At a Sargent exhibition in Edinburgh I was surprised to see what looked like wax crayon used on one of his watercolour. He'd roughly used it to give sparkle to foliage. It was drawn over the top of the ground wash - showing though the later washes.
@@alcedo_kf True. A blast from the past there, Rowland was a bit of a star back then. Seems like his flooded brushstrokes which produced dark outlines isn't something people do much these days. Think he used those old ( now not available ) architects paint blocks.
Excelent skecht this másters piece of a big masters Jonh.S.S. Thank gary tucker,I think,in this lines darknes in the bottom of a water ?maybe they need,and this sculpture a little darknes in the shadow,gary tucker is this copy very very similar.
Absolutely fascinating, and thanks for letting me discover Sargent’s watercolours. Did you work on plein air or did you use a photo? In my experience, paintings in plein air have a much higher vibrancy, along less accuracy than those based on photos. What I find difficult in working from a photo is recapturing the original emotion. In fact, what I find difficult is adding information to a photo, rather than simply replicating it.
Love your free brush work wich is needed to be in spirit with Sargent. I follow you because you allow importance to light. Thanks
Very beautiful and fascinating to watch how you achieved this result.
Loved it. Your commentary is wonderfully instructive and valuable, and your paintings are so fresh and vibrant.
Jesus, I love John Singer Sargent‘s works as well as your videos!
At a Sargent exhibition in Edinburgh I was surprised to see what looked like wax crayon used on one of his watercolour. He'd roughly used it to give sparkle to foliage. It was drawn over the top of the ground wash - showing though the later washes.
@@alcedo_kf True. A blast from the past there, Rowland was a bit of a star back then. Seems like his flooded brushstrokes which produced dark outlines isn't something people do much these days. Think he used those old ( now not available ) architects paint blocks.
Fantástico! It is another great video and very inpiring insights. A strong hug from Brazil
You have such a unique approach to Watercolour that seems to really work. Love this one.
So nice you did a great job interpreting Sargeant
Thanks again - great painting and commentary! Cheers
That was great! Thank you!
Great video!! Unfortunately the link for the PDF in the description no longer works. So may I ask what materials/ colors you used please?
B sienna, y ochre, Nuetral tint cobalt blue - the pdf was lost when my site crashed
Thank you so much@@GaryTuckerArtist
Excelent skecht this másters piece of a big masters Jonh.S.S.
Thank gary tucker,I think,in this lines darknes in the bottom of a water ?maybe they need,and this sculpture a little darknes in the shadow,gary tucker is this copy very very similar.
Meraviglioso! Saluti da Siena
Absolutely fascinating, and thanks for letting me discover Sargent’s watercolours. Did you work on plein air or did you use a photo? In my experience, paintings in plein air have a much higher vibrancy, along less accuracy than those based on photos. What I find difficult in working from a photo is recapturing the original emotion. In fact, what I find difficult is adding information to a photo, rather than simply replicating it.
Particularly enjoyed your digressions on Sargeant and artistic maturity in this one.
Fair
Fantástico
Sargent died at 69.