Kinda random, but what would you think of a new color grade of Miami Vice with modern techniques. I was watching it on vivid setting with my TV and it’s bringing a lot of colors and contrast that I desperately want from the movie. Would be easy to denoise a lot of scenes and give it a nice touch up. I’m guessing you’re on the side of it’s look being part of the charm from your reviews of it and Collateral.
i enjoy the noisy look of the film, but i would not be opposed to an optional alternate color grading of the film! i think there are many movies from the 2010s (like the raid) which could benefit massively from a less washed out grading to make them not look so blue/greyscale
@@comradeyui9323 When I saw that deep black underwater shot at the beginning for the first time, it was such an awesome use of the cameras limitations with the shadows and highlights. One thing I like about Mann’s digital stuff is he doesn’t try to work around them like Fincher did with Benjamin Button, he really goes for it. Fincher’s movie looks great, but it just feels like every digital camera that would come out afterwards. Have you checked out End of Watch? They used a si-2k nano. A bit cleaner, but sort of has that digital grungy look I wish more movies used. Might be up your alley if you liked Miami Vice.
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the resident got pretty evil on this one
Kinda random, but what would you think of a new color grade of Miami Vice with modern techniques. I was watching it on vivid setting with my TV and it’s bringing a lot of colors and contrast that I desperately want from the movie. Would be easy to denoise a lot of scenes and give it a nice touch up. I’m guessing you’re on the side of it’s look being part of the charm from your reviews of it and Collateral.
The boat race looked particularly awesome in vivid. Clean, not a lot of noise. Actually bright since it’s shot in the day.
i enjoy the noisy look of the film, but i would not be opposed to an optional alternate color grading of the film! i think there are many movies from the 2010s (like the raid) which could benefit massively from a less washed out grading to make them not look so blue/greyscale
@@comradeyui9323 When I saw that deep black underwater shot at the beginning for the first time, it was such an awesome use of the cameras limitations with the shadows and highlights. One thing I like about Mann’s digital stuff is he doesn’t try to work around them like Fincher did with Benjamin Button, he really goes for it. Fincher’s movie looks great, but it just feels like every digital camera that would come out afterwards. Have you checked out End of Watch? They used a si-2k nano. A bit cleaner, but sort of has that digital grungy look I wish more movies used. Might be up your alley if you liked Miami Vice.
Please watch the exorcist 3