apparently, Touch was made of 250 tracks.. and Face To Face uses so many samples, that people still to this day are finding new ones.. i swear, Daft Punk really goes all in sometimes
In any major or minor scale, there is only one primary dominant chord (built on a Vth scale degree). However, there are five secondary dominants that can be built on the I, ii, iii, vi, and vii scale degrees. (A dominant chord built on the IV degree of the major scale leads to a tonic outside of the key, so it is not considered a secondary dominant, but we can use this one as well.) Additionally, there are tritone substitutions, which are also dominant chords, for every dominant chord. In fact, any dominant chord can be used in any scale, whether it's a secondary dominant, tritone sub, borrowed chord, or simply a chord that feels right. So, there are certainly more than two dominant chords that we can use in any given key.
@@klevens5496 there’s no secondary dominant which resolves to the seventh degree of a major scale. This is quite logical as the diminished triad or the half diminished seventh chord are not very suitable for the tonic function.
Sus4 stands for the suspended fourth degree of the dominant seventh chord. Traditionally, this fourth degree was the note suspended (prolonged) from the previous subdominant chord in chord progressions like IV-V-I or ii-V-I. If the subdominant is IV, it is the fifth degree of the chord. If the subdominant is iim, it is the b7th degree. On the weak beat, the "delayed" note from the previous chord that became a fourth degree of the dominant seventh chord is resolved into the major third of the subsequent dominant chord. Note that the major third and fourth are almost never used at the same time on the dominant chord. In modern music, the dominant seventh chord is often used without any traditional resolution, as an independent entity. These chords are very flexible and can be used in a non-functional harmony context, meaning there is no clear subdominant-dominant-tonic relation between the chords.
This song is an example of Daft Punk spending 24 hours straight in the studio perfecting the beat
Oh yes!
Ngl I could imagine them doing that or making genius in five minutes too 😂
apparently, Touch was made of 250 tracks.. and Face To Face uses so many samples, that people still to this day are finding new ones..
i swear, Daft Punk really goes all in sometimes
BASS COMING ON IN MY HEAD
Oh yes!
In my head the beat comes
Sameeeeee
"I love you more than anything in my life"
Actual perfection
Agree!
It was many years later I learned that this song uses SOUL cord progressions.
oh yes!
Just hearing the first chord my heart starts to sink and I feel like crying.
Beautiful video and tempo ❤
Thank you! Such a great song!
Check out the new something about us mashup on my channel ❤
beautiful chords amazing artist
Yes they are!
My favorit daft punk track ❤
good job you actually got it right! so many people do it wrong
Thank you!
I'll never get over this song
Addictive stuff!
IT MAY NOT BE THE RIGHT TIME, I MAY NOT BE THE RIGHT ONE...
BUT THERES SOMETHING ABOUT US I WANT TO SAY
I NEED YOU MORE THAN ANYONE IN MY LIFE
I WANT YOU MORE THAN ANYTHING IN MY LIFE
was jamming to this song earlier while sweeping my kitchen, great album. top 3 of all time for me
Amazing album indeed!
🔥
Nice, one of my fave songs
Thanks!
Thanks!
Thanks fam!!
Any time
Another classic
Absolutely!
amazing bro, thx
you're welcome!
Awesome, thank you😊✌️🙏
You’re welcome 😊
This is awesome!!!
Thanks!
I need a Spotify playlist with these type of songs
Good Idea! Maybe I'll do that
Niceeeeee
Keep it up ❤😊
Thank you, I will
My favorite by them.
I never knew this was daft punk’s song i originally thought this was drams song
Wow, I was not aware of Drams. Cool cover version!
This is where shiloh dynasty got that rift yall
shiloh dynasty❤️
I thought there was only 2 dominants in the major and minor scales. So how did you manage to get three dominant chord in the chord progression??
In any major or minor scale, there is only one primary dominant chord (built on a Vth scale degree). However, there are five secondary dominants that can be built on the I, ii, iii, vi, and vii scale degrees. (A dominant chord built on the IV degree of the major scale leads to a tonic outside of the key, so it is not considered a secondary dominant, but we can use this one as well.)
Additionally, there are tritone substitutions, which are also dominant chords, for every dominant chord. In fact, any dominant chord can be used in any scale, whether it's a secondary dominant, tritone sub, borrowed chord, or simply a chord that feels right. So, there are certainly more than two dominant chords that we can use in any given key.
@@MusicianParadise I thought we could use secondary dominants for any note in any scale though?
@@klevens5496 there’s no secondary dominant which resolves to the seventh degree of a major scale. This is quite logical as the diminished triad or the half diminished seventh chord are not very suitable for the tonic function.
The goat
FULL VERSION NOW
🤞
Thanks!
For sampling ?
yes
Your channel is awesome
@@Lowerhaightstreet thank you’
Do virtual insanity
ruclips.net/user/shortsWF0n_SmV0ts
ruclips.net/user/shortsxnGkgjlq40c
Is the top scenery an anime episode if so whats it called
Its the music video for the daft punk song these chords are to
@@frankdeanda5250 thank you
Paw paw paw pew pew pew piiw piiw piiw pepep papapeew
Exactly!
Wheres the waw waw waw waw waw waw waw waw wawawa waw waw... 😅 kidding
hahah
THIS COMMENT TAKES THE CAKE AHHAHAHA
Pero el primero Re que pones no es disminuido, es menor 🤔
Si, Re menor, correcto!
Why is sus
Sus4 stands for the suspended fourth degree of the dominant seventh chord. Traditionally, this fourth degree was the note suspended (prolonged) from the previous subdominant chord in chord progressions like IV-V-I or ii-V-I. If the subdominant is IV, it is the fifth degree of the chord. If the subdominant is iim, it is the b7th degree. On the weak beat, the "delayed" note from the previous chord that became a fourth degree of the dominant seventh chord is resolved into the major third of the subsequent dominant chord. Note that the major third and fourth are almost never used at the same time on the dominant chord.
In modern music, the dominant seventh chord is often used without any traditional resolution, as an independent entity. These chords are very flexible and can be used in a non-functional harmony context, meaning there is no clear subdominant-dominant-tonic relation between the chords.
G9sus4💀
yes!
@@MusicianParadise G9(sus)4
Wonder what song they stole this from