L. Couperin: Complete Harpsichord Music
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- ะะฟัะฑะปะธะบะพะฒะฐะฝะพ: 28 ะฐะฒะณ 2023
- Louis Couperin was a French Baroque composer and harpsichord player. His harpsichord music is characterized by its intricate and delicate keyboard figurations, its ornate and expressive use of ornamentation, and its imaginative use of harmonies and keys.
Composer: Louis Couperin
Artists: Massimo Berghella (harpsichord)
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Tracklist:
Harpsichord Suite No. 1 in G Minor:
0:00:00 III. Prelude
0:04:20 XCIII. Allemande
0:08:17 XCIV. Courante
0:10:19 XCV. Sarabande
0:12:04 XCVI. Chaconne ou passacaille
0:15:31 XCVII. Sarabande
0:17:48 XCVIII. Passacaille
Harpsichord Suite No. 2 in D Minor:
0:22:54 I. Prelude
0:29:23 XXXVI. Allemande
0:33:01 XXXVII. Pieces de trois sorts de mouvemens
0:35:01 XXXVIII. Courante
0:36:46 XXXIX. Courante
0:38:48 XL. Courante
0:40:39 XLI. Courante
0:42:29 XLIV. Sarabande
0:44:35 XLVII. Sarabande
0:46:08 XLV. Sarabande
0:48:00 XLVI. Sarabande
0:49:28 XLIX. Sarabande I
0:51:03 XLVIII. Sarabande II
0:53:19 LII. Canaries
0:54:47 LIII. Volte
0:55:55 LV. Chaconne
Harpsichord Suite No. 3 in D Major:
0:59:05 II. Prelude
1:03:24 LVIII. Allemande
1:07:11 LIX. Courante
1:09:02 LX. Sarabande
1:11:20 LXI. Gaillarde
1:13:30 LXII. Chaconne
Harpsichord Suite No. 4 in G Minor:
1:15:59 IV. Prelude
1:18:10 CXVIII. Allemande in B-Flat Major
1:21:18 CXIX. Courante in B-Flat Major
1:22:48 CXXI. Chaconne
1:24:59 V. Prelude in G Minor
Harpsichord Suite No. 5 in A Minor:
1:28:04 VI. Prelude a lโimitation de Mr. Froberger
1:35:27 CII. La piemontoise
1:37:07 CI. Allemande lโamiable
1:40:48 CVI. Courante
1:43:19 CV. Courante La mignone
1:44:53 CIX. Sarabande I
1:46:56 CX. Sarabande II
1:50:29 CXXV. Gavotte de Mr. Hardel. Double par Mr. Couperin
Harpsichord Suite No. 6 in A Minor:
1:52:29 VII. Prelude
1:53:43 XCIX. Allemande
1:56:59 CIII. Courante
1:58:29 CIV. Courante
2:00:19 CVII. Sarabande
2:02:20 CVIII. Sarabande
2:04:07 CXI. Menuet de poitou et son double
Harpsichord Suite No. 7 in A Major:
2:06:18 VIII. Prelude
2:08:35 C. Allemande in A Minor
2:12:29 CXII. Courante
2:14:34 CXIII. Sarabande
2:17:04 CXIV. Gigue
Harpsichord Suite No. 8 in C Major:
2:19:07 IX. Prelude
2:22:51 XV. Allemande
2:25:49 XVII. Courante
2:27:29 XVI. Courante
2:29:13 XX. Sarabande
2:30:42 XXI. Sarabande
2:32:19 XXII. Sarabande
2:34:16 XXIII. Sarabande
2:35:54 CXXXI. Gavotte de Mr. Le Beโgue. Double par Mr. Couperin
2:37:48 XXVI. Chaconne
2:41:18 XXVIII. Sarabande
2:43:19 XXIX. Menuet
2:44:49 X. Prelude in C Major
Harpsichord Suite No. 9 in C Major:
2:47:48 XI. Prelude
2:50:04 CXXVI. Le moutier, allemande de Mr. de Chambonniรฉres. Double du Moutier par Mr. Couperin
2:52:46 XVIII. Courante
2:54:32 XIX. Courante
2:56:18 XXIV. Sarabande I
2:58:16 XXV. Sarabande II
3:01:12 CXXVII. Rigaudon. Double par Mr. Couperin
3:04:23 XXVII. Passacaille
Harpsichord Suite No. 10 in F Major:
3:10:00 XII. Prelude
3:12:29 LXVI. Allemande
3:16:06 LXVIII. Courante
3:17:34 LXIX. Courante
3:19:19 LXXII. Sarabande
3:21:29 LXXIII. Branle de basque
3:22:20 LXXVI. Gigue
3:24:22 LXXVII. Gaillarde
3:26:19 LXXVIII. Chaconne
Harpsichord Suite No. 11 in F Major:
3:28:52 XIII. Prelude
3:32:08 LXVII. Allemande grave
3:35:29 LXX. Courante
3:37:03 LXXI. Courante
3:38:40 LXXIV. Sarabande
3:41:18 LXV. Sarabande
3:44:03 LXIX. Gigue
3:46:04 LXXX. Chaconne
3:49:18 LXXXI. Tombeau de Mr. De Blancrocher
Harpsichord Suite No. 12 in E Minor:
3:57:54 XIV. Prelude
3:59:37 LXIII. Allemande de la paix
4:03:03 LXIV. Courante
4:04:42 LXV. Sarabande
Harpsichord Suite No. 13 in C Minor:
4:08:15 CXXVIII. Prelude
4:09:28 XXX. Allemande la precieuse
4:12:38 XXXI. Courante
4:14:43 XXXII. Sarabande
4:16:53 XXXIII. Gigue
4:19:21 XXXIV. Chaconne la bergeronnette
Harpsichord Suite No. 14 in G Major:
4:21:32 CXXIX. Prelude
4:22:42 LXXXIII. Allemande
4:26:02 LXXXIV. Courante
4:27:41 LXXXV. Courante
4:29:15 LXXXVI. Courante
4:30:47 LXXXVII. Sarabande
4:33:27 LXXXIX. Chaconne
Harpsichord Suite No. 15 in G Major:
4:39:08 LXXXII. Allemande
4:42:35 XC. Courante
4:43:45 XCI. Courante
4:45:09 XCII. Courante
4:46:52 LXXXVIII. Gaillarde
4:48:32 Harpsichord Suite No. 16 in D Minor
5:13:51 Harpsichord Suite No. 17 in B Minor
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Thank you for watching! Tracklist:
Harpsichord Suite No. 1 in G Minor:
0:00:00 III. Prelude
0:04:20 XCIII. Allemande
0:08:17 XCIV. Courante
0:10:19 XCV. Sarabande
0:12:04 XCVI. Chaconne ou passacaille
0:15:31 XCVII. Sarabande
0:17:48 XCVIII. Passacaille
Harpsichord Suite No. 2 in D Minor:
0:22:54 I. Prelude
0:29:23 XXXVI. Allemande
0:33:01 XXXVII. Pieces de trois sorts de mouvemens
0:35:01 XXXVIII. Courante
0:36:46 XXXIX. Courante
0:38:48 XL. Courante
0:40:39 XLI. Courante
0:42:29 XLIV. Sarabande
0:44:35 XLVII. Sarabande
0:46:08 XLV. Sarabande
0:48:00 XLVI. Sarabande
0:49:28 XLIX. Sarabande I
0:51:03 XLVIII. Sarabande II
0:53:19 LII. Canaries
0:54:47 LIII. Volte
0:55:55 LV. Chaconne
Harpsichord Suite No. 3 in D Major:
0:59:05 II. Prelude
1:03:24 LVIII. Allemande
1:07:11 LIX. Courante
1:09:02 LX. Sarabande
1:11:20 LXI. Gaillarde
1:13:30 LXII. Chaconne
Harpsichord Suite No. 4 in G Minor:
1:15:59 IV. Prelude
1:18:10 CXVIII. Allemande in B-Flat Major
1:21:18 CXIX. Courante in B-Flat Major
1:22:48 CXXI. Chaconne
1:24:59 V. Prelude in G Minor
Harpsichord Suite No. 5 in A Minor:
1:28:04 VI. Prelude a lโimitation de Mr. Froberger
1:35:27 CII. La piemontoise
1:37:07 CI. Allemande lโamiable
1:40:48 CVI. Courante
1:43:19 CV. Courante La mignone
1:44:53 CIX. Sarabande I
1:46:56 CX. Sarabande II
1:50:29 CXXV. Gavotte de Mr. Hardel. Double par Mr. Couperin
Harpsichord Suite No. 6 in A Minor:
1:52:29 VII. Prelude
1:53:43 XCIX. Allemande
1:56:59 CIII. Courante
1:58:29 CIV. Courante
2:00:19 CVII. Sarabande
2:02:20 CVIII. Sarabande
2:04:07 CXI. Menuet de poitou et son double
Harpsichord Suite No. 7 in A Major:
2:06:18 VIII. Prelude
2:08:35 C. Allemande in A Minor
2:12:29 CXII. Courante
2:14:34 CXIII. Sarabande
2:17:04 CXIV. Gigue
Harpsichord Suite No. 8 in C Major:
2:19:07 IX. Prelude
2:22:51 XV. Allemande
2:25:49 XVII. Courante
2:27:29 XVI. Courante
2:29:13 XX. Sarabande
2:30:42 XXI. Sarabande
2:32:19 XXII. Sarabande
2:34:16 XXIII. Sarabande
2:35:54 CXXXI. Gavotte de Mr. Le Beโgue. Double par Mr. Couperin
2:37:48 XXVI. Chaconne
2:41:18 XXVIII. Sarabande
2:43:19 XXIX. Menuet
2:44:49 X. Prelude in C Major
Harpsichord Suite No. 9 in C Major:
2:47:48 XI. Prelude
2:50:04 CXXVI. Le moutier, allemande de Mr. de Chambonniรฉres. Double du Moutier par Mr. Couperin
2:52:46 XVIII. Courante
2:54:32 XIX. Courante
2:56:18 XXIV. Sarabande I
2:58:16 XXV. Sarabande II
3:01:12 CXXVII. Rigaudon. Double par Mr. Couperin
3:04:23 XXVII. Passacaille
Harpsichord Suite No. 10 in F Major:
3:10:00 XII. Prelude
3:12:29 LXVI. Allemande
3:16:06 LXVIII. Courante
3:17:34 LXIX. Courante
3:19:19 LXXII. Sarabande
3:21:29 LXXIII. Branle de basque
3:22:20 LXXVI. Gigue
3:24:22 LXXVII. Gaillarde
3:26:19 LXXVIII. Chaconne
Harpsichord Suite No. 11 in F Major:
3:28:52 XIII. Prelude
3:32:08 LXVII. Allemande grave
3:35:29 LXX. Courante
3:37:03 LXXI. Courante
3:38:40 LXXIV. Sarabande
3:41:18 LXV. Sarabande
3:44:03 LXIX. Gigue
3:46:04 LXXX. Chaconne
3:49:18 LXXXI. Tombeau de Mr. De Blancrocher
Harpsichord Suite No. 12 in E Minor:
3:57:54 XIV. Prelude
3:59:37 LXIII. Allemande de la paix
4:03:03 LXIV. Courante
4:04:42 LXV. Sarabande
Harpsichord Suite No. 13 in C Minor:
4:08:15 CXXVIII. Prelude
4:09:28 XXX. Allemande la precieuse
4:12:38 XXXI. Courante
4:14:43 XXXII. Sarabande
4:16:53 XXXIII. Gigue
4:19:21 XXXIV. Chaconne la bergeronnette
Harpsichord Suite No. 14 in G Major:
4:21:32 CXXIX. Prelude
4:22:42 LXXXIII. Allemande
4:26:02 LXXXIV. Courante
4:27:41 LXXXV. Courante
4:29:15 LXXXVI. Courante
4:30:47 LXXXVII. Sarabande
4:33:27 LXXXIX. Chaconne
Harpsichord Suite No. 15 in G Major:
4:39:08 LXXXII. Allemande
4:42:35 XC. Courante
4:43:45 XCI. Courante
4:45:09 XCII. Courante
4:46:52 LXXXVIII. Gaillarde
Harpsichord Suite No. 16 in D Minor:
4:48:32 XXXV. Allemande
4:52:57 XLII. Courante
4:54:26 XLIII. Courante
4:56:25 LI. Sarabande I
4:59:19 L. Sarabande II
5:03:18 LIV. La pastourelle
5:04:36 CXXIV. Gavotte
5:05:57 CXXII. Gigue
5:08:07 LVI. Sarabande
5:10:46 LVII. Chaconne la complaignante
Harpsichord Suite No. 17 in B Minor:
5:13:51 CXV. Allemande
5:17:12 CXVI. Courante
5:18:54 CXVII. Sarabande
5:21:23 CXX. Pavane in F-Sharp Minor
YES
Do you have any information about the instrument?
Yes we do@@merri-toddwebster2473. It's a Harpsichord built in 2018 by Andrea Di Maio, copy from Vincent Thibaut, 1681. Pitch 392 hz, Temperament Ordinaire
thank you! @@BrilliantClassics
Very Helpful!
I love Louis Couperin's Music. He unjustly Neglected.
Thank you for this. Arguably the extent to which Louis is less well known than Franรงois is unjust, or at least unjustifiable.
Maybe Louis was busy tutoring his son most of the time !
@@canman5060 IIRC Franรงois was Louis' nephew. Louis' brother Charles _fils_ was Franรงois' father.
@@markhoulsby359 Thanks.
Almost spat out my coffee at 20:28, that false relation hits hard!
Ilove Harpsichord Music, this is fantastic,thank's very muchโบ๏ธ
Yo te doy gracias ,Gracias Seรฑor.. Gracias mi Seรฑor JESUSโฅ โฅNo hay palabras para explicar lo maravilloso que eres
Thank you Briliant Classics ! ๐๐๐๐โคโคโคโค
I feel relaxed. I love it
Love this! Thank you again BC.
Excellent crystal sounds. ๐ธ๐๐ธ๐ฆ๐ธ๐
Fascinante Couperin. Thanks โค.
Trรจs belle interprรฉtation de Massimo Berghella sur lโลuvre de Louis Couperin ! ๐๐ฅฐ๐๐ค๐คฉ
Thank you! ๐ป
Sounds extraordinary!
wow amazing. thank you
Merci ๐ต๐ถ
It would be kind of you if you could give some extra lifetime for everyone of us with each new upload in order to listen to all this beautiful music.
Your wish has been granted
Not to worryโฆThis IS the soundtrack in heaven!!!โค
Hizo una gran contribuciรณn en la primera mitad de la etapa barroca. Gracias
Excelsa la mรบsica de louis Couperin
1:35:27 is my favorite song
I never knew that 1:45:41 was a Louis Couperin song, or that it was originally written for harpsichord!
Harpsichord bangers
Geniali
Davitt Moroney also recorded the complete harpsichord music by Louis Couperin.
The Moroney recording appears to be out of print. I see Olivier Baumont also did a complete recording, but that also looks out of print.
Yes in Harmonia Mundi
โคassolutamente. Dolce
The magnificent Pavane in F-sharp minor seems to be missing.
Great
Fascinating collection, thanks! And as I can hear, it's in meantone temperament, right?
I feel "uncertain."
โคโคโค๐
Is it just me or is this a spicy (not well-tempered) tuning on that harpsichord?
They say ยปtemperament ordinaire ยป. I guess it is a slightly softened mean tone tuning. It is indeed noticeable in the F Sharp Pavan at the end of the recording.
There is something in the harmonies that is just less pleasing than Franรงoisโ music. Heโs a little more ramble than his nephew (?) perhaps?
ํฌ๋น ์ฅ์จ(1659โผ1701) : ์กฐ์ 19๋์ ์์ข ์ ํ๊ถ.
๋ณธ๊ด์ ์ธ๋(ไปๅ)์ด๋ค. ์ญ๊ด ์ฅํ(ๅผต็ซ)์ ์ข ์ง๋ ์ด๋ค. ์ด๋จธ๋์ ์ ๋ถ(ๆ ๅคซ)์๋ ์กฐ์ฌ์(่ถๅธซ้ซ)๊ณผ ์ข ์น์ธ ๋ํ๊ตฐ ์ดํญ(ๆฑๅนณๅ ๏งกๆญ)์ ์ฃผ์ ์ผ๋ก ๊ถ๋ ๋ก ๋ค์ด๊ฐ ์์ข ์ ์ด์ ๋ฅผ ๋ ์ฐจ์งํ๋ค.
1686๋ (์์ข 12) ์์(ๆทๅช)์ด ๋์๋ค. 1688๋ ์์(ๆญๅ)๋ก ์น์งํ๊ณ ์์ ์ด์ค(๏งกๆ: ๋ค์ ๆฏๅฎ)์ ๋ณ์๋ค. ์์ ๊ธฐ๋ปํ์ฌ ์ธ์๋ก ๋ดํ๋ ค ํ๋ค. ๊ทธ๋ฌ๋ ์ก์์ด(ๅฎๆ็) ๋ฑ ๋น์ ์ ๊ถ์ ์ก๊ณ ์๋ ์์ธ์ด ์ง์งํ์ง ์์ผ๋ฏ๋ก ๋จ์ธ๋ค์ ์์กฐ๋ฅผ ์ป์ด ์ฑ ๋ดํ๋ ค ํ๋ค.
์ด์ ์์ธ์ ๋ ธ๋ก ยท์๋ก ์ ๋ชจ๋ ์๋น ๋ฏผ์จ(้ๆฐ)๊ฐ ๋์ด๊ฐ ๋ง์ง ์์ผ๋ ํ์ผ์ ๊ธฐ๋ค๋ฆฌ์๊ณ ์ฃผ์ฅํ์๋ค. ์์ข ์ ๋ฃ์ง ์๊ณ 1689๋ ์ ์์ ์ด์ค์ ์ธ์๋ก ๋ดํ๊ณ , ์ฅ์์๋ ํฌ๋น์ผ๋ก ์น๊ฒฉํ๋ค. ์ด ๋ ์ก์์ด์ด ์ธ์๋ก ๋ดํ๋ ๊ฒ์ด ์์ง ์ด๋ฅด๋ค๊ณ ์์ํ์๋ค. ์์ ์ด๋ฏธ ๋ช ํธ(ๅ่)๊ฐ ๊ฒฐ์ ๋ ๋ค์์ ์ด๋ฐ ์๊ฒฌ์ ๋งํ๋ ๊ฒ์ ๋ฌด์จ ์ผ์ด๋๊ณ ์ง๋ ธํ๋ค.
์ด์ ๋จ์ธ ์ดํ๊ธฐ(ๆ็็ด)ยท๋จ์นํ(ๅ่ด่ฐ)ยท์ค๋น(ๅฐนๅฝฌ) ๋ฑ์ด ์ก์์ด์ ์์๋ฅผ ๋ ผ๋ฐํ๋ฉฐ ํ์ง์์ผ ์ ์ฃผ๋๋ก ์ ๋ฐฐํ๊ฒ ํ๊ณ ๋ค์ ์ฌ์ฌ(่ณๆญป)ํ๊ฒ ํ์๋ค. ๊ทธ๋ฌ๋ ์ก์์ด์ ์ค๋ก ์ ์์ผ๋ก ์ด๋ฐฐ(็งป้ )๋์๋ค๊ฐ ์ฌ์ฝ์ ๋ฐ์๋ค.
์ด ๋ฐ์ ์์ธ์ ์์๋ค๋ ํ์ง ๋๋ ์ ๋ฐฐ๋ฅผ ๋ฉดํ์ง ๋ชปํ๋ค. ๋ฐ๋ฉด์ ๋จ์ธ์ ๊ถ๋์ด(ๆฌๅคง้)ยท๊น๋์(้ๅพท้ ) ๋ฑ์ด ๋ฑ์ฉ๋์๋ค. ์ด ์ ๊ถ์ ๊ต์ฒด๋ฅผ ๊ธฐ์ฌํ๊ตญ ๋๋ ๊ธฐ์ฌ์ฌํ๋ผ๊ณ ํ๋ค.
์ด ํด 5์์ ๋ฏผ๋น๋ฅผ ํํ๊ณ ์ฅํฌ๋น์ ์๋น๋ก ์ผ์ผ๋ ค ํ ๋ ์์ธ ์ค๋์ธ(ๅณๆๅฏ )ยท๋ฐํ๋ณด(ๆดๆณฐ่ผ) ๋ฑ 80์ฌ ๋ช ์ด ์์ํ์ฌ ์ด๋ฅผ ๋ฐ๋ํ๋ค. ๊ทธ๋ฌ๋ ์ด๋ค์ ์ฐธํนํ ํ๋ฌธ์ ๋ฐ๊ฒ ๋๋ ์ดํ ์ ๊ตญ์ ๋จ์ธ์ ์ธ์์ด ๋์๋ค.
๊ธฐ์ฌํ๊ตญ ํ ์๊ฐ์ด ํ๋ฅด๋ฉด์ ์์ข ์ ํ๋น์ฌ๊ฑด์ ํํํ๊ฒ ๋์๋ค. ๊ทธ๋ฌ๋ ์ค 1694๋ ์์ธ์ ๊น์ถํ(้ๆฅๆพค)ยทํ์คํ(้้็) ๋ฑ์ด ํ๋น ๋ณต์์ด๋์ ๊พํ๋ค๊ฐ ๊ณ ๋ฐ๋์๋ค. ์ด ๋ ๋จ์ธ์ ์์์ ๋น์ ์ฐ์์ ์ด์๋ ๋ฏผ์(้้ปฏ) ๋ฑ์ด ์ด ๊ธฐํ์ ๋ฐ๋๋น ์์ธ์ ์์ ํ ์ ๊ฑฐํ๋ ค๊ณ ๊น์ถํ ๋ฑ ์์ญ ๋ช ์ ํ์ฅํ๊ณ ๋ฒ์๋ฅผ ๋ํ ์ผ๋ ์ฅ์ฌ๋ฅผ ์ผ์ผ์ผฐ๋ค.
์ด ๋ ์์ข ์ ํ๋น์ ๋ํ ๋ฐ์ฑ์ผ๋ก ์ฅ์ฌ๋ฅผ ๋ค์ค๋ฆฌ๋ ๋ฏผ์์ ํ์งํ๊ณ ์ฌ์ฌํ์ผ๋ฉฐ, ๊ถ๋์ดยท๋ชฉ๋ด์ (็ฆไพๅ)ยท๊น๋์ ๋ฑ์ ์ ๋ฐฐํ๋ค. ์ด์ด ์๋ก ๋จ๊ตฌ๋ง(ๅไน่ฌ)ยท๋ฐ์ธ์ฑ(ๆดไธ้)ยท์ค์ง์(ๅฐน่ถพๅฎ) ๋ฑ์ ๋ฑ์ฉํ๊ณ ์ฅ์จ๋ฅผ ํฌ๋น์ผ๋ก ๋ด๋ ธ๋๋ฐ ์ด๊ฒ์ ๊ฐ์ ์ฅ์ฌ๋ผ๊ณ ํ๋ค. ๋ํ, ์ด๋ฏธ ์ฃฝ์ ์ก์์ดยท๊น์ํญ(้ๅฃฝๆ) ๋ฑ์ ๋ณต์(ๅพฉ็ต)๋๊ณ ๋จ์ธ์ ์ ๊ณ์์ ๋ฌผ๋ฌ๋๊ฒ ๋์๋ค.
์๋ก ์ด ๋ค์ด์๊ณ ๋จ์ธ์ด ๋ฌผ๋ฌ๋ ๋ ์ฅํฌ๋น์ ์ค๋น ์ฅํฌ์ฌ(ๅผตๅธ่ผ)๊ฐ ํฌ๋น์๊ฒ ๋ณด๋ธ ์์ฅ(ๆธ็) ์์ ํ๋น ๋ฏผ์จ์ ๊ด๋ จ๋ ๋ฌธ๊ตฌ๊ฐ ์์ด ๋ ผ์์ด ๋ฒ์ด์ก๋ค. ์ฌ๋ฌ ์ฌ๋์ด ์ฅํฌ์ฌ๋ฅผ ์ฃฝ์ด์๊ณ ํ์ผ๋ ์ธ์์๊ฒ ํ๊ฐ ๋ฏธ์น ๊น ์ผ๋ คํ์ฌ ๋จ๊ตฌ๋งยท์ค์ง์ ๋ฑ์ด ์ฉ์ํ๊ฒ ํ๋ค.
๊ทธ๋ฐ๋ฐ ์๋น ๋ฏผ์จ๊ฐ ์ฃฝ์ ๋ค์์, ์ฅํฌ๋น์ด ์ทจ์ ๋น(ๅฐฑๅๅ ) ์์ชฝ์ ์ ๋น(็ฅๅ )์ ์ค์นํ๊ณ ๋ฏผ๋น๊ฐ ์ฃฝ๊ธฐ๋ฅผ ๊ธฐ๋ํ ์ผ์ด ๋ฐ๊ฐ๋์๋ค. ์ด ์ผ์ ๊ด๋ จ๋ ํฌ๋น๊ณผ ์ฅํฌ์ฌ๋ ์ฒํ๋๊ณ ๊ถ์ธ(ๅฎฎไบบ)ยท๋ฌด๋ ์ ๊ทธ ์กฑ๋น(ๆ้ปจ)๋ ํ๋ฅผ ์ ์๋ค. ์ด๊ฒ์ ๋ฌด๊ณ (ๅทซ่ ฑ)์ ์ฅ(็)์ด๋ผ๊ณ ํ๋ค.
์ด ๋ ์ฅํฌ๋น์ ๋ํด ๊ด๋ํ ํ๋๋ฅผ ์ทจํ ๋จ๊ตฌ๋งยท์ต์์ (ๅด้ซ้ผ)ยท์ ์์ด(ๆณๅฐ้) ๋ฑ ์๋ก ์ ์ ๋น๋ค๋ ๋ชฐ๋ฝํ๊ณ ๋ค์ ๋ ธ๋ก ์ด ๋์ธํ์๋ค. ์์ข ์ ์ดํ ๋น(ๅฌช)์ ํ๋น(ๅๅฆ)๋ก ์น๊ฒฉํ๋ ์ผ์ ์์ ๋ ๋ฒ์ ๋ง๋ค์๋ค.
๋๋ ํฌ๋น ์ฅ์จ๋๋ผ ๊บ์ํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํํ
I think Louis is the father Francois is the son.
Uncle and nephew
I'm gonna keep it a buck fifty----some of these melodies sound like straight out improv. Muthfuckas recorded some random jag playing the harpsichord and recorded that shit. Sounds great though.
J'aime bien la musique pour clavecin de Louis Couperin. Mais ici, je n'aime pas la sonoritรฉ du clavecin que je trouve moderne. Je prรฉfรจre entendre jouer ces piรจces sur un clavecin ancien.
Moi aussi.
ะั ะฟัะตะดะฟะพัะธัะฐะตัะต ะฝะพัั "ะปั"=440 ะั ะธะปะธ "ะปั" =432 ะั?
โThe music of Couperin pleases me, but there is too little depth to his gay little tunesโ (Countess Madeleine, _Capriccio_ by Richard Strauss).
Probably referring to Francois Couperin. And yes, FC's suites (which are more like collections than unified wholes) alternate between profound pieces and trifles.
@@TheGloryofMusic Yes, she was comparing him to Rameau.