabande 03:46:58 Suite in G Major: IV. Menuet 03:48:12 Suite in G Major: V. Chaconne 03:49:37 Suite in G Minor: I. Allemande l’affligée 03:53:42 Suite in G Minor: II. Courante 03:55:26 Suite in G Minor: III. Sarabande 03:57:16 Suite in G Minor: IV. Pavanne l’entretien des dieux 04:01:11 Suite in G Minor: V. Gigue 04:03:10 Suite in B-Flat Major: I. Allemande 04:07:51 Suite in B-Flat Major: II. Courante 04:09:07 Suite in B-Flat Major: III. Sarabande 04:11:14 Suite in B-Flat Major: IV. Gaillarde 04:12:46 Suite in A Minor: I. Allemande la rare 04:15:12 Suite in A Minor: II. Courante 04:16:53 Suite in A Minor: III. Sarabande 04:19:05 Suite in A Minor: IV. Drollerie 04:20:24 Suite in A Minor: V. Gigue LE ROUX 04:22:10 Suite in D Minor: I. Prélude 04:22:57 Suite in D Minor: II. Allemande la vauvert 04:27:22 Suite in D Minor: III. Courante 04:28:39 Suite in D Minor: IV. Sarabande grave 04:30:45 Suite in D Minor: V. Menuet 04:32:06 Suite in D Minor: VI. Passepied 04:32:46 Suite in D Minor: VII. Courante luthée 04:34:42 Suite in D Minor: VIII. Allemande grave la lorenzany 04:38:11 Suite in D Minor: IX. Courante 04:39:39 Suite in D Minor: X. Sarabande grave 04:42:30 Suite in D Minor: XI. Gavotte 04:43:43 Suite in A Minor: I. Prélude 04:44:34 Suite in A Minor: II. Allemande l’incomparable 04:46:48 Suite in A Minor: III. Courante 04:48:23 Suite in A Minor: IV. Sarabande 04:50:17 Suite in A Minor: V. Sarabande en rondeau 04:52:29 Suite in A Minor: VI. Gavotte en rondeau 04:53:32 Suite in A Minor: VII. Menuet - 2 Doubles du menuet 04:54:41 Suite in A Minor: VIII. Second menuet 04:55:14 Suite in A Minor: IX. Gigue 04:57:30 Suite in F Major: I. Prélude 04:58:55 Suite in F Major: II. Allemande grave 05:02:01 Suite in F Major: III. Courante 05:03:29 Suite in F Major: IV. Chaconne 05:07:32 Suite in F Major: V. Menuet - 2 Doubles du menuet 05:09:27 Suite in F Major: VI. Passepied 05:10:22 Allemande 05:12:16 Suite in F-Sharp Minor: I. Allemande gaye 05:13:27 Suite in F-Sharp Minor: II. Courante 05:14:54 Suite in F-Sharp Minor: III. Double de la courante 05:16:26 Suite in F-Sharp Minor: IV. Sarabande grave en rondeau 05:18:52 Suite in F-Sharp Minor: V. La favoritte. Un peu lentement 05:21:28 Suite in G Minor: I. Prélude 05:22:29 Suite in G Minor: II. Allemande 05:25:20 Suite in G Minor: III. Courante 05:26:55 Suite in G Minor: IV. La bel-ébat. Gaiemement 05:28:23 Suite in G Minor: V. La pièce sans titre 05:29:35 Suite in G Minor: VI. Gigue 05:31:27 Suite in G Minor: VII. Sarabande 05:44:28 Suite in G Minor: VIII. Menuet 05:45:30 Suite in G Minor: IX. Gigue (pour deux clavecins) 05:47:23 Suite in G Minor: X. Courante 05:49:00 Suite in A Minor: I. Prélude 05:49:52 Suite in A Minor: II. Allemande l’incomparable 05:52:13 Suite in A Minor: III. Courante 05:53:43 Suite in A Minor: IV. Sarabande 05:55:45 Suite in A Minor: V. Sarabande en rondeau 05:58:01 Suite in A Minor: VI. Gavotte 05:59:08 Suite in A Minor: VII. Menuet - Double du menuet 06:00:10 Suite in A Minor: VIII. Second menuet 06:00:42 Suite in A Minor: IX. Allemande gaye 06:03:15 Suite in A Minor: X. Courante la Venetiene 06:04:40 Suite in A Minor: XI. Gigue
My very limited knowledge on French baroque left me with no idea about these highly talented unknown composers who may be overshadow by big names like Lully, Couperin, Rameau , and Charpentier.
@@canman5060 In fact, Chambonnieres and D'Anglebert enjoyed reputations close to Lully at their time. They were also predecessors and influenced Rameau and Francois Couperin the great. Charpentier, who has become a household name nowadays due to his prelude in Te Deum, was actually much less famous during his lifetime.
I don't know why they don't feature harpsichord music in more period piece movies, I just feel like it has such a unique sound that captures the era so well. So underused!!
I wonder why they don't make more movies set in this period period. Maybe they think the clothing fashions of the Baroque era look silly to the movie goers of this era?
@@tonyjeffers7189 Probably because Hollyweird is American, and setting movies about musketeers, royalty, alchemists, detectives, and clergy living in the 16th or 17th century during the European Baroque period is largely unrelatable to Americans and is generally denounced as "old world" culture.
If you want more French harpsichord music (and who wouldn't?), the late harpsichordist and organist Scott Ross recorded the complete keyboard sonatas of Couperin and Rameau, as well as works by Bach (including the Goldberg Variations), Handel, D'Anglebert and Frescobaldi. In his spare time he also recorded all 555 of Domenico Scarlatti's keyboard sonatas (which no single person had ever done before). Sadly, he died at age 38. R.I.P.
+x_toxicity. No French person is a peasant. Do not forget that. They are French. They are not other Europeans and other non French people for you to call them peasants, imbecile.
@Konservativ Fornuft lets not pretend the present elite has anything to do with the old blood. The peasants may be the same but their cause this time is righteous.
@@StrawberryFeildsforNever Yes, but I could listen to pieces I like, example, La Follia by Vivaldi on harpsichord for 6 hours and almost have. Most of what I've heard seems directionless and trite. You'd have to drug me to listen to a Debussy concert, so everyone has likes and dislikes
@@nigelmarshallkenyonabbott8684 Try J S Bach, he wrote a large number of pieces for the Harpsichord. The Chromatic Fantasy and Fugue sounds almost modern in places, the Goldberg variations are amazing. Although not specifically for any particular keyboard instrument Well Tempered Clavier (start with part 2 or part 1 both are amazing).
When I listen to baroque music, it makes me think of a leaf being blown and tossed around in the wind, just dancing and fluttering around randomly every which way. It is beautiful in that way. Classical music is like a leaf floating down a river...smooth and fluid. It is also beautiful in that way.
This is splendid playing. Unlike the piano, in which the wires are struck by hammers, in the harpsichord the wires are plucked by tiny wooden "fingers." Thus "attack" hardly matters when it comes to the volume of sound. Scott Ross is a genius!
Something about the D'Anglebert recordings are so good! They sound kind of nostalgic, like a great memory that's long gone, and that's because there is; a memory before 1789...
My mummy was a direct ancestor of Marie Aintonette+as beautiful! Every note,every noctave i too truly feel of such beautiful compositions. Lavina Morticia.x
You had to be a kid growing up then to get it. Kids today just don’t get it. I miss the old days. Takes me back to fleecing neighbours’ apricot trees and chasing young wenches through the vineyards. Ah, those were the best of times.
I invited you to dinner on July 15, 1721 and you stood me up, Johann. Oh, you think you're special, huh? Well, anyone can write The Well Tempered Clavier. Don't bother calling me. It's over
Wonderful collection. Belder & the other artists seem to do fine justice to the sensibility & intention of French Baroque (I take it as elegance above all, lyric, but toujours logique). For some reason, this presentation attracts trolls ; ignore them, of course. Some ears & psyches favor percussive clarity, others a kind of legato smoothing in all forms, hence a preference for different instruments, no matter what is being played. A great joy to be able to enjoy all, as long as the given works, interpretations & playing are all at a high level, as here. Many thanks again to Brilliant Classics.
Dear Classics, You are once again just brilliant, wonderful pieces! I´ll order the CDs from JPC like Your Telemann release, greetings from Coburg, Upper Franconia.
You see ms Marie Antoinette the philosopher and scientist had the ability to covert his human embodiment into a pickle. He later there flat on the table and once turned over he knighted himself pickle Rick. I tell you my lady it was a quite an astonishing revelation
Amazing the amount of derogatory comments on this beautiful music... I don't listen to rock, rap, and all the 'music' which has succeeded them, but I wonder if there are the same kind of ignorant and derogatory comments about the chaotic sounds ( to me ) of modern music, so much of which requires none of the discipline and dedication of true musicians - just a microphone and sampled tracks..
Although Sir Thomas Beecham may have only known of those god-awful Revival Harpsichords, this curmudgeon also said of J S Bach's music, "Too much counterpoint; what is worse, Protestant counterpoint." Greatly beloved by all who knew him, who proclaimed him a dry, acerbic wit. Too many of his quotes and aphorisms are strongly misogynistic (even for an Englishman), strong more interested in his attempts at humor and puns and expressing condescension towards his audience and some of his musicians. Other quotes by that person: "There are two golden rules for an orchestra: start together and finish together. The public doesn't give a damn what goes on in between." "No operatic star has yet died soon enough for me." However, at his most offensive, Sir Thomas Beecham, upon returning from the United States in 1946, declared that Hollywood was a universal disaster compared with which Hitler, Himmler and Mussolini were trivial. As bad as some studio moguls were, the lot were pikers in comparison to those monsters he thought was trivial. Sir Thomas's grandfather made his fortune from selling patent medicines primarily as a laxative, with other benefits, if not quite a panacea, "all bilious and nervous disorders such as Sick Headache, Constipation, Weak Stomach, Impaired Digestion, Disordered Liver and Female Ailments. The sale is now 6 million boxes per annum.," (even with disguised advertising references to being an abortifacient) 1897, although not as blatantly as other companies. Sir Thomas used his family fortune to pay the musicians in the orchestras he conducted/and/or formed. (At least it was money well spent in providing employment).
Portrait Of Marguerite De Seve Wife Of Barthelemy Jean Claude Pupil - it is wonderful isn't it. You can see the notes on teh page - I wonder what the score is? 1720s
DUDE, you must separate all of the "in Minor key" songs to a separate video of peaceful and relaxing tracks, and the Major key songs into an uptempo video. Harpsichord sounds like crap for uptempo and spirited fast playing, but it works well as lounge music when it is peaceful and in minor key. This guy at 03:13:54 has the right idea. More like this.
well it doesn’t sound crap, people back then didn’t call them songs, neither should we, it sounds great for fast lively pieces, you just like sad slow pieces of music which is fine, but you cant remove half the movements of a suite just because it is "fast" and in a major key.
This album comes from the French Harpsichord Music box-set, containing the first 7 CD's out of 29.
Tracklist can be found here!
D’ANGLEBERT:
00:00:00 Suite in G Major: I. Prélude
00:02:23 Suite in G Major: II. Allemande
00:05:51 Suite in G Major: III. Courante
00:07:41 Suite in G Major: IV. Double de la courante
00:08:46 Suite in G Major: V. Seconde courante
00:10:36 Suite in G Major: VI. Troisième courante
00:12:15 Suite in G Major: VII. Sarabande
00:15:20 Suite in G Major: VIII. Gigue
00:17:31 Suite in G Major: IX. Seconde gigue
00:18:53 Suite in G Major: X. Gaillarde
00:22:44 Suite in G Major: XI. Chaconne rondeau
00:27:13 Suite in G Major: XII. Gavotte
00:28:30 Suite in G Major: XIII. Menuet
00:29:50 Suite in G Minor: I. Prélude
00:31:56 Suite in G Minor: II. Allemande
00:35:48 Suite in G Minor: III. Courante
00:37:16 Suite in G Minor: IV. Seconde courante
00:39:08 Suite in G Minor: V. Sarabande
00:42:37 Suite in G Minor: VI. Gigue
00:45:08 Suite in G Minor: VII. Gaillarde
00:48:10 Suite in G Minor: VIII. Passacaille
00:55:51 Suite in D Minor: I. Prélude
01:00:10 Suite in D Minor: II. Allemande
01:04:16 Suite in D Minor: III. Courante
01:05:45 Suite in D Minor: IV. Double de la courante
01:07:18 Suite in D Minor: V. Seconde courante
01:09:23 Suite in D Minor: VI. Sarabande grave
01:12:55 Suite in D Minor: VII. Sarabande
01:15:44 Suite in D Minor: VIII. Gigue
01:18:00 Suite in D Minor: IX. Gaillarde
01:21:29 Suite in D Minor: X. Gavotte
01:22:54 Suite in D Minor: XI. Menuet
01:24:37 Suite in D Minor: XII. Variations sur les folies d’Espagne
01:34:17 Suite in D Major: I. Allemande
01:37:34 Suite in D Major: II. Courante
01:39:10 Suite in D Major: III. Seconde courante
01:40:56 Suite in D Major: IV. Sarabande
01:43:41 Suite in D Major: V. Gigue
01:45:14 Suite in D Major: VI. Chaconne rondeau
01:49:54 Suite in D Major: VII. Tombeau de M. de Chambonnières
01:55:14 Overture de Cadmus
01:58:23 Ritournelle des fées de Roland
01:59:38 Menuet “dans nos bois”
02:01:04 Chaconne de phaeton
02:05:07 Courante de lully
02:06:33 Double de la courante
02:08:02 Sarabande ”dieu des enfers”
02:10:14 Gigue de lully
02:12:00 Menuet “La jeune Iris”
02:13:23 Gavotte “où estes vous allé” - Air ancient
02:14:51 Gavotte “le beau berger Tirsis” - Air ancient
02:16:28 La bergère Annette - Vaudeville
02:17:44 Ouverture de la mascaraed
02:20:43 Les sourdines d’armide
02:23:56 Les songes agréables d’atys
02:26:47 Air d’Apollon du triomphe de l’amour
02:30:15 Menuet de poitou - Vaudeville
02:31:20 Passacaille d’armide
02:36:16 Ouverture de Proserpine
02:39:07 Chaconne de galatée
02:40:57 Pièces in C Major: I. Prélude
02:41:46 Pièces in C Major: II. Allemande
02:44:02 Pièces in C Major: III. Gaillarde
02:46:45 Pièces in C Major: IV. Double
02:49:43 Pièces in C Major: V. Chaconne
CHAMBONNIÈRES:
02:53:42 Suite in C Major: I. Allemande le moutier
02:55:11 Suite in C Major: II. Allemande
02:58:37 Suite in C Major: III. Courante
02:59:40 Suite in C Major: IV. Autre courante
03:01:01 Suite in C Major: V. Sarabande
03:02:26 Suite in C Major: VI. Gigue la verdinguette
03:04:22 Suite in D Major: I. Allemande la mignonne
03:09:22 Suite in D Major: II. Courante
03:10:37 Suite in D Major: III. Sarabande
03:12:25 Suite in D Major: IV. Gigue
03:13:54 Suite in D Minor: I. Allemande
03:16:27 Suite in D Minor: II. Courante
03:17:45 Suite in D Minor: III. Sarabande
03:19:54 Suite in D Minor: IV. Pavanne
03:24:22 Suite in F Major: I. Allemande
03:28:24 Suite in F Major: II. Courante
03:29:35 Suite in F Major: III. Sarabande
03:31:58 Suite in F Major: IV. Chaconne
03:35:31 Suite in F Major: V. Brusque
03:37:22 Suite in G Major: I. Allemande
03:42:34 Suite in G Major: II. Courante
03:44:30 Suite in G Major: III. Sarabande
03:46:58 Suite in G Major: IV. Menuet
03:48:12 Suite in G Major: V. Chaconne
03:49:37 Suite in G Minor: I. Allemande l’affligée
03:53:42 Suite in G Minor: II. Courante
03:55:26 Suite in G Minor: III. Sarabande
03:57:16 Suite in G Minor: IV. Pavanne l’entretien des dieux
04:01:11 Suite in G Minor: V. Gigue
04:03:10 Suite in B-Flat Major: I. Allemande
04:07:51 Suite in B-Flat Major: II. Courante
04:09:07 Suite in B-Flat Major: III. Sarabande
04:11:14 Suite in B-Flat Major: IV. Gaillarde
04:12:46 Suite in A Minor: I. Allemande la rare
04:15:12 Suite in A Minor: II. Courante
04:16:53 Suite in A Minor: III. Sarabande
04:19:05 Suite in A Minor: IV. Drollerie
04:20:24 Suite in A Minor: V. Gigue
LE ROUX
04:22:10 Suite in D Minor: I. Prélude
04:22:57 Suite in D Minor: II. Allemande la vauvert
04:27:22 Suite in D Minor: III. Courante
04:28:39 Suite in D Minor: IV. Sarabande grave
04:30:45 Suite in D Minor: V. Menuet
04:32:06 Suite in D Minor: VI. Passepied
04:32:46 Suite in D Minor: VII. Courante luthée
04:34:42 Suite in D Minor: VIII. Allemande grave la lorenzany
04:38:11 Suite in D Minor: IX. Courante
04:39:39 Suite in D Minor: X. Sarabande grave
04:42:30 Suite in D Minor: XI. Gavotte
04:43:43 Suite in A Minor: I. Prélude
04:44:34 Suite in A Minor: II. Allemande l’incomparable
04:46:48 Suite in A Minor: III. Courante
04:48:23 Suite in A Minor: IV. Sarabande
04:50:17 Suite in A Minor: V. Sarabande en rondeau
04:52:29 Suite in A Minor: VI. Gavotte en rondeau
04:53:32 Suite in A Minor: VII. Menuet - 2 Doubles du menuet
04:54:41 Suite in A Minor: VIII. Second menuet
04:55:14 Suite in A Minor: IX. Gigue
04:57:30 Suite in F Major: I. Prélude
04:58:55 Suite in F Major: II. Allemande grave
05:02:01 Suite in F Major: III. Courante
05:03:29 Suite in F Major: IV. Chaconne
05:07:32 Suite in F Major: V. Menuet - 2 Doubles du menuet
05:09:27 Suite in F Major: VI. Passepied
05:10:22 Allemande
05:12:16 Suite in F-Sharp Minor: I. Allemande gaye
05:13:27 Suite in F-Sharp Minor: II. Courante
05:14:54 Suite in F-Sharp Minor: III. Double de la courante
05:16:26 Suite in F-Sharp Minor: IV. Sarabande grave en rondeau
05:18:52 Suite in F-Sharp Minor: V. La favoritte. Un peu lentement
05:21:28 Suite in G Minor: I. Prélude
05:22:29 Suite in G Minor: II. Allemande
05:25:20 Suite in G Minor: III. Courante
05:26:55 Suite in G Minor: IV. La bel-ébat. Gaiemement
05:28:23 Suite in G Minor: V. La pièce sans titre
05:29:35 Suite in G Minor: VI. Gigue
05:31:27 Suite in G Minor: VII. Sarabande
05:44:28 Suite in G Minor: VIII. Menuet
05:45:30 Suite in G Minor: IX. Gigue (pour deux clavecins)
05:47:23 Suite in G Minor: X. Courante
05:49:00 Suite in A Minor: I. Prélude
05:49:52 Suite in A Minor: II. Allemande l’incomparable
05:52:13 Suite in A Minor: III. Courante
05:53:43 Suite in A Minor: IV. Sarabande
05:55:45 Suite in A Minor: V. Sarabande en rondeau
05:58:01 Suite in A Minor: VI. Gavotte
05:59:08 Suite in A Minor: VII. Menuet - Double du menuet
06:00:10 Suite in A Minor: VIII. Second menuet
06:00:42 Suite in A Minor: IX. Allemande gaye
06:03:15 Suite in A Minor: X. Courante la Venetiene
06:04:40 Suite in A Minor: XI. Gigue
Brilliant Classics very good
My very limited knowledge on French baroque left me with no idea about these highly talented unknown composers who may be overshadow by big names like Lully, Couperin, Rameau , and Charpentier.
Thanks in advance
@@aquariummx Absolutly grandiose composition!!!
@@canman5060 In fact, Chambonnieres and D'Anglebert enjoyed reputations close to Lully at their time. They were also predecessors and influenced Rameau and Francois Couperin the great. Charpentier, who has become a household name nowadays due to his prelude in Te Deum, was actually much less famous during his lifetime.
I don't know why they don't feature harpsichord music in more period piece movies, I just feel like it has such a unique sound that captures the era so well. So underused!!
Exactly. And in Elizabeth's time slip in a glimpse of a Tallis sacred piece.
Listen Bernd Philippsen Composer of Classical Music
They also didn't do this with napoleon series, wich had to have classical-romantic music transition, including beethoven's 3rd symphony
I wonder why they don't make more movies set in this period period. Maybe they think the clothing fashions of the Baroque era look silly to the movie goers of this era?
@@tonyjeffers7189 Probably because Hollyweird is American, and setting movies about musketeers, royalty, alchemists, detectives, and clergy living in the 16th or 17th century during the European Baroque period is largely unrelatable to Americans and is generally denounced as "old world" culture.
Ohhh so many memories! Summer of the 1753? Someone?
Rocking in Marseilles! I was there!
Nancy Pelosi was there, but I don't know why.
@@excelsior999 lol 😂
Certes, que de souvenirs, oh là là...
La belle époque, je vous le dis
picking berries and eating them before the creek in the Ardennes during midday in late June>
I was taught about the harpsichord in elementary school in the 60’s. I was immediately enchanted by the sound and have been ever since.
It's a beautiful sound..I've loved the sound ever since I first heard it
If you want more French harpsichord music (and who wouldn't?), the late harpsichordist and organist Scott Ross recorded the complete keyboard sonatas of Couperin and Rameau, as well as works by Bach (including the Goldberg Variations), Handel, D'Anglebert and Frescobaldi. In his spare time he also recorded all 555 of Domenico Scarlatti's keyboard sonatas (which no single person had ever done before). Sadly, he died at age 38. R.I.P.
Thank you much and sorry to hear about this tragic loss.
This is pure ´Roque&Roll!
👁👄👁 😂😂😂
I see what you did there...😁
Lol
😮😮😎😎🧐😹
It's Baroque 'n Roll
Brings me back to the good old days of roaming through Versailles before the damn peasants revolted.
@Miss Pettigrew *noble kids
lol
ιοι
+x_toxicity. No French person is a peasant. Do not forget that. They are French. They are not other Europeans and other non French people for you to call them peasants, imbecile.
@Konservativ Fornuft lets not pretend the present elite has anything to do with the old blood. The peasants may be the same but their cause this time is righteous.
Real OGs listen to 6 hours of harpsichords
real gangstas listen to harpsichord music for *7* hours
The true OGs listen to it for 7 hours and 1 second
True gangsters play the music instead.
Real gangsters compose their own music for it instead.
@@GustavoHenrique-dp7so Real gangstas build the harpsichord themselves, and then compose pieces for it
Finally. A Hapsichord video, that doesn't drown out the Hapsichord with the other parts of the ensemble.
And no excessive room reverb to overwhelm the natural quality of the instrument.
@@gtuneit this still has plenty of reverb. If you've ever played on an actual harpsichord you'll know that it sounds much drier than this.
6 hours of french harpsichord music?!! wow..this is either pure torture, or sublime ear candy unlimited!! i'ts the latter for me! Cheers!!
Cheers mate!
@@pondererofdumbshit2669 lowkey kinda harsh on the ears after a while. It can’t really get quiet, so it can start to sound like banging
It blows my my mind!!! Who needs this modern stuff!!!
@@StrawberryFeildsforNever Yes, but I could listen to pieces I like, example, La Follia by Vivaldi on harpsichord for 6 hours and almost have. Most of what I've heard seems directionless and trite. You'd have to drug me to listen to a Debussy concert, so everyone has likes and dislikes
@@nigelmarshallkenyonabbott8684 Try J S Bach, he wrote a large number of pieces for the Harpsichord. The Chromatic Fantasy and Fugue sounds almost modern in places, the Goldberg variations are amazing. Although not specifically for any particular keyboard instrument Well Tempered Clavier (start with part 2 or part 1 both are amazing).
i love this instrument so much omg!! so elegant
It is elegant, sexy and awsome. Why modern people prefer , this modern stuff, I'll never know.
I love it too it's like my favorite type of music
When I listen to baroque music, it makes me think of a leaf being blown and tossed around in the wind, just dancing and fluttering around randomly every which way. It is beautiful in that way. Classical music is like a leaf floating down a river...smooth and fluid. It is also beautiful in that way.
Shud up
@@shawarmaboy4844 no.
@@shawarmaboy4844 No u
Yes! Brilliant! 👏
Beautifully put 👏
Thank you
This is splendid playing. Unlike the piano, in which the wires are struck by hammers, in the harpsichord the wires are plucked by tiny wooden "fingers." Thus "attack" hardly matters when it comes to the volume of sound. Scott Ross is a genius!
How i feel when i order the steak dinner at Applebee's
😂
😂😂😂
These are why I look at the comments section
Just read this and literally laughed out loud
Steak is good with sauce.
SIX HOURS! 😱 Thank you Brilliant Classics! Wonderful music of D’Anglebert.
Something about the D'Anglebert recordings are so good! They sound kind of nostalgic, like a great memory that's long gone, and that's because there is; a memory before 1789...
Perchance, a past life? I can fully see myself in a wig powdered white with a cheeky mole 😉
Gaspard Le Roux ungewöhnlich tiefe und sanfte Seele - so sagt mir mein Herz !!! Tepper Michael.
My favourites of all,thank you. Lavina Morticia.
Thank you ao very much for this delightful post. I have loved the Harpsichord for a long time ..I loved it right away when I heard it.
My mummy was a direct ancestor of Marie Aintonette+as beautiful! Every note,every noctave i too truly feel of such beautiful compositions. Lavina Morticia.x
Thanks also for the birds who have contributed their songs.
Thank you for the upload! This music really blows my mind!!! Why can't modern music sound this good? Awesome!!!
Thank you for listening!
So true
Early morning, in the jacuzzi. Everyone asleep and enjoying this marvelous music with a cup of Ct..
Always loVed this unique distinctive sounding instrument and most French Cinema tracks 💕
You had to be a kid growing up then to get it. Kids today just don’t get it. I miss the old days. Takes me back to fleecing neighbours’ apricot trees and chasing young wenches through the vineyards. Ah, those were the best of times.
Only 1700s kids remember! 😂
@@pixiebells if you weren't there... you just wouldn't know 🤣
Jolly good chaps we shall waltz to this melody till the morrow doth come.
I invited you to dinner on July 15, 1721 and you stood me up, Johann. Oh, you think you're special, huh? Well, anyone can write The Well Tempered Clavier. Don't bother calling me. It's over
So beautiful , Thank you brilliant Classics
Wonderful collection. Belder & the other artists seem to do fine justice to the sensibility & intention of French Baroque (I take it as elegance above all, lyric, but toujours logique). For some reason, this presentation attracts trolls ; ignore them, of course. Some ears & psyches favor percussive clarity, others a kind of legato smoothing in all forms, hence a preference for different instruments, no matter what is being played. A great joy to be able to enjoy all, as long as the given works, interpretations & playing are all at a high level, as here. Many thanks again to Brilliant Classics.
Soooooooo relaxing. I'm usually a lute man, but this hit the spot during a Sunday at the office.
❤indescrivibile
Greetings from Canada!!
Dear Classics, You are once again just brilliant, wonderful pieces! I´ll order the CDs from JPC like Your Telemann release, greetings from Coburg, Upper Franconia.
Beautiful
really an extraordinary edition Brilliant Classics, chapeau ! but please where are the editions 5 to 7 ???, thank you !
This made me feel like a king
I looked up Poncy Classic Music to play UNO with my son and this is where we landed. It is rather poncy.
Wow...big thanks for this collection of music.
❤ Beautiful 😊.
You see ms Marie Antoinette the philosopher and scientist had the ability to covert his human embodiment into a pickle. He later there flat on the table and once turned over he knighted himself pickle Rick. I tell you my lady it was a quite an astonishing revelation
We were most amused
Glorious!.....
Reminds me of the days when I used to hang with count Saint-Germain and count cagliostro.
Thank you! 🌻
Love harpsichords / tingles my EMOTIONS in places no 1 can reach.love 2 unwind / awesooome beautiful music.💯🇺🇸☺✌😍😘👍🙏😊😊😊❤❤❤🎉
Thank you, I was moved when I hear such beautiful music, thank you 💕👌🎉💐👏🏻👏🏻👏🏻
03:04:22 "Suite in D Major: I. Allemande la mignonne" - inspiration for Wii Fit's theme? haha
Amazing the amount of derogatory comments on this beautiful music... I don't listen to rock, rap, and all the 'music' which has succeeded them, but I wonder if there are the same kind of ignorant and derogatory comments about the chaotic sounds ( to me ) of modern music, so much of which requires none of the discipline and dedication of true musicians - just a microphone and sampled tracks..
Beautiful! 🎶🎧
que maravilla. amo el clavecin y el barroco frances
En écoutant ceci je me sens comme un aristocrate du 18ième siècle mais beaucoup moins riche. Merci. Bonne découverte.
This is my favourite bit: 2:36:24
Metal bands and artists has made me to listen classical music
Same
Greatly under estimated instrument.
Gracias por las bellas Inerpretaciones, 💕 porfavor continúen
❤eccellente❤❤
Marie Antoinette played the harpsichord
Every nobleman of that age played it
Engineer this is false
@@bananaborz1 It is true
Well, that didn't save her from losing her head, that's for sure lol
@@facuarroyo3249 Was that suppose to be a joke? Because, it definitely was not a joke.
Ah...
Almost forgot about the peasant revolt
That was NOT peasants who revolted ...🙄
this is so cool i wish Europe was real
@4:14:37 BEST PART!
With this music I feel inside a castle :3
Con esta música me siento adentro de un castillo :3
Me too
I just imagined I was a French queen and walking down the hall of mirrors-
If it was me, all the mirrors would break even if I glanced at them..😓😭
You probably smell much better than a queen of that era would smell!
@@pleasedroses3811 with all the parfum and new dress probably and probably not
Lol same
Well, maybe you were. I had at least one lifetime in the 1700's.
Barroque & Roll 🤘🎼
Love it 😍
"The sound of a harpsichord - two skeletons copulating on a tin roof in a thunderstorm." - Sir Thomas Beecham
"The sound of a harpsichord - two skeletons copulating on a tin roof in a thunderstorm." What's NOT to like in that simile? (asks the Scorpio...)
I actually love the sound of harpsichord but that's the funniest thing I've ever heard
I have heard that quote as well
Although Sir Thomas Beecham may have only known of those god-awful Revival Harpsichords, this curmudgeon also said of J S Bach's music, "Too much counterpoint; what is worse, Protestant counterpoint."
Greatly beloved by all who knew him, who proclaimed him a dry, acerbic wit. Too many of his quotes and aphorisms are strongly misogynistic (even for an Englishman), strong more interested in his attempts at humor and puns and expressing condescension towards his audience and some of his musicians. Other quotes by that person: "There are two golden rules for an orchestra: start together and finish together. The public doesn't give a damn what goes on in between." "No operatic star has yet died soon enough for me." However, at his most offensive, Sir Thomas Beecham, upon returning from the United States in 1946, declared that Hollywood was a universal disaster compared with which Hitler, Himmler and Mussolini were trivial. As bad as some studio moguls were, the lot were pikers in comparison to those monsters he thought was trivial.
Sir Thomas's grandfather made his fortune from selling patent medicines primarily as a laxative, with other benefits, if not quite a panacea, "all bilious and nervous disorders such as Sick Headache, Constipation, Weak Stomach, Impaired Digestion, Disordered Liver and Female Ailments. The sale is now 6 million boxes per annum.," (even with disguised advertising references to being an abortifacient) 1897, although not as blatantly as other companies.
Sir Thomas used his family fortune to pay the musicians in the orchestras he conducted/and/or formed. (At least it was money well spent in providing employment).
Renshen1957 “witty” is a rather generous word to use for this man, eh? “Blunt” and “slanderous” seem more fitting.
Celeste is quaking rn
OofOofYeet indeed she is
1890 Media approves! Bravo!
I love baroque that’s my favourite music
Do you have a specific #Baroque genre?
Henri d'Anglebert ist der weise Sämann !!! Tepper Michael.
some good ol Couperin F. harpsichord pieces please.. thanks
I would love to hear some baroque music album that has harpsichord, cello and violin
fancy as shit
It is sexy, awsome and stunning!!! Why can't modern music sound this good?
love🌹
Only people who stick their pinkie fingers out when taking a drink can listen to this
What about holding your drank with only your pinky and thumb and sticking out the other four.
@@te9591 You have six fingers? Impressive...
(alternative comment: I tried, then I realized I only had three other fingers to stick out...)
@@michaelrex6948 yeah six fingers. Two thumbs actually.
This brings us back to a time when burping was considered a mortal sin.
social ruin-
o
Why, isn't burping with open mouth infinitely disgusting? I guess not if one is a caveman.
I like it.
Te gusta y YA!!!!
When I'm spending all my fortune at a Versaille's card game.
6:06:51
I do declare sir 😂
Ah yes, this reminds me of when gold gilt was popular now it's just gold iced out necklaces/chains.
Andy’s garden party brought me here 😎
@Annalisa Mandell LMAO 😂
Can someone tell me what the painting is of at the top of this item?
Portrait Of Marguerite De Seve Wife Of Barthelemy Jean Claude Pupil - it is wonderful isn't it. You can see the notes on teh page - I wonder what the score is? 1720s
34:05 😳🥺💕
Any relation to 60's crooner D'Anglebert Humperdink?
Interesting.
Came here after my European history teacher said "The harpsichord sounds like colonialism"
He wasn't wrong
stupid comment from a stupid people ( anglo saxons)
It’s nice 👍
When I use a plate for takeaway food.
Groovy.
Eating with a fork and knife instead of my fingers
💎
Me gusta esto música.
DUDE, you must separate all of the "in Minor key" songs to a separate video of peaceful and relaxing tracks, and the Major key songs into an uptempo video. Harpsichord sounds like crap for uptempo and spirited fast playing, but it works well as lounge music when it is peaceful and in minor key. This guy at 03:13:54 has the right idea. More like this.
Welcome to the 18th century.
well it doesn’t sound crap, people back then didn’t call them songs, neither should we, it sounds great for fast lively pieces, you just like sad slow pieces of music which is fine, but you cant remove half the movements of a suite just because it is "fast" and in a major key.
I never understand why some people enjoy displaying their full stupidity in comments like this.
bm 7:05 12:34
When your stepsister calls you "Sir".
When I play dis shit in my car at max volume all the madmoisells in da hood get wet yo
lol and i want to show them my guillotine
🤣🤣🤣
Gosh darn it where did I put my aristocrat outfit.
0:07
At first I thought they were playing an impossible guitar solo, but then I looked at the title
Muito essere rende riesch por orgullo. Ich passando escuchar sans donc. Nascere el ogni nuove rilasatti per trouver
YEEEEEEEEEEE
good music to read the works of The Marques de Sade to.
Ironically that’s exactly what I’m doing while listening to this (and eating dinner)😅
What’s the name of the first song? It’s calming
good question
D’anglebert, Harpsichord Suite in G major, Prelude.
Thanks a thousand !